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Two Visions
Sheetmusic to print
98 sheet music found
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Two Visions (high voice, oboe, and piano)
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.755185 Composed by Sy Br…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.755185 Composed by Sy Brandon. 20th Century,Contemporary. 8 pages. Sy Brandon #3410307. Published by Sy Brandon (A0.755185). The visions of these songs are of nature and the lyrical quality and playfulness of the melody, harmony and rhythm create an atmospheric setting. The poems are by David Lubin. The text is used with the permission of the poet. While the poems are not haiku poems, the are similar to haiku poetry in their brevity and concentration of thought.
$7.99
7.31 €
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High voice
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Sy Brandon
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Two Visions
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Sy Brandon
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SheetMusicPlus
Two Visions
Percussion Duet - Level 5 - Digital Download SKU: A0.1405280 Composed by Dario Duar…
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Percussion Duet - Level 5 - Digital Download SKU: A0.1405280 Composed by Dario Duarte. Contemporary,Contest,Festival. Score. 28 pages. T.U.X. People's Music #988326. Published by T.U.X. People's Music (A0.1405280). Illuminating in both color and sound, this two-movement work provides both thoughtfulness and wonder within its interweaving textures.
$25.00
22.87 €
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Dario Duarte
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Two Visions
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T.U.X. People's Music
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SheetMusicPlus
Prayer … and Visions ; Symphonic Transfiguration on Two Themes, for Brass Band - Score Only
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1219242 Composed by Ken'ichi Ma…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1219242 Composed by Ken'ichi Masakado. Contemporary,Contest,Festival. 29 pages. In-Just-music #815639. Published by in-Just-music (A0.1219242). Prayer … and Visions : Symphonic Transfiguration on Two Themesfor Brass Band (British style) Score only : If you need parts, please contact the compoeser via web page or facebook.Composed by Ken’ichi MasakadoDuration : ca. 7’10â€Third Place Winner at the Red Maple Music Competition (Winter Competition 2022) held in Canada, Composition Category - College Students and Professional Musicians 18+, Advanced (Highly competitive) difficulty level.
$22.99
21.03 €
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Brass ensemble
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Ken'ichi Masakado
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Prayer … and Visions ; Symphonic Transfiguration on Two Themes, for Brass Band - Score Only
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in-Just-music
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SheetMusicPlus
Night Visions Nos. 1-8 - Flute & Piano Book
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.518558 By James Michael Stevens. B…
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Flute,Piano - Level 3 - Digital Download SKU: A0.518558 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,New Age,Sacred. Score and part. 56 pages. James M Stevens Music ASCAP #129263. Published by James M Stevens Music ASCAP (A0.518558). This is a collection of 8 original flute and piano compositions written in the last two weeks of 2021. There is a separate flute parts in the score and the piano parts as seen can serve as independent solos. All of the piano accompaniment tracks are separately available at Sheet Music Plus and each piece is available separately as well on both Sheet Music Plus and Sheet Music Direct. The MP3 is of No. 7 - Darkness and the YouTube recording is No. 5 - Musings. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$17.99
16.46 €
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Flute and Piano
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James Michael Stevens
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Night Visions Nos. 1-8 - Flute & Piano Book
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James M Stevens Music ASCAP
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SheetMusicPlus
Night Visions Nos. 1-8 - Violin & Piano Book
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.518556 By James Michael Stevens. …
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Piano,Violin - Level 3 - Digital Download SKU: A0.518556 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,New Age,Sacred. 56 pages. James M Stevens Music ASCAP #129261. Published by James M Stevens Music ASCAP (A0.518556). This is a collection of 8 original violin and piano compositions written in the last two weeks of 2021. There is a separate violin parts in the score and the piano parts as seen can serve as independent solos. All of the piano accompaniment tracks are separately available at Sheet Music Plus and each piece is available separately as well on both Sheet Music Plus and Sheet Music Direct. The MP3 is of No. 6 - Velvet Night and the YouTube recording is No. 5 - Musings. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$17.99
16.46 €
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Violin and Piano
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James Michael Stevens
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Night Visions Nos. 1-8 - Violin & Piano Book
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James M Stevens Music ASCAP
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SheetMusicPlus
Travelling Tales - Cantata for SATB choir and Youth Choir with piano (one or two players)
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1145254 Composed by Alan B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1145254 Composed by Alan Bullard. Classical,Contemporary. Octavo. 36 pages. Colne Edition / BullardMusic #745523. Published by Colne Edition / BullardMusic (A0.1145254). Travelling Tales: Tales of travel, in our imagination and in reality: mysterious travellers from unknown lands, journeys by train, by sea, and on horse-back, and visions of the future. Combining poems of the past with poems by today’s young people, the music of this accessible cantata is designed to appeal to all choirs and their audiences. The eight movements are scored for SATB choir and youth choir: the accompaniment is for either solo piano, or piano duet / two pianos, and optional percussion. Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99
3.65 €
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Choral SATB
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Alan Bullard
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Travelling Tales - Cantata for SATB choir and Youth Choir with piano
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Colne Edition / BullardMusic
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SheetMusicPlus
Maple Leaf Rag - two-pianos
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.968727 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.968727 Composed by Scott Joplin. Arranged by Cedric N. Elmer. 20th Century,Concert,Ragtime. Score. 3 pages. Cedric N Elmer #4855357. Published by Cedric N Elmer (A0.968727). Two-piano arrangement transcribed from a piano roll performance with some revisions - 1975.ASCAP.
