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The G Scale
Sheetmusic to print
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826
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Pu...
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitar
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EASY
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Br...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Advanced Viola Scale Studies
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Viola
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INTERMEDIATE
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Advanced Viola Scale Studies
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Viola - Intermediate - Digital Download SKU: M0.31154EB Technique. E-book. 33 pages. Mel Bay Publications - Digital Sheet Music #31154EB. Published by Me...
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Viola - Intermediate - Digital Download SKU: M0.31154EB Technique. E-book. 33 pages. Mel Bay Publications - Digital Sheet Music #31154EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31154EB). ISBN 9781513473901. 8.75X11.76 inches.Practicing scales is essential to building and maintaining strength, technique, tone, and agility on the viola, but it is easy to slip into the habit of playing scales automatically, without paying attention to tonality or sound production. The 29 single-page studies in this book focus the attention of violists on the beauty of sound, with a particular concern for the way different keys resonate on the viola.The first 24 studies address all minor and relative major keys and proceed through the circle of fifths; the last 5 pieces are individually conceived, i.e., apart from the circle of fifths. No metronome indications are given, so the etudes can be played at individually comfortable tempos.The names of the etudes refer to various animals that have scales, including insects, fish, birds, reptiles, and a few species of mammals. The author hopes that in addition to experiencing more enjoyable scale practice, students will be inspired to learn more about these amazing creatures and write scale studies of their own.
Song List
: Red-Tailed Boa (A minor) Green Iguana (C major) Saw-Scaled Viper (E minor) Red Factor Canary (G major) Funereal Dusky-Wing Butterfly (B minor) American Crocodile (D major) Gorgon Copper Butterfly (F-sharp minor) Steller's Sea Eagle (A major) Lembert's Green Hairstreak (C-sharp minor) Lord Darby's Scaly-Tailed Squirrel (E major) Giant Pangolin (G-sharp minor) Freshwater Crocodile (B major) Blowfish (D-sharp minor) Cuban Crocodile (F-sharp major) Rainbow Sardine (B-flat minor) Musky Rat-Kangaroo (D-flat major) Great White Shark (F minor) Blue Scaled Quail (A-flat major) Brahminy Blind Snake (C minor) Tokay Gecko (E-flat major) Neon Damselfish (G minor) Pel's Flying Squirrel (B-flat major) Cloudless Sulphur Butterfly (D minor) Cameroon Scaly Tail Squirrel (F major) Sanford's Sea Eagle (A-flat major) False Coral Snake (D minor) Black-Bellied Pangolin (G minor) Round Sardinella (B-flat major) Northern Bobwhite (A major
$12.99
5 Scale Forms for Guitar
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Guitar notes and tablatures
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BEGINNER
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Instructional
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Brian Streckfus
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Brian Streckfus
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5 Scale Forms for Guitar
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 1...
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
$1.99
Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.
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Trumpet
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INTERMEDIATE
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Instructional
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Chords/Scales
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ABRSM
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Tim Curd
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either harmonic or melodic
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Trumpet Scales Grade 5. For th
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Tim Curd
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1227792 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #...
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1227792 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823755. Published by Tim Curd (A0.1227792). Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. These scales can also be used for: Cornet in Bb, Soprano Cornet, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurred.The candidate will only need to learn one type of minor scale; either harmonic or melodic.B Major Scale: a 12thB Major Arpeggio: a 12thC Major Scale: a 12thC Major Arpeggio: a 12thDb Major Scale: a 12thDb Major Arpeggio: a 12thG Major Scales: 2 OctavesG Major Arpeggio: 2 OctavesBb Harmonic Minor Scale: a 12thBb Melodic Minor Scale: a 12thBb Minor Arpeggio: a 12thC# Harmonic Minor Scale: a 12thC# Melodic Minor Scale: a 12thC# Minor Arpeggio: a 12thF Harmonic Minor Scale: 1 Octave and down to the dominant.F Melodic Minor Scale: 1 Octave and down to the dominant.F Minor Arpeggio: 1 Octave and down to the dominant.G Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesG Chromatic: 2 OctavesWhole Tone Scale in G: 2 OctavesDominant 7th in the key of C, Resolving on TonicDominant 7th in the key of Db, Resolving on TonicDiminished 7th in G: 2 Octaves.
