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You've selected:
Whitsun Hymn
Sheetmusic to print
11 sheet music found
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1
Whitsun Hymn
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Brass Quartet: 4 horns
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EASY
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Classical
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Edvard Grieg
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Edition Maulwurf
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Whitsun Hymn
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Edition Maulwurf
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SheetMusicPlus
French Horn Quartet Horn - Level 2 - Digital Download SKU: A0.1273855 Composed by Edvard Grieg. Arranged by Edition Maulwurf. 19th Century,Romantic Perio...
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French Horn Quartet Horn - Level 2 - Digital Download SKU: A0.1273855 Composed by Edvard Grieg. Arranged by Edition Maulwurf. 19th Century,Romantic Period. 5 pages. Edition Maulwurf #865983. Published by Edition Maulwurf (A0.1273855). Edvard GriegWhitsun Hymn(Pinsesalme “Velsignet morgenâ€)arrangement for horn quartetduration: ca 1m 20sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$5.99
Cello - "And Can It Be?" Theme and Variations
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Cello, Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?" Theme
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. A...
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It Be?" T
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
#
Sacred music
#
Lyrics: Charles Wesley, Music:
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Dan Cutchen
#
Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Pentecost Cantata (Downloadable Choral Score)
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Daniel Pinkham
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Pentecost Cantata
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, solo SATB voice quartet, SATB choir, harp and horn in F (with optional organ and/or optional strings) - Medium - Digital Download SKU: MQ.4...
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Tenor voice solo, solo SATB voice quartet, SATB choir, harp and horn in F (with optional organ and/or optional strings) - Medium - Digital Download SKU: MQ.4713-E Composed by Daniel Pinkham. Pentecost. 35 pages. E. C. Schirmer Music Company - Digital #4713-E. Published by E. C. Schirmer Music Company - Digital (MQ.4713-E). English.Pentecost Cantata was commissioned by West Virginia Wesleyan College on the occasion of the Centennial of its founding in 1890. The composer conducted the premiere on 10 May 1991.The text was selected by Dr. Pinkham from a variety of sources. The opening movement is a setting of the Whitsunday Antiphon for Matins. The Hymn is an English paraphrase of the Latin Veni Creator Spiritus. John Dryden made the translation in 1693. The Lesson is a setting of the account as recorded in Acts 2. The concluding movement is a setting of the Whitsunday Antiphon for Second Vespers. This piece is appropriate for both liturgical and concert use.
$3.75
Come, Holy Ghost, Our Souls Inspire, for Clarinet Trio
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3 Clarinets (trio)
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INTERMEDIATE
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Traditional Plainsong
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Nigel Williams
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Come, Holy Ghost, Our Souls In
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Nigel Williams
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SheetMusicPlus
Clarinet Trio,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.763719 Composed by Traditional Plainsong. Arranged by Nigel Williams. Holid...
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Clarinet Trio,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.763719 Composed by Traditional Plainsong. Arranged by Nigel Williams. Holiday,Instructional,Multicultural,Standards,Traditional,World. 8 pages. Nigel Williams #6342871. Published by Nigel Williams (A0.763719). The great Pentecost hymn Veni, Creator Spiritus is arranged for woodwind trio, and the suggested phrasing is aimed at ensuring a performance that captures the free-flowing plainsong style. Ideal in a service of worship during Pentecost (Whitsuntide), and also suitable for high school and college students looking for new recital repertoire. The score downloads with parts attached. Enjoy browsing my extensive selection of clarinet and woodwind duets, trios and quartets all available on SMP.
$7.99
Come, Holy Ghost, Our Souls Inspire, for Flute Trio
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Flute Trio: 3 flutes
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EASY
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Traditional Plainsong
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Nigel Williams
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Come, Holy Ghost, Our Souls In
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Nigel Williams
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SheetMusicPlus
Flute Trio,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.763718 Composed by Traditional Plainsong. Arranged by Nigel Williams. Holiday,Mul...
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Flute Trio,Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.763718 Composed by Traditional Plainsong. Arranged by Nigel Williams. Holiday,Multicultural,Renaissance,Sacred,Standards,World. 8 pages. Nigel Williams #6342839. Published by Nigel Williams (A0.763718). The great Pentecost hymn Veni, Creator Spiritus is arranged for woodwind trio, and the suggested phrasing is aimed at ensuring a performance that captures the free-flowing plainsong style. Ideal in a service of worship during Pentecost (Whitsuntide), and also suitable for high school and college students looking for new recital repertoire. The score downloads with parts attached. Enjoy browsing my extensive selection of flute and woodwind duets, trios and quartets all available on SMP.
$7.99
Come, Holy Ghost, Our Souls Inspire, for Flute Duet
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2 Flutes (duet)
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EASY
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Traditional Plainsong
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Nigel Williams
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Come, Holy Ghost, Our Souls In
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Nigel Williams
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SheetMusicPlus
Flute Duet Flute - Level 2 - Digital Download SKU: A0.763720 Composed by Traditional Plainsong. Arranged by Nigel Williams. Classical,Holiday,Instruction...
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Flute Duet Flute - Level 2 - Digital Download SKU: A0.763720 Composed by Traditional Plainsong. Arranged by Nigel Williams. Classical,Holiday,Instructional,Standards,World. Score. 6 pages. Nigel Williams #6343749. Published by Nigel Williams (A0.763720). The great Pentecost hymn Veni, Creator Spiritus is arranged for woodwind duet, and the suggested phrasing is aimed at ensuring a performance that captures the free-flowing plainsong style. Ideal in a service of worship during Pentecost (Whitsuntide), and also suitable for high school and college students looking for new recital repertoire. The score downloads with parts attached. Enjoy browsing my extensive selection of flute and woodwind duets, trios and quartets all available on SMP.
$3.99
Come, Holy Ghost, Our Souls Inspire, for Clarinet Duet
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2 Clarinets (duet)
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INTERMEDIATE
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Traditional Plainsong
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Nigel Williams
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Come, Holy Ghost, Our Souls In
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Nigel Williams
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.763721 Composed by Traditional Plainsong. Arranged by Nigel Williams. Classical,Holiday,Instr...
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Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.763721 Composed by Traditional Plainsong. Arranged by Nigel Williams. Classical,Holiday,Instructional,Standards,World. 2 scores. 6 pages. Nigel Williams #6343751. Published by Nigel Williams (A0.763721). The great Pentecost hymn Veni, Creator Spiritus is arranged for woodwind duet, and the suggested phrasing is aimed at ensuring a performance that captures the free-flowing plainsong style. Ideal in a service of worship during Pentecost (Whitsuntide), and also suitable for high school and college students looking for new recital repertoire. The score downloads with parts attached. Enjoy browsing my extensive selection of clarinet and woodwind duets, trios and quartets all available on SMP.
$3.99
Veni Creator Spiritus
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Piano solo
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ADVANCED
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Kathleen Ryan
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Kathleen Ryan
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parallel sixths
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Veni Creator Spiritus
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Indigo Mesa Music LLC
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1200254 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Classical,Religious,Sacred. Score....
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Piano Solo - Level 5 - Digital Download SKU: A0.1200254 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Classical,Religious,Sacred. Score. 6 pages. Indigo Mesa Music LLC #799056. Published by Indigo Mesa Music LLC (A0.1200254). This beautiful melody is the office hymn for Whitsunday and was the great hit of the Middle Ages, set by nearly every composer for nearly every vocal ensemble imaginable. Here it jumps to the piano! As performed by Kathleen Ryan on her CD A Handfull of Quietness.Advanced: meditative opening builds to soaring arpeggios & parallel sixths. Suitable for use in church.
$5.25
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