$4.99
4.57 €
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2 Pianos, 4 hands
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Scott Joplin
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Maple Leaf Rag - two-pianos
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Cedric N Elmer
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SheetMusicPlus
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
2 Pianos, 4 hands
Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by…
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Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99
27.44 €
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2 Pianos, 4 hands
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Wolfgang Amadeus Mozart
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Sonata for Two Pianos, I. Allegro con Spirito, K.448
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Owen Meldon
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SheetMusicPlus
Jesus, Keep Me Near The Cross (String Trio: Two Violins, Violoncello)
String Trio: 2 violins, cello
String Ensemble,String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1184820
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String Ensemble,String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1184820 Composed by William H. Doane. Arranged by Cathy Stamegna. Blues,Christian,Contemporary,Easter,Traditional. Score and parts. 10 pages. Cathy Stamegna #784495. Published by Cathy Stamegna (A0.1184820). An expressive Gospel rendition of Jesus, Keep Me Near the Cross (a.k.a. “Near The Crossâ€) has been newly-arranged as an Instrumental Trio.  The audience will be moved by its soulful rhythms and harmonies.  Although it is a slower 6/8 tempo, there are melodic embellishments, grace notes, triplets, and subdivisions of the eighth note into sixteenths.  A four-measure transition creates a modulation up a Perfect fifth.  Appropriate as a Lent, Holy Week, Easter solo, worship, concert, contest/festival, or recital piece.  Adaptable to school or church settings.  Performance Time: 3:30.Â
$6.99
6.4 €
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String Trio: 2 violins, cello
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William H
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Jesus, Keep Me Near The Cross
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Cathy Stamegna
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SheetMusicPlus
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
30.15 €
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Carson Cooman
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Carson Cooman: The Revelations of Divine Love
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Musik Fabrik Music Publishing
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SheetMusicPlus
Come, Thou Long-Expected Jesus - Full Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pages. Mark R Lewis #748921. Published by Mark R Lewis (A0.1148784). Come, Thou Long-Expected Jesus is a lovely Advent hymn. The text was written by Charles Wesley and has been used in Advent services regularly since it was written in the 1740s. The text has been set to many tunes but the one used in this version is Hyfrydol, This tune was written by Rowland Prichard about 100 years after Wesley's text and is used extensively in many hymnals but especially for this particular text. This arrangement is for orchestra with optional 3-5 octave handbell choir. The handbell arrangement unusual in that the 4 octave version does require the use of the F3 bell. Other than that this is a relatively simple, if thickly orchestrated, arrangement. There are three sections using different methods of music making, the first is a fairly straightforward setting, the second focuses on short sounds in the melody which is also in the lower voices, and the third explores musical canon before bringing back a more traditional musical setting. There are two distinct parts for most instruments with a few splitting more. Flutes, trumpets, and trombones have three parts. The trombone 3 part is intended to be bass trombone but should be playable on regular trombone and if any section only has two divisions, the lower voice should have more players unless otherwise notated. That applies to flutes and trumpets as well. There are four horn parts that do not split. The timpani part should be playable on two drums with active pedaling to change notes mid-piece, although four drums is perfectly acceptable.
