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The Interrupters
Sheetmusic to print
438 sheet music found
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426
Proclaim the News
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Choral Unison
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Christmas
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Pat Hines
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Gregg Sewell
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Proclaim the News
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Triune Music Inc
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SheetMusicPlus
Unison/2-part choir - Digital Download SKU: LX.65-1868K Proclaiming the Christmas Story Thru Technology. Composed by Pat Hines. Arranged by Gregg ...
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Unison/2-part choir - Digital Download SKU: LX.65-1868K Proclaiming the Christmas Story Thru Technology. Composed by Pat Hines. Arranged by Gregg Sewell. Choral Cantatas. Christmas. 28 pages. Triune Music Inc #e65/1868K. Published by Triune Music Inc (LX.65-1868K). UPC: 000308041767. Text: Pat Hines.Unison/Two-part/Opt Solos Here is a unique and entertaining perspective on the Christmas story: The angels were to announce the arrival of the Messiah on earth, but how did they know where to go or what to say? A heavenly fax, of course! But the fax machine is on the blink, and the angels don't know how the message ends. After their own attempts to guess the Lord's intentions, the interrupted fax is completed, and the angels are able to proclaim the news of the SaviorAEs birth with confidence. Limited costuming & staging requirements. Approx. 30 min.
Song List
: Introduction Parents Of Worth Proclaim The News The City Thats Fit For A King The Four Star Bethlehem Inn What Could It Be
$6.95
Excerpt from the Lyric Suite
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie C...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Spring from "The Seasons" (Downloadable Piano/Choral Score)
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Choral SATB
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INTERMEDIATE
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Frank Ferko
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Spring from "The Seasons"
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score &...
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SATB choir and string quartet - Medium - Digital Download SKU: MQ.8559-E Composed by Frank Ferko. Secular, 21st Century, Creation/Nature, Spring. Score & instrument part. 10 pages. Duration 2 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8559-E. Published by E. C. Schirmer Music Company - Digital (MQ.8559-E). UPC: 600313485596. English.The Seasons was commissioned by the South Bend Chamber Singers, Nancy Menk, conductor, and first performed on March 3, 2013 by the South Bend Chamber Singers with the Euclid Quartet in a concert devoted to music about the weather. The texts for this work were selected by the composer, and they represent three different time periods, the 17th, 19th and early 20th centuries, to show that writers have long been fascinated by the seasons and by the distinct weather conditions that each season brings. Although certain types of weather, such as wind or rain, may occur in any of the seasons, the descriptions of weather in these four poems present specific weather conditions which commonly occur in each of the four seasons: a still, hot, sultry day interrupted by the movement of a light breeze from the hills (summer); the cooling morning mists and light frost which signal the coming of winter (autumn); the bitter iciness of fierce winds and frozen air-in this poem, further compared with man's ingratitude (winter); the warm rains and southerly winds that melt the ice and bring about new life (spring). Throughout this piece various musical devices are employed to underscore or even interpret the words. These devices include text painting, contrapuntal structures (double canon and fugue), and dramatically shifting harmonic colors as each season unfolds. The contrasting performing forces of mixed choir and string quartet are particularly well-suited for presenting, very colorfully, the various musical depictions of the weather conditions and characteristics of each of the seasons. -Frank FerkoDuration: 2:40.
$2.65
The Monk's Turned Topsy-Turvy
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer S...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
$25.00
The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer ...
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Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
Let The Sunshine In
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Concert band
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INTERMEDIATE
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The Fifth Dimension
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Benoit BARRAIL
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Let The Sunshine In
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Benoît Barrail
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BAR...
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Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898965. Published by Benoît Barrail (A0.1309819). All parts of the choir are doubled in the instrumental parts. French lyrics. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées à l’orchestre. Paroles françaises. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée à Broadway au Public Theater à partir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation à Londres, la version française est créée à Paris au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
Has the Rain a Father? [Piano OR Guitar]
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Contemporary
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Juan MarÃa Solare
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Has the Rain a Father? [Piano
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary....
