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The Morning Star for String Quartet
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The Morning Star for String Quartet
Sheetmusic to print
7 sheet music found
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1
The Morning Star for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Traditional Irish Reel
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Serena O'Meara
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The Morning Star for String Qu
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O'Meara Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.803794 Composed by Traditional Irish Reel. Arranged by Serena O'Meara. Celtic,Folk,Hol...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.803794 Composed by Traditional Irish Reel. Arranged by Serena O'Meara. Celtic,Folk,Holiday,Irish,Multicultural,Wedding,World. Score and parts. 17 pages. O'Meara Music #4717945. Published by O'Meara Music (A0.803794). This reel is a great the party is starting wedding recessional or party song. It sets the ambiance for the joyful reception to start. This arrangement shares the melody with all four instruments and has a baroque interlude before the final verse. George Petrie included The Morning Song in his 1855 collection of Ancient Music of Ireland. He made note that it might be of Scottish origin. When Captain Francis O’Neil, Police Chief of Chicago 1901-1905, published his book of 1,850 Irish tunes in 1903 (O'Neill's Music of Ireland) The Morning Star was one of the songs in that collection, listed an Irish Reel. You will receive the Score, plus separate parts.
$11.00
O Little Town of Bethlehem - Strings quartet and Piano
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Christmas
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem - S
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324502 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Ch...
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324502 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Children,Christian,Holiday,Religious. 21 pages. Connie Boss #912700. Published by Connie Boss (A0.1324502). This version starts with just strings.  It is for Strings quartet and piano. Parts are included with this purchase. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. I have other arrangements of this song on sale here as well including choir pieces. This can be played without the piano accompaniment if desired.For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$7.99
Past two o'clock for string quartet performed by Budapest Scoring (mp3)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Budapest Scoring String Quarte
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Past two o'clock for string qu
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David Warin Solomons
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1114063 By Budapest Scoring String Quartet. By David Warin Solomons. Christmas,Classical,Contemporary. Full Performanc...
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Level 4 - Digital Download SKU: A0.1114063 By Budapest Scoring String Quartet. By David Warin Solomons. Christmas,Classical,Contemporary. Full Performance. Duration 172. David Warin Solomons #715964. Published by David Warin Solomons (A0.1114063). Instrumental quartet based on my Comic song parodying the old Christmas carol Past three o'clock. The choir is having a party into the early hours of the morning and annoying the neighbour - the neighbour takes his revenge by pulling the fuses, but the choir continues a cappella. Original words: Past two o'clock, all singin' and all dancing Past two o'clock the party's in full flow ... Pity the neighbour, do him a favour: give him some earplugs for good behaviour! his ears are ringin' : stones he'll start flingin' he doesn't like the songs we are singin' Sing to him gentle or he'll go mental he's started shouting words non-parental (Goodness!) He's pulled the fuse now, we'll have to choose now whether to stop and admit that we lose now Despite that fellah we're feelin' mellah and since we're unplugged we'll sing acappella! Performed by Violin 1: Csongor Veér Violin 2: Anna Fehér Viola: Péter Kondor Cello: Mátyás Ölveti of Budapest Scoring.
