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What Was His Creed
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You've selected:
What Was His Creed
Sheetmusic to print
7 sheet music found
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1
What Was His Creed
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Choral SATB
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William Malpede
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What Was His Creed
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Pavane Publishing
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SheetMusicPlus
Choral Choir,Choral,Piano Accompaniment,Voice (SATB) - Digital Download SKU: HX.446489 Composed by William Malpede. This edition: scorch. Concert. Octavo...
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Choral Choir,Choral,Piano Accompaniment,Voice (SATB) - Digital Download SKU: HX.446489 Composed by William Malpede. This edition: scorch. Concert. Octavo. 12 pages. Duration 240. Pavane Publishing #0. Published by Pavane Publishing (HX.446489).
$2.45
William Malpede: What Was His Creed - choir (SATB: soprano, alto, tenor, bass)
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Choral SATB
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INTERMEDIATE
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William Malpede
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Virtualsheetmusic
Instantly printable sheet music by William Malpede for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert
Instantly printable sheet music by William Malpede for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert
$6.43
El Grillo for clarinet quartet (mp3)
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Renaissance
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Budapest Scoring Clarinet Ense
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David Warin Solomons
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El Grillo for clarinet quartet
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David Warin Solomons
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SheetMusicPlus
B-Flat Bass Clarinet,B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1330458 By Budapest Scoring Clarinet Ensemble. By Josquin des Prez. Arranged by...
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B-Flat Bass Clarinet,B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1330458 By Budapest Scoring Clarinet Ensemble. By Josquin des Prez. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 115. David Warin Solomons #918326. Published by David Warin Solomons (A0.1330458). There is a theory that El grillo refers to Carlo Frillo, a singer who worked for the same patron as Josquin, Cardinal Galeazzo Sforza, and that it was intended to remind the prelate that his musicians’ salaries were overdue. The Sforzas were apparently notoriously mean to their employees, in spite of (or possibly because of) the fact that one of them was happy to pay a large sum of money for a parrot that could recite the Creed. Certainly the words of this little piece, with their reference to the cricket who sings for love, seem to have a good deal more impact in this sardonic light. Although the piece is similar in form to many other frottole, it is really quite unlike most such works, especially the way the repeated notes are used for comic effect.  In this instrumental arrangement I have add several decorations and divisions, to illustrate the words behind it, and also just for fun.El grillo è buon cantoreche tiene lungo verso.Dalle beve grillo canta.Ma non fa come gli altri uccelli,come li han cantato un pocovan' de fatto in altro loco,  sempre el grillo sta pur saldoQuando la maggior è l' caldoalhor canta sol per amore.[suggested English paraphrase]The cricket is a good singerand he sings for a long timeGive him a drink so he can go on singingBut he doesn't do what the other birds doWho after singing a littleJust go elsewhere.  The cricket is always steadfastWhen the weather is hottest,   then he sings just for lovePerformed by The Budapest Scoring Clarinet Ensemble.
$5.00
Sing, My Tongue, the Glorious Battle
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Piano, Vocal and Guitar
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INTERMEDIATE
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St
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Lyndell Leatherman
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some were not
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Sing, My Tongue, the Glorious
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius H...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius Honorius Fortunatus / Music: Trad. French carol. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885956. Published by Leatherman Music Services (A0.1295658). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.From the early days of Christianity, hymns have been used successfully to reinforce and spread doctrine and faith. Scholars point out a number of hymn fragments in the New Testament. For example, 1 Timothy 3:16:      He appeared in a body,       Was vindicated by the Spirit,         Was seen by angels,     Was preached among the nations,       Was believed on in the world,         Was taken up into glory.The metrical patterns made memorization of creeds easier, especially when associated with a melody.Sing, My Tongue, the Glorious Battle is a great example of an early hymn written to codify Christology (the theology of Jesus Christ), covering his birth to his death, and then ending–as many hymns did–with a doxological stanza. If I were still planning worship services, I would be intrigued by the idea of making this hymn the outline of a Lenten service...perhaps interspersing scripture or other narration between stanzas, alternating between choir and congregation, and varying the accompanying instrumental textures.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Gloria Patri (Glory Be to the Father - MEINEKE) - SSA A Cappella
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Choral 3-part
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INTERMEDIATE
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Sacred music
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Christoph Meineke, MEINEKE, an
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Fritz Stanley
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Gloria Patri
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MicStanley
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748494 Composed by Christoph Meineke, MEINEKE, and Traditional Words. Arranged by Fritz Stanley. ...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748494 Composed by Christoph Meineke, MEINEKE, and Traditional Words. Arranged by Fritz Stanley. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 7 pages. MicStanley #3916787. Published by MicStanley (A0.748494). Gloria Patri (Glory Be to the Father) is composed by Christoph Meineke in MEINEKE tune. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. This Gloria Patri text is usually known as the Lesser Doxology (what is known as the Greater Doxology begins Gloria in excelsis Deo; see 247). It is a liturgical text common to most Christian traditions and is often appended to the singing of Old Testament psalms or New Testament canticles. The traditional version of this text is found here, while a more modern translation occurs at 636. The initial part of the Gloria Patri may be traced back to the Trinitarian baptismal formula recordedin Matthew 28: 19; it was probably used by early Christians as an acclamation. The second part, which begins as it was in the beginning, was added in the fourth century as a response to the Arian heresy. Thus the text reflects the orthodox insistence on the consubstantiality of the Son with the Father and the eternal unity and equality of the three persons in the Trinity. Liturgical Use: Traditionally used at the end of Old Testament psalms and New Testament canticles and at the conclusion of certain prayers or creedal statements; a general doxology.
$2.00
Gloria Patri (GREATOREX) - SSA A Cappella
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Choral 3-part
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INTERMEDIATE
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Sacred music
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GREATOREX, Henry W
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Fritz Stanley
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Gloria Patri
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MicStanley
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748634 Composed by GREATOREX, Henry W. Greatorex. Arranged by Fritz Stanley. A Cappella,Christian...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748634 Composed by GREATOREX, Henry W. Greatorex. Arranged by Fritz Stanley. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 6 pages. MicStanley #6706173. Published by MicStanley (A0.748634). Gloria Patri (Glory Be to the Father) is composed by Henry W. Greatorex in GREATOREX tune. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. This Gloria Patri text is usually known as the Lesser Doxology (what is known as the Greater Doxology begins Gloria in excelsis Deo; see 247). It is a liturgical text common to most Christian traditions and is often appended to the singing of Old Testament psalms or New Testament canticles. The traditional version of this text is found here, while a more modern translation occurs at 636. The initial part of the Gloria Patri may be traced back to the Trinitarian baptismal formula recordedin Matthew 28: 19; it was probably used by early Christians as an acclamation. The second part, which begins as it was in the beginning, was added in the fourth century as a response to the Arian heresy. Thus the text reflects the orthodox insistence on the consubstantiality of the Son with the Father and the eternal unity and equality of the three persons in the Trinity. Liturgical Use: Traditionally used at the end of Old Testament psalms and New Testament canticles and at the conclusion of certain prayers or creedal statements; a general doxology.
$2.00
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