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Turns The Love To Anger
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Turns The Love To Anger
Sheetmusic to print
47 sheet music found
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1
26
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
First Love - 1st Movement
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Classical
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classic...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99
Turns The Love To Anger
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Piano, Vocal and Guitar
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Pop music
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Erasure
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Turns The Love To Anger
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Hal Leonard Europe
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SheetMusicPlus
Digital Download SKU: HX.365398 By Erasure. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 6 pages. Published by Hal Leonard Europe (HX.365398).
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Digital Download SKU: HX.365398 By Erasure. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 6 pages. Published by Hal Leonard Europe (HX.365398).
$4.99
Love
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Love
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Hope Publishing - Digital
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SheetMusicPlus
Digital Download SKU: H1.9131DP Musicals for Adults. Advent, Christmas. Choral score. 84 pages. Hope Publishing - Digital #9131DP. Published by Hope Publ...
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Digital Download SKU: H1.9131DP Musicals for Adults. Advent, Christmas. Choral score. 84 pages. Hope Publishing - Digital #9131DP. Published by Hope Publishing - Digital (H1.9131DP). Joel Raney.AVAILABLE NOW! This gospel-flavored musical reflects on the promise of peace delivered by the angels on the night of Jesus' birth. An original composition, Love Is Born is used as musical bookends: its theme is briefly stated in the second movement and then returns in full-blown gospel style at the end to provide an emotion filled climax. In between, the Christmas story is told through scriptural narration and familiar carols set in a variety of styles ranging from jazz to gospel to calypso. Accompaniment can be provided by piano, full orchestra, or a smaller set of rhythm parts, arranged by Ed Hogan. Performance time is 35 minutes.
Song List
: Love Is Born Lift Up Your Eyes King of Love and Light Love Came Down At Christmas Away In A Manger Christmas Joy (Go, Tell It on the Mountain Rise Up, Shepherd Angels We have Heard on High) Love Is Born (Reprise)
$12.95
Love
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Love
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Hope Publishing - Digital
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SheetMusicPlus
Digital Download SKU: H1.9136DP Instrumental parts. 312 pages. Hope Publishing - Digital #9136DP. Published by Hope Publishing - Digital (H1.9136DP). ...
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Digital Download SKU: H1.9136DP Instrumental parts. 312 pages. Hope Publishing - Digital #9136DP. Published by Hope Publishing - Digital (H1.9136DP). Joel Raney.AVAILABLE NOW! This gospel-flavored musical reflects on the promise of peace delivered by the angels on the night of Jesus' birth. An original composition, Love Is Born is used as musical bookends: its theme is briefly stated in the second movement and then returns in full-blown gospel style at the end to provide an emotion filled climax. In between, the Christmas story is told through scriptural narration and familiar carols set in a variety of styles ranging from jazz to gospel to calypso. Accompaniment can be provided by piano, full orchestra, or a smaller set of rhythm parts, arranged by Ed Hogan. Performance time is 35 minutes.
Song List
: Love Is Born Lift Up Your Eyes King of Love and Light Love Came Down At Christmas Away In A Manger Christmas Joy (Go, Tell It on the Mountain Rise Up, Shepherd Angels We have Heard on High) Love Is Born (Reprise)
$150.00
Love
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Love
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Hope Publishing - Digital
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SheetMusicPlus
Digital Download SKU: H1.9138DP Instrumental parts. 145 pages. Hope Publishing - Digital #9138DP. Published by Hope Publishing - Digital (H1.9138DP). ...
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Digital Download SKU: H1.9138DP Instrumental parts. 145 pages. Hope Publishing - Digital #9138DP. Published by Hope Publishing - Digital (H1.9138DP). Joel Raney.AVAILABLE NOW! This gospel-flavored musical reflects on the promise of peace delivered by the angels on the night of Jesus' birth. An original composition, Love Is Born is used as musical bookends: its theme is briefly stated in the second movement and then returns in full-blown gospel style at the end to provide an emotion filled climax. In between, the Christmas story is told through scriptural narration and familiar carols set in a variety of styles ranging from jazz to gospel to calypso. Accompaniment can be provided by piano, full orchestra, or a smaller set of rhythm parts, arranged by Ed Hogan. Performance time is 35 minutes.