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Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts. 9 pages. Juan Maria Solare #4717703. Published by Juan Maria Solare (A0.596568). Has the Rain a Father? This piece exists in two versions: Piano solo Guitar solo (without or with electronic sounds) The piano version has no huge secrets (to clarify: the pedal is used da capo al fine without interruption). The guitar version is written in three keys: E, G and A (Dorian). The performer may choose one or another score at their convenience. The guitar version can also use effects of all kinds, or amplifiers that are not always used in classical music. At the end of 2019 an album will be released on Spotify and other online music platforms with both versions of the piece (solo piano and acoustic guitar with electronic sounds). As an example of the amplitude that the composer expects from the performers: in this record production, the guitar signal is split in two parts, panned to the right and left, and different types of effects are applied to each channel (chorus, delay, reverb of different kinds and with different parameters). The original guitar signal is also in the center. Of course, there are also the electronic sounds themselves. A preliminary version can be heard here: https://juanmariasolare.bandcamp.com/album/has-the-rain-a-father Has the Rain a Father? is a quote from the bible, specifically from the book of Job 38:28. It is part of a series of rhetorical questions that tend to convince Job of his ignorance. Has the Rain a Father? was composed in Bremen (Germany) on March 17, 2019 (plus details to the piano part on March 27). Its duration is about 4:30. I asked some people about the wording of the title. Among the meaningful answers: Which wording is better, Has the rain a Father? or Does the Rain have a father? (Bible, Job, 38:28). It will be used as the title of a music piece for piano. Has the Rain a Father? is slightly unusual, and thus is attention-grabbing, something you want in a title. It sounds more biblical, calling attention to the allusion. In ordinary speech the Does the . . . version is more common, but for a title you don’t necessarily want common. (Johnny Wilson, former Writer and Magazine Editor (1973-1999))
$2.35
Sailing the Severn
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Concert band
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ADVANCED
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Contemporary
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Phil Jackson
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Sailing the Severn
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pjkj music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1023535 Composed by Phil Jackson. Contemporary. Score and parts. 124 pages. Pjkj music #6078105. Publis...
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Concert Band - Level 5 - Digital Download SKU: A0.1023535 Composed by Phil Jackson. Contemporary. Score and parts. 124 pages. Pjkj music #6078105. Published by pjkj music (A0.1023535). I spent many happy days sailing the Severn River (where the Navy Academy is located by the Chesapeake Bay). The piece begins with the launch of the boat in a calm inlet, followed by the sudden catch of the wind in the sails - tacking from one side of the river to the other. The exhilarating ride is then interrupted by a storm, followed by the Navy Hymn (homage to when a navy yawl rescued me in a storm). The piece ends with a procession of the beautiful genoa jib catching the wind on the return home, with a recap of the calm waters of the inlet. Enjoy Sailing the Severn!
$65.00
Around the Bend (for Cello & Piano)
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Cello, Piano
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ADVANCED
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Brian Strohmetz
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Piano.
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Around the Bend
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Brian Strohmetz
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SheetMusicPlus
Cello,Piano - Level 5 - Digital Download SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Str...
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Cello,Piano - Level 5 - Digital Download SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. Published by Brian Strohmetz (A0.1280306). Around the Bend is a journey of tranquility, adventure, and discovery down a section of the Monocacy Creek in Bethlehem, PA. The first section of the music that appears throughout the piece is a simple melody that is reminiscent of a simple art song. It represents the river flowing along peacefully on a beautiful day. Occasionally, we come across an area where the water hits a small obstacle that causes the water to change its path and speed. We hear this as violent 16th note interruptions in the music. The river then returns to its natural flow and pace. Further along we encounter a small waterfall area with rapids and obstacles. The music cascades and has a rhythmic drive representing the rapids and the swift moving waters. After we have traversed the rapids, we return to the calm waters of the river as it continuously flows peacefully. The next portion of our journey is inspired by a specific and unique section of the Monocacy, where we find the hidden ivy. Trees surround the creek. When looking into them, at a certain angle, you will find a tree covered in ivy hidden amongst the other trees. When we reach this point in our journey, the music starts off mysteriously as though looking through the trees. When we find the hidden ivy, we are greeted by a majestic melody that reflects this hidden beauty. The piano plays a rising arpeggio repeatedly, reflecting the ivy’s goal to grow higher and closer to the sky. Once we pass the ivy, we return to the peacefully flowing river. We approach a bend in the river that we cannot see beyond. There is a bit of trepidation, but as we start to go around the bend, everything ends peacefully, and we know everything will be fine. The river will keep moving and we will survive. For Cello & Piano.