$1.99
THE DEEP for solo DOUBLE BASS
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Double Bass
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Contemporary
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932...
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
Trumpet Scales Grade 6. For the new ABRSM Syllabus from 2023.
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Trumpet
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INTERMEDIATE/ADVANCED
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Instructional
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Chords/Scales
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ABRSM
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Tim Curd
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Trumpet Scales Grade 6. For th
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Tim Curd
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1227793 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #...
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B-Flat Trumpet Solo - Level 4 - Digital Download SKU: A0.1227793 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823756. Published by Tim Curd (A0.1227793). Trumpet Scales Grade 6. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. These scales can also be used for: Cornet in Bb, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurred.The candidate will need to learn both harmonic and melodic minor scales.D Major Scale: a 12thD Major Arpeggio: a 12thD Harmonic Minor Scale: a 12thD Melodic Minor Scale: a 12thD Minor Arpeggio: a 12thEb Major Scale: a 12thEb Major Arpeggio: a 12thEb Harmonic Minor Scale: a 12thEb Melodic Minor Scale: a 12thEb Minor Arpeggio: a 12thG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesG Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesAb Major Scale: 2 OctavesAb Major Arpeggio: 2 OctavesAb Harmonic Minor Scale: 2 OctavesAb Melodic Minor Scale: 2 OctavesAb Minor Arpeggio: 2 OctavesG# Harmonic Minor Scale: 2 OctavesG# Melodic Minor Scale: 2 OctavesG# Minor Arpeggio: 2 OctavesBb Major, 1 Octave in 3rdsG Chromatic: 2 OctavesAb Chromatic: 2 OctavesWhole Tone Scale in G: 2 OctavesWhole Tone Scale in Ab: 2 OctavesDominant 7th in the key of G, Resolving on TonicDominant 7th in the key of Ab, Resolving on TonicDominant 7th in the key of Db, Resolving on TonicDiminished 7th in G#: 2 Octaves.
$3.00
Prelude 6 in G Minor Dorian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 23 in G Major Lydian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 16 in G# Minor Phrygian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 16 in G# Minor Phrygia
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Horn Scales Grade 5. For the new ABRSM Syllabus from 2023.
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French horn
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INTERMEDIATE
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Instructional
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Chords/Scales
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ABRSM
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Tim Curd
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either harmonic or melodic
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Horn Scales Grade 5. For the n
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Tim Curd
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SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.1227736 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823...
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French Horn Solo - Level 3 - Digital Download SKU: A0.1227736 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823700. Published by Tim Curd (A0.1227736). Horn Scales Grade 5. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurredThe candidate will only need to learn one type of minor scale; either harmonic or melodic.A Major Scale: a 12thA Major Arpeggio: a 12thB Major Scale: a 12thB Major Arpeggio: a 12thD Major Scale: 2 OctavesD Major Arpeggio: 2 OctavesG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesC Harmonic Minor Scale: a 12thC Melodic Minor Scale: a 12thC Minor Arpeggio Scale: a 12thA Harmonic Minor Scale: 1 Octave and down to the dominantA Melodic Minor Scale: 1 Octave and down to the dominantA Minor Arpeggio Scale: 1 Octave and down to the dominantD Harmonic Minor: 2 OctavesD Melodic Minor: 2 OctavesD Minor Arpeggio: 2 OctavesF# Harmonic Minor: 2 OctavesF# Melodic Minor: 2 OctavesF# Minor Arpeggio: 2 OctavesF Chromatic: 2 OctavesWhole Tone Scale in F: 2 OctavesDominant 7th in the Key of A, resolving on tonicDominant 7th in the Key of C, resolving on tonicDiminished 7th in G: 2 Octaves.
$1.99
Trombone Scales (bass clef) Grade 2. For the new ABRSM Syllabus from 2023.
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Trombone
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BEGINNER
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Instructional
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Chords/Scales
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ABRSM
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Tim Curd
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Trombone Scales
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Tim Curd
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1227769 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 2 pages. T...
