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298 sheet music found
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276
Prelude ~ Unpredictable Adventure
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Piano solo
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Contemporary
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Chris Merrill
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whimsical mood.
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Prelude ~ Unpredictable Advent
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Christopher Merrill
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.995778 Composed by Chris Merrill. Contemporary. Score. 1 pages. Christopher Merrill #6687799. Published by Christop...
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Piano Solo - Digital Download SKU: A0.995778 Composed by Chris Merrill. Contemporary. Score. 1 pages. Christopher Merrill #6687799. Published by Christopher Merrill (A0.995778). A prelude with a shifting & whimsical mood.
$1.99
DrumBeat Groove
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Drums
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INTERMEDIATE
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Tracy Dean McCallum
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Tracy Dean McCallum
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DrumBeat Groove
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Tracy Dean McCallum
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SheetMusicPlus
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1475420 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 21st Century...
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1475420 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 21st Century,Jazz,Rock. Score. 4 pages. Tracy Dean McCallum #1052971. Published by Tracy Dean McCallum (A0.1475420). https://tracymccallum.com/The Offbeat Shuffle: A Drun Beat DisruptionThis disrupts the Drun Beat Groove by shifting the emphasis to the off-beats, creating a more playful and unpredictable feel.Tempo: Maintain the original tempo (around 100-120 BPM) to keep the foundation steady.Feel: Instead of the classic swing with a focus on the downbeat and upbeat, the Offbeat Shuffle emphasizes the backbeat (snare) and the spaces between. Think of a laid-back, almost nonchalant groove.Articulation: Keep a clean and tight sound. Ghost notes can be used sparingly for subtle accents.Groove Breakdown:Kick Drum: Play a steady pattern on the kick drum, but slightly behind the beat. This creates a sense of pushing the groove forward.Snare Drum: The snare becomes the main focus, landing primarily on the off-beats (between the kick drum hits). This creates a syncopated feel that disrupts the original swing.Hi-Hat: Instead of a steady eighth-note pattern, try a closed hi-hat on the quarter notes with open hi-hats on the off-beats. This adds a rhythmic counterpoint to the snare.Adding Variation:Fills: Introduce short, syncopated fills that land on the off-beats. These can be based on simple rolls or flams on the snare and toms.Cymbal Accents: Crash cymbals can be strategically placed on accents or at the end of phrases, adding punctuation to the groove.Overall Effect:The Offbeat Shuffle disrupts the Drun Beat Groove by creating a playful and unpredictable feel. It retains the basic tempo and keeps the groove danceable, but adds a layer of rhythmic tension and surprise. This showcases the drummer's creativity within the established framework.pen_spark tuneshare more_vert
$5.55
THE DEEP for solo DOUBLE BASS
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Double Bass
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Contemporary
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932...
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
Irrational Rose
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Piano solo
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INTERMEDIATE
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Jim Paterson
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Irrational Rose
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Music Files Ltd
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.831206 Composed by Jim Paterson. 20th Century,Concert,Instructional,Jazz,New Age. Score. 1 pages. Music F...
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Piano Solo - Level 3 - Digital Download SKU: A0.831206 Composed by Jim Paterson. 20th Century,Concert,Instructional,Jazz,New Age. Score. 1 pages. Music Files Ltd #4895179. Published by Music Files Ltd (A0.831206). Irrational Rose is a quirky little piece for piano solo, with some elements of new-age and jazz. Its direction is somewhat unpredictable and that gives the piece its title Irrational as though Rose is unpredictable. However some Techies may find the title strangely familiar.
$1.99
Three Curios (for solo piano)
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Paul SanGregory
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Three Curios
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.977030 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534593. Publi...
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Piano Solo - Level 4 - Digital Download SKU: A0.977030 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534593. Published by Distant Engraver Music (A0.977030). These pieces are like little objects that are simple and direct, yet slightly eccentric. They often seem to be based on traditional notions of harmony or phrasing, but they don’t always get those aspects exactly right. It’s as if what appears to be common little figurines, upon closer inspection, reveal themselves to be more varied, colorful, complex and unpredictable than a quick glance might reveal. I - Mutable Phrase This piece sounds a bit obsessive because all the phrases begin the same way. It almost sounds like somebody repeating a simple one-phrase statement, but constantly changing it with the hope of writing a perfectly nuanced phrase. II - Sparks in Emptiness The use of the sostenuto pedal in this piece creates an effect of reverberating empty space. Within that space, little bursts of energy begin appearing. It sounds like flashes of light in an empty dark space. III - Silent Blue Tides This piece is based on a slowly moving and somewhat unpredictable chord progression. A duo of simple melodies then floats on that chord progression, rising and falling with the moods of that large blue sea.
