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The Climb Over Horizon
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You've selected:
The Climb Over Horizon
SheetMusicPlus
Sheetmusic to print
3 sheet music found
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The Climb Over Horizon
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Concert band
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BEGINNER
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Joshua A
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The Climb Over Horizon
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Joshua A Idio
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1239031 Composed by Joshua A. Idio. Children,Classical,Contest,Festival,Instructional. Score and Parts....
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Concert Band - Level 1 - Digital Download SKU: A0.1239031 Composed by Joshua A. Idio. Children,Classical,Contest,Festival,Instructional. Score and Parts. 35 pages. Joshua A Idio #834422. Published by Joshua A Idio (A0.1239031). Composed by Joshua A. Idio. (ASCAP Licensed) Concert Band Music. Concert music. Full score and parts.Grade 1 Concert BandA young musician's climb towards progress starts from the bottom. What better way to start than with this great work for beginning band? Filled with fun melodies, ostinatos, and familiar rhythms, this work has all the fun for young band and the stylistic musical color of the composer.
$45.00
Spiritual Adaptation to Higher Altitudes for clarinet and vibraphone
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Contemporary
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William Grosvenor Neil
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parts) is a beautiful work
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Spiritual Adaptation to Higher
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Digital Download SKU: A0.980582 Composed by William Grosvenor Neil. Contemporary. Score and par...
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Instrumental Duet Clarinet,Instrumental Duet,Vibraphone - Digital Download SKU: A0.980582 Composed by William Grosvenor Neil. Contemporary. Score and parts. 17 pages. TheComposerStudio.Com, LLC #3517735. Published by TheComposerStudio.Com, LLC (A0.980582). Spiritual Adaptation to Higher Altitudes (2018) (score & parts) is a beautiful work. Bursts of excitement and moments of dialogue punctuate the long, seamless phrases, inviting the musicians to explore the remarkably rich palette of colors created by this pairing. William Neil has created a truly unique, much-needed addition to the clarinet and percussion repertoire!- Dr. Corey MackeyProgram NotesI was introduced to rock climbing by chance years ago, allured by the solo adventure of the climb, the management of ropes and the feel of the rock under my feet and fingers. Then, there was the fear of heights that could take your breath away when you were exposed to the vast openness below you and the feeling that you were really not supposed to be this high off the ground. And when the wind blows and you watch an eagle or hawk drift by, perfectly comfortable souring at these heights, you realize the importance of mind control in making your ascent. Over the years, I have gained more mental discipline while climbing and my spirit has been strengthened by the visual experience of these broad and deep horizons. The poet Diana Syder said it well in her poem The Mountaineer: From this height it’s safe to scan the earth for bigger things. The climbs of life are its meaning. WN Information on the composer: www.williamneil.net Audio Sample: Corey Mackey, Clarinet, Keith Lienert, Vibraphone
$30.00
Festival
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
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