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Two Sentimental Songs
Sheetmusic to print
18 sheet music found
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1
Two Sentimental Songs
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Ernesto Cordero
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Two Sentimental Songs
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Chanterelle
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SheetMusicPlus
Guitar, Voice SKU: PR.ECH0756 Composed by Ernesto Cordero. Score. With Standard notation. 8 pages. Chanterelle #ECH0756. Published by Chanterelle (PR.ECH...
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Guitar, Voice SKU: PR.ECH0756 Composed by Ernesto Cordero. Score. With Standard notation. 8 pages. Chanterelle #ECH0756. Published by Chanterelle (PR.ECH0756).
$12.95
Silly Love Songs
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Film/TV
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Wings
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Peet du Toit
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Silly Love Songs
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by ...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Film/TV. Score and parts. 36 pages. Peet du Toit #6115473. Published by Peet du Toit (A0.802642). Silly Love Songs is a song written by Paul McCartney and Linda McCartney and performed by Wings. The song appears on the 1976 album Wings at the Speed of Sound. It was also released as a single in 1976, backed with Cook of the House. The song, written in response to John Lennon and music critics accusing McCartney of predominantly writing silly love songs and sentimental slush, also features disco overtones.The song was McCartney's 27th number one as a songwriter; the all-time record for the most number one hits achieved by a songwriter.With this song, McCartney became the first person to have a year-end No. 1 song as a member of two distinct acts. McCartney previously hit No. 1 in the year-end Billboard chart as a member of the Beatles with I Want to Hold Your Hand in 1964 and Hey Jude in 1968.Silly Love Songs has since appeared on multiple McCartney greatest hits compilations, including Wings Greatest and All the Best!. The song has also appeared on the Hits section of the compilation album Wingspan: Hits and History. Despite its popularity, McCartney has not performed the song live since the dissolution of Wings.Silly Love Songs was written as a rebuttal to music critics (as well as John Lennon) who had criticized McCartney for writing lightweight love songs. Author Tim Riley suggests that in the song, McCartney is inviting his audience to have a laugh on him, as Elvis Presley had sometimes done. But over the years people have said, Aw, he sings love songs, he writes love songs, he's so soppy at times. I thought, Well, I know what they mean, but, people have been doing love songs forever. I like 'em, other people like 'em, and there's a lot of people I love -- I'm lucky enough to have that in my life. So the idea was that you may call them silly, but what's wrong with that? The song was, in a way, to answer people who just accuse me of being soppy. The nice payoff now is that a lot of the people I meet who are at the age where they've just got a couple of kids and have grown up a bit, settling down, they'll say to me, I thought you were really soppy for years, but I get it now! I see what you were doing! - Paul McCartney, Billboard Enjoy my brassy version of Silly Love Songs
$22.00
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Dandelion Music Press
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I Would Rock My Child to Sleep
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion M...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Traditional Irish
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Laurie Betts Hughes
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Old Beggarman from "Lost Songs
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Celtic/Irish
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Folkloric/Traditional
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Traditional Irish
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Laurie Betts Hughes
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Lost Songs of Ancient Ireland
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
From Morning Till Night
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Malcolm Goldring
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From Morning Till Night
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Schott Music - Digital
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SheetMusicPlus
Equal voices (SMezA) - easy to intermediate - Digital Download SKU: S9.Q6676 2 Folksongs. Composed by Malcolm Goldring. This edition: choral score...
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Equal voices (SMezA) - easy to intermediate - Digital Download SKU: S9.Q6676 2 Folksongs. Composed by Malcolm Goldring. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3:30. Schott Music - Digital #Q6676. Published by Schott Music - Digital (S9.Q6676). English.Two of the best-known and most popular folk songs from the British Isles, arranged by the English choral expert Malcolm Goldring, the director of the 'Open Singing' event at the festival 'Europa Cantat Mainz 2006'. The English song 'Early one morning' and the secret national anthem of Wales 'All through the night' are available in equally sentimental arrangements for equal voices, women's or youth choir.
$2.99
From Morning Till Night
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Choral SATB
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EASY
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Malcolm Goldring
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From Morning Till Night
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) - easy to intermediate - Digital Download SKU: S9.Q6674 2 Folksongs. Composed by Malcolm Goldring. This edition: choral score. ...