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Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1227769 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 2 pages. Tim Curd #823733. Published by Tim Curd (A0.1227769). Trombone Scales Grade 2 (Bass Clef). For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. These scales can also be used for: Trombone in C Bass ClefPlease note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed tongued only. The candidate will only need to learn one type of minor scale; either natural, harmonic or melodic.Ab Major Scale: 1 OctaveAb Major Arpeggio: 1 OctaveC Major Scale: 1 OctaveC Major Arpeggio: 1 OctaveG Natural Minor Scale: 1 OctaveG Harmonic Minor Scale: 1 OctaveG Melodic Minor Scale: 1 OctaveG Minor Arpeggio: 1 OctaveC Natural Minor Scale: 1 OctaveC Harmonic Minor Scale: 1 OctaveC Melodic Minor Scale: 1 OctaveC Minor Arpeggio: 1 Octave.
$1.99
Trombone Scales (bass clef) Grade 5. For the new ABRSM Syllabus from 2023.
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Trombone
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INTERMEDIATE
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Instructional
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Chords/Scales
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ABRSM
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Tim Curd
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Trombone Scales
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Tim Curd
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 3 - Digital Download SKU: A0.1227780 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. T...
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Tenor Trombone,Trombone Solo - Level 3 - Digital Download SKU: A0.1227780 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823743. Published by Tim Curd (A0.1227780). Trombone Scales Grade 5 (Bass Clef). For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed tongued only. The candidate will only need to learn one type of minor scale: either harmonic or melodic.A Major Scale: a 12thA Major Arpeggio: a 12thC Major Scale: a 12thC Major Arpeggio: a 12thF Major Scale: a 12thF Major Arpeggio: a 12thG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesA Harmonic Minor Scale: a 12thA Melodic Minor Scale: a 12thA Minor Arpeggio: a 12thC Harmonic Minor Scale: a 12thC Melodic Minor Scale: a 12thC Minor Arpeggio: a 12thEb Harmonic Minor Scale: 1 Octave and down to the dominantEb Melodic Minor Scale: 1 Octave and down to the dominantEb Minor Arpeggio: 1 Octave and down to the dominantG Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesF Chromatic: 2 OctavesWhole Tone in F, 2 OctavesDominant 7th in the key of Bb, 2 Octaves resolving on the tonicDominant 7th in the key of C, 2 Octaves resolving on the tonicDiminished 7th in F: 2 Octaves.
$1.99
Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.
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Trumpet
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ADVANCED
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Instructional
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Chords/Scales
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ABRSM
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Tim Curd
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Trumpet Scales Grade 8. For th
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Tim Curd
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SheetMusicPlus
B-Flat Trumpet Solo - Level 5 - Digital Download SKU: A0.1227795 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #...
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B-Flat Trumpet Solo - Level 5 - Digital Download SKU: A0.1227795 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823759. Published by Tim Curd (A0.1227795). Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. These scales can also be used for: Cornet in Bb, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued, legato tongued or slurred.The candidate will need to learn both harmonic and melodic minor scales.F Major Scale: a 12thF Major Arpeggio: a 12thF Harmonic Minor Scale: a 12thF Melodic Minor Scale: a 12thF Minor Arpeggio: a 12thF# Major Scale: a 12thF# Major Arpeggio: a 12thF# Harmonic Minor Scale: a 12thF# Melodic Minor Scale: a 12thF# Minor Arpeggio: a 12thB Major Scale: 2 OctavesB Major Arpeggio: 2 OctavesB Harmonic Minor Scale: 2 OctavesB Melodic Minor Scale: 2 OctavesB Minor Arpeggio: 2 OctavesC Major Scale: 2 OctavesC Major Arpeggio: 2 OctavesC Harmonic Minor Scale: 2 OctavesC Melodic Minor Scale: 2 OctavesC Minor Arpeggio: 2 OctavesAb Major, Extended-Range ScaleAb Major, Extended-Range ArpeggioG Harmonic Minor, Extended-Range ScaleG Minor, Extended-Range ArpeggioA Major, 2 Octaves in 3rdsBb Major, 2 Octaves in 3rdsF# Chromatic: 2 OctavesB Chromatic: 2 OctavesC Chromatic: 2 OctavesWhole Tone Scale in B: 2 OctavesWhole Tone Scale in C: 2 OctavesDominant 7th in the key of Bb, Resolving on TonicDominant 7th in the key of B, 2 Octaves Resolving on TonicDominant 7th in the key of E, 2 Octaves Resolving on TonicDominant 7th in the Key of F, 2 Octaves Resolving on TonicDiminished 7th in F#: 2 OctavesDiminished 7th in B: 2 OctavesDiminished 7th in C: 2 Octaves.
