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The Responsive Echo
Sheetmusic to print
5 sheet music found
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1
The Responsive Echo
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Logan Moore
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The Responsive Echo
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Logan Moore
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1036524 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1036524 Composed by Logan Moore. Classical,Jazz. 24 pages. Logan Moore #641539. Published by Logan Moore (A0.1036524). A fun piece for saxophone quartet mimicking the sound of an echo that doesn't always call back exactly the way you said it. Run time ~ 4 min.
$15.00
The Beatitudes, 24 Sacred Songs Celebrating The Beatitudes Through Music and Narration
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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the end of the Sermon a recipi
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Kevin G
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The Beatitudes, 24 Sacred Song
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritu...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 194 pages. Kevin G. Pace #680550. Published by Kevin G. Pace (A0.1076393). Have you ever wondered how to have a really happy life? In Matthew 5-7 in The New Testament and in 3 Nephi 12-14 in The Book of Mormon, Another Testament of Jesus Christ, our Savior teaches us the way to contentment and happy living through The Beatitudes. These gems of Christian living were taught by Jesus as the initial part of the most well-known of his teachings called The Sermon on the Mount. The word “beatitude†comes from the Latin “beatitudo†meaning “blessedness.†Each of the eight beatitudes in this book consists of two phrases: the condition and the result. Together, these illustrate a set of ideals focusing on love and humility, echoing the highest of Jesus’ teachings on spirituality and compassion. Each also promises a future reward, and the themes appear to escalate from beginning to advancing levels of responsibility and spirituality as the Sermon progresses. By the end of the Sermon a recipient would have earned the reward to stand ceremonially in the presence of God, and to ultimately gain the greatest reward of living with Him in heaven. The purpose of this book is to praise our Lord through song and text, rejoicing in the gifts we receive from Him as we do as He suggests. Please enjoy this collection of original solos, SATB choral renditions, and a duet, along with a short text explaining each beatitude in the order our Savior spoke them so many years ago as part of the greatest sermon ever given, our Lord’s Sermon on the Mount! It was a joy to prepare them for you. Happy Living!
$10.95
Anim Zemiros
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Choral SATB
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ADVANCED
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Stanley M Hoffman
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Stanley M Hoffman
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Anim Zemiros
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Ce...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1487909 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,Classical,Jewish. 12 pages. Stanleymhoffman.com #1064840. Published by stanleymhoffman.com (A0.1487909). Composer’s Notes Anim Zemiros was composed in 1985 while I was a doctoral student of Martin Boykan at Brandeis University. The initial fugal theme was inspired by the melody from the third movement of Beethoven's Quartet in A Minor, Op. 132, also known as Heiliger Dankgesang. My theme resembles Beethoven's melody in two ways: it aurally approximates the rhythms of his theme and it also takes the contour of Beethoven's melody and inverts it, also in an approximated way. This is where the similarities to Beethoven's theme end, forAnim Zemiros is most certainly not composed in the Lydian mode! Rather, it is composed in a chromatically saturated musical language. Although Anim Zemiros may be used for the Jewish Musaf Sabbath Service, it was conceived as a concert piece. In the synagogue, this hymn is sung responsively by the cantor and congregation. The responsive nature of this hymn is what inspired the use of contrapuntal passages alternating with homophonic ones. Anim Zemiros begins with a statement of the initial fugal theme in the basses followed by a response at the interval of a fifth in the altos during which the basses present the counter theme. After a brief episode, the same thing happens in the tenor and soprano voices while the basses and altos present new contrapuntal melodies. A brief, contrasting, calm homophonic chorale passage ensues (a textural foreshadowing of both the loud climax and the hushed closing of the piece). This is followed by an extended development section (like ones from sonata-allegro movements) in which ideas from both the contrapuntal and homophonic sections are fragmented and stratified. Shifting time signatures provide added momentum to this music that leads to the homophonic climax that follows. Next comes an “anti-fugue” in which the initial fugal theme is presented backwards, as is the fugal form itself, moving from four voices, to three and finally to two. However, rather than moving to one voice as at the opening of the piece (which would have been a very predictable thing to do), the piece ends with a reminiscence of the calm homophonic chorale. Ashkenazic pronunciation was chosen over Sephardic for two reasons. I wished to have the s sound on the Hebrew letter sov rather than the t sound. In addition, Ashkenazic pronunciation is considered to be somewhat archaic since Sephardic is used in modern Hebrew. I felt this gave me artistic license to compose vocal lines containing correct or incorrect syllabic stress for purely musical effect. I deemed it necessary to state this at the outset of the score, lest one think that this composition contains errors in text-setting.Ashkenazic Transliteration An-im zemiros veshirim e-erog,Ki eilecho nafshi sa-arog.Naf-shi chimedo betseil yodecho,Loda-as kol roz sodecho,Midei daberi bichevodecho,Ho-me libi el dodecho.Ye-eravno sichi olecho,Ki nafshi sa-arog eilecho.English TranslationI will chant sweet hymns and compose songs,For my soul pants after you.My soul has longed to be beneath the shadow of your hand,To know all of your mysteries.Even while I speak of your glory,My heart yearns for your love.May my meditation be pleasant unto you,For my soul pants after you.
