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When I R.I.P.
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When I R.I.P.
Sheetmusic to print
28 sheet music found
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1
26
When I'm Sixty-four
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2 Clarinets (duet)
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EASY
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Pop music
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The Beatles
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P
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When I'm Sixty-four
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P. R. Frederick
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SheetMusicPlus
Clarinet Duet - Level 2 - Digital Download SKU: A0.1041659 By The Beatles. By John Lennon and Paul McCartney. Arranged by P. R. Frederick. Pop. 2 scores....
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Clarinet Duet - Level 2 - Digital Download SKU: A0.1041659 By The Beatles. By John Lennon and Paul McCartney. Arranged by P. R. Frederick. Pop. 2 scores. 2 pages. P. R. Frederick #646424. Published by P. R. Frederick (A0.1041659). Very playable clarinet duet arrangement of the Beatles' classic.Check out my other arrangements here
$7.99
When I Was Your Man
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Euphonium
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INTERMEDIATE
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Bruno Mars
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Kevin Busse
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When I Was Your Man
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Kevin Busse
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SheetMusicPlus
Euphonium Solo - Level 3 - Digital Download SKU: A0.598082 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Kevin...
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Euphonium Solo - Level 3 - Digital Download SKU: A0.598082 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Kevin Busse. Pop,R & B. Individual part. 3 pages. Kevin Busse #3130235. Published by Kevin Busse (A0.598082). This is a transcription of Bruno Mar's When I Was Your Man for Euphonium. This sheet music can be played along with the official recording of this song. This was not transcribed by a robot :P Thanks for choosing my work. - Kevin
$4.99
MUSICHELP - When I R.I.P. - (Digital Download)
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Piano solo
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MUSICHELP - When I R.I.P. - (D
#
Musicnotes
Performed by: MUSICHELP: When I R.I.P. Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scori...
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Performed by: MUSICHELP: When I R.I.P. Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 3 pages --
$3.99
I've Got The World On A String
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2 Clarinets (duet)
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EASY
#
Dick Hyman
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P
#
I've Got The World On A String
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P. R. Frederick
#
SheetMusicPlus
Clarinet Duet - Level 2 - Digital Download SKU: A0.1201961 By Dick Hyman. By Harold Arlen and Ted Koehler. Arranged by P. R. Frederick. Jazz,Pop. 2 score...
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Clarinet Duet - Level 2 - Digital Download SKU: A0.1201961 By Dick Hyman. By Harold Arlen and Ted Koehler. Arranged by P. R. Frederick. Jazz,Pop. 2 scores. 4 pages. P. R. Frederick #800577. Published by P. R. Frederick (A0.1201961). This song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording on April 30, 1953, with an orchestra conducted by Nelson Riddle reached #14 on Billboard's most played list.This arrangement is for two clarinets. A score and separate clarinet parts are provided. Â Enjoy!
$10.00
I've Got The World On A String
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2 Flutes (duet)
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EASY
#
Dick Hyman
#
P
#
I've Got The World On A String
#
P. R. Frederick
#
SheetMusicPlus
Flute Duet Flute - Level 2 - Digital Download SKU: A0.1201965 By Dick Hyman. By Harold Arlen and Ted Koehler. Arranged by P. R. Frederick. Jazz,Pop. Scor...
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Flute Duet Flute - Level 2 - Digital Download SKU: A0.1201965 By Dick Hyman. By Harold Arlen and Ted Koehler. Arranged by P. R. Frederick. Jazz,Pop. Score. 4 pages. P. R. Frederick #800581. Published by P. R. Frederick (A0.1201965). This song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording on April 30, 1953, with an orchestra conducted by Nelson Riddle reached #14 on Billboard's most played list.This arrangement is for two flutes. A score and separate flute parts are provided. Â Enjoy!
$10.00
I've Got The World On A String
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2 Saxophones (duet)
#
EASY
#
Dick Hyman
#
P
#
Alto or Tenor &
#
I've Got The World On A String
#
P. R. Frederick
#
SheetMusicPlus
Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1201949 By Dick Hyman. By Harold Arlen and Ted Koehler. Arranged by P. R. Frederick. ...