$14.99
THE TRAVELING COMPANION (COMPLETE PIANO REDUCTION SCORE)
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Vocal duet
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MICHAEL L
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TIMOTHY C
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THE TRAVELING COMPANION
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Creative Horizons Music Publishers
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SheetMusicPlus
Voice Duet Voice - Digital Download SKU: A0.991707 Composed by MICHAEL L. RICCIARD AND TIMOTHY C. DORAN. Arranged by TIMOTHY C. DORAN. Broadway,Children,...
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Voice Duet Voice - Digital Download SKU: A0.991707 Composed by MICHAEL L. RICCIARD AND TIMOTHY C. DORAN. Arranged by TIMOTHY C. DORAN. Broadway,Children,Musical/Show. 344 pages. Creative Horizons Music Publishers (ASCAP) #3063143. Published by Creative Horizons Music Publishers (ASCAP) (A0.991707). FROM THE BROADWAY BOUND MUSICAL FANTASY, THE TRAVELING COMPANION BASED ON THE FAIRY TALE BY HANS CHRISTIAN ANDERSEN, THE AUTHOR WHO GAVE US THE LITTLE MERMAID AND FROZEN WE FOLLOW THE ADVENTURES OF A YOUNG TEENAGER NAMED JOHN WHOSE MOTHER HAS DIED AND HIS FATHER IS VERY ILL. HE DECIDES TO FIND HIS OWN WAY INTO THE WORLD BUT IS INTERRUPTED BY THE VERY SUDDEN ARRIVAL OF A PRINCESS (AND HER BETROTHED PRINCE) FROM A KINGDOM KNOWN AS CASTLE KEEP BEING CHASED BY AN EVIL WARLOCK NAMED TEMPESTUOUS.A YOUNG DOCTOR HAS LOST HIS LIFE GETTING THE TWO OF THEM HERE. NOW TEMPESTUOUS WANTS THE PRINCESS AND HER KINGDOM AND WILL STOP AT NOTHING TO GET THEM BOTH. THE PRINCESS FINALLY SUCCUMBS TO THE WARLOCK AND YOUNG JOHN GOES OFF ON HIS WORLD DISCOVERY WHERE HE FINDS THE SAME YOUNG DOCTOR'S CORPSE IS BEING ROBBED BY THE HENCHMAN OF THE WARLOCK. YONG JOHN SAVES THE BODY AND PAYS THE HENCHMEN TO LEAVE HIM ALONE PERMITTING A CHRISTIAN BURIAL. JOHN'S REWARD: THE DOCTOR COMES BACK AND SERVES AS JOHN'S GUARDIAN ANGEL AND TRAVELING COMPANION, HELPING TO WIN THE HAND OF THE PRINCESS AND DEFEATING THE WARLOCK FOR ALL TIME TO COME. A BEAUTIFUL SCORE. THE FULLY ORCHESTRATED OVERTURE IS INCLUDED HERE.
$25.00
《無形的神殿》管弦樂與男è²å¤§åˆå”± The Invisible Temple - for male chorus and orchestr
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Contemporary
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Ma Shui Long 馬水é¾
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《無形的ç
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SpringAutumnmusic
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SheetMusicPlus
Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. Spring...
