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Three At A Time
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738
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You've selected:
Three At A Time
Sheetmusic to print
5,819 sheet music found
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5801
One Step At A Time, Viola Book I
#
Viola (band part)
#
BEGINNER
#
Instructional
#
Jennie Lou Klim
#
One Step At A Time, Viola Book
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Jennie Lou Klim
#
SheetMusicPlus
Viola Solo - Level 1 - Digital Download SKU: A0.953751 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856947. P...
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Viola Solo - Level 1 - Digital Download SKU: A0.953751 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856947. Published by Jennie Lou Klim (A0.953751). One Step at a Time is a five-part method of teaching the fundamentals of music on the viola. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. The specific goal in Book I is to teach note reading on the A and D strings, without the distraction of letter names or fingerings. Fundamental concepts are introduced with simple tunes and exercises on uncluttered pages, with an emphasis on the Two-Three Finger Pattern. I am grateful to my violinist daughter, Amy Harris Jevitt, who guided me when I was challenged to find the most logical pathway through the keys, and gave me her invaluable opinion in regard to pedagogical issues; and to my husband, Paul, for his endless hours of proofreading the multiple revisions as the series evolved. His total support and understanding made it possible to complete One Step at a Time.
$10.95
One Step At A Time, Viola Book III
#
Viola
#
EASY
#
Instructional
#
Jennie Lou Klim
#
One Step At A Time, Viola Book
#
Jennie Lou Klim
#
SheetMusicPlus
Viola Solo - Level 2 - Digital Download SKU: A0.953750 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856945. P...
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Viola Solo - Level 2 - Digital Download SKU: A0.953750 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856945. Published by Jennie Lou Klim (A0.953750). One Step At A Time is a five-part method of teaching the fundamentals of music on the viola. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. Book III introduces two new patterns, the ONE-TWO and THREE-FOUR FINGER PATTERNS with easy intermediate tunes and exercises. As with the first two books in this series, the fundamental concepts are introduced on uncluttered pages, without the distraction of letter names or fingerings. I am grateful to my violinist daughter, Amy Harris Jevitt, who guided me when I was challenged to find the most logical pathway through the keys, and gave me her invaluable opinion in regard to pedagogical issues; and to my husband, Paul, for his endless hours of proofreading the multiple revisions as the series evolved. His total support and understanding made it possible to complete One Step At A Time.
$10.95
One Step At A Time, Viola II
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Viola
#
EASY
#
Instructional
#
Jennie Lou Klim
#
One Step At A Time, Viola II
#
Jennie Lou Klim
#
SheetMusicPlus
Viola Solo - Level 2 - Digital Download SKU: A0.953754 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856949. P...
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Viola Solo - Level 2 - Digital Download SKU: A0.953754 Composed by Jennie Lou Klim. Instructional. Individual part. 47 pages. Jennie Lou Klim #2856949. Published by Jennie Lou Klim (A0.953754). One Step At A Time is a five-part method of teaching the fundamentals of music on the viola. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. The specific goal in Book II is to teach note reading on the D and G strings, without the distraction of letter names or fingerings. Fundamental concepts are introduced with simple tunes and exercises on uncluttered pages, with an emphasis on the Two-Three Finger Pattern. I am grateful to my violinist daughter, Amy Harris Jevitt, who guided me when I was challenged to find the most logical pathway through the keys, and gave me her invaluable opinion in regard to pedagogical issues; and to my husband, Paul, for his endless hours of proofreading the multiple revisions as the series evolved. His total support and understanding made it possible to complete One Step At A Time.
$10.95
One Step at a Time - SSA A Cappella
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Choral 3-part
#
INTERMEDIATE
#
Sacred music
#
Sidney E
#
Fritz Stanley
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One Step at a Time - SSA A Cap
#
MicStanley
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748568 Composed by Sidney E. Cox. Arranged by Fritz Stanley. A Cappella,Christian,Gospel,Praise &...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748568 Composed by Sidney E. Cox. Arranged by Fritz Stanley. A Cappella,Christian,Gospel,Praise & Worship,Sacred. Octavo. 8 pages. MicStanley #6083731. Published by MicStanley (A0.748568). One Step at a Time is a hymn song that talks about step by step following Jesus. Composed by Sidney E. Cox and arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. .
