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True North
Sheetmusic to print
67 sheet music found
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26
51
True North
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Piano solo
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INTERMEDIATE
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New Age
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Contemporary
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Adrian Lord
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True North
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Adrian Lord
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1047649 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 3 pages. Adrian Lord #6521...
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Piano Solo - Level 3 - Digital Download SKU: A0.1047649 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 3 pages. Adrian Lord #652138. Published by Adrian Lord (A0.1047649). True North is taken from my second album “Sky Blue Pianoâ€, inspired by my interest in the connection of music and colour to paint different moods and styles. This solemn piece is for my True North. It was inspired by Fauré’s Elegie for cello and piano, and represents the longing for someone who will always be there for you. This download includes: 1. True North Also available: “Piano Meditations and Journey - Twelve Romances for Piano. Adrian Lord's music can be heard on Spotify, Apple Music, YouTube and CD. The sheet music is also available in beautifully printed books from www.adrianlordpiano.com.
$3.75
Keys to the Northern Pass
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Orchestra
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INTERMEDIATE
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Contemporary
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Tim Yarham
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Keys to the Northern Pass
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True Art is Angsty
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1005078 Composed by Tim Yarham. 20th Century,Contemporary. Score and parts. 209 pages. True Art is An...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1005078 Composed by Tim Yarham. 20th Century,Contemporary. Score and parts. 209 pages. True Art is Angsty #4885629. Published by True Art is Angsty (A0.1005078). Keys to the Northern Pass (30'45) was inspired by the sounds and history of the Cairns region, in Far North Queensland. From the city to the reef, to the beaches where the rainforest meets the sand, a world to itself.
$25.00
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole)
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Piano, Vocal and Guitar
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INTERMEDIATE
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporar...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pages. David Warin Solomons #863483. Published by David Warin Solomons (A0.1271090). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.The pdf file is the score based on the alto and guitar parts with spoken voices provided in text on the score.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, and if I go on singing it much longer, he thought, it will be time for the little something, and then the last line won't be true. So he turned it into a hum instead.  ..... etc.
$27.00
True Companion
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Marc Cohn
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Alex Phillips-Yates
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True Companion
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North Node Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.510367 By Marc Cohn. By Marc Cohn. Arranged by Alex Phillips-Yates. Contemporary,Pop,W...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.510367 By Marc Cohn. By Marc Cohn. Arranged by Alex Phillips-Yates. Contemporary,Pop,Wedding. 17 pages. North Node Music #6352235. Published by North Node Music (A0.510367). This beautiful love ballad lends itself well to the string quartet, and is a great choice for weddings, proposals and anniversaries. All four members of the quartet get a share of the melody, and the 1st violin takes the cadenza at the end of the song.
$15.99
The True North
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Jordan Grigg
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The True North
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Jordan Grigg
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SheetMusicPlus
Alto Voice,Bass Voice,Choir,Soprano voice,Tenor Voice - Digital Download SKU: A0.1057784 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Sta...
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Alto Voice,Bass Voice,Choir,Soprano voice,Tenor Voice - Digital Download SKU: A0.1057784 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards. Full Performance. Duration 279. Jordan Grigg #3466866. Published by Jordan Grigg (A0.1057784).
$2.99
The True North
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Choral SATB
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INTERMEDIATE/ADVANCED
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Jordan Grigg
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The True North
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Jordan Grigg
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.863867 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards,World. Octavo. 30 ...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.863867 Composed by Jordan Grigg. 20th Century,Concert,Instructional,Standards,World. Octavo. 30 pages. Jordan Grigg #3395605. Published by Jordan Grigg (A0.863867).
$6.95
Prelude in C Minor, Op. 28, No. 20
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Piano solo
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INTERMEDIATE
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Classical
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Frederik Chopin
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True North Music
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Prelude in C Minor, Op. 28, No
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True North Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.941138 Composed by Frederik Chopin. Arranged by True North Music. Romantic Period. Score. 7 pages. True N...
