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pentatonic lead.
Sheetmusic to print
38 sheet music found
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1
26
Pentatonic Swing
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C Instruments
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INTERMEDIATE
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Zichen Wang
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Zichen Wang
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Pentatonic Swing
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Zichen Wang
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1247284 By Zichen Wang. By Zichen Wang. Arranged by Zichen Wang. 20th Century,Jazz,Multicultural,World....
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C Instrument - Level 3 - Digital Download SKU: A0.1247284 By Zichen Wang. By Zichen Wang. Arranged by Zichen Wang. 20th Century,Jazz,Multicultural,World. Lead Sheet / Fake Book. 1 pages. Zichen Wang #841837. Published by Zichen Wang (A0.1247284). My own composition. Bebop piece written in Bb pentatonic scale.Selected for the Fifth Annual Adam Gurley-Green composition award. Lead sheet, use this to support me, you can use it free if you want, I'd love to see people performing it.Contact wangzichen962@gmail.com for more details.Original Caption:This piece, as you can tell by its name, is a jazz piece in Bb Pentatonic scale. Pentatonic scales are heavily used in Chinese traditional music. This piece is the product of mixing Chinese traditional music and jazz. I'm planning to write two more of this type, one will be a slow ballad and one will be a jazz waltz.
$5.00
A Pentatonic March
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Michael C
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A Pentatonic March
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.965499 Composed by Michael C. McDonough, A.S.C.A.P. Contemporary,Folk. Score and parts. 17 p...
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Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.965499 Composed by Michael C. McDonough, A.S.C.A.P. Contemporary,Folk. Score and parts. 17 pages. Michael McDonough A.S.C.A.P. #6019441. Published by Michael McDonough A.S.C.A.P. (A0.965499). An original march based on the F pentatonic scale. The high note is a G above the staff. All members of the quartet get a change to play the lead. A fun march. Easy to play.
$15.00
The Complete Book of Pentatonic Scales for Guitar
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Guitar notes and tablatures
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EASY
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Jazz
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Remo Moretto
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The Complete Book of Pentatoni
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SheetMusicPlus
Guitar Tab - Early Intermediate - Digital Download Composed by Remo Moretto. Jazz, Method, General Instructional, Technique Training, Rock. Lead Shee...
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Guitar Tab - Early Intermediate - Digital Download Composed by Remo Moretto. Jazz, Method, General Instructional, Technique Training, Rock. Lead Sheet, Tablature. 53 pages. Published by Remo Moretto
$20.00
Saviour, Like a Shepherd, Lead Us
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Choral 2-part
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Sacred music
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Hal H Hopson
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Saviour, Like a Shepherd, Lead
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Chorister's Guild - Digital
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SheetMusicPlus
Two-part chorus - Digital Download SKU: C7.CGA413 Composed by Hal H Hopson. General. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA413....
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Two-part chorus - Digital Download SKU: C7.CGA413 Composed by Hal H Hopson. General. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA413. Published by Chorister's Guild - Digital (C7.CGA413). UPC: 749193004531.The folk-like quality of this pentatonic melody begins this anthem, followed by a second melody by the composer, which combined to make a two part in the third stanza. If the choir learns the melodies of the first and second stanzas, it will be possible for two parts, when sung together, to be very flexible as to which singers do the parts. The 'Beach Spring' tune from 'THE SACRED HARP', 1844, works well with this very well known text. Composer: Hopson, Hal H. Text Author: Thrupp, Dorothy Ann.
$1.95
Pentatonic study in G and D - arr. for G-clef piano/harp (GCP/GCH) with lead sheet for violin (& opt
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Andrei Lucian Dragoi
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Pentatonic study in G and D -
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Andrei-Lucian Dragoi
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SheetMusicPlus
Guitar,Harpsichord,Organ,Piano,Violin - Level 2 - Digital Download SKU: A0.913068 Composed by Andrei Lucian Dragoi. Contemporary,Instructional. 2 pages. ...
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Guitar,Harpsichord,Organ,Piano,Violin - Level 2 - Digital Download SKU: A0.913068 Composed by Andrei Lucian Dragoi. Contemporary,Instructional. 2 pages. Andrei-Lucian Dragoi #6204279. Published by Andrei-Lucian Dragoi (A0.913068). Composed by: dr. Andrei-Lucian Drăgoi
$2.00
Stoney
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Guitar
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EASY
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Christopher Alan Lee
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Kee Kai
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pentatonic lead.
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Stoney
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KeeKai
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1205824 Composed by Christopher Alan Lee. Arranged by Kee Kai. 20th Century,Country,Folk,Multicultural,P...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1205824 Composed by Christopher Alan Lee. Arranged by Kee Kai. 20th Century,Country,Folk,Multicultural,Pop,World. Individual part. 3 pages. KeeKai #804009. Published by KeeKai (A0.1205824). Sung by Lobo in 1980, a very interesting country style in guitar tab and standard notation, especially the hammering bass & pentatonic lead.