Song List
: Love Is Born Lift Up Your Eyes King of Love and Light Love Came Down At Christmas Away In A Manger Christmas Joy (Go, Tell It on the Mountain Rise Up, Shepherd Angels We have Heard on High) Love Is Born (Reprise)
$99.00
Love
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Choral SATB
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Christmas
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Love
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Hope Publishing - Digital
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SheetMusicPlus
Digital Download SKU: H1.9135DP Instrumental parts. 595 pages. Hope Publishing - Digital #9135DP. Published by Hope Publishing - Digital (H1.9135DP). ...
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Digital Download SKU: H1.9135DP Instrumental parts. 595 pages. Hope Publishing - Digital #9135DP. Published by Hope Publishing - Digital (H1.9135DP). Joel Raney.AVAILABLE NOW! This gospel-flavored musical reflects on the promise of peace delivered by the angels on the night of Jesus' birth. An original composition, Love Is Born is used as musical bookends: its theme is briefly stated in the second movement and then returns in full-blown gospel style at the end to provide an emotion filled climax. In between, the Christmas story is told through scriptural narration and familiar carols set in a variety of styles ranging from jazz to gospel to calypso. Accompaniment can be provided by piano, full orchestra, or a smaller set of rhythm parts, arranged by Ed Hogan. Performance time is 35 minutes.
Song List
: Love Is Born Lift Up Your Eyes King of Love and Light Love Came Down At Christmas Away In A Manger Christmas Joy (Go, Tell It on the Mountain Rise Up, Shepherd Angels We have Heard on High) Love Is Born (Reprise)
$350.00
In the Bleak Midwinter - Wind Quintet by Hugh Levey
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Christmas
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Contemporary
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Hugh Levey
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Hugh Levey
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In the Bleak Midwinter - Wind
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woodwindly.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1312131 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Adve...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1312131 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #901006. Published by woodwindly.com (A0.1312131). Wind Quintet (Flute, Oboe, Bb Clarinet, Horn, Bassoon)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This wind quintet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with oboe and flute taking turns to play the top line. In verse 2, the French horn presents the tune in a lower register while the bassoon plays a Baroque style ‘walking bass’. The flute,oboe, and clarinet weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns to the flute and oboe with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.
$12.50
Waltz of the Flowers (The Nutcracker) for String Trio
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Pyotr Tchaikovsky
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Samantha J Bramley - stringspi
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Play Strings!
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Waltz of the Flowers
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Samantha Bramley
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.800201 Composed by Pyotr Tchaikovsky. Arranged by Samantha J Bramley - stringspirational...
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.800201 Composed by Pyotr Tchaikovsky. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas,Romantic Period. Score and parts. 27 pages. Samantha Bramley #3875555. Published by Samantha Bramley (A0.800201). A tribute to the hugely popular and perennial holiday favourite The Nutcracker, this arrangement of The Waltz of the Flowers for string trio (vln/vla/vc) comes with optional 2nd violin to replace the viola part. Slightly abridged to last a comfortable 5 minutes, this would make a great opener or encore for a Christmas concert. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for most ensembles of intermediate/advanced ability. If you have a great viola player s/he will love this! (If you have a less great viola/2nd violin player there is also a slightly easier ossia part for the position-shifting middle section…)Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. All parts contain double-stopping and in the main do not go beyond 4th position (with the exception of a few harmonics), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$14.99
In the Bleak Midwinter - String Quartet by Hugh Levey
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Christmas
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Contemporary
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Hugh Levey
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Hugh Levey
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In the Bleak Midwinter - Strin
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woodwindly.com
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1313969 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Ch...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1313969 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Christmas,Holiday,Religious. 14 pages. Woodwindly.com #902696. Published by woodwindly.com (A0.1313969). String Quartet In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This string quartet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's own counter-melodies and intricate part writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with the first violin playing the melodic line. In verse 2, the viola presents the tune in a lower register while the 'cello plays a Baroque style ‘walking bass’. The violins weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.