$2.00
One Step At A Time, Book I for violin
#
Violin
#
BEGINNER
#
Jennie Lou Klim
#
One Step At A Time, Book I for
#
Jennie Lou Klim
#
SheetMusicPlus
Violin Solo - Level 1 - Digital Download SKU: A0.953744 Composed by Jennie Lou Klim. Baroque,Children,Classical,Folk,Instructional. 47 pages. Jennie Lou ...
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Violin Solo - Level 1 - Digital Download SKU: A0.953744 Composed by Jennie Lou Klim. Baroque,Children,Classical,Folk,Instructional. 47 pages. Jennie Lou Klim #2020903. Published by Jennie Lou Klim (A0.953744). One Step At A Time is a five-part method of teaching the fundamentals of music on the violin. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. The specific goal in Book I is to teach note reading on the E and A strings, without the distraction of letter names or fingerings. Fundamental concepts are introduced with simple tunes and exercises on uncluttered pages, with an emphasis on the Two-Three Finger Pattern.
$10.95
One Step At A Time, Book II for violin
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Violin
#
BEGINNER
#
Jennie Lou Klim
#
One Step At A Time, Book II fo
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Jennie Lou Klim
#
SheetMusicPlus
Violin Solo - Level 1 - Digital Download SKU: A0.953745 Composed by Jennie Lou Klim. Baroque,Children,Classical,Folk,Instructional. 47 pages. Jennie Lou ...
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Violin Solo - Level 1 - Digital Download SKU: A0.953745 Composed by Jennie Lou Klim. Baroque,Children,Classical,Folk,Instructional. 47 pages. Jennie Lou Klim #2020909. Published by Jennie Lou Klim (A0.953745). One Step At A Time is a five-part method of teaching the fundamentals of music on the violin. It is written in a way that is logical, sequential, and easy to understand. The success of this approach is in its simplicity. The writing of this series is the culmination of many years of teaching, and is based on carefully considered pedagogical principles. The specific goal in Book II is to teach note reading on the D and G strings, without the distraction of letter names or fingerings. Fundamental concepts are introduced with simple tunes and exercises on uncluttered pages, with an emphasis on the Two-Three Finger Pattern.
$10.95
Crossing Jordan: Three Spirituals for flute, piano and cello
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Sacred music
#
Maria Thompson Corley
#
Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Sacred music
#
Maria Thompson Corley
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Maria Thompson Corley
#
Crossing Jordan: Three Spiritu
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Maria Thompson Corley
#
SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
Crossing Jordan: Three Spirituals for violin, piano and cello
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Piano Quartet: piano, 2 violins, cello
#
ADVANCED
#
Sacred music
#
Maria Thompson Corley
#
Maria Thompson Corley
#
Crossing Jordan: Three Spiritu
#
Maria Thompson Corley
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arrange...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.
$30.00
Three Tunes with Harmonics, for Violin and Piano
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Violin
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INTERMEDIATE
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Jennie Lou Klim
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2.
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Three Tunes with Harmonics, fo
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Jennie Lou Klim
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.953769 Composed by Jennie Lou Klim. Contemporary,Instructional,Standards. 7 pages. Jennie Lou Klim #2946...
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Violin Solo - Level 3 - Digital Download SKU: A0.953769 Composed by Jennie Lou Klim. Contemporary,Instructional,Standards. 7 pages. Jennie Lou Klim #2946031. Published by Jennie Lou Klim (A0.953769). 1. Hippity Hoppity Harmonics 2. The Happy Whistler 3. The Musical Gymnast In each of these three tunes, the student plays several different harmonics. Each song needs to be played slowly at first to discover where the harmonic is located, and to grasp the rhythmic and bowing patterns. As an educator, Jennie Lou Klim has written numerous method books for violin, viola, cello, and bass; begun string programs in public school systems; directed summer string camps; and conducted workshops with beginning, as well as established strings teachers. The selected harmonic tunes are from Book V of the One Step At A Time series. .
$3.99
I saw three ships - easy string quartet
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String Orchestra
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INTERMEDIATE
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Christmas
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Traditional
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Nicholas Palmer
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I saw three ships - easy strin
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Nicholas D Palmer
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.782748 Composed by Traditional. Arranged by Nicholas Palmer. Christmas,Sacred,Standards. Score and ...