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Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男è²å¤§åˆå”± 　 　　2003å¹´11月間一個美好的機緣，åƒèˆ‡æ–‡åŒ–總會ä¸éƒ¨è¾¦å…¬å®¤è·¯å¯’袖先生所推展的「玉山å¸ã€ï¼Œé€ 訪了å°ç£ç²¾ç¥žè–åœ°ï¼Œé«”é©—ç¾¤å¶½ä¹‹å† ã€ŒçŽ‰å±±ã€çš„雄å‰èˆ‡å¯¬å®¹ã€‚èª å¦‚ä½œå®¶è·¯å¯’è¢–å…ˆç”Ÿæ‰€è¨€ï¼šã€Œç„¡è«–ç™»é ‚èˆ‡å¦ï¼Œæ—¢å…¥å±±ä¸ï¼Œå³ç‚ºå±±æ‰€åŒ…容ã€ã€‚的確，登山ä¸åƒ…是觀賞美景讚嘆山的壯麗與險峻，而更é‡è¦çš„在空éˆçš„å±±ä¸éš±è—禪機，讓我們å¸ç¿’到真æ£çš„謙å‘。當作曲者親臨時刻，心ä¸å»ä¸€ç‰‡èŒ«ç„¶è€Œç„¡èªžï¼Œçž¬é–“，想起詩人æŽé賢先生一首詩作「無形的神殿ã€è¨€ï¼š 　　我高高在上 　　ä¸åœ¨ä¹Žçœ‹å¾—é 　　é 方茫茫 　　什麼也看ä¸è¦‹ ã€€ã€€æˆ‘å …æŒå†· 　　éœæˆ‘內部岩層的 　　 世界，我ç¨ç«‹ 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人æŽé賢先生的åŒæ„，借用詩å「無形的神殿ã€ä½œç‚ºæœ¬æ›²ä¹‹æ¨™é¡Œï¼Œèœå¯«ä½œæ›²è€…親臨拜訪「玉山ã€ï¼Œå¿ƒä¸çš„悸動與感å—ã€‚æœ¬æ›²å‰µä½œç´ æä¸ï¼Œäº¦å¼•ç”¨å¹¾é¦–é„’æ—與布農æ—原ä½æ°‘之æŒï¼Œåœ¨ç”·ç”Ÿå¤§åˆå”±èˆ‡ç®¡å¼¦æ¨‚交織ä¸ï¼Œåˆ†ç‚º(一)夜話排雲(二)日出(三)ç¥ç¥žç‰ä¸‰å¤§éƒ¨ä»½ï¼Œä»¥é€£æ¨‚ç« å½¢å¼å‘ˆç¾ã€‚ ※(1)本曲為邱å†èˆˆæ–‡æ•™åŸºé‡‘會委託創作之作å“，完æˆæ–¼2005~2006年，2007å¹´12月ä¸æ—¬åˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳，指æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå°åŒ—愛樂åˆå”±åœ˜è¯åˆèˆ‰è¡Œä¸–界首演。 (2)é„’æ—與布農æ—之æŒæ—‹å¾‹ï¼Œè³‡æ–™ä¾†è‡ªæ–¼é›²é–€èˆžé›†åŠæµ©æ©å‡ºç‰ˆç¤¾ï¼ˆé«˜å±±çš„禮讚）所出版之CD，並由我的作曲å¸ç”Ÿè”¡æ¬£å¾®è½å¯«æ•´ç†æ供，在æ¤ä¸€ä½µè¡¨ç¤ºæ„Ÿè¬ä¹‹æ„。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.
$44.99
The Day Is Done (Downloadable Choral Score)
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Choral SATB
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INTERMEDIATE
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Gwyneth W
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The Day Is Done
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - Digital Download SKU: MQ.8776-E Composed by Gwyneth W. Walk...