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Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1201949 By Dick Hyman. By Harold Arlen and Ted Koehler. Arranged by P. R. Frederick. Jazz,Pop. Saxophone Duet. 4 pages. P. R. Frederick #800565. Published by P. R. Frederick (A0.1201949). This song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording on April 30, 1953, with an orchestra conducted by Nelson Riddle[4] reached #14 on Billboard's most played list.This arrangement is for two like saxophones (Alto & Alto or Tenor & Tenor). A score and separate saxophone parts are provided. Â Enjoy!
$10.00
When Father Papered the Parlour
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Choral 3-part
#
BEGINNER
#
R
#
Karen Ivana
#
When Father Papered the Parlou
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Karen Ivana
#
SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1495220 Composed by R.P. Weston, Fred Barnes. Arranged by Karen Ivana. 20th Century,B...
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Choral Choir,Choral,SSA Chorus - Level 1 - Digital Download SKU: A0.1495220 Composed by R.P. Weston, Fred Barnes. Arranged by Karen Ivana. 20th Century,Broadway,Comedy,Musical/Show. 10 pages. Karen Ivana #1071765. Published by Karen Ivana (A0.1495220). Jolly comedy music hall song about the perils of wallpapering. This easy arrangement is for SSA choir and has a lively piano accompaniment - verses are in unison and may be sung by any section of the choir, or everyone, and choruses are in three parts but are all the same. - It is lots of fun!I also have a similar more challenging version available for SSA choir with full harmony.
$3.49
When Father Papered the Parlour
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Choral 3-part
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INTERMEDIATE
#
R
#
Karen Ivana
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When Father Papered the Parlou
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Karen Ivana
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 3 - Digital Download SKU: A0.1495216 Composed by R.P. Weston, Fred Barnes. Arranged by Karen Ivana. 20th Century,B...
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Choral Choir,Choral,SSA Chorus - Level 3 - Digital Download SKU: A0.1495216 Composed by R.P. Weston, Fred Barnes. Arranged by Karen Ivana. 20th Century,Broadway,Comedy,Musical/Show. 11 pages. Karen Ivana #1071761. Published by Karen Ivana (A0.1495216). Jolly comedy music hall song about the perils of wallpapering. This arrangement is for SSA choir and has a lively piano accompaniment - it is lots of fun!I also have a similar version available which is much easier.
$3.49
Trois pièces : Andante, Sérénade et Chant Serbe
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Viola, Piano
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INTERMEDIATE/ADVANCED
#
Classical
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Clémence de Grandval
#
Paul Wehage
#
Trois pièces : Andante, Sér
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Roman...
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Piano,Viola - Level 4 - Digital Download SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Cello, Piano
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INTERMEDIATE/ADVANCED
#
Classical
#
Clémence de Grandval
#
Paul Wehage (édition)
#
Trois pièces : Andante, Sér
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Clas...
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Cello,Piano - Level 4 - Digital Download SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Trois pièces : Andante, Sérénade et Chant Serbe
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English horn, Piano
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INTERMEDIATE/ADVANCED
#
Classical
#
Clémence de Grandval
#
Paul Wehage
#
Trois pièces : Andante, Sér
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
English Horn,Piano - Level 4 - Digital Download SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classica...
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English Horn,Piano - Level 4 - Digital Download SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Trois pièces : Andante, Sérénade et Chant Serbe
#
Clarinet and Piano
#
INTERMEDIATE/ADVANCED
#
Classical
#
Clémence de Grandval
#
Paul Wehage
#
Trois pièces : Andante, Sér
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1493036 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Class...
