Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Waiting For The Day
Not classified
16
Piano & keyboards
Piano solo
41
Piano, Vocal and Guitar
20
Easy Piano
17
Piano, Voice
10
Organ
9
Big Note Piano
5
C Instruments
4
1 Piano, 4 hands
1
+ 3 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
15
Melody line, (Lyrics) and Chords
4
Voice
Choral SATB
23
Choral 2-part
6
Choral TTBB
5
Choral Unison
4
Choral 3-part
2
Vocal duet, Piano
1
Choral SSAA
1
High voice
1
+ 3 instrumentations
-
Retract
Woodwind
Flute and Piano
5
Oboe, Piano (duet)
4
Clarinet and Piano
3
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
3
Flute, Oboe, Clarinet, Bassoon
2
Oboe (band part)
2
Flute, Violoncello
1
Flute
1
Flute, Harp and Cello
1
Clarinet Quartet: 4 clarinets
1
Clarinet
1
+ 6 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
5
Trumpet, Piano
3
Trombone and Piano
3
Trumpet
2
French horn
2
French Horn and Piano
1
Trombone
1
Tuba and Piano
1
Brass quartet : 2 trumpets, trombone, tuba
1
+ 4 instrumentations
-
Retract
Strings
Violin and Piano
5
Violin
4
Viola, Piano
3
String Quintet: 2 violins, viola, cello, bass
3
Cello, Piano
3
Viola (band part)
2
Harp
2
Double bass, Piano (duet)
2
Cello
2
2 Cellos (duet)
1
Harp, Flute (duet)
1
String Trio: 2 violins, cello
1
String Trio: violin, viola, cello
1
String Quartet: 2 violins, viola, cello
1
Viola
1
+ 10 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
5
Concert band
2
Jazz Ensemble
1
Drums
1
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
41
Digital Sheet Music
272
Sheet Music Books
854
Music Equipment
6
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Waiting For The Day
Sheetmusic to print
272 sheet music found
<
1
26
51
....
251
The Story Of Reuben Clamzo & His Strange Daughter
#
Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Beyond The Sea
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi...
(+)
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
#
Jazz Ensemble
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
#
Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pag...
(+)
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
Beyond The Sea
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Bobby Darin
#
Tobi A Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Conte...
(+)
Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
May The Lord Be With You / Que el Señor esté contigo
#
Piano, Vocal and Guitar
#
Sacred music
#
Shaun Parry
#
May The Lord Be With You / Que
#
MusicforMillions
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by Music...
(+)
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0.935515). THIS IS AN ORIGINAL (simple) SONG I WROTE FOR MY MOM AND SISTER To be clear, it is a prayer written in musical form. I guess that makes it a psalm. A few nights ago I was feeling the pain of so many people around the globe who are suffering due to the pandemic. I was inspired to sit down and write an simple song of comfort for them-for us. The very same evening I started writing the song, unbeknownst to me, my sister was being taken to the hospital where she collapsed of heart failure and was life-flighted to the nearest cardiovascular facility.They put her on life support (ECMO and ventilator) to let her heart and lungs rest. Two days later, due to complications with circulation in her leg she had to be rushed into emergency surgery to pull the catheter from the artery leading to her heart. This required taking her off of life support four days earlier than they had planned. We were informed she may not make it. Thanks to thousands of people praying for her, and her own indomitable spirit, she pulled through-but not without more complications.A fever kicked in and lack of circulation in her other leg caused even more concern. Her heart and body were suffering greatly. As we prayed (and thousands of you from around the world prayed with us) I kept massaging and nuancing the exact melody line I wanted, at the same time interweaving various lyrics to intuit what felt right. I wanted this to be a song anyone could sing for their beloved family member or friend who was struggling. Every note, every syllable had to land just right-as if it was meant to be.Through all this my mother was going through her own bit of personal anguish. We were basically waiting for my sister to die. Due to COVID regulations nobody, not even family, could visit her in ICU. My mother bought a plane ticket... just in case. We hoped beyond hope that, If she died, she would not die alone. I wanted to finish this song by Mother's Day to share with my mother and my dear struggling sister who is also a mother of 5. I finished it and sang it through tears on Mother's Day. I have many friends show speak Spanish who are going through very difficult times due to COVID-19 and the subsequent quarantine. The second time through is a carefully crafted Spanish translation. I hope to hear people singing this far and wide with, to and for each other.
