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Variations on the Hymn
Sheetmusic to print
737 sheet music found
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Sonata Hymnica No. 6
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. Jam...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Lost in the Night
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Handbells
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EASY
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Cathy Moklebust
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Cathy Moklebust
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For the Beauty of the Earth
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Lost in the Night
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2+ - Digital Download SKU: C7.CGB1014 Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Advent. With Violin....
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3, 4, or 5 octaves handbells - Level 2+ - Digital Download SKU: C7.CGB1014 Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Advent. With Violin. Score. 8 pages. Chorister's Guild - Digital #CGB1014. Published by Chorister's Guild - Digital (C7.CGB1014). UPC: 749193025376.Hymn Embellishments is a reproducible collection of handbell variations on ten hymns written to enhance and encourage hymn singing. Two different settings are provided for each hymn, which may be used together with piano or organ in a variety of creative ways. In addition to using these settings with congregational singing, they may also be used as solo pieces with keyboard accompaniment. The variety of seasonal and general titles included will make the collection useful throughout the church year. Many of the hymntunes are published with a variety of different hymn texts, so be sure to check your hymnal's tune index to find additional uses for these settings. A list of compatible hymnal settings is provided for each hymn. The collection is published in compatible editions for 2-3 and 3-5 octaves. Contents: Christ the Lord Is Risen Today; For the Beauty of the Earth; For the Fruit of All Creation; Holy, Holy, Holy; Jesus Christ Is Risen Today; Jesus Shall Reign; Joy to the World!; Joyful, Joyful, We Adore Thee; O Come, All Ye Faithful; O Come, O Come Emmanuel; Thine Is the Glory.
$4.95
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Variations on Gordon ('My Jesus, I Love Thee')
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Piano solo
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INTERMEDIATE/ADVANCED
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John Burkett
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John Burkett
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Variations on Gordon
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John Burkett
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1352800 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 11 pages. John Burke...
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Piano Solo - Level 4 - Digital Download SKU: A0.1352800 Composed by John Burkett. Arranged by John Burkett. Classical,Sacred. Score. 11 pages. John Burkett #937604. Published by John Burkett (A0.1352800). My Variations on the hymn tune Gordon (My Jesus, I Love Thee) are intended for church pianists looking for interesting arrangements of hymns familiar to their congregations. The four variations in this set display increasing rhythmic complexity as one plays them from beginning to end, ranging from continuous streams of eighth notes to eighth-note triplets to sixteenths. The first, and simplest, variation can be played alone. Variations 2-4 are written as a continuous group, though they too can be played individually if desired, by adding a conclusive tonic note in the bass. For the most part the pitches of the hymn tune are presented without ornamentation, though there are occasional exceptions. I have provided a full-length recording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$12.00
Cello - "And Can It Be?" Theme and Variations
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Cello, Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?" Theme
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. A...
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It Be?" T
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Postlude on Immaculate Mary
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Organ
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INTERMEDIATE
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Sacred music
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Kevin Frecker
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Kevin Frecker
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Postlude on Immaculate Mary
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Kevin Frecker
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.941549 Composed by Kevin Frecker. Arranged by Kevin Frecker. Sacred. Score. 4 pages. Kevin Frecker #5776437. P...
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Organ - Level 3 - Digital Download SKU: A0.941549 Composed by Kevin Frecker. Arranged by Kevin Frecker. Sacred. Score. 4 pages. Kevin Frecker #5776437. Published by Kevin Frecker (A0.941549). The Lourdes Hymn (Immaculate Mary) is very commonly sung among Catholics in devotions and religious services to Mary, the mother of Jesus. This set of three variations on the hymn is the only work of its type that I am aware of. Ideal conclusion to services and devotions to the Blessed Mother. The second variation contains a number of embellishments that could be simplified for the early intermediate organist.
$4.99
On Jordan's Stormy Banks - Flex Orchestra
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String Orchestra
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BEGINNER
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having one or more instruments
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From Southern Harmony
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Kristin Campbell
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#
On Jordan's Stormy Banks - Fle
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Horsehair Music
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and part...
