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The Potter's Field
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The Potter's Field
Sheetmusic to print
10 sheet music found
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1
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Concert band
#
INTERMEDIATE/ADVANCED
#
Jordan Eismeier
#
Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
The Potter's Field (Downloadable Choral Score)
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Choral SATB
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INTERMEDIATE
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William Beckstrand
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The Potter's Field
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, optional congregation, soprano saxophone, organ - Medium - Digital Download SKU: MQ.50-5430-E Composed by William Beckstrand. Reformation, Th...
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SATB choir, optional congregation, soprano saxophone, organ - Medium - Digital Download SKU: MQ.50-5430-E Composed by William Beckstrand. Reformation, Thanksgiving, Triduum/Three Days. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-5430-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-5430-E). A setting of an Icelandic folk song EG BYRJA REISU MIN and a seventeenth century text (translated by Gracia Grindal) given to Judas, the betrayer. The hauntingly beautiful melody is set for choir and congregation, with soprano saxophone and organ adding to the austere character of the piece. An unusual and moving addition to the possibilities for Passion Sunday or Holy Week.
$2.65
Hope of the World:13 Feed the Flock for Slaughter by Stephen R Dalrymple
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Choral SATB
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INTERMEDIATE
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Hope of the World:13 Feed the
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (D...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 29 pages. Stephen R Dalrymple #6709747. Published by Stephen R Dalrymple (A0.818372). Hope of the World: 13 Feed the Flock for Slaughter original song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Zechariah 11, John 10, and Matthew 27♫ The Judah of Zechariah was marred by exiles who struggled greatly to obey God’s law. Ezra, Nehemiah, Haggai and Malachi contain many passages that point out the sin of the people. Joshua, the current high priest, is pictured in one of Zechariah’s visions as wearing filthy apparel, desperately needing cleansing. Sheep in Bible times are grown more for their wool and milk, not so much for the slaughterhouse. Zechariah likens the leadership of Judah to shepherds and flock owners who are primarily concerned with selling meat. But there is a good shepherd who intervenes to lead the flock. He is mistreated by the owners and the shepherds and paid the price of a slave for his efforts. The good shepherd, casts the price on the floor for the potter.♫ Zechariah is looking ahead to a time when the religious leaders of Judah were short on compassion and the needs of people. Jesus called Himself the Good Shepherd. We see several parallel’s here in John 10. He called the religious leaders of His day, thieves and robbers, and predators. Judas Iscariot was paid the price of a slave to betray Jesus, which he threw to the ground, but was scooped to purchase a Potter’s Field!♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
101st Regiment, U.S.A. March
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Piano solo
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Bert Potter
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Bert Potter
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101st Regiment, U.S.A. March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - Digital Download SKU: LV.23881 Composed by Bert Potter. Silhouettes, Soldiers, Battlefields, World War I. Lester S. Levy Collection. 5 pages. Pub...
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Piano - Digital Download SKU: LV.23881 Composed by Bert Potter. Silhouettes, Soldiers, Battlefields, World War I. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23881). 101st Regiment, U.S.A. March. By Bert Potter. Published 1917 by D.W. Cooper Publishing Co., 600 Washington St. in Boston. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include Silhouettes, Soldiers, Battlefields, World War I. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Potter's Field -- Saxophone Part
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Saxophone
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Sacred music
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William Beckstrand
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The Potter's Field -- Saxophon
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
By William Beckstrand. Sacred. Optional Soprano Saxophone Part. Published by MorningStar Music Publishers - Digital Sheet Music ...
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By William Beckstrand. Sacred. Optional Soprano Saxophone Part. Published by MorningStar Music Publishers - Digital Sheet Music
$5.00
The Potter's Field by Ray Boltz - Piano/Vocal/Chords
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Piano, Voice
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Ray Boltz
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The Potter's Field
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Musicnotes
Performed by: Ray Boltz: The Potter's Field Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: Ray Boltz: The Potter's Field Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 6 pages -- CCM~~Pop~~Christian~~Contemporary Gospel
$5.50
Love Someone
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Saxophone (band part)
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INTERMEDIATE/ADVANCED
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Jason Mraz
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Fabio Britto
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Love Someone
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Minhas Partituras
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SheetMusicPlus
Soprano Saxophone Solo - Level 4 - Digital Download SKU: A0.1120998 By Jason Mraz. By Becky Gebhardt, Chaska Potter, Chris Keup, Jason Mraz, Mai Bloomfie...
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Soprano Saxophone Solo - Level 4 - Digital Download SKU: A0.1120998 By Jason Mraz. By Becky Gebhardt, Chaska Potter, Chris Keup, Jason Mraz, Mai Bloomfield, Mona Tavakoli, and Stewart Myers. Arranged by Fabio Britto. Pop,Wedding. Individual part. 1 pages. Minhas Partituras #722188. Published by Minhas Partituras (A0.1120998). Arrangement of the song Love Someone (Jason Mraz) for Soprano Saxophone Solo.
$4.99
Love Someone
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Oboe (band part)
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INTERMEDIATE/ADVANCED
#
Jason Mraz
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Fabio Britto
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Love Someone
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Minhas Partituras
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SheetMusicPlus
Oboe Solo - Level 4 - Digital Download SKU: A0.1120997 By Jason Mraz. By Becky Gebhardt, Chaska Potter, Chris Keup, Jason Mraz, Mai Bloomfield, Mona Tava...
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Oboe Solo - Level 4 - Digital Download SKU: A0.1120997 By Jason Mraz. By Becky Gebhardt, Chaska Potter, Chris Keup, Jason Mraz, Mai Bloomfield, Mona Tavakoli, and Stewart Myers. Arranged by Fabio Britto. Pop,Wedding. Individual part. 1 pages. Minhas Partituras #722187. Published by Minhas Partituras (A0.1120997). Arrangement of the song Love Someone (Jason Mraz) for Oboe Solo.
$4.99
I Feel Like Dancing
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Choral TTBB
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INTERMEDIATE
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Jason Mraz
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Timothy Piper
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I Feel Like Dancing
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Timothy Piper
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1382607 By Jason Mraz. By Abby Dorsey, Chaska Lela Potter, Chris Michael Destefano, Chris...
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1382607 By Jason Mraz. By Abby Dorsey, Chaska Lela Potter, Chris Michael Destefano, Christopher De Stefano, Francis White, Jason Mraz, Mai Bloomfield, Mona Tavakoli, Rebecca Emily Gebhardt, Stephanie Jones, and Stephenie Nicole Jones. Arranged by Timothy Piper. 21st Century,Pop. 27 pages. Timothy Piper #967032. Published by Timothy Piper (A0.1382607). This TTBB arrangement of Jason Mraz's I Feel Like Dancing is accessible, full of energy and lots of fun to sing. It is meant to be performed with piano, bass and drums. The bass part is included in the choral PDF. There is no written drum part but most drummers should have no problem coming up with a drum part using the bass part as a guide.This selection makes for a great opening or closing number to a program. Have fun with it!
$3.00
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