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Twenty-four Preludes
Sheetmusic to print
99 sheet music found
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J. S. Bach: The Well-Tempered Clavier, Book 1 BWV 846-869 24 preludes and fugues - SATB s
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Well-Tempered
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso†ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.
$77.95
Preludes (Nb. 4 and Nb. 20) - Chopin
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Classical
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Frederic Chopin
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Josef STASTNY
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Preludes
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Josef STASTNY
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.743326 Composed by Frederic Chopin. Arranged by Josef STASTNY. Contemporary,Instructional,Ro...
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.743326 Composed by Frederic Chopin. Arranged by Josef STASTNY. Contemporary,Instructional,Romantic Period,Standards,Wedding. Score and parts. 14 pages. Josef STASTNY #3241295. Published by Josef STASTNY (A0.743326). Chopin's 24 preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. The are two of them - Nb. 4 and Nb. 20. Romantic and full of emotion pieces of music.Suitable for SCHOOL brass choir because of included substitute parts:1st:  Bb, F, Eb, C (tenor clef)2nd: Bb, F, Eb 3rd:  Bb See also other BRASS arrangements (trios and quartets)http://www.sheetmusicplus.com/search?Ntt=JOSEF+STASTNY+BRASS
$9.99
Preludes (Nb. 4 and Nb. 20) - Chopin
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Classical
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Frederic Chopin
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Josef STASTNY
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Preludes
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Josef STASTNY
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743322 Composed by Frederic Chopin. Arranged by Josef STASTNY. Concert,Contempo...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743322 Composed by Frederic Chopin. Arranged by Josef STASTNY. Concert,Contemporary,Romantic Period,Standards. Score and parts. 8 pages. Josef STASTNY #3241261. Published by Josef STASTNY (A0.743322). Chopin's 24 preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. The are two of them - Nb. 4 and Nb. 20. Romantic and full of emotion pieces of music.See also other BRASS arrangements (trios and quartets)http://www.sheetmusicplus.com/search?Ntt=JOSEF+STASTNY+BRASSwww.stastnyjosef.cz
$8.99
Preludes (Nb. 4 and Nb. 20) - Chopin
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Saxophone Quartet: 4 saxophones
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EASY
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Classical
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Frederic Chopin
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Josef STASTNY
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Preludes
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Josef STASTNY
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.743324 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.743324 Composed by Frederic Chopin. Arranged by Josef STASTNY. Concert,Contemporary,Romantic Period,Standards,Wedding. 6 pages. Josef STASTNY #3241273. Published by Josef STASTNY (A0.743324). Chopin's 24 preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. The are two of them - Nb. 4 and Nb. 20. Romantic and full of emotion pieces of music.Some other SAX quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.STASTNYJOSEF.cz
$8.88
Preludes (Nb. 4 and Nb. 20) - Chopin
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
#
Classical
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Frederic Chopin
#
Josef STASTNY
#
Preludes
#
Josef STASTNY
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.743323 Composed by Frederic Chopin. Arranged by Josef STASTNY. Cont...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.743323 Composed by Frederic Chopin. Arranged by Josef STASTNY. Contemporary,Romantic Period,Standards,Wedding. Score and parts. 6 pages. Josef STASTNY #3241265. Published by Josef STASTNY (A0.743323). Chopin's 24 preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. The are two of them - Nb. 4 and Nb. 20. Romantic and full of emotion pieces of music.Trios, Quartets and CELLO Quartetshttp://www.sheetmusicplus.com/search?Ntt=josef+stastny+STRINGS
$8.88
Preludes (Nb. 4 and Nb. 20) - Chopin
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
#
Classical
#
Frederic Chopin
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Josef STASTNY
#
Preludes
#
Josef STASTNY
#
SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.743325 Composed by Frederic Chopin. Arranged by Josef STASTNY. Concert,Contempor...
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String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.743325 Composed by Frederic Chopin. Arranged by Josef STASTNY. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and parts. 7 pages. Josef STASTNY #3241289. Published by Josef STASTNY (A0.743325). Chopin's 24 preludes, Op. 28, are a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. The are two of them - Nb. 4 and Nb. 20. Romantic and full of emotion pieces of music.Some other STRINGS arrangements: Trios, Quartets and CELLO Quartetshttp://www.sheetmusicplus.com/search?Ntt=josef+stastny+STRINGS
$8.99
Twenty-four Preludes (XV) - Score Only
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Dimitri Shostakovich
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Holden Reid Magee
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Twenty-four Preludes
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Holden Magee
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.1409360 Composed by Dimitri Shostakovich. Arranged by Holden Reid Magee. 20th Centur...
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Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.1409360 Composed by Dimitri Shostakovich. Arranged by Holden Reid Magee. 20th Century,Chamber,Contemporary,Folk. 6 pages. Holden Magee #991986. Published by Holden Magee (A0.1409360).