$6.50
Unpredictable by Olly Murs & Louisa Johnson - Piano/Vocal/Guitar, Singer Pro
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Piano, Vocal and Guitar
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Pop music
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Olly Murs & Louisa Johnson
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Unpredictable
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Musicnotes
Performed by: Olly Murs & Louisa Johnson: Unpredictable Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sh...
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Performed by: Olly Murs & Louisa Johnson: Unpredictable Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 5 pages -- Pop~~Dance-Pop
$5.79
Unpredictable by Jamie Foxx - Piano/Vocal/Guitar, Singer Pro
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Piano, Vocal and Guitar
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Jamie Foxx
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Unpredictable
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Musicnotes
Performed by: Jamie Foxx: Unpredictable Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this...
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Performed by: Jamie Foxx: Unpredictable Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 5 pages -- Contemporary R & B~~R & B
$5.79
Unpredictable by Francesca Battistelli - Piano/Vocal/Chords, Singer Pro
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Piano, Voice
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Francesca Battistelli
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Unpredictable
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Musicnotes
Performed by: Francesca Battistelli: Unpredictable Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music...
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Performed by: Francesca Battistelli: Unpredictable Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 7 pages -- Christian~~Adult Contemporary~~CCM~~Alternative CCM
$5.50
Pierrot, or Harlequin?
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Stephen Goss
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Pierrot, or Harlequin?
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZY.DO-1555 Composed by Stephen Goss. Score. 15 pages. Les Editions Doberman-Yppan (digital) #DO 1555. Published...
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Guitar - Advanced - Digital Download SKU: ZY.DO-1555 Composed by Stephen Goss. Score. 15 pages. Les Editions Doberman-Yppan (digital) #DO 1555. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1555). Pierrot, or Harlequin? (2023) is based on stock characters from the Italian commedia dell’arte tradition. Columbina has a choice of partner – Pierrot, or Harlequin? Or maybe she will select neither of them. In this set of triple variations, Pierrot and Harlequin compete for Columbina's attention and favour. Pierrot is deep, quiet, thoughtful, and loving, but sometimes melancholic. Harlequin is light-hearted, extrovert, and fun to be with, but somewhat shallow and brash. Columbina herself is coquettish, impulsive, and unpredictable. How will the story end between these imperfect characters? The performer gets to select one of three possible endings as the piece nears its conclusion.Pierrot, or Harlequin? was commissioned by the International Guitar Festival Homenaje 2023. The premiere was given by Giacomo Susani at Barco Teatro, Padova, Italy, on 10th November 2023.Pierrot, or Harlequin? (2023) est basé sur des personnages de la tradition italienne de la commedia dell’arte. Columbina a le choix entre deux partenaires – Pierrot ou Harlequin? Ou peut-être ne choisira-t-elle aucun des deux. Dans cette série de variations en trio, Pierrot et Harlequin rivalisent pour l'attention et les faveurs de Columbina. Pierrot est profond, calme, réfléchi et aimant, mais parfois mélancolique. Harlequin est enjoué, extraverti, amusant à être avec, mais quelque peu superficiel et effronté. Columbina elle-même est coquette, impulsive et imprévisible. Comment se terminera l'histoire entre ces personnages imparfaits? Le performer a le choix entre trois fins possibles alors que la pièce approche de sa conclusion.Pierrot, or Harlequin? a été commandé par le Festival International de Guitare Homenaje 2023. La première a été donnée par Giacomo Susani au Barco Teatro, Padoue, Italie, le 10 novembre 2023.
$9.95
Matinta Pereira
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Clarinet
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INTERMEDIATE/ADVANCED
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Fernando Oliveira
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Matinta Pereira
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Oliveiramusic
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SheetMusicPlus
E-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.1487453 By Fernando Oliveira. By Fernando Oliveira. 20th Century,Contest,Festival. Individual p...
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E-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.1487453 By Fernando Oliveira. By Fernando Oliveira. 20th Century,Contest,Festival. Individual part. 5 pages. Oliveiramusic #1064401. Published by Oliveiramusic (A0.1487453). Matinta Pereira is a composition originally written for piccolo clarinet.Solo piece that is part of the series of compositions that approach Brazilian folklore where the characters are well explored and with different sounds.It is in the format “Theme and Variations” where the composer places the listener in a mysterious, unpredictable and even melancholy atmosphere.
