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Beati II: Pro alios curantibus (For those that care for others) (Downloadable)
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Howard Goodall
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Isaiah 66:13
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Beati II: Pro alios curantibus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - Digital Download SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minu...
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Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - Digital Download SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 44 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0022-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0022-E). Latin. Luke 10:33; Isaiah 66:13.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near himâ€) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort youâ€). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44Instrumentalists play from the choral score.
$3.15
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 page...
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
Call of the North (Elementary String Orchestra)
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String Orchestra
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BEGINNER
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Colin Kirkpatrick
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Call of the North
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.522248 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 23 pages. Colin K...
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String Orchestra - Level 1 - Digital Download SKU: A0.522248 Composed by Colin Kirkpatrick. Concert,Holiday,Patriotic. Score and parts. 23 pages. Colin Kirkpatrick Publications #5017655. Published by Colin Kirkpatrick Publications (A0.522248). Call of the North is a movement from Colin Kirkpatrick's suite for elementary string orchestra entitled “Atlantic Highwayâ€. Ideal for end-of-semester concerts or any other school or college concert occasion, these tuneful and attractive pieces are bound to please audience and instrumentalists alike. The work is scored for Violins 1 and 2, Viola (with an identical but optional part for Vln 3 in treble clef), cello, double bass and piano (or digitial keyboard). The piano part is not merely an accompaniment but an integral part of music and therefore essential. However, the piano part is not especially difficult and perfectly manageable by the intermediate pianist. All the string parts can be played in first position and there are soli sections for vln 1, cello and double bass. Pizzicato is used extensively in the double bass part and is some of the passages for the upper strings. The piece is in D major with a central passage in G major and the time signature is 4/4 throughout. The string parts have been produced in fairly large type making them ideal for elementary players. Cues have been added where necessary. 
$9.95
The Raymond Variations for Piano (Set 1)
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Piano solo
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INTERMEDIATE/ADVANCED
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S
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these include a
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The Raymond Variations for Pia
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S. G. Potts
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #3512109. Published by S. G. Potts (A0.499760). The Raymond Variations for Piano (Set 1), received its world premiere on 2nd December 2015 at the 1901 Arts Club London, performed by Lorraine Womack-Banning as part of a memorial tribute concert to her late husband Raymond Banning (former professor of pianoforte at Trinity College London). The Variations are based on the three Andantino themes which form a central part of the ‘Raymond Overture’ written in 1851 by French composer Ambroise Thomas: 1811-1896. There are nine piano variations in total; these include a mix of both full and short partial variations (including a very short declamatory two chord introductory variation). The variations are not numbered or set-apart in a conventional manner, rather they form part of a continuous whole, and are separated only by bridge passages and/or cadence points; they last a little under eight minutes in duration, and strongly exploit the passionate elements of Thomas’s themes. They have been written for the most part in an accessible tonal style (with a passing nod to Messrs. Beethoven and J.S. Bach) and are based predominately in the home key of D minor, but they do also take advantage of many 20th and 21st century harmonic techniques where deemed appropriate: e.g. added note chords; cluster chords; percussive chords, and melodic deflection. In particular, the interval of the major 7th and its enharmonic equivalent(s) (the most distinctive interval in the main andantino theme from the overture) is heard in various different guises throughout the variations: this includes its inversion the minor 2nd which has a very distinctive sharp dissonant quality. Much play is made of these intervals – to somewhat humorous effect in variation 8 (the joker in the pack) heard some three quarters into the set, here the dissonant interval is pounded out double forte before hastily leading into some boisterous cluster harmonic instability; then quietly begins variation 9 which duly brings the set to a close. Look out for the sting in the tail!
$9.99
The Four Horsemen (unaccompanied sax)
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Saxophone
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ADVANCED
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Brandon Nelson
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The Four Horsemen
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Brandon Nelson
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporar...