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Piano Solo - Level 3 - Digital Download SKU: A0.941138 Composed by Frederik Chopin. Arranged by True North Music. Romantic Period. Score. 7 pages. True North Music #5990291. Published by True North Music (A0.941138). This digital download contains both the score, as well as the history of how and when it was written by Chopin.The text description is presented in simple form and with pictures, so it is easy to read.Ideal for kids and adolescents wanting to play it as part of their piano studies.The historical context lets the pianist understand the piece better and thus love it even more.
$1.99
Sky Blue Piano
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Piano solo
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INTERMEDIATE
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New Age
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Contemporary
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Adrian Lord
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Sky Blue Piano
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Adrian Lord
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1047475 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 42 pages. Adrian Lord #652...
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Piano Solo - Level 3 - Digital Download SKU: A0.1047475 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 42 pages. Adrian Lord #652042. Published by Adrian Lord (A0.1047475). As with my debut album, “Journey - Twelve Romances for Pianoâ€, my interest in the connection of music and colour to paint different moods and styles is explored here in Sky Blue Piano. The colour sky blue is a bright uplifting one, and whilst writing the pieces I felt that using this in the title was the right balance between perhaps a joyous yellow and a sombre grey. The twelve pieces here were all written especially for this album. There are a couple that are based on melodies written some time ago but now, with fresh ears, they have been developed and completed for this second album. I hope you will enjoy playing “Sky Blue Pianoâ€. This download includes all twelve pieces: 1. Awaken 2. Sky Blue 3. Northern Lights 4. Bliss 5. Downpour 6. True North 7. Discovery 8. Everlasting Light 9. A Million Words 10. White Magic 11. The Misty Isle 12. Homecoming Also available: “Piano Meditations and Journey - Twelve Romances for Piano. Adrian Lord's music can be heard on Spotify, Apple Music, YouTube and CD. The sheet music is also available in beautifully printed books from www.adrianlordpiano.com.
$15.60
True North by Laurie Th berge - Piano Solo
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Piano solo
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Laurie Th berge
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True North
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Musicnotes
Sheet Music for True North from Shadow and Bone arranged for Instrumental Solo in D Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for True North from Shadow and Bone arranged for Instrumental Solo in D Minor. Digital sheet music from Musicnotes.
$9.99
True North by Twila Paris - Easy Piano
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Easy Piano
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EASY
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Christian contemporary
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Twila Paris
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True North
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Musicnotes
Performed by: Twila Paris: True North Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this a...
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Performed by: Twila Paris: True North Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Instrumental Solo;Piano/Vocal/Chords, instruments: Piano;Voice; 4 pages -- CCM~~Adult Contemporary~~Christian
$3.95
The Surrey With The Fringe On Top
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Choral SATB
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ADVANCED
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Contemporary
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Richard Rodgers
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Matt Falker -- Anchor Music
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The Surrey With The Fringe On
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Anchor Music
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.880294 Composed by Richard Rodgers. Arranged by Matt Falker -- Anchor Music. Contemporary. Octav...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.880294 Composed by Richard Rodgers. Arranged by Matt Falker -- Anchor Music. Contemporary. Octavo. 19 pages. Anchor Music #5779467. Published by Anchor Music (A0.880294). This song was arranged for True North and performed on the main stage of the Jazz Education Network (JEN) 2018 conference. The arrangement is based on the structure of Joshua Redman's visioning on the album 'Back East', including the idea of stop time of the head and moving the form through regular key changes. The vocal version has a powerhouse soli loosely based on Redman's sax solo, plus opportunity for improvising over a version of the familiar standard. The first chorus of the head can feature a single soloist, or has the opportunity to be passed down the line one by one. A fun up-tempo swing challenge for your rhythm section as well!Vocal range: Guys Bb2 – Ab4, Ladies F#3 – Bb5. Included: vocal score, bass part, rhythm score.Demo: Live performance by Pacific Standard Time from CSU Long Beach (Christine Guter, director).Individual part tracks – available soon at anchormusic.com. Get all the latest vocal jazz releases at anchormusic.com!