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1493036 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069726. Published by Musik Fabrik Music Publishing (A0.1493036). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Trois pièces : Andante, Sérénade et Chant Serbe
#
Alto Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Classical
#
Clémence de Grandval
#
Paul Wehage
#
Trois pièces : Andante, Sér
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classi...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Nirvana Burning
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Fazil Say
#
Nirvana Burning
#
Schott Music - Digital
#
SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 · Kfg. - 4 · 3 · 2 · 1 - P. S. (Glsp. · Crot. · Xyl. · Vibr. · Marimba · Röhrengl...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 · Kfg. - 4 · 3 · 2 · 1 - P. S. (Glsp. · Crot. · Xyl. · Vibr. · Marimba · Röhrengl. · Trgl. · hg. Beck. · Tamb. · Tomt. · Mil. Tr. · gr. Tr. · Bar Chimes · Woodbl.) (4 Spieler) - Hfe. · Cel. - Str. piano and orchestra - Digital Download SKU: S9.Q20442 Concert Piece. Composed by Fazil Say. This edition: piano reduction for 2 pianos. Downloadable, vocal/piano score. Op. 30. Duration 17 minutes. Schott Music - Digital #Q20442. Published by Schott Music - Digital (S9.Q20442). The concert piece 'Nirvana Burning' was commissioned by the Salzburg Festival and premiered by Fazıl Say and the Borusan Istanbul Philharmonic Orchestra at the festival opening in August 2010. It consists of the movements Nirvana and Burning which blend into each other 'attacca'. 'The topic of my piece is Nirvana, the mysterious place of salvation inside us, or the non-describable feeling to get into touch with it', says Say. 'When I played it at home, first my sister and then even my cats and dogs quietly entered the room to listen. But when I reached the second part, Burning, they all left the room in a hurry.'.
$33.99
String Trio in G minor
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String Trio: 2 violins, cello
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ADVANCED
#
Alexander Borodin
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Arte Nova Music Lab
#
String Trio in G minor
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Arte Nova Music Lab
#
SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 5 - Digital Download SKU: A0.742477 Composed by Alexander Borodin. Arranged by Arte Nova Music Lab. Conc...
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String Ensemble,String Trio Cello,Violin - Level 5 - Digital Download SKU: A0.742477 Composed by Alexander Borodin. Arranged by Arte Nova Music Lab. Concert,Easter,Romantic Period,Standards,World. Score and parts. 31 pages. Arte Nova Music Lab #4602739. Published by Arte Nova Music Lab (A0.742477). Alexander Porfiryevich Borodin (Russian: ÐлекÑаÌндр ПорфиÌрьевич БородиÌн, IPA: [Élʲɪkˈsandr pÉrˈfʲi rʲjɪvʲɪtÉ• bÉ™rÉˈdʲin] (12 November 1833 – 27 February 1887) was a Russian chemist and Romantic musical composer ofGeorgian ancestry. He was one of the prominent 19th-century composers known as The Mighty Handful, a group dedicated to producing a uniquely Russian kind of classical music, rather than imitating earlier Western European models.[3][4][5]Borodin is known best for his symphonies, his two string quartets, the symphonic poem In the Steppes of Central Asia and his opera Prince Igor. Music fromPrince Igor and his string quartets was later adapted for the US musical Kismet. A doctor and chemist by profession, Borodin made important early contributions to organic chemistry. Although he is presently known better as a composer, during his lifetime, he regarded medicine and science as his primary occupations, only practising music and composition in his spare time or when he was ill. As a chemist, Borodin is known best for his work concerning organic synthesis, including being among the first chemists to demonstrate nucleophilic substitution, as well as being the co-discoverer of the aldol reaction. Borodin was a promoter of education in Russia and founded the School of Medicine for Women in Saint Petersburg, where he taught until 1885. Taken from https://en.wikipedia.org/wiki/Alexander_Borodin
$25.00
Sinfonia N. 9
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Choral SATB
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Hans Werner Henze
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Sinfonia N. 9
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This editio...