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Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual part. 11 pages. Brandon Nelson #800991. Published by Brandon Nelson (A0.1202307). Dr. Brian Kauth assembled a consortium of saxophone players to commission me to write a piece in four movements, each to be for a different member of the saxophone family(soprano, alto, tenor, baritone). He chose the theme of the “four horsemen of the apocalypse†because, as he puts it, “the saxophone was long considered ‘the devil’s instrument’due to the seedy and sultry qualities associated with it.â€ProgramThe story of the Four Horsemen comes from the biblical Book of Revelation. Each of the Horsemen is said to represent events that are supposed to usher in the Apocalypse, the final battle between good and evil. As with many biblical passages, there are numerous interpretations of this account debated among theologians. Those that I’ve taken in thispiece are strictly based on my own aesthetic requirements and should not be construed as taking any particular sides in these spiritual debates.The Four Horsemen symbolize the evils to come before the end of the world. It is said that a quarter of the world’s population is to be wiped out by a combination of these ills. The Horsemen pave the way for the finalbattle, the final judgement, and the Second Coming.The account begins with the White Horsemen, symbolizing pestilence. Next comes the Red Horse, representing war. Then the Black Horse, bringing widespread famine, especially against the poor of the world.Finally, the Pallid Horse, the personification of Death, reaping his reward in the victims of the tribulations.Performance NoteEach movement is assigned a different member of the saxophone family. Ideally it should be performed as such. However, if you do not have access to all four saxes, you may perform the movements on the sax or saxesof your choosing. The movements are written such that they will sound satisfactory on any of the saxes.
$12.99
Air on the G String (HARD PIANO) from Suite No. 3 (BWV 1068) [Johann Sebastian Bach]
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Darek
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Air on the G String
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1257386 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Scor...
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Piano Solo - Level 4 - Digital Download SKU: A0.1257386 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 4 pages. Darek #850720. Published by Darek (A0.1257386). Embark on an exhilarating musical expedition with the Air on the G String, an awe-inspiring composition from Suite No. 3 (BWV 1068) by the legendary Johann Sebastian Bach. Prepare to be spellbound as you immerse yourself in the intricate melodies and technical challenges of this hard difficulty piano arrangement, crafted for pianists who crave a formidable musical adventure.Designed for seasoned pianists seeking to push their boundaries, this hard difficulty piano sheet music unlocks the full potential of Bach's masterwork. Explore the complexities of this iconic composition, from the lightning-fast passages to the demanding fingerings, as you showcase your virtuosity and command over the instrument.The Air on the G String stands alone in its ability to evoke a profound range of emotions, from gentle introspection to triumphant grandeur. Its timeless beauty and ethereal charm mesmerize listeners, drawing them into a captivating story told through every resounding note and nuanced phrase.Unleash your passion and dive into the captivating narrative as you breathe life into this formidable masterpiece. Let your fingers dance across the keys, interpreting the cascading melodies and expressive harmonies with the utmost precision and artistry, capturing the hearts and imaginations of your audience.Whether you're preparing for a demanding performance or simply seeking to conquer a musical Everest, this hard difficulty piano sheet music will challenge and inspire you. Embrace the exhilarating journey that awaits, and revel in the satisfaction of conquering Bach's magnificent creation.Keywords: Air on the G String, hard difficulty piano sheet music, Suite No. 3, BWV 1068, Johann Sebastian Bach, exhilarating, musical expedition, intricate melodies, technical challenges, formidable musical adventure, seasoned pianists, push boundaries, full potential, lightning-fast passages, demanding fingerings, virtuosity, command over the instrument, timeless beauty, ethereal charm, profound range of emotions, gentle introspection, triumphant grandeur, captivating story, resounding note, nuanced phrase, passion, formidable masterpiece, breathe life, precision, artistry, hearts and imaginations, demanding performance, musical Everest, challenge, inspire, exhilarating journey.
$5.00
The Bare Necessities
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Piano solo
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EASY
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Walt Disney
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the way, there are a few bars
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Terry Gilkyson
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Thomas Gunther
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The Bare Necessities
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thom...