$59.99
Beautiful American Airs and Ballads for Solo Baritone Ukulele
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Ukulele
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INTERMEDIATE
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Folkloric/Traditional
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Beautiful American Airs and Ba
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Ukulele - Intermediate - Digital Download SKU: M0.31040EB American Music. E-book. 57 pages. Mel Bay Publications - Digital Sheet Music #31040EB. Publishe...
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Ukulele - Intermediate - Digital Download SKU: M0.31040EB American Music. E-book. 57 pages. Mel Bay Publications - Digital Sheet Music #31040EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31040EB). ISBN 9781513477404. 8.75x11.75 inches.This book presents 25 lyrical North American melodies scored for solo baritone ukulele in standard notation and tablature; occasional left-hand fingering suggestions are provided in these intermediate to advanced melody/chord settings. Selections include historical themes from the turbulent Civil War era, popular 19th century ballads, and modern pieces by William Bay. Along with the songs of several other known and unknown composers, any collection of American ballads would be incomplete without the timeless melodies penned by Stephen Foster; you will find Beautiful Dreamer, I Dream of Jeannie with the Light Brown Hair, Darling Nellie Gray, and Stephen Foster's timeless Civil War classic Hard Times, Come Again No More in this collection.As the baritone uke is tuned the same as the top four strings of the guitar, guitarists can enjoy playing these satisfying arrangements on a second instrument!
Song List
: Aura Lee Beautiful Dreamer Black is the Color of My True Love's Hair Black Sunday Darling Nellie Gray Hard Times Come Again No More I Dream of Jeanie With the Light Brown Hair In The Pines Johnny Has Gone For a Soldier Just A-Wearyin' For You Just Before The Battle, Mother Land of Rest Lorena Mighty Lak' A Rose Paper Of Pins Prairie Sunset Pretty Peggy - O Shady Grove Shenandoah The Lonesome Dove The Long Road The Old Country The Old Homestead TO a Wild Rose Trail Of Tears
$17.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Prelude in A Major (Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Frederic Chopin
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Chris North
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Prelude in A Major
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Danetre Music
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.831679 Composed by Frederic Chopin. Arranged by Chris North. Romantic Period. Score and parts. 13 pag...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.831679 Composed by Frederic Chopin. Arranged by Chris North. Romantic Period. Score and parts. 13 pages. Danetre Music #5330591. Published by Danetre Music (A0.831679). The ability to say so much with so little is the mark of a true genius. This popular masterpiece is now arranged for brass quintet by Chris North. The music remains in the original key of A Major. Very short but quite a challenge. The upper part is scored for Trumpet in D. Comes with additional parts for 1st Trumpet in B-flat, 1st Trumpet in A (Piccolo), Horn in E-flat, Trombone in treble clef, and Bass in E-flat. Advanced Intermediate level. Duration 0:50.
$4.99
Don't Stop Me Now
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Rock
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Queen
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Alex Phillips-Yates
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Don't Stop Me Now
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North Node Music
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.510329 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Alex Phillips-Y...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.510329 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Alex Phillips-Yates. Rock. 22 pages. North Node Music #4621295. Published by North Node Music (A0.510329). This arrangement of Queen's classic anthem features the song in full, including the guitar solo and the fade-out ending, which has been extended to provide a proper ending, making it suitable for live performance. Care has been taken to include appropriate bowings and dynamics, making this a true string quartet arrangement which is guaranteed to go down a storm!
$15.99
Im Aargau sind zwöi Liebi (SAB)
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Choral 3-part
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EASY
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Folksong from Switzerland, can
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Deborah Krauss
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Im Aargau sind zwöi Liebi
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Cold Springs Publications
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.749241 Composed by Folksong from Switzerland, canton Aargau. Arranged by Deborah Krauss. A Cappel...