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Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q3162. Published by Schott Music - Digital (S9.Q3162). German.The theme of Henze’s Ninth Symphony is his German homeland as he remembers it during the days of his youth and during the war years. He has written this work in homage to all the people who fought back against the oppression of the Third Reich and sacrificed their lives for freedom of thought. Hans-Ulrich Treichel adapted the text from a poem by Anna Seghers. Henze has called the symphony ‘an apotheosis of the terrible and the painful’. The pinnacle of his prolific and varied œuvre, it is worlds apart from ‘Freude schöner Götterfunken’.My Ninth Symphony deals with my German homeland – as it appeared to me when I was a young man, during the war, and even earlier. Instead of hymning joy, the beautiful divine spark, the men and women of my Ninth Symphony spend the evening conjuring up a world of horror and persecution that is still with us today and that continues to cast its shadows over us. Hans Werner Henze3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) · Heckelphon · 3 (2. auch Kb.-Klar., 3. auch Bassklar.) · 3 (3. auch Kfg.) - 6 · 4 · 5 (1. Alt-, 2. u. 3. Tenor-, 4. Bass-, 5. Kb.-Pos.) · 1 (im 6. Satz Kb.-Tb.) - P. S. (3 hg. Beck. [h./m./t.] · Beckenpaar · 3 Tamt. [h./m./t.] · 3 Tomt. [h./m./t.] · 3 Bong. [h./m./t.] · Tamb. · kl. Tr. · gr. Tr. [mit und ohne Beck.] · Woodbl. · Metallbl. · hg. Glasplättchen · Kast. · Mar. · Guiros [normal und sehr groß] · Ratsche · Peitsche · Amboss · Donnerblech · Bronzeplatte · Polizeipf. [Trillerpf.] · Sir. · 3 Flex. [verschiedene Tonhöhen] · Tempelbl. · Crot. · Röhrengl. · chin. Gongs · Glsp. · Vibr. · Marimba) (7 Spieler) - Hfe. · Cel. · Klav. · Org. (nur im 6. Satz) - Str.
$55.99
Midnight In Moscow
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2 Flutes (duet)
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EASY
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Kenny Ball
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P
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Midnight In Moscow
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P. R. Frederick
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SheetMusicPlus
Flute Duet Flute - Level 2 - Digital Download SKU: A0.1435643 Composed by Kenny Ball. Arranged by P. R. Frederick. Jazz,Pop. Score. 4 pages. P. R. Freder...
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Flute Duet Flute - Level 2 - Digital Download SKU: A0.1435643 Composed by Kenny Ball. Arranged by P. R. Frederick. Jazz,Pop. Score. 4 pages. P. R. Frederick #1015732. Published by P. R. Frederick (A0.1435643). In 1961 the British jazz group, Kenny Ball and his Jazzmen, recorded the instrumental version of Midnight in Moscow. They even played it when on tour in Moscow. It did extremely well on the charts of the Western world. Now you can play this infectious dixieland melody. Here is is arranged for two flutes.A score and separate parts are provided. Part I can also be played as a flute solo.See all of my other flute duets here
$8.00
Midnight In Moscow
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2 Trumpets (duet)
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INTERMEDIATE
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Kenny Ball
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P
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Midnight In Moscow
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P. R. Frederick
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SheetMusicPlus
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.1220510 Composed by Kenny Ball. Arranged by P. R. Frederick. Jazz,Pop. Score. 4 pages. P. R. Fr...
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Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.1220510 Composed by Kenny Ball. Arranged by P. R. Frederick. Jazz,Pop. Score. 4 pages. P. R. Frederick #816844. Published by P. R. Frederick (A0.1220510). In 1961 the British jazz group, Kenny Ball and his Jazzmen, recorded the instrumental version of Midnight in Moscow. They even played it when on tour in Moscow. It did extremely well on the charts of the Western world. Now you can play this infectious dixieland melody. Â Here is is arranged for two trumpets.A score and separate parts are provided. Part I can be played as a trumpet solo.
$8.00
Midnight In Moscow
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2 Clarinets (duet)
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EASY
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Kenny Ball
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P
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Midnight In Moscow
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P. R. Frederick
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SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.1220496 Composed by Kenny Ball. Arranged by P. R. Frederick. Jazz,Pop. 2 scores. 4 pages. P. ...