$3.00
Trombone Scales (bass clef) Grade 1. For the new ABRSM Syllabus from 2023.
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Trombone
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BEGINNER
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Instructional
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Chords/Scales
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ABRSM
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Tim Curd
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Trombone Scales
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Tim Curd
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1227752 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 1 pages. T...
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Tenor Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1227752 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 1 pages. Tim Curd #823715. Published by Tim Curd (A0.1227752). Trombone Scales Grade 1 (Bass Clef). For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. These scales can also be used for: Trombone in C Bass ClefPlease note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed tongued only. The candidate will only need to learn one type of minor scale; either natural, harmonic or melodic.Bb Major Scale: 1 OctaveBb Major Arpeggio: 1 OctaveG Natural Minor Scale: 1 OctaveG Harmonic Minor Scale: 1 OctaveG Melodic Minor Scale: 1 OctaveG Minor Arpeggio: 1 Octave.
$1.99
Major Scales, Chords, and Arpeggios for Piano, Level 2
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Piano solo
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BEGINNER
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practicing the patterns in thi
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Debbie Winters, NCTM
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Major Scales, Chords, and Arpe
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Debbie Winters
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.1298760 Composed by Debbie Winters, NCTM. Early Music,Instructional. Score. 44 pages. Debbie Winters #888...
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Piano Solo - Level 1 - Digital Download SKU: A0.1298760 Composed by Debbie Winters, NCTM. Early Music,Instructional. Score. 44 pages. Debbie Winters #888629. Published by Debbie Winters (A0.1298760). It is important to introduce piano students to scales, chords, and arpeggios early in their course of study. By practicing the patterns in this book, students will recognize and be able to play the scale, chord, and arpeggio patterns when they encounter them in more advanced music. The scales introduced in this book are one-octave scales in the major keys of C, G, D, A, E, F, Bâ™, and Eâ™. Each scale is introduced in hands-separately patterns, followed by hands-together patterns. Included with each scale is a theory section that asks for the key’s tonic, sub-dominant, and dominant notes and corresponding chords. These primary chords are shown on the staff as a common cadence, giving students the opportunity to become comfortable with reading them and playing them. Also included are several improvisating and tranposing exercises that will give students the tools needed to perform with confidence.
$4.99
Horn Scales Grade 3. For the new ABRSM Syllabus from 2023.
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French horn
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EASY
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Instructional
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Chords/Scales
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ABRSM
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Tim Curd
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either harmonic or melodic
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Horn Scales Grade 3. For the n
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Tim Curd
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SheetMusicPlus
French Horn Solo - Level 2 - Digital Download SKU: A0.1227732 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 2 pages. Tim Curd #823...
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French Horn Solo - Level 2 - Digital Download SKU: A0.1227732 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 2 pages. Tim Curd #823696. Published by Tim Curd (A0.1227732). Horn Scales Grade 3. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurred (only tongued for Trombone)The candidate will only need to learn one type of minor scale; either harmonic or melodic.Eb Major Scale: 1 OctaveEb Major Arpeggio: 1 OctaveG Major Scale: a 12thG Major Arpeggio: a 12thC Harmonic Minor Scale: 1 OctaveC Melodic Minor Scale: 1 OctaveC Minor Arpeggio Scale: 1 OctaveE Harmonic Minor: a 12thE Melodic Minor: a 12thE Minor Arpeggio: a 12thC Chromatic: 1 Octave.
$1.99
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