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Piano Solo - Level 2 - Digital Download SKU: A0.1277927 Composed by Terry Gilkyson. Arranged by Thomas Gunther. Comedy,Film/TV,Jazz. Score. 2 pages. Thomas Gunther Music Productions #869433. Published by Thomas Gunther Music Productions (A0.1277927). About the arrangement(See also (PopJazzKeys.com/The-Bare-Necessities)This is a relatively easy to play solo piano jazz arrangement of THE BAR NECESSITIES. The song is a traditional jazz tune made famous in the Walt Disney movie THE JUNGLE BOOK. The video and audio recording I posted here features me playing the short version of my arrangement. When played as written (with all the repeats) it is almost 4 minutes long.What's cool about this arrangement is that you can easily add a bass player and even an entire rhythm section while playing it the same way as you would in a solo performance!Who this arrangement is best suited forI think everyone who likes the song except perhaps advanced jazz pianists will have fun learning and playing this arrangement. I arranged this piece originally with my younger piano students in mind, who have smaller hands than most adults. That’s why there are no large intervals or big jumps in the left hand. Something generally found in ragtime and early jazz piano styles. This means that my arrangement is perfectly suited for pianists with smaller hands. Of course pianists with large hands (like myself) can play it too (ha-ha!).I think it is also a great piece for pianists who want to familiarize themselves with playing jazz piano. And since I wrote out every note and articulation, they can play along with the recording and hopefully pick up the traditional jazz feel along the way.Although the arrangement is not very difficult, it poses several challenges for the inexperienced pianist, as explained later.How I arranged itAs I already explained above, there are no large intervals or big jumps in the left hand to be found. Instead, I focused more on polyphonic arranging techniques, in both hands. I also used guide tones and inversions.The left hand imitates the accompaniment style of a traditional jazz guitar or banjo player with added half time bass figures that are typically played by a tuba or upright bass an octave lower. Tips for how to learn this arrangementWhen I teach this song to my students I strongly recommend to them to listen to the original version and my recording a lot, rather than explaining to them how swinging eighth notes and jazz articulation work. By the way, there are a few bars where you hear me playing straight eighths on the recording (as indicated in the sheet music). I decided to add articulations so that pianists who have not a lot of experience with playing jazz will find it easier to play it with the appropriate “touchâ€. It's a good idea to check those out.Should you not be familiar with playing polyphonic passages with one hand, you might want to practice very slowly at first and attempt to balance the different voices appropriately. Listening to the recording will also help with discovering dynamic possibilities. I didn’t want to clutter up the sheet music with dynamic markings, so listening to the recording is really the only way to figure out what dynamics I had in mind.
$4.99
O Praise the Lord
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Choral SATB
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INTERMEDIATE
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Sacred music
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Andrew Schneider
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O Praise the Lord
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Andrew Schneider
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.930752 Composed by Andrew Schneider. Baroque,Christian,Classical,Contemporary,Sacred. Octavo. 18...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.930752 Composed by Andrew Schneider. Baroque,Christian,Classical,Contemporary,Sacred. Octavo. 18 pages. Andrew Schneider #3584607. Published by Andrew Schneider (A0.930752). This is a choral anthem setting of Psalm 117 designed for either church or concert use. In its effortless use of various elements of Baroque practice, I have written a piece which will hopefully be useful for high schools and community colleges with smaller choirs to get students to sing works which can prep them for repertoire. Churches will also find this a work appropriate for any festive occasion and also useful in telling people that composers actually exist today who like the bygone way of doing things. And also with a rather exciting piano part! I certainly enjoy raising the bar.To that end, the A section can be sung on its own as a separate piece, as it is deliberately easier than the B section, which has more chromatic and polyphonic passages. This is the perfect piece to convey to high school students the impression that Baroque music can be exciting, spontaneous, and not old-fashioned, and in a matter which will be immediately perceived to be authentic.The ad libitum trumpet parts are available directly from the composer. Though they are not strictly necessary for a successful performance, they do give a special spice and festive aura that can only be beneficial.
