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351
Nevermore
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Saxophone
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INTERMEDIATE/ADVANCED
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Craig Wadley
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Nevermore
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Wadley Publications
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SheetMusicPlus
Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. I...
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Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
$17.99
It was a lover and his lass (a modern madrigal) for SATB choir
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Choral SATB
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David Warin Solomons
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It was a lover and his lass
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Digital Download SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Wa...
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Choral Choir (SATB) - Digital Download SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49135. Published by David Warin Solomons (A0.576648). A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). A version for men's voices is also available on this site. The sound sample here was performed by the Composer's Choir under Dan Shaw. ring ding dong ding dong ring ding dong ding dong It was a lover and his lass in the spring time that through the city streets did pass in this ring time calling each other every minute or two and texting in case they couldn't get through oh hearken to the lovers in the spring time! Between the supermarket aisles while they're shopping these pretty city folk would chat without stopping vainly the birds are welcoming spring with their song they'll wear themselves out e'er very long while lads and lasses never tire of ringing! Then one day when Romeo must text his Julietta just to say I luv ya yeah I luv ya so much but then she rings back to tell him that it's all over she's met a nicer lad from Folkestone or Dover (It's all over it's all over lad from Dover) so he just rings to all of his pals and calls her a slag! and all the people on the tram hear the show while our pretty city folk live all on their mobile then suddenly the battery's flat as a skate and Romeo can not ring his mate he's sorry that he called her slag in spring time he can't ring her he can't ring his Julietta sorry now in spring.
$3.99
I Never Dreamed Someone Like You Could Love Someo
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Melody line, (Lyrics) and Chords
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EASY
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Contemporary
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Giuseppe Donaggio and Merrit M
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Marco Polo C
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I Never Dreamed Someone Like Y
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MARCO POLO IGNACIO
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SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.880955 Composed by Giuseppe Donaggio and Merrit Malloy. Arranged by Marco Polo ...
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Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.880955 Composed by Giuseppe Donaggio and Merrit Malloy. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6357263. Published by MARCO POLO IGNACIO (A0.880955). I Never Dreamed Someone Like You Could Love Someone Like Me is a song included in the soundtrack of the OST of the movie Carrie (1976), which was written by Merrit Malloy and Pino Donaggio. It was performed by Katie Irving.
$4.99
It Never Entered My Mind
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Lorenz Hart and Richard Rodger
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Daryl McKenzie
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It Never Entered My Mind
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Daryl McKenzie
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1190681 Composed by Lorenz Hart and Richard Rodgers. Arranged by Daryl McKenzie. Broadway,Film/TV,...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1190681 Composed by Lorenz Hart and Richard Rodgers. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show,Standards. Score. 11 pages. Daryl McKenzie #789934. Published by Daryl McKenzie (A0.1190681). PLEASE NOTE: Frank Sinatra performed this title in a Medley with The Gal That Got Away (this was performed with full pops orchestra). Due to Publishing restrictions, The song The Gal That Got Away must be purchased separately.The Gal That Got Away is scored for for full Pops Orchestra and can be found by clicking here.It Never Entered My Mind is arranged in the style of Frank Sinatra for for Vocal and Piano in the Key of D as part of the Medley mentioned above. Audio Demo of It Never Entered My Mind (Sibelius Sounds): hereAudio demo of The Gal That Got Away/It Never Entered My Mind (full medley) (Sibelius Sounds): hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$9.99
Never Gonna Be Alone
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Guitar notes and tablatures
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EASY
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Jacob Collier
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Justin Roth
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Never Gonna Be Alone
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Rothirric Music
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1386732 By Jacob Collier. By Elizabeth Mcalpine, Jacob Collier, John Clayton Mayer, John Henry Mayer, and Liz...