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SATB choir, children’s choir (SA), flute, strings, and percussion, or piano - Medium - Digital Download SKU: MQ.8776-E Composed by Gwyneth W. Walker. 23 pages. E. C. Schirmer Music Company - Digital #8776-E. Published by E. C. Schirmer Music Company - Digital (MQ.8776-E). English.Longfellow's poem, The Day is Done, speaks of evening as the time when poetry and music comealive and soothe the cares of day. The musical setting presents the opening lyrics in the children’s voices: The day is done, and the darkness falls from the wings of night. These phrases, or slight variations thereof, return as refrains throughout the song. The verses alternate between the men’s and women’s voices, with the children interjecting refrains or offering commentary in the background. Finally, the children interrupt the SATB dialogue with exclamations of a song! a song! a song! These lead to the climax of the song, given to the children’s chorus, singing And the night shall be filled with music. All voices then join together in celebration: Our song shall fill the night. The accompaniment (originally composed for piano, later adapted for flute, strings, and percussion) delights in text-setting with sparkling arpeggios depicting the celestial harmonies, and filigree patterns for the star-filled night sky. Duration: 5:00.
$3.20
The Wacky Musician's Noise Maker Concerto
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Clarinet and Piano
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INTERMEDIATE
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Contemporary
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Jamie K
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The Wacky Musician's Noise Mak
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Auberg Instructional Innovations
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SheetMusicPlus
Small Ensemble Clarinet,Piano - Level 3 - Digital Download SKU: A0.995681 Composed by Jamie K. Auberg. Contemporary. Score and parts. 26 pages. Auberg In...
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Small Ensemble Clarinet,Piano - Level 3 - Digital Download SKU: A0.995681 Composed by Jamie K. Auberg. Contemporary. Score and parts. 26 pages. Auberg Instructional Innovations #4611081. Published by Auberg Instructional Innovations (A0.995681). Fun and goofy, The Noise Maker Concerto involves noise makers (party favors, kazoos, spin whistles... really any noise maker!) interrupting an otherwise serious piece. The clarinet part is very impressive sounding, but not actually all that difficult. Great for using kids in your performance: give the kids noise makers (you can get them at a dollar store) and have a leader (someone who can follow the sheet music) cue them as to when to play. To make it even more interesting, change noise makers between each movement (there are four movements). Fun composing fact: the piece was originally written for the Noise Makers with just a piano part accompanying. The clarinet solo was later written on top of the existing music!
$4.95
Blood at the Gate (A Prayer for Ukraine)
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Piano solo
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ADVANCED
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Amy Dunker
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Blood at the Gate
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Amy Dunker
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.969898 Composed by Amy Dunker. Concert,Contemporary,Standards. Score. 10 pages. Amy Dunker #6794357. Publ...
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Piano Solo - Level 5 - Digital Download SKU: A0.969898 Composed by Amy Dunker. Concert,Contemporary,Standards. Score. 10 pages. Amy Dunker #6794357. Published by Amy Dunker (A0.969898). Blood at the Gates (A Prayer for Ukraine) is a prayer for the courageous people of Ukraine as they struggle for their survival against the Russian invasion of Ukraine. Utilizing elements from Mussorgsky’s Great Gate of Kiev from Pictures at an Exhibition as an interrupting force through which the prayer progressions, the work ends with a tender moment built from the opening theme of the Ukrainian National Anthem. Duration: 8:30.
$10.00
The Interrupters: She's Kerosene - guitar (tablature)
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Guitar notes and tablatures
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INTERMEDIATE
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Pop music
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The Interrupters
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Virtualsheetmusic
Instantly printable sheet music by The Interrupters for guitar (tablature) of MEDIUM skill level. / pop
Instantly printable sheet music by The Interrupters for guitar (tablature) of MEDIUM skill level. / pop
$7.97
Hey! I'm Kenny the Clown from Choir Practice (Downloadable)
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Stephen Chatman
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Hey! I'm Kenny the Clown from
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Solo voices, piano - Medium - Digital Download SKU: MQ.7.0701-E Composed by Stephen Chatman. Instrument part. 18 pages. Duration 5 minutes, 20 seconds. G...