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String Orchestra - Level 3 - Digital Download SKU: A0.782748 Composed by Traditional. Arranged by Nicholas Palmer. Christmas,Sacred,Standards. Score and parts. 1 pages. Nicholas D Palmer #3366185. Published by Nicholas D Palmer (A0.782748). The lively carol, I saw three ships, is arranged for easy playing by string quartet or high school level string orchestra (first position, easy and singable key, straightforward harmonies), presented in full score on a single page. This carol is a part of a larger collection of similar arrangements, Forty-five carols for strings. Great for gigging, easy Christmas repertoire, or highlighting a few players at a time. Enjoy!
$1.99
Fantasia on We Three Kings for flexible String/Violin Quartet or String Orchestra
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String Quartet: 2 violins, viola, cello
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BEGINNER
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Christmas
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John Henry Hopkins Jr
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Lauren Cash
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Fantasia on We Three Kings for
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Lauren Cash
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1094470 Composed by John Henry Hopkins Jr. Arranged by Lauren Cash....
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1094470 Composed by John Henry Hopkins Jr. Arranged by Lauren Cash. Christmas,Holiday,Instructional,Sacred. 10 pages. Lauren Cash #698522. Published by Lauren Cash (A0.1094470). This hauntingly beautiful rendition of We Three Kings has exciting musical flair while being simple enough for a beginning string/violin quartet or string orchestra to perform. Performers will love the advanced sound of this piece and the fact that everyone gets an opportunity to play the melody! You will also love the flexible orchestration (Viola/Violin III and Cello/Violin IV parts are all included!) and that the melody is always played by two sections at a time. This is the perfect piece for a Christmas concert, school concert, church Christmas event, or just for fun! Key of E minor.
$12.99
Fuga a tre (3 part fugue) for keyboard
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Piano solo
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INTERMEDIATE
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Contemporary
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.958468 Composed by Joseph Dillon Ford. 20th Century. Score and...
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.958468 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 3 pages. David Warin Solomons2 #3691563. Published by David Warin Solomons2 (A0.958468). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
Fuga a tre (3 part fugue) for wind trio
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Contemporary
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.958470 Composed by Joseph Dillon Ford. 20th Century. 7 pages. David Warin Solomons2 ...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.958470 Composed by Joseph Dillon Ford. 20th Century. 7 pages. David Warin Solomons2 #3691569. Published by David Warin Solomons2 (A0.958470). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
Fuga a tre (3 part fugue) for string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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Joseph Dillon Ford
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Fuga a tre
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David Warin Solomons2
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David War...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.958467 Composed by Joseph Dillon Ford. 20th Century. Score and parts. 7 pages. David Warin Solomons2 #3691565. Published by David Warin Solomons2 (A0.958467). The Fuga a tre voci was composed on 28 March 1976 not long before I moved from Miami to Cambridge to begin graduate study in music at Harvard. It remained an imperfect sketch in need of extensive revisions, and languished for a quarter-century in a manila file folder until I rediscovered it late in 2001 and was pleased to find that it was worth the trouble of resurrecting. This was no easy task, as it was my original intention to comply closely with eighteenth-century contrapuntal practices. Although I had written numerous polyphonic pieces in a similar style since 1976, none of these was a fugue. There was also the challenge of reconnecting with musical ideas I had originated at the age of twenty-four at a time in my life when I was rapidly approaching the age of fifty. Still, I persevered in my efforts to revive and improve this early polyphonic essay, and hope the performer and listener will be as pleased with the results as I am. This three-voice fugue can be performed by any instrument or combination of instruments, including the harpsichord.
$7.00
We Three Kings Of Orient Are for Very Easy Piano
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Piano solo
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BEGINNER
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Christmas
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Traditional
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Kimberly Steele
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We Three Kings Of Orient Are f
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Kimberly Steele
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.733397 Composed by Traditional. Arranged by Kimberly Steele. Christmas. Score. 2 pages. Kimberly Steele #...