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Guitar - Level 2 - Digital Download SKU: A0.1386732 By Jacob Collier. By Elizabeth Mcalpine, Jacob Collier, John Clayton Mayer, John Henry Mayer, and Lizzy Mcalpine. Arranged by Justin Roth. Contemporary,Folk,Pop,Singer/Songwriter. Guitar Tab. 9 pages. Rothirric Music #970615. Published by Rothirric Music (A0.1386732). Complete with three extra pages of study notes to guide you through the transcription. As a professional fingerstyle guitarist himself, arranger and transcriber, Justin Roth, has been teaching and transcribing Jacob Collier's guitar arrangements with precision and attention to detail unlike no other to date. Supplemental tutorial videos that accompany Justin's transcriptions of Jacob Collier songs are available here: https://bit.ly/JCtutorialsNever Gonna Be Alone was written by Jacob Collier and Lizzy McAlpine, featuring John Mayer, and will be on Jacobâ??s Djesse vol. 4 album, released on February 29, 2024. This transcription primarily corresponds to the live acoustic version from â??A Take Away Showâ? (Blogothèque) video on YouTube (premiered Aug. 3, 2022) because we can clearly hear and see what is being played. Additional cross-referencing was made, and elements included from 1) BBC Front Row audio broadcast from Aug. 24, 2022, which reportedly was the first time that Jacob and Lizzy had ever performed it publicly together, and 2) Live at the Troubadour from Oct. 7, 2022, which was the first performance in front of a live audience, and the first time Jacob and Lizzy were joined by John Mayer.
$5.99
Never Break
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Violin, Cello (duet)
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INTERMEDIATE/ADVANCED
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John Legend
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Sarah Cellobat Chaffee
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Never Break
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526229 By John Legend. By Benjamin Hudson Mcildowie, Benjamin McIldowie, Greg Wells, ...
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526229 By John Legend. By Benjamin Hudson Mcildowie, Benjamin McIldowie, Greg Wells, John Stephens, Nasri Atweh, Nasri Tony Atweh, William Gregory Wells, and William Wells. Arranged by Sarah Cellobat Chaffee. Contemporary,Hip-Hop,Pop,R & B,Wedding. 9 pages. Sarah Cellobat Chaffee #6072823. Published by Sarah Cellobat Chaffee (A0.526229). Never Break was the finale track on John Legend's 2020 album release, Bigger Love. Legend hoped his album would bring joy and be uplifting amid the political and social upheaval going on at the time, and the music was indeed well-received by fans and critics alike. Originally written for a wedding ceremony, this arrangement of Never Break for violin and cello duet will be perfect for weddings, receptions, proposals, cocktail hour, pop concerts, solo & ensemble concerts, and any other occasion where you need to lift your audience's spirits! Full of soaring melodies and dynamic passion, this arrangement is just as much fun to listen to as it is to play. Rated advanced-intermediate for a number of complex, almost improvisational-sounding rhythms in the violin part; the cello part is more of an intermediate level. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$9.99
Lithuanian Nonet for winds & strings
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Contemporary
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds & s
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Kazys Daugela
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SheetMusicPlus
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arran...
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
Tra-La-La
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Broadway
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George Gershwin, Arthur Franci
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Bill Wilson
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Tra-La-La
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.775294 Composed by George Gershwin, Arthur Francis. Arranged by Bill Wilson. Broadway,Musical/Show. 10...
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Brass Quintet - Level 2 - Digital Download SKU: A0.775294 Composed by George Gershwin, Arthur Francis. Arranged by Bill Wilson. Broadway,Musical/Show. 10 pages. Alexander Wilson #4796741. Published by Alexander Wilson (A0.775294). Tra-La-La, by master composer George Gershwin and lyricist Arthur Francis, is a cute little tune with occasional surprises. Tra-La-La was written for the 1922 Broadway show For Goodness Sake. However, it was never performed in that show. Almost 30 years later it was included in the movie An American in Paris. Our arrangement shares lead responsibilities between first trumpet, French horn, and trombone. Performance time is approximately 1:39. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
Diversions for Wind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Jeremy Cullen
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Diversions for Wind Quintet
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Jeremy Cullen
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1129702 By Jeremy Cullen. By Jeremy Cullen. 20th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1129702 By Jeremy Cullen. By Jeremy Cullen. 20th Century,Chamber,Contemporary,Instructional. 34 pages. Jeremy Cullen #730113. Published by Jeremy Cullen (A0.1129702). This suite was originally written for the high school woodwind quartet that I played clarinet in (two oboes, clarinet and bassoon). It was never performed by that ensemble. In 2021 I arranged Diversions for wind quintet and it was recorded by the Novos Ventos Woodwind Quintet in São Paulo, Brazil.