$2.99
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
The Mustard Seed
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Choral Unison
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Sacred music
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Anna Laura Page
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The Mustard Seed
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Chorister's Guild - Digital
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SheetMusicPlus
Unison chorus - Digital Download SKU: C7.CGA1011 Composed by Anna Laura Page. General. With Flute. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Di...
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Unison chorus - Digital Download SKU: C7.CGA1011 Composed by Anna Laura Page. General. With Flute. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1011. Published by Chorister's Guild - Digital (C7.CGA1011). UPC: 749193009383.Unison with piano and optional flute o This happy, original piece is based on the story of the mustard s+N38eed taken from Matthew, Mark, and Luke. In these passages, Jesus compares faith to the mustard seed. Like the tiny mustard seed that grows into a mighty tree, faith, too can grow into something strong and nurturing. Lectionary use: Matthew 13:31-32 - Proper 12 [17] A; Mark 4:31-32 - Proper 6 [11] B.
$1.95
The Frim Fram Sauce
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Joe Ricardel and Redd Evans
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Garth Davies
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The Frim Fram Sauce
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Garth Davies
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1034348 Composed by Joe Ricardel and Redd Evans. Arranged by Garth Davies. A Cappella. Octavo. 6...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1034348 Composed by Joe Ricardel and Redd Evans. Arranged by Garth Davies. A Cappella. Octavo. 6 pages. Garth Davies #639697. Published by Garth Davies (A0.1034348). Men's barbershop arrangement of the jazz song made famous by the King Cole Trio, Ella Fitzgerald and Diana Krall among others. Bass optionally goes down to a C2 in two places. This is likely too low so you will probably want to amend the passages to sing the notes an octave up. Lead darts up to Aâ™® above the stave (i.e. A5, in tenor range). Length: 2.30 to 2:45. There are short melody passages for non-lead parts. . Short post for tenor in the tag. Price of $1.99 is per copy for 10 minimum. Learning tracks available from https://www.flerbsroboquartet.com/custom-learning-tracks.
$1.99
The Entertainer (HARD PIANO) [Scott Joplin]
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Piano solo
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INTERMEDIATE/ADVANCED
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Ragtime
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Scott Joplin
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Darek
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The Entertainer
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Darek
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1259579 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pag...
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Piano Solo - Level 4 - Digital Download SKU: A0.1259579 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pages. Darek #852886. Published by Darek (A0.1259579). The Entertainer (HARD PIANO) [Scott Joplin]Advanced arrangement for pianists of The Entertainer by Scott Joplin. Difficult version for pianists / Advanced piano arrangement. Included: Fingering, Dynamics, Articulations and Youtube tutorial. Introducing my advanced arrangement of The Entertainer by Scott Joplin, meticulously crafted for pianists seeking a challenging and virtuosic rendition of this iconic ragtime composition. Immerse yourself in the rich melodies and syncopated rhythms that defined the era and captivated audiences. This sheet music offers a thrilling musical journey for advanced pianists, allowing you to push your technical skills to new heights while exploring the depth and complexity of Joplin's masterpiece. With precise and detailed notation, this arrangement showcases the intricate passages and demanding hand coordination, providing an exhilarating challenge for pianists at the advanced level. As you delve into this sheet music, you'll find meticulously marked fingering suggestions that enhance your performance, ensuring optimal finger placement and fluid execution of the piece. These detailed markings contribute to a seamless and confident rendition, allowing you to conquer the technical intricacies with precision and finesse. Capture the essence of the music through meticulously annotated dynamics and articulations, adding depth, expression, and emotion to your performance. These markings guide you in shaping the musical phrases, accentuating the vibrant rhythms and contrasting elements that make The Entertainer so captivating. To further support your musical journey and provide comprehensive guidance, this product includes a YouTube tutorial. Witness firsthand how dynamics, articulations, and stylistic elements come together for an authentic and compelling interpretation. This advanced arrangement of The Entertainer offers numerous benefits for pianists. Whether you're preparing for a challenging performance, expanding your repertoire, or teaching students seeking a formidable piece, this sheet music provides a rewarding and enriching musical experience. Embark on a musical voyage into the vibrant energy and infectious rhythms of Joplin's ragtime era. As you navigate the intricate musical landscape of The Entertainer, you'll not only embrace the historical significance of the piece but also develop crucial musical skills such as dexterity, expression, and interpretation. Unlock the versatility of The Entertainer as you infuse it with your personal style and artistic expression. This sheet music is a valuable addition to your repertoire, whether you're an advanced pianist seeking a challenging masterpiece or an educator looking for captivating teaching material. Discover the magic of Scott Joplin's ragtime masterpiece with this advanced arrangement. With its intricate notation, detailed fingering, dynamic markings, and comprehensive tutorial, this sheet music ensures a gratifying and fulfilling journey as you master The Entertainer on the piano, leaving audiences in awe of your technical prowess and musical artistry.