$1.99
Bach Fuga BWV 539 For Woodwind Quintet
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
Bach Fuga BWV 539 For Woodwind
#
Luis Anjos Teixeira
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...
(+)
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
I Wish There Were Visiting Hours in Heaven
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
Sacred music
#
Sarah Lynch
#
Amy J
#
I Wish There Were Visiting Hou
#
Amy J. Snyder
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1082368 By Sarah Lynch. By Julie Brenner and Amy J. Snyder. Arranged by Amy J. Snyder. Cont...
(+)
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1082368 By Sarah Lynch. By Julie Brenner and Amy J. Snyder. Arranged by Amy J. Snyder. Contemporary,Pop,Praise & Worship,Sacred. Score. 9 pages. Amy J. Snyder #686517. Published by Amy J. Snyder (A0.1082368). I Wish There Were Visiting Hours in Heaven is a very touching song about missing a loved one that has passed on. Julie Brenner wrote this poem for her father. Julie says, I was just wondering if Heaven is as great as they say, knowing that his pain was freed. I am waiting for the day that we will follow, so I wished there were visiting hours in Heaven. Knowing Amy from school, Julie asked her to put music to the poem. This arrangement is in the key of A Major, alto vocal score, piano accompaniment and chord symbols. Great song for funerals and memorial services. Copyright 2014, 2018 JAAMS. Be sure to listen to the song on YouTube.
$3.99
5 pieces for organ
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
5 pieces for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published...
(+)
Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00
The Leaves of the Fall
#
Choral TTBB
#
EASY
#
John van Gulik
#
John van Gulik
#
The Leaves of the Fall
#
John van Gulik
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patri...
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall  Leaves of autumn, leaves of the fall  Millions of discarded parts of us all  Time will forget them, forget them it will  And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
$2.00
Dorina for organ
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Dorina for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published ...
(+)
Organ - Level 4 - Digital Download SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M
$13.00
When the World Drops In to Town
#
David Kai
#
David Kai
#
When the World Drops In to Tow
#
David Kai
#
SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged ...
(+)
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
When the World Drops In to Town
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
David Kai
#
When the World Drops In to Tow
#
David Kai
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Publishe...
(+)
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! Take it all to help the plane people, it’s the least that we can do! Aunt Winnie baked two dozen of her partridgeberry pies She said, I think those plane people will be in for some surprise! So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:
$3.00
Passacaglia for organ solo
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Passacaglia for organ solo
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published ...
(+)
Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
Camden Town for organ solo
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Camden Town for organ solo
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published ...
(+)
Organ - Level 4 - Digital Download SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
Playtime for organ
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Playtime for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published ...
(+)
Organ - Level 4 - Digital Download SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
#
Orchestra
#
ADVANCED
#
Contemporary
#
Therese Brenet
#
Thérèse Brenet: Rondel for S
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publis...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
#
Orchestra
#
ADVANCED
#
Contemporary
#
Therese Brenet
#
Dors
#
Thérèse Brenet: Rondel for S
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publis...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage
$2.50
Sacred Anthems for Choir 3, sacred choral music
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Kevin G
#
Sacred Anthems for Choir 3, sa
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worsh...
(+)
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 169 pages. Kevin G. Pace #965379. Published by Kevin G. Pace (A0.1380601). Sacred Anthems for Choir volume 3 is a collection of 21 sacred choral compositions with piano accompaniment. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:Come and SeeGethsemane, Garden Lovely The Prisoners Shall Surely Go Free Lord, Humbly I Come To Thee Now, TTBB Lord, Humbly I Come To Thee NowThe Dark GardenAll Wisdom, Grace and GloryInto the WindWaiting for Sunrise Let Thy Holy Spirit Guide, revised 2023Holy Father, I PrayBlessed Be God When We Call Sing to the Lord Dearest Savior Every Tongue Ye Are As a Fruitful FieldEver Saints Await Thee What Can I Offer? Where Would We Go Without You? Lead Us On To Victory!