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Mixed choir (SATB) - easy to intermediate - Digital Download SKU: S9.Q6674 2 Folksongs. Composed by Malcolm Goldring. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3' 3. Schott Music - Digital #Q6674. Published by Schott Music - Digital (S9.Q6674). English.Two of the best-known and most popular folk songs from the British Isles, arranged by the English choral expert Malcolm Goldring, the director of the 'Open Singing' event at the festival 'Europa Cantat Mainz 2006'. The English song 'Early One Morning' and the secret national anthem of Wales 'All Through The Night' are available in equally sentimental arrangements for mixed choir.
$2.99
Violin Concerto No. 1 Full Score and Individual Parts James Nathaniel Holland
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Violin Concerto No. 1 Full Sco
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730459 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Patriotic. Score and parts. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730459 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Patriotic. Score and parts. 232 pages. James Nathaniel Holland #3569503. Published by James Nathaniel Holland (A0.730459). (Duration: 26 minutes) One the most gorgeous classical music concertos of our century waiting for its violin virtuoso to champion it… writes the Milan American Music Society Offered here the full score in concert pitch and all individual parts. Instrumentation: picc, fl12, ob12, cl in A, 12, Bcl, Bsn 12, hrn 1234, Bb tpt 12, trm 12, tba, tim, perc. (bass drum, calabasa, tri., susp. and crash cym, sm. gong. and snare), harp, soloist, strings. Echoes of Elgar, R. Strauss, and Vaughn Williams. The concerto begins majestically with the section entitled (the mountains), then transforms into an African type melody (Costa Rica coffee dreams), then a beautiful sentimental melody (sentimental love) and a rousing scherzo (carnival). Reduced piano score with violin part sold separately. YouTube presentation with orchestra at: https://www.youtube.com/watch?v=j6YqKEvfVIU James Nathaniel Holland is an American-Costa Rican classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$63.25
Heidenröslein: Variations on a Theme by Franz Schubert
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Classical
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations on
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
New Piano Sonatas 1 2 and 3 James Nathaniel Holland
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Jazz
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James Nathaniel Holland
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New Piano Sonatas 1 2 and 3 Ja
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James Nathaniel Holland
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.730176 Composed by James Nathaniel Holland. Contemporary,Jazz. Score. 56 pages. James Nathaniel Holland #...
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Piano Solo - Level 4 - Digital Download SKU: A0.730176 Composed by James Nathaniel Holland. Contemporary,Jazz. Score. 56 pages. James Nathaniel Holland #442835. Published by James Nathaniel Holland (A0.730176). New and fresh 21st century piano music. Melodic, sentimental and traditionally based but with modern harmonies and touches of jazz. Enjoyable to play and listen to. Combine and contrast with musical masters of the past. Perfect to include contemporary music into piano your recitals. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. Born and raised in Indiana, he studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Demo video presentations: Piano Sonata No. 1: https://www.youtube.com/watch?v=JA7UBs7VuvQ Piano Sonata No. 2 The Viennese: https://www.youtube.com/watch?v=bZ6J21Ksxng Piano Sonata No. 3: https://youtu.be/KQyWRVEKDJU.
$8.25
When You Tell Me That You Love Me
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Pop music
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American Idol Finalists Season
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Chris Gorman
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When You Tell Me That You Love
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1085180 By American Idol Finalists Season 4. By Albert Hammond and John Bettis. Arranged by Chris Gorman. Pop. Brass Band. 30 pages. Chris Gorman #689316. Published by Chris Gorman (A0.1085180). When You Tell Me That You Love Me is a 1991 song by American soul singer Diana Ross. The song was written by Albert Hammond and John Bettis, and produced by Peter Asher. The song was subsequently covered by various artists. When You Tell Me That You Love Me was released as the lead single on August 20, 1991, from Diana Ross's 1991 album The Force Behind the Power released on the Motown label in the US and by EMI in the UK. The song, a sentimental ballad, was the album's biggest hit, peaking at number thirty-seven on the US Billboard R&B singles chart while peaking at number-two on the UK Singles Chart. Ross considers it one of her signature songs.
