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The Call - For SSA and Piano
Sheetmusic to print
60 sheet music found
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1
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51
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Congklak and YoYo
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Piano solo
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EASY
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Gabrielle Felicita Chen
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Congklak and YoYo
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Gabrielle Felicita Chen
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1083572 Composed by Gabrielle Felicita Chen. 20th Century,Children,Country,Folk,Pop. Score. 4 pages. Gabr...
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Piano Solo - Level 2 - Digital Download SKU: A0.1083572 Composed by Gabrielle Felicita Chen. 20th Century,Children,Country,Folk,Pop. Score. 4 pages. Gabrielle Felicita Chen #687775. Published by Gabrielle Felicita Chen (A0.1083572). I composed this piece about couple months ago, about February 2022, with a title of: “Congklak and YoYo†Starting when I was inspired by two popular Indonesian traditional children's games called Congklak and Yo-Yo. Congklak is also known as Mancala in other countries. The history of Congklak game came from a long way- originated from the Middle East to Africa and finally spread to Asia. In Indonesia, the game was at first only played by the young girls from the Javanese nobility families. With the passage of time, Congklak game's popularity grew and was widely played by common people. On the other hand, 'Yo-Yo' is a game using a toy that consists of a circular object and a long piece of string tied into it in such a way that the object can be made to go up and down by manipulating the string. Girls would be playing Congklak together while the boys playing Yo-Yo. I was so drawn to both games because they were both such entertaining games to play amongst friends. So I decided to translate my fascination of the games into my piano composition. After understanding deeper on how to play the game of YoYo, I was inspired to put on ‘ascending and descending notes’ as a way to interpret and emulate the YoYo's up and down movements. To illustrate the game of Congklak, I used ‘staccatos’ and ‘ornaments’ to emulate the sound of seeds moving from one hole to another in a rotating sequence. Moreover, I was able to use different kinds of musical techniques to express different moods. I applied D Major to create an exciting nuance of playing together, and spiced it up with the touch of Javanese Scale which represents the Javanese Gamelan sounds that are usually transcribed into Western notations. Well, enjoy! 😃.
$1.99
The Girl From Ipanema - Piano Solo
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Piano solo
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INTERMEDIATE
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Latin/World Music
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Various
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Mario Stallbaumer
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The Girl From Ipanema - Piano
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Intermediate - Digital Download By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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Piano Solo - Intermediate - Digital Download By Various. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "The Girl From Ipanema" on piano!
With this piano sheet music, you can play the famous bossa nova "The Girl From Ipanema" ("Garota de Ipanema").
It's a beautiful piano arrangement of the jazz standard which includes the full melody and chords.
This piano version is not too hard to play, and it sounds fantastic!
"The Girl From Ipanema" might be the most famous bossa nova song of all times. The music was composed in 1962 by Antônio Carlos Jobim. The original Portuguese title of the song is "Garota de Ipanema", the lyrics were written by Vinicius de Moraes. The English version of the song was later written by Norman Gimbel.
The song became a huge hit when it was released in the 1960s, won a Grammy award, appeared in countless films (typically as elevator music), and has been recorded by many artists worldwide.
The most famous versions of the song were recorded by Stan Getz and Astrud Gilberto, Frank Sinatra, as well as Ella Fitzgerald and the Supremes.
If you like this arrangement, please consider leaving a review - it would mean a lot.
$4.99
Come and Follow Me
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Michael Huseman
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Michael Huseman
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Come and Follow Me
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Michael Huseman
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1286890 By Michael Huseman. By Michael Huseman. Arranged by Michael Huseman. Christian,Contemporar...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1286890 By Michael Huseman. By Michael Huseman. Arranged by Michael Huseman. Christian,Contemporary,Holiday,Lent,Praise & Worship. Score. 5 pages. Michael Huseman #877892. Published by Michael Huseman (A0.1286890). Come and Follow Me is a stirring Christian song which speaks of the calling from Jesus to follow him. This song speaks to our hesitancy to follow Christ when he calls us. So many times, we find excuses to not do His work...we feel unworthy and ill-equipped. But when we truly feel his hand upon our hearts, the message becomes clear that we are in fact His servant and need to follow Him. You might consider using this song when commissioning mission groups. The message would speak directly to them.
$4.99
The Explorer's Ditty
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Piano solo
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Melissa Blanton
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The Explorer's Ditty
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Melissa Blanton
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.480413 Composed by Melissa Blanton. This edition: Interactive Download. Classical,Fol...
