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The Water is Wide for Contrabassoon
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You've selected:
The Water is Wide for Contrabassoon
Sheetmusic to print
3 sheet music found
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The Water is Wide for Contrabassoon & Piano
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Bassoon, Piano (duet)
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EASY
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Traditional Scottish
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James M
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The Water is Wide for Contraba
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jmsgu3
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SheetMusicPlus
Bassoon,Piano - Level 2 - Digital Download SKU: A0.548780 Composed by Traditional Scottish. Arranged by James M. Guthrie. Easter,Instructional,Standards....
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.548780 Composed by Traditional Scottish. Arranged by James M. Guthrie. Easter,Instructional,Standards. Score and part. 17 pages. Jmsgu3 #3419023. Published by jmsgu3 (A0.548780). The Water Is Wide (O Waly Waly)
$26.95
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 p...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
Jupiter, from "The Planets", - Symphonic Band
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Concert band
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ADVANCED
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Gustav Holst
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Jason Popalisky
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Jupiter, from "The Planets", -
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Jason Popalisky
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1430866 Composed by Gustav Holst. Arranged by Jason Popalisky. 20th Century,Classical,Film/TV,Romantic ...
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Concert Band - Level 5 - Digital Download SKU: A0.1430866 Composed by Gustav Holst. Arranged by Jason Popalisky. 20th Century,Classical,Film/TV,Romantic Period. 204 pages. Jason Popalisky #1011368. Published by Jason Popalisky (A0.1430866). Since its 1918 London premiere, Holst's suite The Planets has thrilled audiences worldwide, and no doubt would thrill the audience for any ambitious Symphonic Band today. I have attempted to capture the joy and exuberance of the Jupiter movement, while carefully reworking it for the symphonic band medium. Emphasis has been made on practical playability (without watering down the parts), particularly with repeated figures. The ensemble for this arrangement is quite large, in keeping with the original orchestration.Instrumentation:2 Piccolos2 Flutes*3 OboesEnglish HornEb Clarinet3 Bb Clarinets*Alto Clarinet2 Bass ClarinetsContrabass Clarinet3 BassoonsContrabassoon2 Alto SaxophonesTenor SaxophoneBaritone Saxophone3 Trumpets in Bb*4 Horns in F3 TrombonesBass TromboneEuphoniumTubaDouble BassHarp2 TimpaniBass DrumCymbals (Crash and Suspended)TambourineTriangleGlockenspielXylophone*these instruments have divisi on each part requiring 2 players per part.While no instrument is optional, the following are either doubled and/or cued at key moments: Oboe 3, Alto Clarinet, Contrabass Clarinet, Bassoon 3, Double Bass, and Harp
$100.00
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