$34.99
32.01 €
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Orchestra
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Rowland H Prichard
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Come, Thou Long-Expected Jesus - Full Orchestra
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Mark R Lewis
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SheetMusicPlus
Guitar Sonata No. 2 in C major
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jeremiah Lawson (A0.985324). I composed my second guitar sonata in 2010. Guitar Sonata No. 2 in C major is six pages long, has two movements, and its estimated performance time is 8:30 to 9:00. The first movement, Inner Visions & Power Puffs, is a zippy sonata form opening with a 12-bar blues Theme 1. After a conventional modulating transition Theme 2 appears in the traditional key of G major. The title of the movement alludes to the Stevie Wonder album Innervisions and, of course, the Powerpuff Girls. The sonata form has a climax by way of three Bartok pizzicati on the dominant pedal to depict the girls defeating Mojo Jojo and putting him in jail. The second movement is a lullaby with variations. The lullaby is an original song I used to sing for one of my nieces to help her fall asleep. The complete sonata has been recorded by Daniel Estrem and is available on the Magnatune release Estrem Plays Lawson.http://magnatune.com/artists/albums/estrem-estremlawson/I played movement 1 at a Seattle Classic Guitar Society open mic in 2012 on a warm summer Friday night and there were kids playing and screaming in the background, which helped set the mood of the sonata rather than break it.
$5.00
4.57 €
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Guitar
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Jeremiah Lawson
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Guitar Sonata No. 2 in C major
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Jeremiah Lawson
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SheetMusicPlus
Christopher Simpson: Divisions in C major - two cellos
2 Cellos (duet)
Instantly printable sheet music by Christopher Simpson for two cellos of EASY/MEDIUM skill…
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Instantly printable sheet music by Christopher Simpson for two cellos of EASY/MEDIUM skill level. Contents: Cello Duets, 40 Original Violoncello Duets from 5 Centuries / classical
$5.99
5.48 €
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2 Cellos (duet)
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Christopher Simpson
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Virtualsheetmusic
Dreaming in Darkness
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1028184 Composed by Robins…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1028184 Composed by Robinson McClellan. Children,Christian,Contemporary,Easter,Sacred. Octavo. 2 pages. McClellan Music #3419053. Published by McClellan Music (A0.1028184). This short and sweet piece is perfect for concerts on the themes of children, nighttime, dreams, safety. The sacred text, from the Book of Common prayer, is suitable for a wide variety of church settings. The music is accessible for most church choirs. SATB ChoirDuration 1:45There are two versions: same music, two texts.secular version: DREAMING IN DARKNESS (2006)sacred version: LIGHTEN OUR DARKNESS (2006)SECULAR TEXT (by the composer)Dreaming in darkness, we entreat you, O Night! through your long shadows, to defend them from the terrors and visions of their dreams; for the love of their untarnished hopes, protect our children, Night, dreaming in darkness. SACRED TEXT (Book of Common Prayer)Lighten our darkness, we beseech thee, O Lord;and by thy great mercy defend us from all perils and dangers of this night; for the love of thy only Son, our Savior, Jesus Christ. Amen.Recording by Kamerkoor Quod Libet https://www.kamerkoorquodlibet.nl/
$1.99
1.82 €
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Choral SATB
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Robinson McClellan
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Dreaming in Darkness
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McClellan Music
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SheetMusicPlus
Nadir
Guitar
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20t…
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Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
8.23 €
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Guitar
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Symphonie Fantastique: IV. Marche au supplice
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1152527 Composed by Hector Berlio…
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Concert Band - Level 3 - Digital Download SKU: A0.1152527 Composed by Hector Berlioz. Arranged by Guilherme Ribeiro. 20th Century,Classical,March,Opera,Romantic Period. Score and Parts. 103 pages. Gui Ribeiro #752748. Published by Gui Ribeiro (A0.1152527). Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love. Berlioz provided his own preface and program notes for each movement of the work. Convinced that his love is spurned, the artist poisons himself with opium. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. The procession advances to the sound of a march that is sometimes sombre and wild, and sometimes brilliant and solemn, in which a dull sound of heavy footsteps follows without transition the loudest outbursts. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow. Berlioz claimed to have written the fourth movement in a single night, reconstructing music from an unfinished project, the opera Les francs-juges. The movement begins with timpani sextuplets in thirds, for which he directs: The first quaver of each half-bar is to be played with two drumsticks, and the other five with the right hand drumsticks. The movement proceeds as a march filled with blaring horns and rushing passages, and scurrying figures that later show up in the last movement. NOTES: - The two timpani part can be played by only the 2 pairs of timpani. - Measure 93 and 100: Clarinet 1, 2 and 3 play one octave lower as written.