$5.50
Morning Star Polka (for String Quartet)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Contemporary
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Anonymous
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Kenneth Abeling
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Morning Star Polka
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.513813 Composed by Anonymous. Arranged by Kenneth Abeling. Contempo...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.513813 Composed by Anonymous. Arranged by Kenneth Abeling. Contemporary. Score and parts. 12 pages. LINCOLN MUSIC PUBLICATIONS #2855445. Published by LINCOLN MUSIC PUBLICATIONS (A0.513813). Morning Star Polka arranged for String Quartet. This is an intermediate, to intermediate advanced level Polka because of a few tricky parts and is Oktoberfest appropriate. For hundreds of other arrangements by Kenneth Abeling please visit: www.lincolnmusicpublications.com Playing Time 2:45
$11.00
教师节快乐 Selamat Hari Guru Happy Teacher's Day Medley in D for String Quartet by Johnson Lee
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Johnson Lee
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Johnson Lee
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教师节快乐 Selamat Hari G
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johnson lee
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1497071 By Johnson Lee. By John...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1497071 By Johnson Lee. By Johnson Lee. Arranged by Johnson Lee. Folk,Holiday,Pop. 19 pages. Johnson lee #1073489. Published by johnson lee (A0.1497071). 早安老师! 'Zao An Lao Shi' is a common phrase in Mandarin Chinese meaning 'Good morning, teacher!' used by students to respectfully greet their teachers at the start of the day. 听我说谢谢你 ‘Ting Wo Suo Xie Xie Ni' - expresses gratitude to teachers who has been the guiding light on our educational journey. 你笑起来真好看 ‘Ni Xiao Qi Lai Zhen Hao Kan' - Teachers are known to be strict and have a stern face but they are also fun loving people. So this song hopes to bring laughter and smiles to all teachers. Happy Teacher's Day!!! 早安老师 ! 是普通话中的一个常用短语，意思是“早上好，老师！”学生们在一天开始时用它来恭敬地向老师打招呼。 听我说谢谢你 表达对老师的谢意，他们是我们教育旅程中的指路明灯。 你笑起来真好看“ - 老师们都是出了名的严厉、表情严肃，但他们也是爱玩的人。所以这首歌希望能给所有老师带来欢声笑语。 教师节快乐！！！早安老师! 'Zao An Lao Shi' ialah frasa biasa dalam bahasa Cina Mandarin yang bermaksud 'Selamat pagi, cikgu!' digunakan oleh pelajar untuk memberi salam hormat kepada guru mereka pada permulaan hari. 听我说谢谢你 'Ting Wo Suo Xie Xie Ni' - mengucapkan terima kasih kepada guru-guru yang telah menjadi pembimbing dalam perjalanan pendidikan kami.你笑起来真好看 ‘Ni Xiao Qi Lai Zhen Hao Kan' - Guru dikenali sebagai seorang yang tegas dan berwajah tegas tetapi mereka juga seorang yang penyayang yang menyeronokkan. Jadi lagu ini diharapkan dapat membawa ketawa dan senyuman kepada semua guru. Selamat Hari Guru!!!
$18.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Obscure Hymns: Christmas Edition (Instrumental Pack)
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Sacred music
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Various
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Noah Allen, Joy Shrader
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including
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Obscure Hymns: Christmas Editi
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N.D.A.
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SheetMusicPlus
Small Ensemble Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Piccolo,Tenor Saxophone,Tenor Trombone,Tuba - Level 2 - Digital Dow...
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Small Ensemble Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Piccolo,Tenor Saxophone,Tenor Trombone,Tuba - Level 2 - Digital Download SKU: A0.929891 Composed by Various. Arranged by Noah Allen, Joy Shrader. Christmas,Praise & Worship,Sacred. Score and parts. 91 pages. N.D.A. #4727683. Published by N.D.A. (A0.929891). All sheet music viewable here: https://www.youtube.com/playlist?list=PLFtGPyvifXkWpiN0E8AxZX07Te5Y-OYL1Some carols just don't get sung enough. This collection can help fix that. Enjoy eight underplayed Christmas carols set for four parts! A great opportunity to bring a little variety to your church service, concert, or hymn sing. Parts are included to ensure its compatibility with a variety of ensembles, including (but not limited to) brass, string, clarinet, and saxophone quartets. This collection is fully compatible with Obscure Hymns: Christmas Edition (Choral Pack).Carols included are:-In The Bleak Midwinter (Cranham)-Coventry Carol-I Heard The Bells on Christmas Day (Waltham)-Brightest and Best (Morning Star)-All Hail to the Days-Unto Us a Child is Born (Puer Nobis Nascitur)-As With Gladness Men of Old (Dix)-This Endris Night (Setting 1)-This Endris Night (Setting 2)Included transpositions:-Soprano in Bb-Alto in Bb, Eb-Tenor in Bb (T.C.), F, C (alto clef)-Bass in Bb, Eb-concert pitch SATB reductionNeed the choral version? Check out Obscure Hymns: Christmas Edition (Choral Pack). Contact the arranger at brassclass466.16@gmail.com if you have any questions or need alternative transpositions.
$19.99
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