$6.00
Oranges and Apples (from Four Ethereal Planes)
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Jazz Ensemble
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ADVANCED
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Josh Trentadue
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Oranges and Apples
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T.U.X. People's Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1420202 Composed by Josh Trentadue. Contemporary,Contest,Festival,Jazz. 94 pages. T.U.X....
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1420202 Composed by Josh Trentadue. Contemporary,Contest,Festival,Jazz. 94 pages. T.U.X. People's Music #1001668. Published by T.U.X. People's Music (A0.1420202). Light-hearted and fun, yet unpredictable, your ensemble will swing through all of the twists and turns this lively chart has to offer!
$70.00
Three Pieces for Piano: III- Finale
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Piano solo
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ADVANCED
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Clay Burnett
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Three Pieces for Piano: III- F
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Clay Parker Burnett
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1412899 Composed by Clay Burnett. 21st Century,Classical. Score. 7 pages. Clay Parker Burnett #983593. Pu...
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Piano Solo - Level 5 - Digital Download SKU: A0.1412899 Composed by Clay Burnett. 21st Century,Classical. Score. 7 pages. Clay Parker Burnett #983593. Published by Clay Parker Burnett (A0.1412899). The final movement in a collection of three pieces for piano. This piece serves as a resolution to the previous movement, the nocturne. It begins with a series of repetitive notes and chords that is at first a bit unpredictable as to where it is headed. It then moves to a somewhat formless and disjointed melody with frequently changing time signatures but then quickly transforms into a cheerful and resolute theme, then a brief aside that allows the performer to show off his technical skills, and then back to the determined and driven, yet cheerful theme that concludes the cycle with a happy ending.
$3.99
Weather in Cranbrook
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Piano solo
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INTERMEDIATE
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Classical
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Jonathan Talbot
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Weather in Cranbrook
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Jonathan David Talbot
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1409527 By Jonathan Talbot. By Jonathan D. Talbot. Classical. Score. 3 pages. Jonathan David Talbot #9921...
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Piano Solo - Level 3 - Digital Download SKU: A0.1409527 By Jonathan Talbot. By Jonathan D. Talbot. Classical. Score. 3 pages. Jonathan David Talbot #992153. Published by Jonathan David Talbot (A0.1409527). This song is named after the weather here in Cranbrook, British Columbia (which is very unpredictable), as the song is fairly undpredictable and constantly changing keys. I think this classical piece is fun to play and entertaining to listen too.
$4.00
TWO NEW MEDITATIONS for Piccolo
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Piccolo
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INTERMEDIATE/ADVANCED
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Classical
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Alan Edgar
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TWO NEW MEDITATIONS for Piccol
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Alan Edgar Ted Moon
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SheetMusicPlus
Instrumental Solo,Piccolo - Level 4 - Digital Download SKU: A0.1405073 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moo...
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Instrumental Solo,Piccolo - Level 4 - Digital Download SKU: A0.1405073 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988111. Published by Alan Edgar Ted Moon (A0.1405073). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
TWO NEW MEDITATIONS for TREBLE or Spranino Recorder
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Contemporary
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Alan Edgar
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TWO NEW MEDITATIONS for TREBLE
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Alan Edgar Ted Moon
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SheetMusicPlus
Recorder Solo,Treble Recorder - Level 4 - Digital Download SKU: A0.1405063 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted...
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Recorder Solo,Treble Recorder - Level 4 - Digital Download SKU: A0.1405063 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988099. Published by Alan Edgar Ted Moon (A0.1405063). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
TWO NEW MEDITATIONS for solo Clarinet
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Clarinet
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INTERMEDIATE
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Contemporary
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Alan Edgar
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TWO NEW MEDITATIONS for solo C
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Alan Edgar Ted Moon
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SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.1404967 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988003. P...
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Clarinet Solo - Level 3 - Digital Download SKU: A0.1404967 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988003. Published by Alan Edgar Ted Moon (A0.1404967). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$20.00
TWO NEW MEDITATIONS for Bassoon or Cello
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Bassoon
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INTERMEDIATE/ADVANCED
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Contemporary
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Alan Edgar
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TWO NEW MEDITATIONS for Bassoo
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Alan Edgar Ted Moon
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SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.1405069 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988105. Pu...