$3.00
Elizabethan Serenade
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Contemporary
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Ronald Binge
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Derek Hasted
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Elizabethan Serenade
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1112883 By Ronald Binge. By Ronald Binge. Arranged by Derek Hasted. 20th Century. Score and p...
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1112883 By Ronald Binge. By Ronald Binge. Arranged by Derek Hasted. 20th Century. Score and parts. 33 pages. Derek Hasted #714839. Published by Derek Hasted (A0.1112883). ELIZABETHAN SERENADE - 6 Guitars or 5+BassFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Ronald Binge was a fantastic composer, but few people know of his works. He worked as an arranger for Mantovani, and was, they say, responsible for “The Mantovani Sound†- that cascade of overlapping waterfalls of strings. His Elizabethan Serenade is nothing less that utterly charming. My arrangement is modelled on the version I wrote for the Hampshire Guitar Orchestra (which played 4 different sizes of guitar). This arrangement is one tone higher, and fits nicely onto 6 classical or acoustic guitars (or a large ensemble). Guitar 6 is in treble and bass clefs, so one can substitute a double bass or electric bass, or thicken up the existing part with a deeper sound. My arrangement is mixed ability, almost all the music is early intermediate, but the top line is perhaps intermediate. There are plenty of dynamics which make the music come alive, but there is no fingering - almost all of it can be played in First Position, and a gentle mellow sound will create the most amazing accompaniment which the audience will be convinced has a hidden echo somewhere. When my guitar orchestra played this in concert, you could hear a pin drop - it is a wonderful piece and deserves to be played far more often. I hope YOU enjoy playing this piece!
$4.99
A Beautiful Noise
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Choral SSAA
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INTERMEDIATE
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Alicia Keys & Brandi Carlile
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Jocelyn Scofield
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A Beautiful Noise
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Bilsco Music
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1355936 By Alicia Keys & Brandi Carlile. By Alicia Augello-Cook, Brandi Carlile, Brandy C...
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1355936 By Alicia Keys & Brandi Carlile. By Alicia Augello-Cook, Brandi Carlile, Brandy Clark, Hailey Whitters, Hillary Lindsey, Linda Perry, Lori McKenna, and Ruby Amanfu. Arranged by Jocelyn Scofield. Pop,Singer/Songwriter. 15 pages. Bilsco Music #940641. Published by Bilsco Music (A0.1355936). Immerse yourself in the SSAA choral adaptation of A Beautiful Noise, a song with a univsersal message of personal responsibility and justice advocacy. Skillfully arranged by Jocelyn Scofield, this arrangement offers an expanded musical experience that resonates with its powerful themes. Maintaining the spirit of the original, this four-part arrangment introduces distinct elements, including a poignant a cappella third verse with a slowed tempo and an additional chorus precedes an extended ending that echoes the empowering lines, Now we have a choice, 'cause I have a voice.This arrangement would be a good fit for intermediate to advanced women's choirs.
$2.00
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