$10.00
You'll Never Walk Alone
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Easy Piano
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EASY
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Broadway
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Oscar Hammerstein and Richard
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Janet and Alan Bullard
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You'll Never Walk Alone
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Colne Edition / BullardMusic
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1087944 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Janet and Alan Bullard. 20th Centu...
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Easy Piano - Level 2 - Digital Download SKU: A0.1087944 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Janet and Alan Bullard. 20th Century,Broadway,Musical/Show,Standards. Score. 2 pages. Colne Edition / BullardMusic #692179. Published by Colne Edition / BullardMusic (A0.1087944). From the 1945 musical ‘Carousel’ by Rodgers and Hammerstein, You’ll never walk alone was an instant hit at the end of World War 2 with its inspiring words and shapely melody. It is also well known today in its role as a football anthem, originally adopted by Liverpool FC following its recording by the Liverpool band Gerry and the Pacemakers, and, more recently, as an anthem of support for medical staff and carers during the Covid-19 pandemic. Shape the performance to make a gradual crescendo towards the uplifting final bars. The Janet and Alan Bullard Piano Series contains a range of arrangements for easy piano, old and new. Janet Bullard has a busy and thriving piano teaching practice and many years’ experience of teaching adults and children. Alan Bullard is a pianist, composer and arranger whose music is performed widely. Together they are the authors of the successful Pianoworks series of tutor and repertoire books for beginner pianists, published by OUP. www.bullardmusic.co.uk
$4.99
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Piano reduction + Cello Solo part)
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for C
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Really Good Music, LLC.
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SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.868901 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Concert,Je...
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Cello,Piano - Level 4 - Digital Download SKU: A0.868901 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Concert,Jewish,Standards,World. Score and part. 15 pages. Really Good Music, LLC. #4811245. Published by Really Good Music, LLC. (A0.868901). This is the first publication of the Jewish Dance for cello solo and orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the score, realized and edited by Sergei Pichugin. The piano reduction of the composition has been made by the author. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$40.00
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Piano reduction + Viola Solo part)
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for V
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Really Good Music, LLC.
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SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.869058 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Sta...
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Piano,Viola - Level 4 - Digital Download SKU: A0.869058 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and part. 15 pages. Really Good Music, LLC. #6487687. Published by Really Good Music, LLC. (A0.869058). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the score, realized and edited by Sergei Pichugin. The piano reduction of the composition has been made by the author. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$40.00
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full score + Set of Parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for V
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4822415. Published by Really Good Music, LLC. (A0.868902). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Set of Parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for C
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4811241. Published by Really Good Music, LLC. (A0.868899). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full Score + Viola Solo part)
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Orchestra
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INTERMEDIATE/ADVANCED
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for V
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Really Good Music, LLC.
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 28 pages. Really Good Music, LLC. #4822417. Published by Really Good Music, LLC. (A0.868903). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Cello Solo part)
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Orchestra
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INTERMEDIATE/ADVANCED
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for C
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 25 pages. Really Good Music, LLC. #4811235. Published by Really Good Music, LLC. (A0.868900). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Chamber Orchestra
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ADVANCED
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Contemporary
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Germaine Tailleferre
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Germaine Tailleferre: Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Mus...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
South Bay Angle for violin and piano
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Violin and Piano
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ADVANCED
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Contemporary
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Robert M
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South Bay Angle for violin and
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individu...
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Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
Moon River
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Jazz
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Henry Mancini
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Keith Terrett
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Moon River
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Keith Terrett
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SheetMusicPlus
Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 ...
