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Two Baroque Dances: Viola
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You've selected:
Two Baroque Dances: Viola
SheetMusicPlus
Sheetmusic to print
7 sheet music found
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Two Baroque Dances: Viola
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Viola
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Classical
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Georg Philipp Telemann
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Bob Cerulli
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Two Baroque Dances: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Georg Philipp Telemann (1681-1767) and Jean-Philippe Rameau (1683-1764). Arranged by Bob Cerulli. For String Orchestra. Classical. Part. 2 pages. Published b...
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By Georg Philipp Telemann (1681-1767) and Jean-Philippe Rameau (1683-1764). Arranged by Bob Cerulli. For String Orchestra. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
Renaissance Hits for Viola and Keyboard from Terpsichore (Praetorius)
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Viola, Piano
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EASY
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Renaissance
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Classical
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Hits for Viola and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1487758 Composed by Various. Arranged by Colin Kirkpatrick. Baroque,Renaissance. Score and part. 17 page...
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Piano,Viola - Level 2 - Digital Download SKU: A0.1487758 Composed by Various. Arranged by Colin Kirkpatrick. Baroque,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #1064696. Published by Colin Kirkpatrick Publications (A0.1487758). These are eleven of the most well-known dances of the Renaissance set in five movements and selected from the famous collection entitled Terpsichore, published in 1612 by Michael Praetorius. They are sure to be a welcome addition to the elementary viola repertoire and the music is in the alto clef throughout. The highest note is the F above the alto staff and this appears in only one of the movements..By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble, Praetorius was well aware that in practice they would be played by any instruments that happened to be available.These arrangements for viola (or violas) and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas.
$11.99
Two Christmas Dances for String Orchestra
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String Orchestra
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Christmas
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Traditional, Bernard Monnoye
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Jordan Grigg
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Two Christmas Dances for Strin
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Jordan Grigg
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SheetMusicPlus
Composed by Traditional, Bernard Monnoye. Arranged by Jordan Grigg. Classical Period, Baroque Period, Sacred, Repertoire, Christmas. Performance. Published by J...
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Composed by Traditional, Bernard Monnoye. Arranged by Jordan Grigg. Classical Period, Baroque Period, Sacred, Repertoire, Christmas. Performance. Published by Jordan Grigg (S0.35607). - Performance - Classical Period,Baroque Period,Sacred,Repertoire,Christmas - Jordan Grigg
$1.99
Two Baroque Dances: 3rd Violin (Viola [TC])
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Violin (band part)
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Classical
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Georg Philipp Telemann
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Bob Cerulli
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Two Baroque Dances: 3rd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Georg Philipp Telemann (1681-1767) and Jean-Philippe Rameau (1683-1764). Arranged by Bob Cerulli. For String Orchestra. Classical. Part. 2 pages. Published b...
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By Georg Philipp Telemann (1681-1767) and Jean-Philippe Rameau (1683-1764). Arranged by Bob Cerulli. For String Orchestra. Classical. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$5.99
Two Christmas Dances for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Traditional, Bernard Monnoye
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Jordan Grigg
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Two Christmas Dances for Strin
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Jordan Grigg
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SheetMusicPlus
Composed by Traditional, Bernard Monnoye. Arranged by Jordan Grigg. For Violin,Viola,Cello,Double Bass,String Orchestra. Baroque Period,Renaissance,Sacred,Chris...
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Composed by Traditional, Bernard Monnoye. Arranged by Jordan Grigg. For Violin,Viola,Cello,Double Bass,String Orchestra. Baroque Period,Renaissance,Sacred,Christmas. Advanced Intermediate. Score,Set of Parts. Published by Jordan Grigg
$8.95
Les Indes Galantes - Le Turc Generaux (Premiere Entree)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Le Turc G
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Arte Nova Music Lab
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Conc...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 8 pages. Arte Nova Music Lab #4600763. Published by Arte Nova Music Lab (A0.742473). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Le Turc Generaux. Osman Pasha is in love with his slave, the young Émilie, but she rejects him, telling him she was about to be married when a group of brigands abducted her. Osman urges her to give up hope that her fiancé is still alive (Air: Il faut que l'amour s'evole) but Émilie refuses to believe this is true. The sky turns dark as a storm brews; Émilie sees the violent weather as an image of her despair (Air: Vaste empire des mers). A chorus of shipwrecked sailors is heard (Chorus: Ciel! de plus d'une mort). Émilie laments that they too will be taken captive. She recognises one of the sailors as her fiancé Valère. Their joy at their reunion is tempered by sadness at the thought they are both slaves now. Osman enters and is furious to see the couple embracing. However, unexpectedly, he announces he will free them. He too has recognised Valère, who was once his master but magnanimously freed him. Osman loads Valère's surviving ships with gifts and the couple praise his generosity. They call on the winds to blow them back to France (Duet and chorus: Volez, Zéphyrs). The act ends with celebratory dances as Valère and Émilie prepare to set sail.
$20.00
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