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Solo voices, piano - Medium - Digital Download SKU: MQ.7.0701-E Composed by Stephen Chatman. Instrument part. 18 pages. Duration 5 minutes, 20 seconds. Galaxy Music Corporation - Digital #7.0701-E. Published by Galaxy Music Corporation - Digital (MQ.7.0701-E). English.Libretto:Written by Tara Wohlberg. Synopsis:As choir director Willie faces his dilemma of choosing between Heather and Julia for a solo, Kenny the Clown interrupts, and joins the choir practice in progress, prompting various outbursts from the men. As Willie begins to take roll call, the rehearsal quickly digresses into a verbal battle of insults and innuendo between Julia and Heather, each attempting to make the other appear unworthy of the solo. Adonia, the Belly Dancer, enters briefly and exits, followed by Willie, leaving the choir members alone. They proceed to discuss rumors about Willie's manhood and prowess with the ladies.Duration: 5:20The purchase of this scene includes permission to reproduce a maximum number of 13 copies: 1 for each of the vocalists, 1 for the accompanist, and 1 for the conductor. If this will be performed in a concert setting without dramatic elements, it is covered by your organization's ASCAP or BMI license. Please report the concert accordingly. If this will be performed in a staged setting with dramatic elements such as costumes, lighting, etc., please contact the ECS Publishing Copyright Department for a grand rights license. A dramatic production is not covered by ASCAP or BMI.
$50.00
The Puss Suite
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Film/TV
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Henry Jackman
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Chris Gorman
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The Puss Suite
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1084575 Composed by Henry Jackman. Arranged by Chris Gorman. Film/TV. Brass Band. 60 pages. Chris Gorman #688762. Published by Chris Gorman (A0.1084575). Puss in Boots is a Spanish-speaking, anthropomorphic cat named for his signature pair of boots. A fugitive on the run from the law, Puss is seeking to restore his lost honor. He learns that the murderous outlaw couple Jack and Jill have the magic beans he has long sought, which can lead him to a giant's castle known by legend to contain valuable golden goose eggs. When Puss attempts to steal the beans at their hideout, a female cat named Kitty Softpaws interrupts. She was hired to steal them as well by Humpty Alexander Dumpty, a talking egg and long-estranged childhood friend of Puss from the orphanage where they both were raised. Puss tells Kitty his origin story and how he felt betrayed by Humpty, who tricked Puss into committing a bank robbery in his hometown of San Ricardo. Puss has been on the run ever since. Humpty eventually convinces Puss to join them in finding the beans and retrieving the golden eggs.
$30.00
Monteverdi - The Seventh Book of Madrigals (1619) - 17. Interrotte speranze a6
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Brass quartet : 2 trumpets, trombone, tuba
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Classical
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.767356 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.767356 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3543479. Published by Lyons Music Services (A0.767356). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Interrotte speranze is another song about unrequited love for two tenors. Interrupted hopes, eternal faith, Powerful flames and beams in the weak heart His love is unrequited, so he wishes the lady ill! (Spoiled brat!) The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
Northern Lights
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Piano solo
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INTERMEDIATE
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New Age
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Contemporary
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Adrian Lord
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Northern Lights
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Adrian Lord
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1047643 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 3 pages. Adrian Lord #6521...
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Piano Solo - Level 3 - Digital Download SKU: A0.1047643 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 3 pages. Adrian Lord #652131. Published by Adrian Lord (A0.1047643). Northern Lights is taken from my second album “Sky Blue Pianoâ€, inspired by my interest in the connection of music and colour to paint different moods and styles. There is a continuous flow throughout this piece as the arcs of light continue to glow. The only interruptions are those representing the movements in the aurora’s elements and colours. This download includes: 1. Northern Lights Also available: “Piano Meditations and Journey - Twelve Romances for Piano. Adrian Lord's music can be heard on Spotify, Apple Music, YouTube and CD. The sheet music is also available in beautifully printed books from www.adrianlordpiano.com.