$12.50
In the Bleak Midwinter - Saxophone Quartet by Hugh Levey
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Christmas
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Hugh Levey
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Hugh Levey
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In the Bleak Midwinter - Saxop
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woodwindly.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1313145 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Adv...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1313145 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #901978. Published by woodwindly.com (A0.1313145). Saxophone Quartet (SATB or AATB)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This sax quartet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's own counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with soprano saxophone playing the melodic line. In verse 2, the tenor sax presents the tune in a lower register while the baritone plays a Baroque style ‘walking bass’. The sopranoe and alto weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.
$12.50
In the Bleak Midwinter - Clarinet Quartet by Hugh Levey
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Christmas
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Hugh Levey
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Hugh Levey
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In the Bleak Midwinter - Clari
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woodwindly.com
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1314203 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Adve...
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Clarinet Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1314203 By Hugh Levey. By Gustav Holst. Arranged by Hugh Levey. 20th Century,Advent,Chamber,Christmas,Religious. 15 pages. Woodwindly.com #902939. Published by woodwindly.com (A0.1314203). Clarinet Quartet - 3 x Clt. & Bass Clt. (or 4 x Clt.)In the Bleak Mid-Winter is a popular Christmas Carol which has been set to music by both Gustav Holst and Harold Darke. This clarinet quartet arrangement is based on the Holst version and combines the composer's beautifully simple harmony with the arranger's own counter-melodies and intricate wind writing. Lovely writing for all instruments. An ideal work for Christmas concert programming.This is a through-composed instrumental arrangement that explores the melody and harmonies of the Holst hymn in 3 differently arranged verses. After a short introduction the first verse uses Holst’s original 4-part harmonisation in its beautiful simplicity, with clarinet 1 playing the melodic line. In verse 2, clarinet 3 presents the tune in a lower register while the bass (or 4th) clarinet plays a Baroque style ‘walking bass’. The first and second clarinets weave countermelodies above them, introducing new material for a Pachelbel-like interlude of an ascending sequence - bringing the music to a climax before subsiding into verse 3. Here a slightly ornamented version of the tune returns with the new material continuing in the bass line. After another smaller climax we return to the original Holst as the work ends quietly and thoughtfully.
$12.50
O Come Let Us Adore Him, Christ the Lord (Venite Adoremus Dominum) (Medley) - SATB and Piano
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Choral SATB
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EASY
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Unknown
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Connie Boss
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O Come Let Us Adore Him, Chris
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801665 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicul...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801665 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 9 pages. Connie Boss #6383851. Published by Connie Boss (A0.801665). This is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in SATB parts - taking turns between the high and low voices and then all together. cdboss@cvalley.netLyrics Below:O Come Let Us Adore Him (Venite Adoremus, Dominum)  (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground  In the bleak midwinter, frosty winds made moan Earth stood hard as iron, water like a stone Snow had fallen snow on snow, snow on snow. In the bleak midwinter, long, long, ago.  When blossoms flower amid the snow, upon a winter night Was born the Child, the Christmas Rose, The King of Love and Light.  Venite Adoremus, Dominum Venite Adoremus, Dominum  Twas Mary daughter pure of Holy Anne. That brought into this world the God made man She laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him.  Again the heart with rapture glows, to greet the Holy night. That gave the world it’s Christmas Rose, it’s King of Love and Light  Venite Adoremus, Dominum Venite Adoremus, Dominum  And thus that manger poor became a throne, for He whom Mary bore was God the Son O come then let us join the heav’nly host to praise the Father, Son and Holy Ghost  O come let us adore Him, Christ the Lord O come let us adore Him, Christ the Lord  O come let us adore Him, Christ the Lord Venite Adoremus, Dominum! Â
$5.50
It Came Upon the Midnight Clear
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Handbells
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INTERMEDIATE
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Christmas
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Jason W
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Jason W
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Ancient Voices
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It Came Upon the Midnight Clea
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, 5, or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB956 Composed by Jason W. Krug. Arranged by Jason W. Krug. Christmas. With 2 octav...
