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The Modes of A Melodic Minor
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The Modes of A Melodic Minor
Sheetmusic to print
94 sheet music found
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1
26
51
76
The Modes of A Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of A Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1359998 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
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Guitar - Level 3 - Digital Download SKU: A0.1359998 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #944487. Published by Danny Crocome Music (A0.1359998). These info sheets show guitarists how to play the 7 modes of A Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of Eb Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of Eb Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1360271 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
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Guitar - Level 3 - Digital Download SKU: A0.1360271 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #944761. Published by Danny Crocome Music (A0.1360271). These info sheets show guitarists how to play the 7 modes of Eb Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of C Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of C Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1360179 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
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Guitar - Level 3 - Digital Download SKU: A0.1360179 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #944670. Published by Danny Crocome Music (A0.1360179). These info sheets show guitarists how to play the 7 modes of C Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of Ab Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of Ab Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1361075 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
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Guitar - Level 3 - Digital Download SKU: A0.1361075 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #945568. Published by Danny Crocome Music (A0.1361075). These info sheets show guitarists how to play the 7 modes of Ab Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of D Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of D Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1360211 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
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Guitar - Level 3 - Digital Download SKU: A0.1360211 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #944703. Published by Danny Crocome Music (A0.1360211). These info sheets show guitarists how to play the 7 modes of D Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of G Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of G Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1361060 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
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Guitar - Level 3 - Digital Download SKU: A0.1361060 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #945554. Published by Danny Crocome Music (A0.1361060). These info sheets show guitarists how to play the 7 modes of G Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of F# Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of F# Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1360956 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
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Guitar - Level 3 - Digital Download SKU: A0.1360956 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #945442. Published by Danny Crocome Music (A0.1360956). These info sheets show guitarists how to play the 7 modes of F# Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of C# Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of C# Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1360195 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
(+)
Guitar - Level 3 - Digital Download SKU: A0.1360195 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #944686. Published by Danny Crocome Music (A0.1360195). These info sheets show guitarists how to play the 7 modes of C# Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of E Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of E Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1360815 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
(+)
Guitar - Level 3 - Digital Download SKU: A0.1360815 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #945312. Published by Danny Crocome Music (A0.1360815). These info sheets show guitarists how to play the 7 modes of E Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of B Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of B Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1360140 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
(+)
Guitar - Level 3 - Digital Download SKU: A0.1360140 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #944629. Published by Danny Crocome Music (A0.1360140). These info sheets show guitarists how to play the 7 modes of B Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of F Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of F Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1360895 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
(+)
Guitar - Level 3 - Digital Download SKU: A0.1360895 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #945380. Published by Danny Crocome Music (A0.1360895). These info sheets show guitarists how to play the 7 modes of F Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
The Modes of Bb Melodic Minor (Scales for Guitarists)
#
Guitar notes and tablatures
#
INTERMEDIATE
#
Traditional
#
Danny Crocome
#
The Modes of Bb Melodic Minor
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1360067 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional....
(+)
Guitar - Level 3 - Digital Download SKU: A0.1360067 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 8 pages. Danny Crocome Music #944556. Published by Danny Crocome Music (A0.1360067). These info sheets show guitarists how to play the 7 modes of Bb Melodic Minor, in a variety of positions around the guitar neck. In standard notation and TAB, with note names and fingerings written into the score. All sheets also have the diatonic chords for each mode to enable students to know which chords belong to each respective mode. An excellent resource for guitarists looking to further their knowledge of scales, modes, and chords.
$10.00
Prelude 2 in A Minor Aolian
#
Piano solo
#
ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 2 in A Minor Aolian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pag...
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 12 in Bb Minor Dorian
#
Piano solo
#
ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 12 in Bb Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 6 in G Minor Dorian
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 6 in G Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 22 in B Minor Phrygian
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 22 in B Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 18 in C# Minor Dorian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 20 in F# MInor Aolian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 20 in F# MInor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 4 in D Minor Phrygian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 24 in E Minor Dorian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 24 in E Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 10 in F Minor Phrygian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 10 in F Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 16 in G# Minor Phrygian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 16 in G# Minor Phrygia
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 14 in D# Minor Dorian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 14 in D# Minor Dorian
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Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 8 in C Minor Aolian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 19 in A Major Ionian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
#
Prelude 19 in A Major Ionian
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Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
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