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Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #3530209. Published by Keith Terrett (A0.746789). An arrangement of Moon River for String Orchestra and optional drum kit. Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 American movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song.The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. 「ムーンリãƒãƒ¼ã€ã¯ã€ãƒ˜ãƒ³ãƒªãƒ¼ãƒ»ãƒžãƒ³ã‚·ãƒ¼ãƒ‹ãŒä½œæ›²ã—ã€ã‚¸ãƒ§ãƒ‹ãƒ¼ãƒ»ãƒžãƒ¼ã‚µãƒ¼ãŒæŒè©žã‚’書ã„ãŸæ›²ã§ã™ã€‚ã‚‚ã¨ã‚‚ã¨ã¯1961å¹´ã®ã‚¢ãƒ¡ãƒªã‚«æ˜ 画「ティファニーã§æœé£Ÿã‚’ã€ã§ã‚ªãƒ¼ãƒ‰ãƒªãƒ¼ãƒ»ãƒ˜ãƒ—ãƒãƒ¼ãƒ³ãŒæŒã„ã€ã‚¢ã‚«ãƒ‡ãƒŸãƒ¼è³žã®æŒæ›²è³žã‚’å—賞ã—ã¾ã—ãŸã€‚ã¾ãŸã€1962å¹´ã®ã‚°ãƒ©ãƒŸãƒ¼è³žã®æœ€å„ªç§€ãƒ¬ã‚³ãƒ¼ãƒ‰è³žã¨æœ€å„ªç§€æ¥½æ›²è³žã‚‚å—賞ã—ã¾ã—ãŸã€‚ It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremony in 1962. He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri after it. His autobiography is called Moon River and Me. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962. Cadence Records' president Archie Bleyer disliked Williams' version, as Bleyer believed it had little or no appeal to teenagers. Forty years later in 2002, a 74-year-old Williams sang the song at the conclusion of the live telecast of the NBC 75th Anniversary Special to a standing ovation. The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time. The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs. Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the Southern United States and his longing to expand his horizons. Robert Wright wrote in The Atlantic Monthly, This is a love sung to wanderlust. Or a romantic song in which the romantic partner is the idea of romance. An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comARRANGERS
$14.99
The Flying Dutchman
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Classical
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
Der fliegende Holländer
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Classical
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Di...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
I Want It All
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Concert band
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INTERMEDIATE
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Rock
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Queen
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John Deacon, Roger Taylor, Bri
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Lorenzo Bocci
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I Want It All
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1430294 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Lorenzo Boc...
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Concert Band - Level 3 - Digital Download SKU: A0.1430294 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Lorenzo Bocci. Pop,Rock. 105 pages. Lorenzo Bocci #1010936. Published by Lorenzo Bocci (A0.1430294). I WANT IT ALL performed by Queenfor Concert Band - Grade 3 - Digital Download Composed by John Deacon, Roger Taylor, Brian May, Freddie Mercury. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'57''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Shaker), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.I Want It All is a song by British rock band Queen, featured on their 1989 studio album, The Miracle. Written by guitarist and vocalist Brian May (but credited to Queen) it was released as the first single from the album on 2 May 1989. I Want It All reached number three on the singles charts of the United Kingdom, Finland, Ireland and New Zealand, as well as on the US Billboard Album Rock Tracks chart. The song was first played live on 20 April 1992, three years after its release, during The Freddie Mercury Tribute Concert, performed by the three remaining members of Queen, with Roger Daltrey of The Who singing lead vocals and Tony Iommi of Black Sabbath playing rhythm guitar. Freddie Mercury himself never performed the song live, as he died in November 1991 from AIDS at the age of 45, and his final performance with Queen was at the end of The Magic Tour, at Knebworth Park on 9 August 1986. Subscribe to my YouTube Channel to stay updated on new releases.