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String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99
Lord, Speak to Me Variations on the Hymn Advanced Piano
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Piano solo
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ADVANCED
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Robert Schumann
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Gene Roberson
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Lord, Speak to Me Variations o
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Gene Roberson
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.848993 Composed by Robert Schumann. Arranged by Gene Roberson. Christian,Concert,Contemporary. Score. 5 p...
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Piano Solo - Level 5 - Digital Download SKU: A0.848993 Composed by Robert Schumann. Arranged by Gene Roberson. Christian,Concert,Contemporary. Score. 5 pages. Gene Roberson #6682877. Published by Gene Roberson (A0.848993). Advanced arrangement of famous hymn with melody by Robert Schumann. Setting is Variations on a theme.Advanced piano. Perfect for Recital and Worship service.
$4.99
Variations on a Canarian Hymn
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Concert band
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INTERMEDIATE
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Contemporary
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Gregory Fritze
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Variations on a Canarian Hymn
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. ...
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Concert Band - Level 3 - Digital Download SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Musica Nova USA (A0.917393). Variations on a Canarian Hymn grade 4, duration 11:00 was commissioned and composed for the Banda Muncipal of Tenerife, Spain, Filipe Neri, conductor. They premiered it on June 25, 2017. The American premiere was March 21, 2019 by the University of Wisconsin River Falls Symphony Band, Kristin Tjornehoj, Conductor.The Canary Islands is a region of Spain. The anthem used in the Canaries for local official occasions is an adaptation of a local folk song called Arrorró (Lullaby) by Teobaldo Power (1848 – 1884). Tenerife is the largest and most populated island of the seven Canary Islands. Tenerife has a special relation to Columbus and the New World as he first stopped in Tenerife on each of his passages before sailing to the New World. There is a plaque in the center of Tenerife city depicting this.Variations on a Canarian Hymnis in the classictheme and variations form, startingwith a presentation of the folk song in its entirety, then following with six variations of the folk song. Each variation displays different colors and moods of the symphonic band. The triumphal ending depicts the strength of the Canarian people. The piece features several instruments, some with extended solos including: flute, oboe, alto saxophone, horn, trumpet, trombone, clarinet, English horn and timpani. There are several cues in the parts to cover certain instruments that may not be available, such as English horn.
$70.00
Variations for Organ on How Firm A Foundation
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Organ
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EASY
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Janet Linker
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Variations for Organ on How Fi
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Moderately Easy - Digital Download SKU: MQ.10-638-E Composed by Janet Linker. Building Dedication, Church Anniversary. 28 pages. MorningStar Musi...
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Organ - Moderately Easy - Digital Download SKU: MQ.10-638-E Composed by Janet Linker. Building Dedication, Church Anniversary. 28 pages. MorningStar Music Publishers - Digital Sheet Music #10-638-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-638-E). Newly engraved and enlarged for easier viewing. A creative set of variations on the hymn tune FOUNDATION. The variations include: Hymn, Pastorale, Trumpet Tune, Chorale, Duo, Trio, Allegro, Reverie, and Finale. The set is great for a hymn festival, recital, or between congregational verses to set up the text of the verse, or the variations can be used individually for prelude, offertory, and postlude.
$17.25
Amazing Grace (And Then Some)
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Concert band
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Sacred music
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Marc Oliver
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Ayotte Custom Musical Engravin
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Amazing Grace
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. ...
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Concert Band - Digital Download SKU: A0.733028 Composed by Marc Oliver. Arranged by Ayotte Custom Musical Engravings. Praise & Worship,Sacred,Spiritual. Score and parts. 42 pages. Ayotte Custom Musical Engravings #2347283. Published by Ayotte Custom Musical Engravings (A0.733028). Almost everybody and his mother on the Planet have written their own arrangements of Amazing Grace so I guess I should not be the exception. Amazing Grace (And Then some) is written for Solo Tuba, accompanied by a wind band. I was inspired to write this chart by a young man named Brandon Jones who lives in the Mobile, Alabama area. He was about 20 years old at the time of this writing (in 2012). He wanted to dedicate it to his father who had died when Brandon was about 4 or 5 years old. My arrangement of Amazing Grace (And Then Some) is not just another theme and variations type of work. Instead, I have interwoven two additional hymns (Praise to the Lord, the Almighty and I Will Sing of My Redeemer) in order to break up the monotony of just the one hymn (hence the subtitle And Then Some) Oh, did I mention that Brandon plays a C tuba that was passed down from his father?