$3.75
Consider The Lillies
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Flute
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INTERMEDIATE
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Chris Salerno
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Consider The Lillies
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Chris Salerno Music
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SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.1196871 Composed by Chris Salerno. 20th Century,Baroque,Christian,Religious,Renaissance. Individual part....
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Flute Solo - Level 3 - Digital Download SKU: A0.1196871 Composed by Chris Salerno. 20th Century,Baroque,Christian,Religious,Renaissance. Individual part. 4 pages. Chris Salerno Music #796031. Published by Chris Salerno Music (A0.1196871). Program NotesConsider The Lillies is inspired by Jesus’ sermon on the mount, specifically, His explanation of the futility of worrying. He uses two illustrations from nature, birds and flowers, as examples of living in quiet contentment. In each case, Jesus admonishes us to take a moment to either look at or consider. Both actions require us to engage in contemplation. The piece is cast loosely in the Loure dance form, with long pauses interrupting each phrase portion. The piece is an illustration of taking time to consider something in a deep and meaningful way. A technically simple tune embodies the quiet life of contented trust in God and contemplation. Consider The Lillies mimics the act of hearing an idea, then pausing to consider it. Both performer and audience are given time to contemplate the musical phrase portions during the moment of silence that follows each musical idea.Performance NotesWhen performing Consider The Lillies, approach each phrase portion as a melody in and of itself. The main tempo marking at the beginning, Adagio Rubato, allows the performer to  naturally act out the process of hearing an idea, then pausing for contemplation. Executing a strict tempo is not necessary. However, each phrase should be performed without drastic tempo changes.
$5.00
Jesus, The Very Thought of Thee
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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Michael Maw
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Jesus, The Very Thought of The
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Michael Maw
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1102508 Composed by Michael Maw. Christian,Classical,Praise & Worship,Sacred,Spiritual. Score. 7 pages. M...
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Piano Solo - Level 4 - Digital Download SKU: A0.1102508 Composed by Michael Maw. Christian,Classical,Praise & Worship,Sacred,Spiritual. Score. 7 pages. Michael Maw #705920. Published by Michael Maw (A0.1102508). The melody from the hymn Jesus, The Very Thought of Thee by John B. Dykes (1823–1876) emerges throughout this piece in various layers and slight variations. The first 6 pages evoke constant motion and energy, interrupted three times by the primary 3-note motif from the melody. There are also three climaxes in the piece - the last ending suddenly in an atmosphere of peaceful meditation & rest on the 7th page. Skill level: Advanced Intermediate. 7 pages.
$3.99
Green grow the rushes o (men's voices)
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Choral SATB
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INTERMEDIATE
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Traditional
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David Warin Solomons
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Green grow the rushes o
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575581 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octa...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.575581 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Octavo. 11 pages. David Warin Solomons #2026207. Published by David Warin Solomons (A0.575581). This version of the traditional folk song Green grow the rushes oh has been arranged for various combinations of voices - this one: mens' voices - in G (Alto Tenor Baritone), and mixed voices - in B (Mezzo-soprano, Alto, Tenor) women's voices - in D (Soprano Mezzo-Soprano Alto) The traditional count-down from one to twelve is interrupted midway when the top voice declares let's not make them listen to the lot but the chorus includes all twelve symbols anyway. The sound sample is a performance of the men's voices version (in G) by Matthew Curtis of www.choraltracks.com.
$2.99
Orgelsinfonie No. 16
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Organ
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ADVANCED
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration ...
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
C. Debussy: The Complete Preludes, #9 (I), "Interrupted Serenade", Orchestrated by A. Leytush
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Orchestra
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Classical
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means of the orchestra, as in
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Claude Debussy
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A
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C. Debussy: The Complete Prelu
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008398 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 21 pages. Arkady Ley...
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Full Orchestra - Digital Download SKU: A0.1008398 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 21 pages. Arkady Leytush #6232469. Published by Arkady Leytush (A0.1008398). Sometimes an orchestral transcription of a program piece like this Interrupted Serenade turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.
$15.00
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