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.749241 Composed by Folksong from Switzerland, canton Aargau. Arranged by Deborah Krauss. A Cappella,Folk,Instructional,Multicultural,World. Octavo. 2 pages. Cold Springs Publications #355154. Published by Cold Springs Publications (A0.749241). In Swiss-German dialect, this well-known folksong from the canton of Aargau in north-central Switzerland is arranged here for 3 mixed voices. In true folksong fashion, there are 12 verses total, a story about a young lad who goes off to war, and after a year comes home to find his sweetheart now has a new love. Looking for consolation from his mother, she instead tells him he should have never left! In this arrangement, only three verses have been selected, just to keep the story short and sweet. Translated: 1) In Aargau are two sweethearts, they loved each other well; 6) God greet you dearest maiden, to you my heart is true; 8) Good looks and riches has he, and both are dear to me, and then a repeat of verse 1.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
That Tumbarumba Cucumber Rhumba
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Concert band
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BEGINNER
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Kara Williams
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That Tumbarumba Cucumber Rhumb
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Kara Williams
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1456822 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,Latin,Rock. 37 pages. Kara W...
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Concert Band - Level 1 - Digital Download SKU: A0.1456822 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,Latin,Rock. 37 pages. Kara Williams #1035903. Published by Kara Williams (A0.1456822). Admittedly, the choice of title for this work for novice wind ensemble was based more on what would rhyme with the word ‘Tumbarumba’, than staying true to the style of the North American Latin groove made popular in the 1930s! It does; however, introduce players to some of the musical aspects found in Latin American and Afro-Cuban music in an accessible way. Written for and premiered by the Sturt Public School Band (near the town of Tumbarumba) this fun work utilises narrow instrumental tessituras, and incorporates simple off off-beat entries, section solis, layered melodies, and a fun bass line that will keep your low woodwind and brass players engaged and audience tapping their feet all the way through! Optional easier (rather than harmonically lower) 3rd trumpet and 3rd clarinet parts make this chart more inclusive and achievable for less experienced players; and, at around two and a half minutes in length, it’s a great addition to any concert!Scoring:Fl 1-2; Ob; Cl 1-2-(3 opt); BCl; AS; TS; BS; Bsn; F Hn 1-(2 opt); Tpt 1-2-(3 opt); Tbn; Euph; Tba (Bass); Glock (opt); Xylo (opt); Cabasa-Shaker; Drum set* (H.H. crash S.D. B.D.) Tambourine (doubles H.H.) *Drum set instruments can be performed separately and percussion can be added/doubled up as desired.karawilliamsmusic.com.
$20.00
Under The Stars Songbook
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Flute
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INTERMEDIATE
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Joanne Lazzaro
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Joanne Lazzaro
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Under The Stars Songbook
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JoRazzal Music
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SheetMusicPlus
Flute Solo,Soprano Flute - Level 3 - Digital Download SKU: A0.1428390 By Joanne Lazzaro. By Joanne Lazzaro. Arranged by Joanne Lazzaro. Multicultural,New...
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Flute Solo,Soprano Flute - Level 3 - Digital Download SKU: A0.1428390 By Joanne Lazzaro. By Joanne Lazzaro. Arranged by Joanne Lazzaro. Multicultural,New Age,World. Individual part. 86 pages. JoRazzal Music #1009176. Published by JoRazzal Music (A0.1428390). Under The Stars Songbook - Complete song transcriptions from the album, for Solo Native American Style FluteVirtually every culture on earth tells legends inspired by the moon, stars and planets. Many surmised (as we now know to be true) that our planet and everything on it, was at one time in the heart of a star. This songbook contains complete transcriptions of all twelve improvised songs on Joanne Lazzaro's 2015 solo Native American flute album Under The Stars plus the two most popular songs from the follow-up EP Under The Stars, Too!, set in NakaiTab* notation. Each song is based on, or inspired by, the star legends of various Native North American tribes; the songbook also includes background information and performance notes for each song, including detailed instructions for playing Amazing Grace - Trail of Tears on a double (harmony) flute. The album's story begins at sunset, with the appearance of the evening star, and ends at sunrise, with the singing of birds. The songs are presented in album track order, and can be played as a one-hour complete set (if desired): Evening Star Song, Sky Chief, Medicine Wheel, Moon Dances with New Star, Giant Cactus-Gathering Hook, Path of the Departed Souls, Bear Who Wanted a Mango, Rabbit Tracks, Spirits of the Long-Eyes, Amazing Grace - Trail of Tears, Zuni Sunrise (extended version), Lark Who Sang His Song to The Sun Every Morning; plus Eye of the Creator and Condor (from Under The Stars, Too!). All songs composed by Joanne Lazzaro, except Amazing Grace, and Zuni Sunrise, which are improvised arrangements of traditional songs.* Note - NakaiTab notation can also be read by any C instrument, including classical flute, violin, oboe, recorder, etc.