$4.00
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Organ
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ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabri...
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Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
The Entertainer (MEDIUM PIANO) [Scott Joplin]
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Piano solo
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INTERMEDIATE
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Ragtime
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Scott Joplin
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Darek
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The Entertainer
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1259577 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pag...
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Piano Solo - Level 3 - Digital Download SKU: A0.1259577 By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Score. 3 pages. Darek #852884. Published by Darek (A0.1259577). The Entertainer (MEDIUM PIANO) [Scott Joplin]Intermediate arrangement for pianists of The Entertainer by Scott Joplin. Intermediate version for pianists / Intermediate piano arrangement. Included: Fingering, Dynamics, Articulations and Youtube tutorial. Introducing my intermediate arrangement of The Entertainer by Scott Joplin, designed specifically for pianists seeking a more challenging yet accessible rendition of this beloved ragtime classic. Immerse yourself in the lively rhythms and captivating melodies that defined the era. This sheet music offers an engaging and enriching experience for intermediate pianists, allowing you to delve deeper into the intricate nuances of Joplin's composition. With clear and detailed notation, this arrangement strikes a balance between complexity and playability, providing an enjoyable challenge for pianists at the intermediate level. As you explore this sheet music, you'll find meticulously marked fingering suggestions that enhance your technical proficiency, ensuring smooth and seamless execution of the piece. Mastering the intricate passages and hand coordination becomes an exciting journey, as you embrace the artistry of Joplin's ragtime style. Capture the spirit of the music through meticulously annotated dynamics and articulations, adding depth and expression to your performance. These markings guide you in shaping the musical phrases, emphasizing the syncopated rhythms and contrasting elements that make The Entertainer so captivating. To further support your learning and provide comprehensive guidance, this product includes a YouTube tutorial. Witness firsthand how dynamics, articulations, and stylistic elements come together for an authentic and compelling interpretation. This intermediate arrangement of The Entertainer offers numerous benefits for pianists. Whether you're preparing for a performance, expanding your repertoire, or teaching students, this sheet music provides a rewarding and enriching musical experience. Embark on a musical journey into the vibrant energy and infectious rhythms of Joplin's ragtime era. As you navigate the intricacies of The Entertainer, you'll not only embrace the historical significance of the piece but also develop crucial musical skills such as coordination, expression, and interpretation. Experience the joy of mastering a timeless classic that has delighted audiences for generations. This intermediate arrangement allows you to confidently perform The Entertainer with flair and finesse, captivating listeners with your musicality and technical prowess. Unlock the versatility of The Entertainer as you infuse it with your personal style and creative expression. This sheet music is a valuable addition to your repertoire, whether you're an intermediate pianist seeking a captivating challenge or an educator looking for engaging teaching material. Discover the magic of Scott Joplin's ragtime masterpiece with this intermediate arrangement. With its engaging approach, detailed fingering, dynamic markings, and comprehensive tutorial, this sheet music ensures a gratifying and fulfilling journey as you master The Entertainer on the piano.