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Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.480413 Composed by Melissa Blanton. This edition: Interactive Download. Classical,Folk. Individual part. 2 pages. Duration 59. Published by Melissa Blanton (A0.480413). Fun, upbeat, piano solo in D Major! I called on a creative student to title this song!I love including chromatic passages which the LH gets to tackle towards the end... with the dissonance it creates against the RH you get the feel of an explorer going through a tricky passage way or descending a narrow, rocky path! The adventure ends with an authentic cadence- the feel of victory!
$2.99
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 page...
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
When the Time Was Right
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Choral SATB
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Sacred music
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Faye Lopez
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When the Time Was Right
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5712L Composed by Faye Lopez. Sacred Anthem, Christmas. Octavo. 8 pages...
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SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5712L Composed by Faye Lopez. Sacred Anthem, Christmas. Octavo. 8 pages. Lorenz Publishing - Digital Sheet Music #e10/5712L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5712L). This special anthem from the writing team of Mock and López will be a wonderful addition to your Christmas Eve or Christmas services. The lyric, based upon a text by Charles Wesley, recalls the familiar passage in Galatians 4:4, and perfectly complements the lyrical melody. A phrase of Hark! the Herald Angels Sing brings a touch of the familiar to this very original work.
$2.40
Let Us in the Lord Rejoice
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Choral SATB
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Sacred music
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Douglas E
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Let Us in the Lord Rejoice
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Sacred Music Press
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SheetMusicPlus
SATB choir, piano SKU: LO.10-4940S Composed by Douglas E. Wagner. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/4940S. Published by Sacred Music ...
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SATB choir, piano SKU: LO.10-4940S Composed by Douglas E. Wagner. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/4940S. Published by Sacred Music Press (LO.10-4940S). ISBN 9780787758424.The core message of the Christian faith is beautifully expressed in this anthem from Douglas E. Wagner and Ronald Cadmus. Beginning gently and lyrically, it gradually builds to a joyous conclusion.
$2.75
Let Us in the Lord Rejoice
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Choral SATB
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Sacred music
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Douglas E
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Let Us in the Lord Rejoice
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Sacred Music Press
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SheetMusicPlus
SATB choir, Piano - Digital Download SKU: LX.10-4940S Composed by Douglas E. Wagner. Sacred Anthem, General. Octavo. 8 pages. Sacred Music Press #e10/494...
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SATB choir, Piano - Digital Download SKU: LX.10-4940S Composed by Douglas E. Wagner. Sacred Anthem, General. Octavo. 8 pages. Sacred Music Press #e10/4940S. Published by Sacred Music Press (LX.10-4940S). ISBN 9780787758424. Text: Ronald W. Cadmus.The core message of the Christian faith is beautifully expressed in this anthem from Douglas E. Wagner and Ronald Cadmus. Beginning gently and lyrically, it gradually builds to a joyous conclusion.
$2.40
Au Bord De La Riviere
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Piano solo
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INTERMEDIATE/ADVANCED
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Clayderman Richard
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Gavin Koh
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Au Bord De La Riviere
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Gavin Koh
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1269282 By Clayderman Richard. By Olivier Toussaint and Paul De Senneville. Arranged by Gavin Koh. Contem...
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Piano Solo - Level 4 - Digital Download SKU: A0.1269282 By Clayderman Richard. By Olivier Toussaint and Paul De Senneville. Arranged by Gavin Koh. Contemporary,Pop. Score. 4 pages. Gavin Koh #861820. Published by Gavin Koh (A0.1269282). Here is my piano solo arrangement of Richard Clayderman's Au Bord de la Riviere (translated as Along the River from French by Google). According to Discogs, this piece first appeared in his 1980 self-titled album. It was composed by Olivier Toussaint and Paul de Senneville. The song is typically arranged in a simpler key of D Major, but this version employs the original Db major key. It also typically loops and fades out at the end, but this version incorporates an alternate ending with a Clayderman style flourish. Chords have also been included with the sheet music. This arrangement was played via music notation software. Further details can be found in the Youtube video description.
$4.99
The Fall Of Icarus
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Choral SATB
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INTERMEDIATE
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John W
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The Fall Of Icarus
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John Fisher
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972967 Composed by John W. Fisher. 20th Century,A Cappella,Contemporary,World. Octavo. 11 pages....
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972967 Composed by John W. Fisher. 20th Century,A Cappella,Contemporary,World. Octavo. 11 pages. John Fisher #3689763. Published by John Fisher (A0.972967). This choral piece is a rendition of William Carlos William's world famous poem, Landscape with the Fall of Icarus. Since the Bruegel painting shows as much ocean as land, a sea shanty is used to tell the story of the tragic Greek figure Icarus.The rollicking piano accompaniment along with the treble and bass duet are accented by an a cappella four part Greek chorus.The message is deep; the music is ironically whimsical.