$18.99
Waiting for Sunrise, sacred music for SATB Choir
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Kevin G
#
Waiting for Sunrise, sacred mu
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1206070 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Reli...
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1206070 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 8 pages. Kevin G. Pace #804265. Published by Kevin G. Pace (A0.1206070). A beautiful, sacred choral arrangement with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Waiting for sunrise, I fall to my knees,Grateful for blessings imparted by Thee,Begging Thy pardon for all of my faults,Asking a blessing from heavenly vaults.Waiting for sunrise, hear Thou my heart. Working in daylight, my thoughts turn to Thee.Hearing Thy prompting, Thy servant I'd be.Serving Thy children, Thy Son be my guide,Hoping one day I might with Thee abide.Working in daylight, keep me in sight. Darkness approaches, and still Thou are't there,Blessing with knowledge to soften my care.Seeking Thy wisdom, I incline my ear,Turning the shadow to comfort and cheer.Darkness approaches, banish my fear.
$1.99
Waiting for the Snow (2-Part Choir, Piano Accompaniment)
#
Choral 2-part
#
EASY
#
Cathy Stamegna
#
Cathy Stamegna
#
Waiting for the Snow
#
Cathy Stamegna
#
SheetMusicPlus
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.781026 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Children,Christmas,Contemporary...
(+)
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.781026 Composed by Cathy Stamegna. Arranged by Cathy Stamegna. Children,Christmas,Contemporary,Holiday. Octavo. 12 pages. Cathy Stamegna #6453805. Published by Cathy Stamegna (A0.781026). Accessible and appropriate for young choirs singing in two parts. As singers anticipate the snow, they sing about the beautiful snowflakes, falling so gently, but also discuss the fun they will have making a snowman, building a fort, sledding, and throwing snowballs. A light and fun piece for your holiday or winter concert. Performance Time: 2:33.
$2.25
Suny Day
#
Piano solo
#
Sacred music
#
Gospel/Spiritual
#
THEMIS KOUTRAS
#
Suny Day
#
THEMIS KOUTRAS
#
SheetMusicPlus
Piano - Digital Download SKU: A0.1066754 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 130. THEMIS KOU...
(+)
Piano - Digital Download SKU: A0.1066754 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 130. THEMIS KOUTRAS #5195395. Published by THEMIS KOUTRAS (A0.1066754). This song is about how I became a Christian soon after I had prayed to GOD THE TRINITY HOLY CREATOR OF LIFE JEHOVAH to give up my salvation unto death eternal that through that JESUS CHRIST might save also those that where bound to die eternally instently before the presents of GOD it was granted I thought for many years I will one day suffer an eternal death and had a 3rd aggreament with my father JESUS CHRIST soon after GOD apeares to me as I thought that is it I am to suffer now but that cools because GOD promised me to this time he will save bless heal perfectly the whole cosmos anyway shaken and in tears I spoke not a word but GOD REPLIES I will grant your prayer request but you do not need to keep your part of the aggreament I will also save bless heal Perfect you hesaid to me well done instently I felt joy and a big wait fell off my back and am waiting on his promise to this day I know one day he GOD will keep his word to me and do even the imposible that he can easy ly do
$3.99
Will the Circle be Unbroken - solo and piano
#
Piano, Vocal and Guitar
#
EASY
#
and by Oh by and by
Is
#
Ada R Habershon and Charles H
#
Connie Boss
#
Will the Circle be Unbroken -
#
Connie Boss
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801626 Composed by Ada R Habershon and Charles H Gabriel. Arranged by Connie Boss. Christia...