$30.00
When You Tell Me That You Love Me
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Pop music
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American Idol Finalists Season
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Chris Gorman
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When You Tell Me That You Love
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1084574 By American Idol Finalists Season 4. By Albert Hammond and John Bettis. Arranged by Chris Gorman. Pop. Brass Band. 30 pages. Chris Gorman #688761. Published by Chris Gorman (A0.1084574). When You Tell Me That You Love Me is a 1991 song by American soul singer Diana Ross. The song was written by Albert Hammond and John Bettis, and produced by Peter Asher. The song was subsequently covered by various artists. When You Tell Me That You Love Me was released as the lead single on August 20, 1991, from Diana Ross's 1991 album The Force Behind the Power released on the Motown label in the US and by EMI in the UK. The song, a sentimental ballad, was the album's biggest hit, peaking at number thirty-seven on the US Billboard R&B singles chart while peaking at number-two on the UK Singles Chart. Ross considers it one of her signature songs.
$35.00
Colonial Song
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George Percy Aldridge Grainger
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Colonial Song
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor and piano or piano alone - Digital Download SKU: S9.Q6181 Version for two voices and piano or piano alone. Composed by George Percy...
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Soprano, tenor and piano or piano alone - Digital Download SKU: S9.Q6181 Version for two voices and piano or piano alone. Composed by George Percy Aldridge Grainger. This edition: score. Downloadable, Score. Duration 6 minutes. Schott Music - Digital #Q6181. Published by Schott Music - Digital (S9.Q6181). Vocalises.No traditional tunes of any kind are made use of in this piece, in which I have wished to express my personal feelings about my own country (Australia) and people, and also to voice a certain kind of emotion that seems to me not untypical of native-born Colonials in general.Perhaps it is not unnatural that people living more or less lonelily in vast virgin countries and struggling against natural and climatic hardships (rather than against the more actively and dramaticly exciting counter wills of their fellow men, as in more thickly populated lands) should run largely to that patiently yearning, inactive sentimental wistfulness that we find so touchingly expressed in much American art; for instance in Mark Twains Huckleberry Finn, and Stephen C. Foster's adorable songs, My Old Kentucky Home, Old Folks at Home, etc. I have also noticed curious, almost Italian-like, musical tendencies in brass band performances and ways of singing in Australia (such as a preference for richness and intensity of tone and soulful breadth of phrasing over more subtly and sensitively varied delicacies of expression) which are also reflected here.Percy Aldridge Grainger.
$11.99
Woodwind Quintet《木管五é‡å¥ã€‹
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Contemporary
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Ma Shui Long 馬水é¾
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Woodwind Quintet《木
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SpringAutumnmusic
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 47 pages. SpringAutumnmusic #2341877. Published by SpringAutumnmusic (A0.961996). 《木管五é‡å¥ã€‹2002年(賴德和撰寫) 本曲是2002年馬水é¾æ•™æŽˆç‰¹åœ°ç‚ºæ¬¡å婚禮ç¾å ´æ¼”出所èœå¯«ã€‚ 這一首活潑愉悅的曲å概分為五段:第一主題五è²éŸ³éšŽå¾µèª¿å¼ï¼Œä¸»æ—‹å¾‹å‡ºç¾åœ¨é•·ç¬›è²éƒ¨ã€‚這個主題轉到五度上的調,先後輪æµå‡ºç¾åœ¨é›™ç°§ç®¡ã€è±Žç¬›åŠå·´æ¾ç®¡ã€‚由法國號å¹å¥å‘å—æ—的「婚禮之æŒã€æ˜¯å½¢æˆå°æ¯”çš„æ…¢æ¿ç¬¬äºŒä¸»é¡Œã€‚接著活潑愉悅的第一主題å†ç¾ï¼Œèª¿æ€§è½‰åˆ°é™D音徵調å¼ï¼Œå‡ºç¾åœ¨é›™ç°§ç®¡è²éƒ¨ï¼ŒæŽ¥è‘—在豎笛è²éƒ¨åŠ 以變å¥ã€‚ç¬¬ä¸‰ä¸»é¡Œé€Ÿåº¦åŠ å¿«ï¼Œå‡ºç¾åœ¨å·´æ¾è²éƒ¨çš„主旋律是泰雅æ—的「å£ç°§å°æŒã€ã€‚這是一首男女é’年一é¢å¹å¥å–®ç°§å£ç´ï¼Œä¸€é¢æ¼”唱情æŒçš„舞曲。這個熱情的舞曲先後在雙簧管和豎笛è²éƒ¨åŠ 以變å¥ä¹‹å¾ŒçµæŸç¬¬ä¸‰ä¸»é¡Œã€‚最後第一主題å†ç¾ï¼Œå †ç–Šå‡ºé«˜æ½®å¼çš„å°¾è²ã€‚ 值得é‡è¦–的是,父親é€çµ¦å…’åçš„çµå©šç¦®ç‰©ï¼Œé‚„費盡巧æ€ç²¾æŒ‘ç´°é¸äº†å…©é¦–原ä½æ°‘跟愛情çµå©šæœ‰é—œçš„音樂,æ®ç‘出一闕別緻的婚禮迴旋曲。 ※本曲於2002年首演於å°åŒ—亞都飯店,演å¥å®¶ç‚ºé•·ç¬›é»ƒé¦¥èŒ—ã€é›™ç°§ç®¡æ´ªåƒæ™ºã€å–®ç°§ç®¡é»ƒè²žè¯ã€ä½ŽéŸ³ç®¡éƒæ€¡èŠ¬ã€æ³•åœ‹è™Ÿé»ƒç¾©æ•¦ã€‚ 《Woodwind Quintet》(2002) The piece was composed for the wedding ceremony of the composer’s second son. This pleasant and lively composition is divided into five parts, a small rondo form. The first theme is in Zi-pentatonic mode, mainly play by flute. The main theme is later transposed a fifth higher and orchestrated between the oboe, clarinet and bassoon parts. The second theme is in a slower, more sentimental mood. It builds up as a contrast section to the first theme. French horn plays the traditional Wedding Song of the Puyuma tribe and dominates in this section. In the third part of this composition, the melodic line returns to the first theme, transformed to D-flat Zi-pentatonic mode. The oboe plays the main theme and later the clarinet plays the variations of this melodic line. The fourth section brings out the third theme of this piece: a traditional Atayal tribe’s Jew Harp Song melody that plays by the bassoon. This passionate, fast-tempo dancing theme is then composed into several variations and plays by oboe and clarinet. In the last section of the composition, the first theme returns again. Building up and reaches the climax then leads to the final of the piece. Professor Ma selected two aboriginal tribal songs, related to weddings and love, and quoted them in this piece and presented as a wedding gift for his beloved son. This father-son relationship and love, and also this unique composition, made that wedding ceremony a memorable event for the guests. This piece was premiered in 2002 at The Landis Taipei Hotel by Fu-Ming Huang (Flute), Chien-Chih Hung (Oboe), Jen-Hwa Huang (Clarinet), Yi-Fen Kuo (Bassoon) and Yih-Duen Huang (Horn).
$15.99
A Dream Is A Wish Your Heart Makes
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Choral 3-part
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EASY
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Walt Disney
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Linda Ronstadt
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Stewart J Wallace
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A Dream Is A Wish Your Heart M
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Stewart J Wallace
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SheetMusicPlus
Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1217996 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Stewar...
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Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1217996 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Stewart J Wallace. Broadway,Film/TV,Musical/Show,Romantic Period,Standards. Octavo. 16 pages. Stewart J Wallace #814519. Published by Stewart J Wallace (A0.1217996). The melody of this song written for the Disney film Cinderella (1950) was inspired by Liszt's Transcendental Study No. 9. It's a wistful, tender melody which matches the sentiment of the words, and in the film Cinderalla encourages her animal friends to never stop dreaming or believing in a brighter future. Other Disney songs also echo this sentiment, such as When You Wish Upon A Star from Pinnochio, which was released a decade earlier. This arrangement is in 3-parts with a simple piano accompaniment. It should be sung smoothly and with sustain, and the men can enjoy taking the tune the second time through. The ending should be dramatic and bold. There are two layout versions - one with the piano accompaniment, and the other with just the vocal parts.
$1.99
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
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Vocal duet, Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Jacques Leguerney
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Jacques Leguerney: De L'Abîme
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. ...
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano. Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
$12.95
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