$6.99
Twenty-Four Preludes and Fugues
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Nikolai Kapustin
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Twenty-Four Preludes and Fugue
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Schott Music - Digital
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SheetMusicPlus
Composed by Nikolai Kapustin. This edition: Sheet music. Downloadable. Volume op. 82, Op Band 1. Duration 40 minutes. Schott Music - Digital #Q24602. ...
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Composed by Nikolai Kapustin. This edition: Sheet music. Downloadable. Volume op. 82, Op Band 1. Duration 40 minutes. Schott Music - Digital #Q24602. Published by Schott Music - Digital
$29.99
Twenty-Four Preludes and Fugues
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Nikolai Kapustin
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Twenty-Four Preludes and Fugue
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Schott Music - Digital
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SheetMusicPlus
Composed by Nikolai Kapustin. This edition: Sheet music. Downloadable. Volume op. 82, Op Band 2. Duration 40 minutes. Schott Music - Digital #Q24616. ...
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Composed by Nikolai Kapustin. This edition: Sheet music. Downloadable. Volume op. 82, Op Band 2. Duration 40 minutes. Schott Music - Digital #Q24616. Published by Schott Music - Digital
$29.99
Twenty-four Preludes
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Guitar
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EASY
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David Grimes
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Twenty-four Preludes
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Les Editions Doberman-Yppan
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SheetMusicPlus
By David Grimes. For solo guitar. Level 2.5. 14 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By David Grimes. For solo guitar. Level 2.5. 14 pages. Published by Les Editions Doberman-Yppan (digital)
$9.95
Twenty-Four Preludes: XIII by HDpiano - Piano Solo
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Piano solo
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HDpiano
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Twenty-Four Preludes: XIII
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Musicnotes
Performed by: HDpiano: Twenty-Four Preludes: XIII Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, ins...
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Performed by: HDpiano: Twenty-Four Preludes: XIII Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Post-Romantic~~Classical~~20th-Century
$6.99
Twenty-Four Preludes: XV by HDpiano - Piano Solo
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Piano solo
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HDpiano
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Twenty-Four Preludes: XV
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Musicnotes
Performed by: HDpiano: Twenty-Four Preludes: XV Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instr...
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Performed by: HDpiano: Twenty-Four Preludes: XV Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Classical~~20th-Century~~Solo Instrumental~~Post-Romantic
$6.99
Twenty-Four Preludes: I by HDpiano - Piano Solo
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Piano solo
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HDpiano
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Twenty-Four Preludes: I
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Musicnotes
Performed by: HDpiano: Twenty-Four Preludes: I Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instru...
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Performed by: HDpiano: Twenty-Four Preludes: I Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Classical~~20th-Century~~Solo Instrumental~~Post-Romantic
$6.99
Twenty-Four Preludes: IX by HDpiano - Piano Solo
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Piano solo
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HDpiano
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Twenty-Four Preludes: IX
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Musicnotes
Performed by: HDpiano: Twenty-Four Preludes: IX Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instr...
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Performed by: HDpiano: Twenty-Four Preludes: IX Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Classical~~20th-Century~~Solo Instrumental~~Post-Romantic
$6.99
Twenty-Four Preludes: I by Alexander Scriabin - Piano Solo
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Piano solo
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Alexander Scriabin
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Twenty-Four Preludes: I
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Musicnotes
Alexander Scriabin - Twenty-Four Preludes: I Digital Sheet Music, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Classical~~20th-Century~~Post-Roman...
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Alexander Scriabin - Twenty-Four Preludes: I Digital Sheet Music, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Classical~~20th-Century~~Post-Romantic
$5.50
Op. 3, 24 Naturszenen
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Piano solo
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ADVANCED
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Terrence Niska
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Op. 3, 24 Naturszenen
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Niska Music Publishing
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1149272 Composed by Terrence Niska. 20th Century,Classical,Contemporary,Romantic Period. Score. 72 pages....
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Piano Solo - Level 5 - Digital Download SKU: A0.1149272 Composed by Terrence Niska. 20th Century,Classical,Contemporary,Romantic Period. Score. 72 pages. Niska Music Publishing #749412. Published by Niska Music Publishing (A0.1149272). A collection of twenty-four preludes for solo piano with influences from the early Romantic composers of Schubert and Schumann to the later romantic works of Rachmaninoff and Scriabin. The pieces are given names to reflect scenes in nature from realistic to fantastical and dream-like imagery. Difficulty level ranges from intermediate-advanced to advanced.
$20.00
Wait (Verbs 1)
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Piano solo
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ADVANCED
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Contemporary
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #51979...
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Piano Solo - Level 5 - Digital Download SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryan’s composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofiev’s more introspective ‘Visions Fugitives’. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryan’s eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual ‘verbs.’ Kathy Parsons, MainlyPiano.com
$5.25
Prelude 12 in Bb Minor Dorian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 21 in D Major Mixolydian
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Piano solo
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INTERMEDIATE/ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 21 in D Major Mixolydi
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Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 11 in Db Major Lydian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pag...
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Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 6 in G Minor Dorian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 23 in G Major Lydian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 2 in A Minor Aolian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pag...
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 1 in C Major Ionian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 17 in E Major Lydian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
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