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Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.1220496 Composed by Kenny Ball. Arranged by P. R. Frederick. Jazz,Pop. 2 scores. 4 pages. P. R. Frederick #816830. Published by P. R. Frederick (A0.1220496). In 1961 the British jazz group, Kenny Ball and his Jazzmen, recorded the instrumental version of Midnight in Moscow. They even played it when on tour in Moscow. It did extremely well on the charts of the Western world. Now you can play this infectious dixieland melody. Â Here is is arranged for two clarinets.A score and separate parts are provided. Part I can be played as a clarinet solo.
$8.00
Light of Hope
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Guitar notes and tablatures
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Phillip R
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Light of Hope
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P. R. Bloomfield Publishing
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1031596 Composed by Phillip R.Bloomfield. Christian,Contemporary,Sacred,Spiritual. Guitar Tab. 9 pages. P. R. Bloomfiel...
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Guitar - Digital Download SKU: A0.1031596 Composed by Phillip R.Bloomfield. Christian,Contemporary,Sacred,Spiritual. Guitar Tab. 9 pages. P. R. Bloomfield Publishing #5363081. Published by P. R. Bloomfield Publishing (A0.1031596). 'Light of Hope' is a musical representation of my journey of finding hope and love, and staying focused on that hope and love when the darkness of my thoughts and the battles from the world around tries to consume me. A pin hole of light can bring hope, step by step that light can grow and ultimately aid in recovery from emotional storms.I composed Light of Hope for guitar and opted to use a capo on the 5th fret to achieve a brighter delicate tembre to replicate light. The entire piece goes for 6.30 minuets, 8 pages. For more information: philliprbloomfield.wixsite.com/mysite
$6.99
No More Pain by Anton
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Piano solo
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INTERMEDIATE/ADVANCED
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Anton R
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No More Pain by Anton
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Antonality
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #46...
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Piano Solo - Level 4 - Digital Download SKU: A0.818064 Composed by Anton R. Tajanlangit. Christian,Contemporary,Spiritual. Score. 7 pages. Antonality #4612847. Published by Antonality (A0.818064). No More Pain - in memory of Sr. Cecille Tajanlangit, OSC. The very last note says it all...In October 2016, my younger sister Marilou, who is also Sr. Cecille Tajanlangit, OSC, Mother Abbess of the St. Clare Monastery in Biliran, Leyte, Philippines, died of a chronic illness that had no known cure and that had caused her so much pain and suffering through so many years.A few months before, and going into the time that she died, she had been listening to all my works, 24/7, by her bedside. She told me over an overseas call that she was my number one fan and joked that she wanted to be the president of a fan club she was going to start up for me.But then not long afterward, she passed away-more than 13,000 kilometres away from me.I just composed this very sad piano piece to commemorate her life, which she had dedicated to Christ in His sufferings too. I'm sure she will hear this too from wherever she is. I did ask her, when she was still alive, to let God hear all my works when she gets to heaven. She said she would. Maybe that's where my fan club will be set up, among the angels!Those who were by her death bed recount that she twitched slightly on her last breath, and at the next instant a smile of deliverance showed up on her face!Please play the piece and try to decipher the hidden meanings behind each section. Towards the end of the piece, she falls into Jesus' lap and ... on the very last note, everything that she was hoping for came true. NO MORE PAIN!P.S. Musicians who hear this will recognize it as the Tierce de Picardie.
$10.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Illusions for clarinet and classical guitar (mp3)
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András Csáki
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Illusions for clarinet and cla
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Cent...
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 278. David Warin Solomons #1082113. Published by David Warin Solomons (A0.1506742). Arrangement for clarinet and guitar of my setting of the poem Illusions by Bluma Finkelstein for her husband.The original words are:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years.
$5.00
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Trombone
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INTERMEDIATE
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Opera
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Classical
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Tom Ervin
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Marco Bordogni
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20 Counterparts from Book 1 Ro
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Perio...
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Trombone Solo - Level 3 - Digital Download SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00
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