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You've selected:
Vernon J
Sheetmusic to print
12 sheet music found
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1
Ira D. Sankey: A Shelter In The Time Of Storm for piano solo
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Piano solo
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BEGINNER
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Christian contemporary
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Ira D. Sankey
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Virtualsheetmusic
Instantly printable sheet music by Vernon J. Charlesworth for piano solo of VERY EASY skill level. / christian,inspirational,hymn,children
Instantly printable sheet music by Vernon J. Charlesworth for piano solo of VERY EASY skill level. / christian,inspirational,hymn,children
$5.97
A Shelter in the Time of Storm with instrumental parts
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Choral SATB
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INTERMEDIATE
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Sacred music
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Words and music by Vernon J
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Arr
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A Shelter in the Time of Storm
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Amy Kent
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.966702 Composed by Words and music by Vernon J. Charlesworth and adapted by Ira D. Sankey. Arra...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.966702 Composed by Words and music by Vernon J. Charlesworth and adapted by Ira D. Sankey. Arranged by Arr. Amy Kent. Christian,Sacred. Octavo. 18 pages. Amy Kent #6210657. Published by Amy Kent (A0.966702). This is a timely truth that we find shelter in Jesus Christ during the storms of life. New melody set for choir with a hint of the traditional tune and flute, violin, and cello part for extra enhancement.
$6.99
A Shelter in the Time of Storm - for easy piano
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Easy Piano
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BEGINNER
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Vernon J
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Samuel Stokes
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A Shelter in the Time of Storm
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SamuelStokesMusic.com
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.562268 Composed by Vernon J. Charlesworth, Ira David Sankey. Arranged by Samuel Stokes. Children,Christia...
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Easy Piano - Level 1 - Digital Download SKU: A0.562268 Composed by Vernon J. Charlesworth, Ira David Sankey. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Score. 1 pages. SamuelStokesMusic.com #5361287. Published by SamuelStokesMusic.com (A0.562268). This is an arrangement of A Shelter in the Time of Storm for easy piano in C major. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$2.50
A Shelter In the Time of Storm (The Lord's Our Rock, In Him We Hide
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Vernon J
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Leonora Hardy
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A Shelter In the Time of Storm
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Leonora Hardy
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776876 Composed by Vernon J. Charlesworth. Arranged by Leonora Hardy. Christian,Praise & Worship,R...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776876 Composed by Vernon J. Charlesworth. Arranged by Leonora Hardy. Christian,Praise & Worship,Religious,Sacred. Score. 3 pages. Leonora Hardy #6016077. Published by Leonora Hardy (A0.776876). A different take on this timeless hymn. The timing has been changed from 4/4 to 3/4 and the song given a more dramatic flair with a few blues notes thrown in. It can be used as a piano solo for a prelude or offertory, or to accompany a soloist. The vocal part is represented by an alto flute on the demo. The Youtube video has the vocal pitched an octave higher for instrumental only. Intermediate level. LeonoraHardy@gmail.com.
$4.99
Autumn In New York
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Piano, Voice
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INTERMEDIATE
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Broadway
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Bud Powell
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Dave Gingras and John E
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Autumn In New York
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1141217 By Bud Powell. By Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1141217 By Bud Powell. By Vernon Duke. Arranged by Dave Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #741504. Published by DAVID LEE GINGRAS (A0.1141217). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some left-hand rhythm for interest, we hope you like what we've done with the song!
$4.99
Autumn In New York
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Orchestra
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INTERMEDIATE/ADVANCED
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Jazz
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Bud Powell
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Kevin Riley
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Autumn In New York
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. Score and parts. 31 pages. Kevin Riley #457309. Published by Kevin Riley (A0.850639). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald as a duet. This version for Solo Alto Saxophone and Orchestra requires your soloist to be able to improvise.
$60.00
Autumn In New York
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Choral SATB
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INTERMEDIATE
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Contemporary
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Bud Powell
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Dr
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Autumn In New York
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Casey J Hayes
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.967090 By Bud Powell. By Vernon Duke. Arranged by Dr. Casey J. Hayes. Contemporary. Octavo. 4 pa...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.967090 By Bud Powell. By Vernon Duke. Arranged by Dr. Casey J. Hayes. Contemporary. Octavo. 4 pages. Casey J Hayes #3575241. Published by Casey J Hayes (A0.967090). A fine, sophisticated jazz arrangement of this true American Standard. Medium difficulty with excellent voice leading, this will be an excellent introduction to vocal jazz for your choir.
$1.99
I Can't Get Started
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Easy Piano
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EASY
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Jazz
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Vernon Duke
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Mark Phillips
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I Can't Get Started
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A. J. Cornell Publications
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.692077 Composed by Vernon Duke. Arranged by Mark Phillips. Jazz,Standards. Score. 3 pages. A. J. Cornell ...
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Easy Piano - Level 2 - Digital Download SKU: A0.692077 Composed by Vernon Duke. Arranged by Mark Phillips. Jazz,Standards. Score. 3 pages. A. J. Cornell Publications #6104669. Published by A. J. Cornell Publications (A0.692077). I Can't Get Started for Easy Piano.
$4.99
'Tis so Sweet to Trust in Jesus
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Choral SATB
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Sacred music
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Vernon M Whaley / William J
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'Tis so Sweet to Trust in Jesu
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Radiant Music
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SheetMusicPlus
By Vernon M Whaley / William J. Kirkpatrick. For SATB choir. Sacred Anthem. Simply Hymns Series. Published by Radiant Music ...
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By Vernon M Whaley / William J. Kirkpatrick. For SATB choir. Sacred Anthem. Simply Hymns Series. Published by Radiant Music
$2.40
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Jacques Leguerney: Première Sonate for piano and violin
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Violin and Piano
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ADVANCED
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Jacques Leguerney
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Jacques Leguerney: Première S
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publ...
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Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern. It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
$25.95
A Shelter In The Time Of Storm
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Piano solo
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Vernon J
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Phillip Keveren
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Hymn
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A Shelter In The Time Of Storm
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Vernon J. Charlesworth. Arranged by Phillip Keveren. For piano. Christian; Hymn; Inspirational. Big Note. 2 pages. Published by Hal Leonard - Digital Sheet M...
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By Vernon J. Charlesworth. Arranged by Phillip Keveren. For piano. Christian; Hymn; Inspirational. Big Note. 2 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
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