$3.00
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
In the Pirate's Wake: 1st Violin
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Violin (band part)
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Instructional
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Richard Rigg
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Festival.
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In the Pirate's Wake: 1st Viol
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016009_VN1 1st Violin. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - D...
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String Orchestra - Digital Download SKU: AX.00-PC-0016009_VN1 1st Violin. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016009_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016009_VN1). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$5.99
In the Pirate's Wake: 1st Percussion
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Percussion (band part)
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Instructional
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Richard Rigg
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Festival.
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In the Pirate's Wake: 1st Perc
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016009_PC1 1st Percussion. Composed by Richard Rigg. Instructional. Part. 1 pages. Alfred Music...
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String Orchestra - Digital Download SKU: AX.00-PC-0016009_PC1 1st Percussion. Composed by Richard Rigg. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016009_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016009_PC1). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$5.99
In the Pirate's Wake: String Bass
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String Orchestra
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Instructional
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Richard Rigg
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Festival.
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In the Pirate's Wake: String B
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016009_SB String Bass. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - D...
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String Orchestra - Digital Download SKU: AX.00-PC-0016009_SB String Bass. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016009_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016009_SB). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$5.99
In the Pirate's Wake: Viola
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String Orchestra
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Instructional
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Richard Rigg
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Festival.
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In the Pirate's Wake: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016009_VA1 Viola. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - Digita...
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String Orchestra - Digital Download SKU: AX.00-PC-0016009_VA1 Viola. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016009_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016009_VA1). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$5.99
In the Pirate's Wake: Cello
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String Orchestra
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Instructional
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Richard Rigg
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Festival.
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In the Pirate's Wake: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016009_VC1 Cello. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - Digita...
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String Orchestra - Digital Download SKU: AX.00-PC-0016009_VC1 Cello. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016009_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016009_VC1). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$5.99
In the Pirate's Wake: Timpani
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String Orchestra
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Instructional
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Richard Rigg
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Festival.
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In the Pirate's Wake: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016009_TMP Timpani. Composed by Richard Rigg. Instructional. Part. 1 pages. Alfred Music - Digi...
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String Orchestra - Digital Download SKU: AX.00-PC-0016009_TMP Timpani. Composed by Richard Rigg. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016009_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016009_TMP). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$5.99
In the Pirate's Wake: Score
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String Orchestra
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Instructional
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Richard Rigg
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Festival.
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In the Pirate's Wake: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PR-0004319 Score. Composed by Richard Rigg. Instructional. Score. 8 pages. Alfred Music - Digital S...
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String Orchestra - Digital Download SKU: AX.00-PR-0004319 Score. Composed by Richard Rigg. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0004319. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004319). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$9.00
In the Pirate's Wake: 2nd Violin
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String Orchestra
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Instructional
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Richard Rigg
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Festival.
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In the Pirate's Wake: 2nd Viol
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016009_VN2 2nd Violin. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - D...
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String Orchestra - Digital Download SKU: AX.00-PC-0016009_VN2 2nd Violin. Composed by Richard Rigg. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016009_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016009_VN2). UPC: 038081454382.Hoist the Jolly Roger and break out the cutlasses! With the added percussion, this piece is a fun and exciting introduction to the key of D-minor, reminiscent of the glory days of piracy, certain to entertain every member of your audience. Students will use a variety of right-hand techniques, including double up-bows, bow lifts, and pizzicato. They will expand their rhythmic knowledge by using a dotted eighth/sixteenth note combination. Left-hand technique is challenged through straight-forward third position work for first violins and alternating between C-natural and C-sharp in most parts. Students will also develop good ear-training skills in the passages that use parallel-thirds.Concert/Contest; Festival.
$5.99
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
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