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3, 4, 5, or 6 octaves handbells - Level 3 - Digital Download SKU: C7.CGB956 Composed by Jason W. Krug. Arranged by Jason W. Krug. Christmas. With 2 octaves handchime. Score. 8 pages. Chorister's Guild - Digital #CGB956. Published by Chorister's Guild - Digital (C7.CGB956). UPC: 749193022740.We're delighted to introduce Volume 2 of Sandra Eithun's popular Starting Point series. The purpose of the Starting Point collections is to offer simple music to young or beginning musicians that will foster success and provide the building blocks to future ringing experiences through repetition, the limited use of techniques, and no page turns (with the exception of The Merry Widow Waltz.) The nine pieces in this collection range in difficulty from level 1- through level 1+ and include selections from folk, classical, sacred and original repertoire. They are ideal for use in school, sacred, or festival settings. These budget-stretching, reproducible collections are published in compatible editions for 2-3 and 3-5 octaves. Contents: Afterthoughts; Ancient Voices; Canon; Ecossaise; Lovely Evening; The Merry Widow Waltz; On Wings of Song; Simple Gifts; Wayfaring Stranger.
$4.50
Cornish Traditional Tunes
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2 Harps (duet)
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INTERMEDIATE
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Traditional Cornish
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Darhon Rees-Rohrbacher
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Cornish Traditional Tunes
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Afghan Press Music for the Harp
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SheetMusicPlus
Flute,Folk Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1265481 Composed by Traditional Cornish. Arranged by Darhon Rees-Rohrbacher. Celti...
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Flute,Folk Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1265481 Composed by Traditional Cornish. Arranged by Darhon Rees-Rohrbacher. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 54 pages. Afghan Press Music for the Harp #858280. Published by Afghan Press Music for the Harp (A0.1265481). ALL HARPS INTERMEDIATE + MELODY INSTRUMENT – Fifteen Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  All of these arrangements fit within the 26-string range. Fifteen Arrangements of Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  Guitar chords included, with duo parts for Flute or Violin.These tunes have been placed in progressive key order to create a satisfying “Cornish suite†that facilitates lever and pedal changes. All tunes were typeset to fix exactly on two facing pages to eliminate any page turns within a piece.Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minor adjustments. Only one song in this collection, #6, has any lever or pedal changes (B-flat and B-natural). Otherwise, there are only lever or pedal presets in preparation for the next song. Dynamic markings, fingerings, metronome markings, breath marks, and lever/pedal changes are provided throughout. However, the musicians should use whichever expressive markings and lever/pedal adjustments suit them, no matter what this book indicates! Due to space constraints, first and second endings were only indicated above the flute/violin part in the full score and dynamics only within the harp part; but these markings apply to both instruments. (However, all markings are indicated on the separate instrumental leaflet.) This entire book of arrangements can be played on a harp of only 26 strings (3.5 octaves), from low C to high G. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten any glissandos.Table of Contents:Helston Furry DanceThe Cottage Thatched With StrawThe White CockadeThe Lovers’ TasksStrangerLimadieThe MarigoldLullabyWilly CoombeRouse, RouseThe BlackbirdCaptain PearseCome My LadsOn A May Morning So EarlyThe Siege Of St. MaloRelated products.
$20.00
Away in a Manger - Intermediate Piano Solo
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Piano solo
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EASY
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Christmas
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James R
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Christina Fordham
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Away in a Manger - Intermediat
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Christina Fordham Vera
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.870541 Composed by James R. Murray. Arranged by Christina Fordham. Christmas,Sacred. Score. 6 pages. Chri...