(+)
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801626 Composed by Ada R Habershon and Charles H Gabriel. Arranged by Connie Boss. Christian,Contemporary,Country,Folk,Sacred. Score. 4 pages. Connie Boss #6322263. Published by Connie Boss (A0.801626). This arrangement is for solo and piano. It has a different piano accompaniment and the melody is changed just a touch. It is a song for a funeral or for bluegrass piece. cdboss@cvalley.netWill the Circle Be Unbroken Ada R Habershon and Charles H Gabriel Arranged by Connie Boss Refrain: Will the circle be unbroken By and by Oh by and by Is a better home awaiting In the sky Oh in the sky Verses: There are loved ones in the glory Whose dear forms you often miss When you close your earthly story Will you join them in their bliss? In the joyous days of childhood Oh they told us of His Love Pointed to the dying Saviour Now they dwell with Him above you can picture happy gath’rings round the fireside long ago and you think of tearful partings when they left you here below one by one their seats were emptied one by one they went away now the family is parted will it be complete one day?
$5.00
Waiting for Santa - Cello Duet/Cello Solo
#
2 Cellos (duet)
#
INTERMEDIATE
#
Katherine L Fraser
#
Katherine L Fraser
#
Waiting for Santa - Cello Duet
#
Katherine L Fraser
#
SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.1374353 By Katherine L Fraser. By Katherine L Fraser. Arranged by Katherine L Fraser. Children,Chri...
(+)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.1374353 By Katherine L Fraser. By Katherine L Fraser. Arranged by Katherine L Fraser. Children,Christmas,Classical,Contest,Festival,Holiday. Score. 5 pages. Katherine L Fraser #958956. Published by Katherine L Fraser (A0.1374353). This is an instrumental version of an original Christmas/Children's song, Waiting for Santa. It may also be played as a cello solo - Part 1 has the melody throughout. Use the dynamics to make it sing. A ritardando may be added from Measures 47 to 51. Feel free to adjust the tempo to suit the event or skill level. The attached audio and video provide a better idea of tempo and dynamics. Ideal for general performance, recitals, get-togethers, and holiday events. I hope you enjoy!!!Following are the lyrics:Santa, I’ve heard the storiesOf a sleigh pulled by reindeerWho fly through the air.Santa, I’m waiting to tell youWhat I’ve been dreaming that only you’ll hear.Some kids may want a teddy bear.Some may ask you for the moon.  I’m afraid that you might laugh at me.And my turn is coming soon.  Santa, I’ve been so lonely.There’s nothing but grown-ups,And they’re not much fun.     Santa, can you send me a good friend,Someone who’ll like me just as I am?Some kids have asked for teddy bears.Some have asked you for the moon.  One kid wants a trip to Disneyland.Well, Disneyland sounds awfully good (Mickey Mouse, Donald Duck, Cinderella, Cruella…).Santa, I hope you heard me,And if you grant my wish,I’ll make you my King.
$4.99
The Landowner
#
Choral SATB
#
ADVANCED
#
Christian Humcke
#
The Landowner
#
Christian Humcke
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 11 pages. Christian Humck...
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1023766 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 11 pages. Christian Humcke #6404851. Published by Christian Humcke (A0.1023766). Instrumentation: SATB a cappella choir (with divisi)Duration: 6'Completed: January 2017I wrote the poem The Landowner a few years ago in a poetry class at my undergraduate alma mater, Bucknell University. When I heard that there was an opportunity to write for a student formed choir at Peabody, I thought it would be a perfect opportunity to set one of my previously written poems to music. I looked back at poems which I had written, and came across The Landowner. It continues to intrigue me to this day since I am still uncertain as to what it is about. This enigmatic, earthy, and hauntingly repetitive poem poses more questions than it does provide answers. This is something which fascinates me, and which I sought to depict in the music.The Landowner:The landowner sends out his three servants.Each go to work in separate fields;To rake the leaves,to harvest the crops,to pluck the fruits from the tree.Working endlessly,They turn their heads from each other.They refuse to help,they refuse to talk.Good work is done,but for what purpose?The landowner plucks fresh leavesfrom a papaya tree.Although he is blind,he still sees the sun.The mooing of cows andcrowing of roosters ceases.He stands in the shade,waiting for his servants.They offer him papaya,He shakes his head
$2.99
<
1
26
51
....
251
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