$99.00
Serenata Española. New completely revised and fingered edition based on original sources,
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Joaquín Malats
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Pedro Jesús Gómez (arranger)
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Serenata Española. New comple
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Pedro Jesús Gómez Lorente
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Vel...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1449751 Composed by Joaquín Malats (1872 - 1912). Arranged by Pedro Jesús Gómez (arranger) & Juan Velázquez (editor). 19th Century,Romantic Period. Individual part. 12 pages. Pedro Jesús Gómez Lorente #1029511. Published by Pedro Jesús Gómez Lorente (A0.1449751). Joaquín Malats's Serenata Española was premiered at the Salon Érard in Barcelona on 22 September 1891,[1] and was published by Zozaya a year later. Despite what it may seem from the initial title on the cover of the Suite Impresiones de España, this work was never performed as a suite for orchestra. Originally conceived as a collection in which the Serenade was the second of the pieces, only this one was published in addition to the first one: Danza. Joaquim Malats performed these two compositions in numerous concerts as part of the Suite Impresiones de España,[2] however, he neither published them as a unitary corpus, nor did the ochestral version see the light. The suite was initially dedicated to the great writer Benito Pérez Galdós, who was also a personal friend of the composer. This edition aims to provide a new vision of the work by contrasting the first two arrangements that were made, by Tárrega and by his disciple Severino García Fortea, with the original piano source, paying special attention to include agogics, dynamics and phrasing arcs indications in the piano font and to the maintenance of the original structure of the work. [1] «Joaquín Malats i Miarons», Real Academia de la Historia (blog), Last accessed April 12th 2024, https://dbe.rah.es/biografias/12709/joaquin-malats-i-miarons 2024-04-12.[2] Joaquín Malats, Impresiones de España. Suite de orquesta (Madrid: Zozaya, 1892).
$8.50
Peg O' My Heart
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Piano solo
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INTERMEDIATE/ADVANCED
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Alfred Bryan and Fred Fisher
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Timothy Stapay
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Peg O' My Heart
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1399497 Composed by Alfred Bryan and Fred Fisher. Arranged by Timothy Stapay. Broadway,Celtic,Film/TV,Iri...
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Piano Solo - Level 4 - Digital Download SKU: A0.1399497 Composed by Alfred Bryan and Fred Fisher. Arranged by Timothy Stapay. Broadway,Celtic,Film/TV,Irish,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #982786. Published by Timothy Stapay (A0.1399497). Peg o' My Heart was written in 1912 by Alfred Bryan and was based on a musical comedy by the same name. While it was first performed in New York City, the song has long been associated with St. Patrick's Day because of the Irish connections in the musical.The beauty of this song lies in its ability to transcend time and connect with listeners on a personal level. Its simple yet profound lyrics capture the essence of love and longing, allowing listeners to reflect on their own experiences and emotions. Whether it reminds you of a lost love, a distant memory, or a cherished moment, “Peg O’ My Heart†has a way of evoking raw emotions and stirring the soul.Lyrics: Peg O' My Heart, I love you, We'll never part, I love you, hear little girl, Sweet little girl, Sweeter than the rose of Erin, are your winning smiles endearin', Peg O' My Heart, Your glances with Irish art entrance us, Come, be my own, Come, make your home in my heart.
$6.99
Come Thou Fount of Every Blessing
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Choral SSAA
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INTERMEDIATE/ADVANCED
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Robert Robinson
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Miah Qumsieh
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Come Thou Fount of Every Bless
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Miah Qumsieh
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1404423 By Robert Robinson. By John Wyeth. Arranged by Miah Qumsieh. Praise & Worshi...
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Choral Choir,Choral,SSAA Chorus - Level 4 - Digital Download SKU: A0.1404423 By Robert Robinson. By John Wyeth. Arranged by Miah Qumsieh. Praise & Worship,Religious,Sacred,Spiritual,Traditional. 8 pages. Miah Qumsieh #987499. Published by Miah Qumsieh (A0.1404423). While in college, I was a composition major. I had a friend ask me to arrange this piece of music for an all female choir at my university. So, I did. Unfortunately, it was never able to be performed, but it is my first arrangement and thought it might bring someone joy.
$2.15
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