$4.99
Swing Abeba
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Bassoon
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ADVANCED
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Marilyn Herman
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Swing Abeba
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Marilyn Herman
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SheetMusicPlus
Bassoon Solo - Level 5 - Digital Download SKU: A0.1034899 Composed by Marilyn Herman. African,Contemporary,World. Individual part. 6 pages. Marilyn Herma...
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1034899 Composed by Marilyn Herman. African,Contemporary,World. Individual part. 6 pages. Marilyn Herman #6857543. Published by Marilyn Herman (A0.1034899). Abeba, in the title Swing Abeba, means flower - part of the name of the Ethiopian capital city where modern Ethiopian music took root. Abeba is also a common refrain in their vocal music. True to its title, this work is influenced by Ethiopian popular music, which in turn was strongly influenced by swing rhythm in American big band jazz transmitted from an army radio station in neighbouring Eritrea in the 1950s. Ethiopian music – essentially song-based – consists of pentatonic melodies which tend to be deeply embedded in copious melismata, progressing in an improvisatory manner, similarly to jazz. Accordingly, Swing Abeba begins with an Ethiopian, pentatonically melismatic treatment of an un-Ethiopian theme. (Whispers of Gondar…. – were words used to characterize this opening section, Gondar being a highland region in the North of Ethiopia.) The music then breaks into a jazz-swing scherzo. The call-response nature of this scherzo recalls this feature of Ethiopian music. The second section begins with a slow, heavily melismatic ad lib passage marked molto espressivo e pensivo, which leads into a second swing scherzo, the opening themes reappearing in a different guise in the closing section. Swing Abeba makes connections across time and space - between modern Ethiopian and Western musics, infused with influences from a different part of Africa, received via America through the jazz of the swing era.
$7.99
Auld Lang Syne
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Guitar notes and tablatures
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BEGINNER
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Traditional Scottish Folk
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Brian Streckfus
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Auld Lang Syne
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional...
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Guitar - Level 1 - Digital Download SKU: A0.1162362 Composed by Traditional Scottish Folk. Arranged by Brian Streckfus. Celtic,Folk,Holiday,Instructional,Irish,Traditional. Guitar Tab. 2 pages. Brian Streckfus #762722. Published by Brian Streckfus (A0.1162362). 1. Arranged for guitar. 2. Guitar TAB added. 3. Re-harmonized to be idiomatic for guitar and have more adventerous harmony. 4. Grace notes added.5. The grace notes, uncommon harmony, and overly drenched G major pentatonic sound lead to a more Irish/Celtic/Scottish idiom, as if this was written for bag pipes. 6. Too many versions of public domain songs will just phone in the chords in my opinion with a I IV and V7. This version is a bit jazzed up, which may not be what you looking for. If you are looking for real basic accompianiment this isn't the version for you, though I do try to use as many open strings on the guitar as possible, and the chords are often small.7. The other problem I often see with public domain songs is that the famous cowboy guitar chords most versions use lead to a lot of clunky part writing in my opinion (no thought of tendency tones, no thought of smooth voice leading, parralel 8ves and 5ths, doubled 3rds, etc). Those voicings are easier to sight-read, but are also not super creative, and as a teacher, I don't exactly want a student to see the same G Major voicing forever. That gives this false impression that that G major vocing is somehow superior. 8. Another small issue I see with public domain songs is that the vocal melody is sometimes not in the famous cowboy guitar chord. There is nothing wrong with that, and sometimes you want that, but since I like to train my singing with the help of my guitar, I like when arrangements make the vocal melody easy to add or remove on guitar. I can easily play a sophisticated solo version of this in a coffee shop, or I can just look at the chord nomenclature and see the song only from a rhythm section point of view when in a full band, when usually you purposely want to contribute less.9. Notes with an upward stem represent those notes being the original melody. This give arrangement a lot of replay value because a skillfull performer can improvise the background harmonies.
$2.99
Music for Children
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Digital Download SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter a...
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Voice, recorder and percussion - Digital Download SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q25928. Published by Schott Music - Digital (S9.Q25928). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$10.99
Music for Children
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Voice, recorder and percussion - Digital Download SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or ins...
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Voice, recorder and percussion - Digital Download SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-Schulwerk - Rhythmusübungen - Kinderreime. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q42466. Published by Schott Music - Digital (S9.Q42466). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this first volume: speech and rhythmic exercises, nursery rhymes, songs, instrumental pieces and melodic exercises using only the five note scale, with instructions and notes. Illustrated.
$21.99
Woodwind Quintet《木管五é‡å¥ã€‹
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Contemporary
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Ma Shui Long 馬水é¾
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Woodwind Quintet《木
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SpringAutumnmusic
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary....