$24.99
Dios te salve, María (Ave Maria)
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Choral SATB
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INTERMEDIATE
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Alex Guerrero
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Dios te salve, María
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ScoresbyAlex
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032606 Composed by Alex Guerrero. 20th Century,A Cappella,Christmas,Contemporary,Sacred. Octavo...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032606 Composed by Alex Guerrero. 20th Century,A Cappella,Christmas,Contemporary,Sacred. Octavo. 7 pages. ScoresbyAlex #5044873. Published by ScoresbyAlex (A0.1032606). This is a beautiful and accessible 21st Century, Neo-Romantic a cappella setting of the Spanish Hail Mary prayer (Dios te salve, MarÃa) for SATB chorus, perfect for choirs ranging from high school to college and beyond. It also includes an alternate setting of the Latin Ave Maria prayer for those who might prefer that. (Here’s a link to the premiere performance: https://soundcloud.com/musicoalex/dios-te-salve-maria?in=musicoalex/sets/my-compositions.) A versatile musician, Alex Guerrero, whose setting of Tenebrae factae sunt was a prize winner in The New York Virtuoso Singers’ composition competition, always strives to write lyrical music that’s not only beautiful, but singable. He’s also an accomplished singer whose vast experience greatly informs his compositional style. As an operatic lyric tenor he performs with the Choruses at The Metropolitan Opera and Lyric Opera of Chicago; as a concert soloist his repertoire spans from Bach cantatas, Carl Orff's Carmina Burana, and frequent premieres of new music; and he has many years of experience performing as a chamber and concert choral artist with some of the premier ensembles in the US that include Yale Choral Artists and the Grammy Award-winning True Concord, as well as the symphonic choruses alongside world-renown orchestras like The Philadelphia Orchestra and The New York Philharmonic. He’s also an active liturgical musician in churches and synagogues with many years of experience serving in congregations of many different denominations: in New York City he’s served in the choirs at Temple Emanu-El, the largest Jewish Reform congregation in the US, the Anglican-style choir of men and boys at St. Thomas Church Fifth Avenue, Marble Collegiate Church, pulpit of the late Norman Vincent Peale, Congregation Shearith Israel - The Spanish and Portuguese Synagogue, an Orthodox Sephardi congregation which is the oldest Jewish congregation in North America, and is currently a staff cantor at St. Patrick’s Cathedral, one of the preeminent Roman Catholic cathedrals in the US.
$2.99
Unchained Melody
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Piano, Voice
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EASY
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Rock
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Barry Manilow
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Jim Farley www
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Unchained Melody
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Jim Farley arrangementsone.com
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.765316 By Barry Manilow. By Alex North. Arranged by Jim Farley www.arrangementsone.com. Pop,Rock. ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.765316 By Barry Manilow. By Alex North. Arranged by Jim Farley www.arrangementsone.com. Pop,Rock. Score. 13 pages. Jim Farley arrangementsone.com #5732291. Published by Jim Farley arrangementsone.com (A0.765316). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$4.99
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