$2.00
Gone Away (Han Seung Min A I En)
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Piano solo
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INTERMEDIATE
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Stray Kids
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Cathy Pate
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Gone Away
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Aiwo Production
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1431328 By Stray Kids. By Gump, Jeong In Yang, Ji Sung Han, Keun Woo Kim, and Seung Min Kim. Arranged by ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1431328 By Stray Kids. By Gump, Jeong In Yang, Ji Sung Han, Keun Woo Kim, and Seung Min Kim. Arranged by Cathy Pate. 21st Century,Hip-Hop,Multicultural,Pop,World. Score. 3 pages. Aiwo Production #1011796. Published by Aiwo Production (A0.1431328). Gone Away by Stray Kids is an emotionally charged track that delves into themes of loss, longing, and the passage of time. With poignant lyrics and a haunting melody, the song captures the feelings of missing someone who is no longer present, whether physically or emotionally. Through powerful vocals and expressive music, Stray Kids convey the bittersweet emotions of reminiscing about the past while grappling with the pain of separation.
$8.99
We Three Kings of Orient Are
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Piano solo
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EASY
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Christmas
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John Henry Hopkins Jr
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Kim S
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We Three Kings of Orient Are
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.961693 Composed by John Henry Hopkins Jr. Arranged by Kim S. Bean. Christmas,Contemporary. Score. 3 pages...
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Piano Solo - Level 2 - Digital Download SKU: A0.961693 Composed by John Henry Hopkins Jr. Arranged by Kim S. Bean. Christmas,Contemporary. Score. 3 pages. Kim S. Bean #6511273. Published by Kim S. Bean (A0.961693). We Three Kings of Orient Are, 3 pages, is a mysterious, gentle piece in the key of E minor at the early intermediate level. Midway through the piece, there is a majestically bold section followed by a sweetly rocking section. There are broken chords, a16th note passage, and blocked chords of various inversions along with some tremolo.Be sure to see the other carols arranged by Kim S. Bean: Joy to the World, Silent Night and It Came Upon a Midnight Clear. You may also enjoy the nearly 50 other original compositions of varying levels of difficulty available by Kim S. Bean.
$4.99
A Day In The Life Of A Fool (manha De Carnaval)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Luiz Bonfa
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Thomas Graf
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A Day In The Life Of A Fool
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.569560 Composed by Luiz Bonfa. Arranged by Thomas Graf. Contemporary. Score and parts. 68 pages. Thom...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.569560 Composed by Luiz Bonfa. Arranged by Thomas Graf. Contemporary. Score and parts. 68 pages. Thomas Graf - the-hit-factory.com #6410633. Published by Thomas Graf - the-hit-factory.com (A0.569560). Manhã de Carnaval (Carnival Morning) is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. It appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro. After the introduction the theme comes as relaxed Bossa Nova; which leads later on to a samba-double time feel. Have fun! Drums and rhthmn group can be added ad lib; all parts included! Instrumentation: Full Score Trumpet 1 in Bb Trumpet 2 in Bb Horn in F/Eb Trombone in C/Bb Tuba Bass in Bb Bass in Eb Drums (opt.) Piano (opt.) Guitar (opt.) Bass (opt.) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$22.00
Tender feelings - Bossa Nova/Samba - Big Band - D-Minor - Score Only
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Jazz Ensemble
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INTERMEDIATE
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Thomas Graf
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Thomas Graf
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Tender feelings - Bossa Nova/S
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1242150 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. Contemporary,Jazz,Latin...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1242150 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. Contemporary,Jazz,Latin,Pop. 17 pages. Thomas Graf - the-hit-factory.com #837507. Published by Thomas Graf - the-hit-factory.com (A0.1242150). Bossa Nova; very relaxed and romantic with wide melodies and interesting harmonies. Have fun!About this arrangement:Â Composed by: Thomas H. GrafArranged by: Thomas H. GrafInstrumentation:Â Full Score5 Saxes (Alto 1: Solo)4 Trumpets (+ opt. 5th)4 Trombones (incl. Bass Trombone)GuitarPianoBassDrumsAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$5.99
S.o.s.
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Piano, Voice
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INTERMEDIATE
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Pop music
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ABBA
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Hallstein Lunde
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S.o.s.
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Hallstein Lunde
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.802717 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Hallstein Lunde....
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.802717 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Hallstein Lunde. Pop. Score. 3 pages. Hallstein Lunde #407863. Published by Hallstein Lunde (A0.802717). Ntermediate level piano. I find this arrangement rather good, it captures the overall mood of the original arrangement by Abba. It is quite varied musically, and the song encompasses passages that sound almost classical, but also quite intense rock'n'roll. Have fun.