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Piano Solo - Level 1 - Digital Download SKU: A0.733397 Composed by Traditional. Arranged by Kimberly Steele. Christmas. Score. 2 pages. Kimberly Steele #6136033. Published by Kimberly Steele (A0.733397). Easy, one-note-at-a-time large note version of We Three Kings of Orient Are -- this song is also available as part of my Level 1 Traditional Christmas Collection that features 12 of the best known Christmas songs for under 8 dollars: https://www.sheetmusicplus.com/title/the-traditional-christmas-collection-12-christmas-hymns-for-lev....
$1.99
Three Irish Reels
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Traditional
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Bob Mathews
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Three Irish Reels
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Bob Mathews
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.929262 Composed by Traditional. Arranged by Bob Mathews...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.929262 Composed by Traditional. Arranged by Bob Mathews. Celtic,Concert,Holiday,Standards. Score and parts. 19 pages. Bob Mathews #5030857. Published by Bob Mathews (A0.929262). These are three fun reels to play for any occasion. You can also separate them and only play one at a time if you want.These are reel audience pleasers!!
$4.99
Crossing Jordan: Three Spirituals for soprano, piano and cello
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Piano, Voice
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ADVANCED
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Sacred music
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Ch...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1272498 By Maria Thompson Corley. By Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Religious,Sacred,Spiritual. Score. 28 pages. Maria Thompson Corley #864723. Published by Maria Thompson Corley (A0.1272498). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.
$27.00
It Don't Mean A Thing (If It Ain't Got That Swing)
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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Duke Ellington
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Joseph Hasper
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper....
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 34 pages. Joseph Hasper #2059795. Published by Joseph Hasper (A0.734676). Jazz combo arrangement for Trumpet, Alto Sax, Trombone and Rhythm Section (Guitar, Piano, Bass, and Drums). Comes with alternate or substitute parts so that you can use another Trumpet (or Clarinet) in place of Alto Sax, or Tenor Sax in place of Trombone. Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99
It Don't Mean A Thing (If It Ain't Got That Swing)
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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Duke Ellington
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Joseph Hasper
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734674 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper....
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734674 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 51 pages. Joseph Hasper #2059717. Published by Joseph Hasper (A0.734674). Jazz combo arrangement for Flute, Sax Section (2 Alto Saxes, 2 Tenor Saxes, Baritone Sax) and Rhythm Section (Piano, Bass, and Drums).Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99
Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
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Gregory Fritze
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Three Pieces for Tuba Ensemble
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Musica Nova USA
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SheetMusicPlus
Small Ensemble Euphonium,Horn,Tuba - Level 2 - Digital Download SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and part...
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Small Ensemble Euphonium,Horn,Tuba - Level 2 - Digital Download SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Musica Nova USA #4984119. Published by Musica Nova USA (A0.917404). Three Pieces for Tuba Ensemble is a collection of three pieces that were composed at different times for different occasions. This set makes up a good suite for concert performance. Although listed as a tuba ensemble compositions, euphoniums usually play the higher two parts. All three are written in five parts. Optional substitute parts for French Horn and Flüglehorn are also included in this set, as well as euphonium parts in treble clef.Salutation Fanfarewas composed in 1985 for performance at the New York Brass Conference at the Roosevelt Hotel in New York City. That year, famous tubist Harvey Phillips was being honored at a special concert. This piece started the concert with the composer conducting an ensemble of about twenty euphonium and tuba players made up of Indiana University alumni, free-lance musicians and other friends of Mr. Phillips. The piece is based on the phrase Harvey Phillips Mr. Tuba. Simple Giftsis a traditional American folksong that has been arranged by many composers over the years. This arrangement was done in 1990 for performance at the International Tubists Universal Brotherhood Association Conference held in Sapporo, Japan. It was premiered by the Colonial Tuba Quartet that year. It has been arranged in four parts as well as this arrangement in five parts.Octubafest Polkawas composed in 1976 at the request of Harvey Phillips for performance at the Octubafest activities at Indiana University. It was premiered by the Indiana University Tuba Ensemble that year, conducted by Harvey Phillips. Mr. Phillips was the first to use the word Octubafest, probably in 1974 or 1975. Octubafest celebrations have taken place at many schools and universities ever since, usually in the month of October. He said that having an Octubafest celebration early in the school year provided an opportunity for new students entering college to get to know each other. At Indiana University during Harvey Phillips’ tenure (1973 – 1996) the Octubafest concerts were always followed by a party at Harvey’s house, making for a good time for all. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1991 TUBA International Etude Composition Competition, for his Twenty Characteristic Etudes for Tubaan important part of the tuba pedagogy repertoire. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$30.00
Concerto Grosso for Three Trombones with Piano accompaniment
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Piano Accompaniment
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ADVANCED
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Lyndol Mitchell
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Jeremy Kempton
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Concerto Grosso for Three Trom
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792572 Composed by Lyndol Mitchell. Arranged by Jeremy Kempton. 20th Century,Contemporary,Ro...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792572 Composed by Lyndol Mitchell. Arranged by Jeremy Kempton. 20th Century,Contemporary,Romantic Period. Score and parts. 34 pages. Gordon Cherry #5008613. Published by Gordon Cherry (A0.792572). The Concerto Grosso for Three Trombones with Piano accompaniment by Lindol Mitchell is a realization for Piano of the original orchestral score by Jeremy Niles Kempton. The original orchestral work was composed in 1961 as part of Mitchell’s Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The solo performers were nine students of Emory Remington, including Ralph Sauer and Donald King. The work is is subtitled in stile Barocco and is in three movements. Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists. Movement II is a slow and serious Larghetto in C minor. Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way. The 13-minute work is appropriate for advanced performers. The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.
