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The Squirrel Rag
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You've selected:
The Squirrel Rag
Sheetmusic to print
10 sheet music found
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1
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
And They Were Friends From That Day On
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Classical
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Damien Gauci
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And They Were Friends From Tha
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1495488 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 7 pages. Damien Gauci #1072005. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1495488 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 7 pages. Damien Gauci #1072005. Published by Damien Gauci (A0.1495488). Whiskers and Pippin had left the abandoned house behind, but they carried with them something far more valuable than anything they could have found within its dusty walls—a new friendship. As they journeyed through the woods, they discovered that they had more in common than just their fur colour. Their shared curiosity led them to explore new paths, while their cautious natures kept them safe from danger. Every rustle of the leaves, every flicker of movement in the underbrush, became an adventure when they were together.Day after day, Whiskers and Pippin would meet at the edge of the forest, eager to explore each other’s favourite spots. Whether it was a hidden grove full of the sweetest acorns or a quiet stream perfect for reflection, they found joy in sharing these special places with each other. The once lonely woods now felt alive with the warmth of their companionship. They would chase each other up trees, playfully darting between branches, and when the day grew late, they would sit side by side, watching the sun dip below the horizon.The fear and hesitation that once filled their first encounter was now just a distant memory. In its place was a deep bond, forged through shared experiences and a mutual understanding. Whiskers and Pippin might have been cautious, but together, they found the courage to explore a world that felt much less daunting with a friend by their side. And so, from that day on, they were inseparable—two squirrels who had found in each other a lifelong companion, proving that sometimes, the best adventures begin when you least expect them.
$6.00
Scales, Feathers and Fur
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Flute and Piano
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INTERMEDIATE
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Fiona Hickie
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Scales, Feathers and Fur
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Fiona Alice Hickie
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.738186 Composed by Fiona Hickie. Concert,Contemporary,Jazz,Ragtime. Score and part. 45 pages. Fiona Alic...
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Flute,Piano - Level 3 - Digital Download SKU: A0.738186 Composed by Fiona Hickie. Concert,Contemporary,Jazz,Ragtime. Score and part. 45 pages. Fiona Alice Hickie #5210031. Published by Fiona Alice Hickie (A0.738186). This piece is a true international journey. It is a suite of 7 pieces about animals, with one animal representing each continent of the world. The music includes a variety of styles such as classical, Latin, swing, ragtime and music based on Japanese scales. 1. Little Red Squirrel North America 2. To An Otter World Europe 2:46 3. Mr Meerkat Africa 4:57 4. Penguin’s Waltz Antarctica 7:40 5. The Sneaky Piranha South America 9:48 6. Japanese Crane Asia 13:27 7. Possum On The Keys Australia 16:25.
$20.00
The Squirrel Rag (Slow Drag)
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Piano solo
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Paul Biese & F
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The Squirrel Rag
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by Paul Biese & F. Henri Klickman. Tree limbs. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10775)....
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Composed by Paul Biese & F. Henri Klickman. Tree limbs. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10775). - - - Johns Hopkins University Sheridan Libraries
$5.99
Two Pieces in Scott Joplin Style
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Jim Bosse
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Two Pieces in Scott Joplin Sty
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Jim Bosse
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.954976 Composed by Jim Bosse. Concert,Folk,Ragtime. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.954976 Composed by Jim Bosse. Concert,Folk,Ragtime. Score and parts. 10 pages. Jim Bosse #4580117. Published by Jim Bosse (A0.954976). These two pieces; Vista Point and Squirrel Creek were inspired by hiking destinations in the mountains of Colorado, to two foundation ruins of lodges built in the 1920s, then later burned down. My thought was that there was surely a piano in these lodges and Scott Joplin pieces were likely among the repertoire of the pianists of that era. These two pieces are scored for classical guitar solo with an optional narration part that tells the history of these lodges. Without narration the set performance time is 8 minutes. With the narration the pieces are played through once with the narration, then repeated without the narration, thus doubling the performance time. Performance demand is advanced intermediate. Jim's web site is www.facebook.com/jimbosseguitar .