$5.00
Remembering My Sweetheart
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Piano, Voice
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INTERMEDIATE
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Leo Friedman
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Bill Bridenback & Melissa C
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Remembering My Sweetheart
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Melissa C. Westman
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829634 Composed by Leo Friedman. Arranged by Bill Bridenback & Melissa C. Westman. Christian. Scor...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829634 Composed by Leo Friedman. Arranged by Bill Bridenback & Melissa C. Westman. Christian. Score. 4 pages. Melissa C. Westman #2021985. Published by Melissa C. Westman (A0.829634). Remembering My Sweetheart, sung to the tune of Let Me Call You Sweetheart, is a tender message of love toward a spouse who has passed away. The arrangement is in a thoughtful, flowing style. The words offer special encouragement, with the promise of eternal life and being together again in heaven.
$5.25
I Surrender All
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Piano solo
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INTERMEDIATE
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Sacred music
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Winfield A
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Sandy McIntire
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I Surrender All
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Sandy McIntire
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1236157 Composed by Winfield A. Weeden. Arranged by Sandy McIntire. 19th Century,Christian,Praise & Worsh...
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Piano Solo - Level 3 - Digital Download SKU: A0.1236157 Composed by Winfield A. Weeden. Arranged by Sandy McIntire. 19th Century,Christian,Praise & Worship,Sacred,Traditional. Score. 5 pages. Sandy McIntire #831665. Published by Sandy McIntire (A0.1236157). I Surrender All (All to Jesus I surrender) is a hymn from the last years of the 19th Century in the U.S. that is still sung and recorded today. Its simple and soothing music and message makes it ideal as a prelude or altar call in worship and prayer services. This arrangement as an Intermediate Piano Solo is in the keys of D and B flat major. Other hymns in this series by McIntire include Sound the Battle Cry, Who Is on the Lord's Side, and Just As I Am.
$5.50
Weeds!
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Piano solo
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INTERMEDIATE/ADVANCED
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Kim S
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late intermediate.
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Weeds!
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.961686 Composed by Kim S. Bean. Contemporary,Standards. Score. 5 pages. Kim S. Bean #6092635. Published b...
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Piano Solo - Level 4 - Digital Download SKU: A0.961686 Composed by Kim S. Bean. Contemporary,Standards. Score. 5 pages. Kim S. Bean #6092635. Published by Kim S. Bean (A0.961686). Solo piano, 5 pages, late intermediate. Weeds! is the third from a set of pieces called Garden Varieties. This minor key piece is in the style of a tarantella and is full of fun! Along with the mysterioso minor chords are diminished chords with accents and staccatos, an octave passage, arpeggios, tempo changes and a glissando to end this mischievous piece. Other pieces available in this set are: Red Fairy Roses and Lilacs in Bloom.
$4.99
Lilacs in Bloom
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Piano solo
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INTERMEDIATE/ADVANCED
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Kim S
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Lilacs in Bloom
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Lilacs in Bloom
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.961685 Composed by Kim S. Bean. Contemporary,Standards. Score. 6 pages. Kim S. Bean #6092631. Published b...
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Piano Solo - Level 4 - Digital Download SKU: A0.961685 Composed by Kim S. Bean. Contemporary,Standards. Score. 6 pages. Kim S. Bean #6092631. Published by Kim S. Bean (A0.961685). Solo piano, 6 pages, late intermediate. Lilacs in Bloom is the second piece from a set of pieces called Garden Varieties. This emotional and romantic piece starts with a contemplative opening which soon blossoms into a sparkling passage filled with arpeggios. A gentle and delicate reverie follows. A dark mysterious section precedes a transitional passage that builds and grows in heightened emotion, leading back to the main theme. Other pieces available in this set are: Red Fairy Roses and Weeds!
$4.99
One Note Samba (samba De Uma Nota So)
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Latin/World Music
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Jazz
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Pat Thomas
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John Fries
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One Note Samba
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196239 By Pat Thomas. By Antonio Carlos Jobim and Newton Mendonca. Arranged by John Fries....
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196239 By Pat Thomas. By Antonio Carlos Jobim and Newton Mendonca. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Standards. Score. 2 pages. John Fries #795394. Published by John Fries (A0.1196239). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Samba de uma Nota Só, known in English as One Note Samba, is a bossa nova and jazz standard song composed by Antônio Carlos Jobim. The song title refers to the main melody line, which at first consists of a long series of notes of a single tone (typically D, as played in the key of G) played over a descending chord progression in a bossa nova rhythm. The song was featured in a prominent scene of A Man Without a Skin, a 1963 episode of Naked City.
$4.99
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