$14.99
13.71 €
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Concert band
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Hector Berlioz
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Symphonie Fantastique: IV. Marche au supplice
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Gui Ribeiro
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SheetMusicPlus
Bach: Brandenburg Concerto No. 3 for Saxophone Choir
Saxophone ensemble
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopr…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1402348 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 149 pages. Jmsgu3 #985560. Published by jmsgu3 (A0.1402348). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$74.95
68.57 €
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Saxophone ensemble
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Johann Sebastian Bach
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Bach: Brandenburg Concerto No. 3 for Saxophone Choir
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jmsgu3
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SheetMusicPlus
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann S…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95
45.7 €
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Johann Sebastian Bach
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Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymo…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
24.66 €
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Oboe, Piano (duet)
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Beyond Her Only Dreaming
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1444309 Composed by J. Francis Ba…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. J.Francis Ball #1024223. Published by J.Francis Ball (A0.1444309). Program Notes Mercedes M. Yardley is a dark fantasist who wears poisonous flowers in her hair. She is a two-time Bram Stoker Award winner for Little Dead Red and “Fracture.” She is the author of Darling, the Stabby Award-winning Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Pretty Little Dead Girls, and Love is a Crematorium. Mercedes lives in Las Vegas and can be found at mercedesmyardley.com. J. Francis Ball Is a composer, violinist, and guitarist who has performed in multiple bands, in collaborations, in orchestras, and solo projects. He has recorded and released ten studio albums with The Unwieldies and The Psyatics. His classical, jazz, romantic, and punk musical influences can be heard in all his contemporary compositions. J. Francis Ball was born and raised in Pittsburgh, PA, and currently lives and performs in Las Vegas. His Words This collaboration began with a powerful name. I asked Mercedes to listen to and name an early piano composition I wrote. Her reply was “Beyond Her Only Dreaming.” The original composition was ultimately scrapped, but the name stuck with me. It inspired the muses whispering in my haunted ear. I wrote five musical tone poems that were loosely based on a woman’s dream. During the creative process, I asked Mercedes to listen to the tones and use her imagination to create sketches for each section. Her spoken poetry powerfully frames a woman’s dreams, fears, desires, and hope for love. They blend seamlessly with the music and are so masterfully written that they create a picture frame to use as structure but leave the canvas blank. This allows the listener to also take part in this collaboration and paint their own visions of how they experience the music. J.F.B.Her Words I’m a dreamer and writer of words, but I love music. When John asked me to name his original musical piece, I was delighted. I had recently written a story based on Robert Chamber’s famed The King in Yellow collection and, due to the sound and feel of John’s piece, loosely named the composition after my short story. John took this title and created a brilliant new musical composition. After listening to it, I was influenced to create spoken- word pieces that match the emotion of the music while also hearkening back to the original short story. The piece you’ll hear contains poetry influenced by original music inspired by a short story based on a collection written in 1895. Time is a flat circle. This is how art moves and breathes, and I’m truly honored to take part. MMY.
$5.99
5.48 €
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Violin and Piano
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J
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Beyond Her Only Dreaming
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J.Francis Ball
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SheetMusicPlus
Chorale Prelude on Veni Emmanuel (O come, O come, Emmanuel)
Organ
Instrumental Solo,Organ - Digital Download SKU: A0.1402523 Composed by Chris Kovari…
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Instrumental Solo,Organ - Digital Download SKU: A0.1402523 Composed by Chris Kovarik. 21st Century,Advent,Christmas,Praise & Worship,Sacred. Individual part. 9 pages. Chris Kovarik #985744. Published by Chris Kovarik (A0.1402523). Veni Emmanuel (composed 2022, duration ca. 5’ 10â€) builds on the mystery inherent in the season of Advent, the text that presents us with many different visions of Christ (God with us, Wisdom from on high, etc.), and in the ancient, minor-mode tune itself. There are two complete statements of the tune with its refrain, one quiet and sedate, the other loud and joyous. The rest of the piece is essentially a free fantasy, culminating in an enigmatic right-hand solo a dozen or so bars before the end. This piece is contemplative and moody, with plenty of opportunity for colourful registrations.
$4.99
4.57 €
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Organ
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Chris Kovarik
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Chorale Prelude on Veni Emmanuel
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Chris Kovarik
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SheetMusicPlus
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