$49.99
Air and Variations on 'Brother James' Air' for Organ
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Organ
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INTERMEDIATE
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Christopher Evans
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Air and Variations on 'Brother
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Christopher Evans
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.846373 Composed by Christopher Evans. Contemporary,Sacred,Wedding. Score. 4 pages. Christopher Evans #5776541....
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Organ - Level 3 - Digital Download SKU: A0.846373 Composed by Christopher Evans. Contemporary,Sacred,Wedding. Score. 4 pages. Christopher Evans #5776541. Published by Christopher Evans (A0.846373). An air and four contrasting variations on ’Brother James’ Air’, a hymn tune composed by James Leith Bain, who was a Scottish minister at the end of the 19th and beginning of the 20th century and known as Brother James. The first three variations are in the style of John Stanley, the fourth variation is a two part canon. Although the suggested stop registration is for three manuals and is only a guide. All movements only require a small number of light stops and therefore can very effectively be played on a small two manual instrument.
$10.00
Variations on the Hymn "St. James" 2 octaves for carillon
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Charles j Semowich
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Variations on the Hymn "St. Ja
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de Laetsburg Press
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SheetMusicPlus
Carillon,Instrumental Solo - Level 2 - Digital Download SKU: A0.1374576 Composed by Charles j Semowich. Christian,Religious. Individual part. 4 pages. De...
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Carillon,Instrumental Solo - Level 2 - Digital Download SKU: A0.1374576 Composed by Charles j Semowich. Christian,Religious. Individual part. 4 pages. De Laetsburg Press #959132. Published by de Laetsburg Press (A0.1374576). Variations on the hymn tune, St. James for carillon with an upper d.
$1.99
Variations on the Hymn Tune "Foundation" for Carillon
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Handbells
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EASY
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Charles Semowich
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Charles Semowich
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Variations on the Hymn Tune "F
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de Laetsburg Press
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SheetMusicPlus
Carillon,Instrumental Solo - Level 2 - Digital Download SKU: A0.1096961 Composed by Charles Semowich. Arranged by Charles Semowich. Christian,Religious. ...
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Carillon,Instrumental Solo - Level 2 - Digital Download SKU: A0.1096961 Composed by Charles Semowich. Arranged by Charles Semowich. Christian,Religious. Individual part. 4 pages. De Laetsburg Press #700928. Published by de Laetsburg Press (A0.1096961). This is arranged for carillon. It is variations of the hymn tune Foundation.
$2.00
We Gather Together- flute solo
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Flute
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INTERMEDIATE
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Sacred music
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Netherlands Folk Hymn
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Rhonda Berlin
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We Gather Together- flute solo
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Berlin Music Studio
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SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.967483 Composed by Netherlands Folk Hymn. Arranged by Rhonda Berlin. Christian,Praise & Worship,Sacred. I...
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Flute Solo - Level 3 - Digital Download SKU: A0.967483 Composed by Netherlands Folk Hymn. Arranged by Rhonda Berlin. Christian,Praise & Worship,Sacred. Individual part. 1 pages. Berlin Music Studio #5795931. Published by Berlin Music Studio (A0.967483). For the flutist who wants to sound great by Sunday! This arrangement of We Gather Together will work with most hymnal arrangements. It includes 3 verses. Verse one is the melody, verses two and three are variations on the melody. Play along with congregational singing or enjoy playing a lovely flute solo.
$1.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. P...
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Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th C...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
Partita on "Neander" for Euphonium and Organ
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John Jay Hilfiger
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Partita on "Neander" for Eupho
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John Jay Hilfiger
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SheetMusicPlus
Brass Ensemble Euphonium,Piano - Level 3 - Digital Download SKU: A0.737161 Composed by John Jay Hilfiger. Sacred,Standards. Score and part. 12 pages. Joh...
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Brass Ensemble Euphonium,Piano - Level 3 - Digital Download SKU: A0.737161 Composed by John Jay Hilfiger. Sacred,Standards. Score and part. 12 pages. John Jay Hilfiger #6440755. Published by John Jay Hilfiger (A0.737161). An exciting theme-and-variations on the hymn Open Thou Thy Gates of Beauty (also known as Rise, Ye Children of Salvation). For euphonium (or trombone) and organ (or piano). Suitable for service music as prelude, postlude, offering. Also suitable for recitals. Both Euphonium (bass clef) and Euphonium (treble clef) parts are included.