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1405069 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988105. Published by Alan Edgar Ted Moon (A0.1405069). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
TWO NEW MEDITATIONS for Recorder (Garklein, Descant or Tenor)
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Descant (Soprano) Recorder
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INTERMEDIATE
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Contemporary
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Alan Edgar
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TWO NEW MEDITATIONS for Record
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Alan Edgar Ted Moon
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1404969 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Te...
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Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1404969 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988005. Published by Alan Edgar Ted Moon (A0.1404969). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$20.00
TWO NEW MEDITATIONS for Flute
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Flute
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INTERMEDIATE/ADVANCED
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Contemporary
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Alan Edgar
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TWO NEW MEDITATIONS for Flute
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Alan Edgar Ted Moon
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SheetMusicPlus
Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1404972 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon...
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Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1404972 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988008. Published by Alan Edgar Ted Moon (A0.1404972). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
TWO NEW MEDITATIONS for Violin Solo
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Violin
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INTERMEDIATE/ADVANCED
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Contemporary
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Alan Edgar
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TWO NEW MEDITATIONS for Violin
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Alan Edgar Ted Moon
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.1405070 Composed by Alan Edgar. 20th Century. 4 pages. Alan Edgar Ted Moon #988108. Published by Alan Ed...
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Violin Solo - Level 4 - Digital Download SKU: A0.1405070 Composed by Alan Edgar. 20th Century. 4 pages. Alan Edgar Ted Moon #988108. Published by Alan Edgar Ted Moon (A0.1405070). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
TWO NEW MEDITATIONS for Viola
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Viola
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INTERMEDIATE/ADVANCED
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Contemporary
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Alan Edgar
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TWO NEW MEDITATIONS for Viola
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Alan Edgar Ted Moon
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SheetMusicPlus
Viola Solo - Level 4 - Digital Download SKU: A0.1405068 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988104. Publ...
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Viola Solo - Level 4 - Digital Download SKU: A0.1405068 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988104. Published by Alan Edgar Ted Moon (A0.1405068). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
TWO NEW MEDITATIONS for Oboe, Cor Anglais or Sax
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Soprano Saxophone
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INTERMEDIATE/ADVANCED
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Contemporary
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Alan Edgar
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TWO NEW MEDITATIONS for Oboe,
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Alan Edgar Ted Moon
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SheetMusicPlus
Soprano Saxophone Solo - Level 4 - Digital Download SKU: A0.1404973 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #...
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Soprano Saxophone Solo - Level 4 - Digital Download SKU: A0.1404973 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988009. Published by Alan Edgar Ted Moon (A0.1404973). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00
The Mechanical Doll
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Piano solo
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EASY
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Dmitri Shostakovich
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Thomas Ling
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The Mechanical Doll
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1400601 Composed by Dmitri Shostakovich. Arranged by Thomas Ling. 20th Century,Instructional. Score. 2 pa...
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Piano Solo - Level 2 - Digital Download SKU: A0.1400601 Composed by Dmitri Shostakovich. Arranged by Thomas Ling. 20th Century,Instructional. Score. 2 pages. Thomas Swee Chin #983799. Published by Thomas Swee Chin (A0.1400601). In Dmitri Shostakovich's Six Children's Pieces, the mechanical doll is depicted through whimsical and playful music that captures the imagination. The mechanical doll movement is characterized by its mechanical precision and lively tempo, evoking the image of a toy coming to life.The music begins with a light and sprightly melody, reminiscent of the delicate movements of a mechanical doll. Shostakovich utilizes staccato rhythms and precise articulation to mimic the mechanical motions of the doll, creating a sense of mechanical precision and charm.As the piece progresses, the music may feature playful and quirky melodies, reflecting the unpredictable nature of the mechanical doll's movements. Sudden shifts in dynamics and tempo add excitement and intrigue, as if the doll is performing a series of whimsical tricks or dances.Despite its mechanical nature, Shostakovich infuses the music with warmth and humor, allowing the listener to connect emotionally with the character of the mechanical doll. The music may contain moments of humor or mischief, inviting the listener to join in the playful antics of the mechanical doll.Overall, Shostakovich's depiction of the mechanical doll in Six Children's Pieces is a delightful and charming musical portrayal that captures the magic and wonder of childhood imagination. Through its lively melodies and playful rhythms, the mechanical doll comes to life in a whimsical and enchanting musical world.
$5.60
Daybreak (Downloadable)
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Soprano voice, Piano
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Tawnie Olson
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Daybreak
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minute...
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Soprano voice and piano - Moderately Difficult - Digital Download SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Choral SATB
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INTERMEDIATE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Do...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
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