$37.50
Concerto Grosso for Three Trombones and Orchestra
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Lyndol Mitchell
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Jeremy Niles Kempton
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Concerto Grosso for Three Trom
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792566 Composed by Lyndol Mitchell. Arranged by Jeremy Niles Kempton. 20th Century,Contempor...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792566 Composed by Lyndol Mitchell. Arranged by Jeremy Niles Kempton. 20th Century,Contemporary,Romantic Period. Score and parts. 115 pages. Gordon Cherry #5008595. Published by Gordon Cherry (A0.792566). The Concerto Grosso for Three Trombones and Orchestra by Lyndol Mitchell was composed in 1961 as part of his Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The performers were six students of Emory Remington, including Ralph Sauer and Don King. The work is is subtitled in stile Barocco and is in three movements. Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists. Movement II is a slow and serious Larghetto in C minor. Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way. The 13-minute work is appropriate for advanced performers. The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.
$130.00
Red Rag, a Ragtime piece for Recorder Trio
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3 Recorders (trio)
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INTERMEDIATE
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David McKeown
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Red Rag, a Ragtime piece for R
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David McKeown
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SheetMusicPlus
Alto Recorder,Descant Recorder,Soprano Recorder,Tenor Recorder,Treble Recorder - Level 3 - Digital Download SKU: A0.1161507 Composed by David McKeown. Co...
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Alto Recorder,Descant Recorder,Soprano Recorder,Tenor Recorder,Treble Recorder - Level 3 - Digital Download SKU: A0.1161507 Composed by David McKeown. Contemporary,Instructional,Jazz,Ragtime. Recorder Ensemble. 9 pages. David McKeown #761861. Published by David McKeown (A0.1161507). Red Rag is a fun and original Trio written in a Ragtime style by David McKeown for three Soprano/Descant Recorders. The pdf file contains the score, separate parts for three Soprano Recorders, and also alternative parts for Alto/Treble and Tenor. There are chord symbols on the score for additional accompaniment on piano, bass or guitar. Red Rag is suitable for players at an intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around two minutes, Red Rag is a perfect upbeat addition to any performance program, formal or informal. Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Red Rag, a Ragtime piece for Clarinet Trio
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3 Clarinets (trio)
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INTERMEDIATE
#
David McKeown
#
Red Rag, a Ragtime piece for C
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David McKeown
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1161500 Composed by David McKeown. Contemporary,Instructional,Jazz,R...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1161500 Composed by David McKeown. Contemporary,Instructional,Jazz,Ragtime. 9 pages. David McKeown #761854. Published by David McKeown (A0.1161500). Red Rag is a fun and original Trio written in a Ragtime style by David McKeown for three Clarinets. The pdf file contains the score, separate parts for three Clarinets in B Flat, and also alternative parts for Alto and Bass Clarinet. There are chord symbols in concert pitch on the score for additional accompaniment on piano, bass or guitar. Red Rag is suitable for players at an intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around two minutes, Red Rag is a perfect upbeat addition to any performance program, formal or informal. Click on the YouTube link to see and hear this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
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