$10.00
Partita on "Neander" for French Horn and Organ
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French Horn and Piano
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INTERMEDIATE
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John Jay Hilfiger
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Partita on "Neander" for Frenc
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John Jay Hilfiger
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SheetMusicPlus
Instrumental Duet,Piano French Horn,Piano - Level 3 - Digital Download SKU: A0.737092 Composed by John Jay Hilfiger. Sacred,Standards. Score and part. 9 ...
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Instrumental Duet,Piano French Horn,Piano - Level 3 - Digital Download SKU: A0.737092 Composed by John Jay Hilfiger. Sacred,Standards. Score and part. 9 pages. John Jay Hilfiger #5822215. Published by John Jay Hilfiger (A0.737092). An exciting theme-and-variations on the hymn Open Thou Thy Gates of Beauty (also known as Rise, Ye Children of Salvation). For French horn and organ (or piano). Suitable for service music as prelude, postlude, offering. Also suitable for recitals.
$10.00
Partita on "Neander" for Trumpet and Organ
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Organ, Trumpet (duet)
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INTERMEDIATE
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Sacred music
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John Jay Hilfiger
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Partita on "Neander" for Trump
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John Jay Hilfiger
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - Digital Download SKU: A0.737102 Composed by John Jay Hilfiger. Christian,Concert,Sacred,Sta...
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Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 3 - Digital Download SKU: A0.737102 Composed by John Jay Hilfiger. Christian,Concert,Sacred,Standards. Score and parts. 9 pages. John Jay Hilfiger #6009501. Published by John Jay Hilfiger (A0.737102). An exciting theme-and-variations on the hymn Open Thou Thy Gates of Beauty (also known as Rise, Ye Children of Salvation). For trumpet and organ (or piano). Suitable for service music as prelude, postlude, offering. Also suitable for recitals.
$10.00
Partita on "Neander" for Bassoon and Organ
Bassoon, Organ
Intermediate level
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Sacred music
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John Jay Hilfiger
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Partita on "Neander" for Basso
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John Jay Hilfiger
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.737129 Composed by John Jay Hilfiger. Christian,Concert,Sacred,Sta...
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Instrumental Duet Bassoon,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.737129 Composed by John Jay Hilfiger. Christian,Concert,Sacred,Standards. Score and parts. 10 pages. John Jay Hilfiger #6197593. Published by John Jay Hilfiger (A0.737129). An exciting theme-and-variations on the hymn Open Thou Thy Gates of Beauty (also known as Rise, Ye Children of Salvation). For bassoon and organ (or piano). Suitable for service music as prelude, postlude, offering. Also suitable for recitals.
$10.00
Variations on Lenten Hymns for Solo Flute
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Flute
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INTERMEDIATE
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Christian contemporary
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Sacred music
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American Spiritual, Hans Leo H
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Carolyn Krysl-Hutchinson
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Variations on Lenten Hymns for
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Carolyn Krysl-Hutchinson
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SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.898371 Composed by American Spiritual, Hans Leo Hassler, Johann Cruger, Joseph Parry, Martin Herbst, Medi...
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Flute Solo - Level 3 - Digital Download SKU: A0.898371 Composed by American Spiritual, Hans Leo Hassler, Johann Cruger, Joseph Parry, Martin Herbst, Medieval Irish Tune, and Thomas J. Williams. Arranged by Carolyn Krysl-Hutchinson. Christian,Contemporary,Easter,Sacred. Individual part. 20 pages. Carolyn Krysl-Hutchinson #6303121. Published by Carolyn Krysl-Hutchinson (A0.898371). For unaccompanied flute, alto flute, or bass flute, these seven hymn variations were composed with the Christian Lenten season in mind. They are suitable for corporate worship, small group settings, and private devotions. Each is no longer than three minutes, which works well for times of meditation, prayer, collection of the offertory, preludes, etc. Each hymn variation includes verses from the Bible which may be spoken, when appropriate.
$9.99
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