$2.99
Two Pieces in Scott Joplin Style
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Piano solo
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INTERMEDIATE
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Jim Bosse
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Vista Point
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Two Pieces in Scott Joplin Sty
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Jim Bosse
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.954977 Composed by Jim Bosse. Concert,Folk,Ragtime. Score. 15 pages. Jim Bosse #4580147. Published by Jim...
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Piano Solo - Level 3 - Digital Download SKU: A0.954977 Composed by Jim Bosse. Concert,Folk,Ragtime. Score. 15 pages. Jim Bosse #4580147. Published by Jim Bosse (A0.954977). These two pieces; Vista Point and Squirrel Creek were inspired by hiking destinations in the mountains of Colorado, to two foundation ruins of lodges built in the 1920s, then later burned down. My thought was that there was surely a piano in these lodges and Scott Joplin pieces were likely among the repertoire of the pianists of that era. These two pieces are scored for piano solo with an optional narration part that tells the history of these lodges. Without narration the set performance time is 8 minutes. With the narration the pieces are played through once with the narration, then repeated without the narration, thus doubling the performance time. Performance demand is intermediate. Jim's web site is www.facebook.com/jimbosseguitar .
$2.99
Two Pieces in Scott Joplin Style
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Guitar
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Jim Bosse
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Vista Point
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Two Pieces in Scott Joplin Sty
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Jim Bosse
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1070346 Composed by Jim Bosse. Concert,Folk,Ragtime. Full Performance. Duration 470. Jim Bosse #4580141. Published by J...
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Guitar - Digital Download SKU: A0.1070346 Composed by Jim Bosse. Concert,Folk,Ragtime. Full Performance. Duration 470. Jim Bosse #4580141. Published by Jim Bosse (A0.1070346). These two pieces; Vista Point and Squirrel Creek were inspired by hiking destinations in the mountains of Colorado, to two foundation ruins of lodges built in the 1920s, then later burned down. My thought was that there was surely a piano in these lodges and Scott Joplin pieces were likely among the repertoire of the pianists of that era. These two pieces are scored for classical guitar solo. This recording is the composer performing. Jim's web site is www.facebook.com/jimbosseguitar .
$2.99
Two Pieces in Scott Joplin Style
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Piano solo
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Jim Bosse
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Vista Point
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Two Pieces in Scott Joplin Sty
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Jim Bosse
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SheetMusicPlus
Piano - Digital Download SKU: A0.1070348 Composed by Jim Bosse. Concert,Folk,Ragtime. Full Performance. Duration 503. Jim Bosse #4580155. Published by Ji...
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Piano - Digital Download SKU: A0.1070348 Composed by Jim Bosse. Concert,Folk,Ragtime. Full Performance. Duration 503. Jim Bosse #4580155. Published by Jim Bosse (A0.1070348). These two pieces; Vista Point and Squirrel Creek were inspired by hiking destinations in the mountains of Colorado, to two foundation ruins of lodges built in the 1920s, then later burned down. My thought was that there was surely a piano in these lodges and Scott Joplin pieces were likely among the repertoire of the pianists of that era. These two pieces are scored for piano solo. This recording was computer generated from the score. Jim's web site is www.facebook.com/jimbosseguitar .
$2.99
American Animal Suite: Wind Quintet and Piano
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Fiona Alice Hickie
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Fiona Alice Hickie
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American Animal Suite: Wind Qu
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Fiona Alice Hickie
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - Digital Download SKU: A0.1431358 By Fiona Alice Hickie. By Fiona Alice Hickie, Joh W. Bratton. Arrange...
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Bassoon,Clarinet,Flute,Horn,Oboe,Piano - Level 4 - Digital Download SKU: A0.1431358 By Fiona Alice Hickie. By Fiona Alice Hickie, Joh W. Bratton. Arranged by Fiona Alice Hickie. Chamber,Classical,Ragtime. 113 pages. Fiona Alice Hickie #1011828. Published by Fiona Alice Hickie (A0.1431358). A set of pieces for wind quintet and piano based on 5 American animals: Raccoon To an Otter World Little Red Squirrel The Wily Weasel The Teddy Bears Picnic Also available is The Sneaky Piranha : https://www.youtube.com/watch?v=Qq96zp_GEyg.
$28.99
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