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Easy Piano - Level 2 - Digital Download SKU: A0.870541 Composed by James R. Murray. Arranged by Christina Fordham. Christmas,Sacred. Score. 6 pages. Christina Fordham Vera #6075633. Published by Christina Fordham Vera (A0.870541). This is an intermediate solo piano arrangement of the classic Christmas hymn Away in a Manger. It includes the lyrics for all three verses. Listeners will be captured by the beautiful, calm simplicity of the first verse, hear the cattle lowing and feel the bustle of the stable in verse two, and be invited to share in the childlike prayer in the last verse. A captivating and compelling original introduction melody returns between verses and at the end for a complete story.As a professional pianist and piano instructor, I have been arranging solo piano pieces for decades. This arrangement will be a delight for both young people and adults who crave a professional-sounding, gorgeous rendition of this hymn without having to work up difficult runs or complicated jumps! I've created this arrangement to help intermediate piano players proudly share their talent with friends and loved ones this holiday season. I hope you enjoy!
$3.99
Erasure: Turns The Love To Anger - voice, piano or guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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Pop music
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Erasure
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Virtualsheetmusic
Instantly printable sheet music by Erasure for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by Erasure for voice, piano or guitar of MEDIUM skill level. / pop
$6.97
Away In A Manger
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Piano solo
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INTERMEDIATE
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Sacred music
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William J
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John D Wilcock
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Away In A Manger
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John D Wilcock
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1349444 Composed by William J. Kirkpatrick. Arranged by John D Wilcock. Christmas,Holiday,Praise & Worshi...
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Piano Solo - Level 3 - Digital Download SKU: A0.1349444 Composed by William J. Kirkpatrick. Arranged by John D Wilcock. Christmas,Holiday,Praise & Worship,Religious,Sacred. Score. 3 pages. John D Wilcock #934200. Published by John D Wilcock (A0.1349444). This is a beautiful piano solo arrangement of this beloved Christmas carol Away In A Manger. It begins as a lullaby with the melody in the left hand. Dynamics are added and then it returns to the lullaby at the end. Appropriate for sacrament meetings, church meetings, public performances.
$2.99
Sea Songs
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Steve Martland
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Sea Songs
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. ...
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Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.
$12.99
Facetime With My Mom Tonight
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Choral TTBB
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INTERMEDIATE
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Bo Burnham
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Jacob Klingsten
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Facetime With My Mom Tonight
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella...
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1406776 Composed by Bo Burnham. Arranged by Jacob Klingsten. 21st Century,A Cappella,Comedy,Contemporary,Film/TV. 11 pages. Jacob Klingsten #989524. Published by Jacob Klingsten (A0.1406776). “FaceTime with my Mom (Tonight)†by Bo Burnham is a song from the comedy special Inside. This arrangement is for TTBB a cappella groups, and sits at an easy-intermediate difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features the main soloist, who sings quite lyrically and seriously (satirical, of course) about the relatable experience of FaceTiming with their parents. The echoes in the original recording are included in the score for the soloist to sing, if they wish. Additionally, the piece is relatively easy to learn, with a very repetative chord progression. As the arranger, I imagine the background vocalists miming the various lyrics that the soloist sings when they aren't looking, only for them to appear 'normal' when the soloist turns back. This song also works as a great low-key piece for your set if you're looking to add a subtle, satirical aspect of comedy. Additional Details: Key: Db major 11 Pages Length: 2m 20s Ranges: Solo: Bb2-Db4 Tenor 1: Bb3-Gb4 Tenor 2: Gb3-Db4 Baritone: Eb3-Bb3 Bass: Eb2-F3 If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges around $50 per commissioned arrangement. Jacob would love to work with you and your ensemble!Jacob Klingsten is an undergraduate student pursuing their B.A. in Music Education, and is expected to graduate in May 2025. He hopes to become a middle school and/or high school choir teacher to not only teach the choral art, but also the art of Contemporary A Cappella. He hopes you will enjoy singing his arrangements!
$2.49
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Alto voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Pe...
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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