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 47 pages. SpringAutumnmusic #2341877. Published by SpringAutumnmusic (A0.961996). 《木管五é‡å¥ã€‹2002年（賴德和撰寫） 本曲是2002年馬水é¾æ•™æŽˆç‰¹åœ°ç‚ºæ¬¡å婚禮ç¾å ´æ¼”出所èœå¯«ã€‚ 這一首活潑愉悅的曲å概分為五段：第一主題五è²éŸ³éšŽå¾µèª¿å¼ï¼Œä¸»æ—‹å¾‹å‡ºç¾åœ¨é•·ç¬›è²éƒ¨ã€‚這個主題轉到五度上的調，先後輪æµå‡ºç¾åœ¨é›™ç°§ç®¡ã€è±Žç¬›åŠå·´æ¾ç®¡ã€‚由法國號å¹å¥å‘å—æ—的「婚禮之æŒã€æ˜¯å½¢æˆå°æ¯”çš„æ…¢æ¿ç¬¬äºŒä¸»é¡Œã€‚接著活潑愉悅的第一主題å†ç¾ï¼Œèª¿æ€§è½‰åˆ°é™D音徵調å¼ï¼Œå‡ºç¾åœ¨é›™ç°§ç®¡è²éƒ¨ï¼ŒæŽ¥è‘—在豎笛è²éƒ¨åŠ 以變å¥ã€‚ç¬¬ä¸‰ä¸»é¡Œé€Ÿåº¦åŠ å¿«ï¼Œå‡ºç¾åœ¨å·´æ¾è²éƒ¨çš„主旋律是泰雅æ—的「å£ç°§å°æŒã€ã€‚這是一首男女é’年一é¢å¹å¥å–®ç°§å£ç´ï¼Œä¸€é¢æ¼”唱情æŒçš„舞曲。這個熱情的舞曲先後在雙簧管和豎笛è²éƒ¨åŠ 以變å¥ä¹‹å¾ŒçµæŸç¬¬ä¸‰ä¸»é¡Œã€‚最後第一主題å†ç¾ï¼Œå †ç–Šå‡ºé«˜æ½®å¼çš„å°¾è²ã€‚ 值得é‡è¦–的是，父親é€çµ¦å…’åçš„çµå©šç¦®ç‰©ï¼Œé‚„費盡巧æ€ç²¾æŒ‘ç´°é¸äº†å…©é¦–原ä½æ°‘跟愛情çµå©šæœ‰é—œçš„音樂，æ®ç‘出一闕別緻的婚禮迴旋曲。 ※本曲於2002年首演於å°åŒ—亞都飯店，演å¥å®¶ç‚ºé•·ç¬›é»ƒé¦¥èŒ—ã€é›™ç°§ç®¡æ´ªåƒæ™ºã€å–®ç°§ç®¡é»ƒè²žè¯ã€ä½ŽéŸ³ç®¡éƒæ€¡èŠ¬ã€æ³•åœ‹è™Ÿé»ƒç¾©æ•¦ã€‚ 《Woodwind Quintet》（2002） The piece was composed for the wedding ceremony of the composer’s second son. This pleasant and lively composition is divided into five parts, a small rondo form. The first theme is in Zi-pentatonic mode, mainly play by flute. The main theme is later transposed a fifth higher and orchestrated between the oboe, clarinet and bassoon parts. The second theme is in a slower, more sentimental mood. It builds up as a contrast section to the first theme. French horn plays the traditional Wedding Song of the Puyuma tribe and dominates in this section. In the third part of this composition, the melodic line returns to the first theme, transformed to D-flat Zi-pentatonic mode. The oboe plays the main theme and later the clarinet plays the variations of this melodic line. The fourth section brings out the third theme of this piece: a traditional Atayal tribe’s Jew Harp Song melody that plays by the bassoon. This passionate, fast-tempo dancing theme is then composed into several variations and plays by oboe and clarinet. In the last section of the composition, the first theme returns again. Building up and reaches the climax then leads to the final of the piece. Professor Ma selected two aboriginal tribal songs, related to weddings and love, and quoted them in this piece and presented as a wedding gift for his beloved son. This father-son relationship and love, and also this unique composition, made that wedding ceremony a memorable event for the guests. This piece was premiered in 2002 at The Landis Taipei Hotel by Fu-Ming Huang (Flute), Chien-Chih Hung (Oboe), Jen-Hwa Huang (Clarinet), Yi-Fen Kuo (Bassoon) and Yih-Duen Huang (Horn).
$15.99
Equinox
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C Instruments
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EASY
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John Coltrane
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Vincent Frank
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Equinox
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Vincent Frank Music
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1514643 By John Coltrane. By John Coltrane. Arranged by Vincent Frank. 20th Century,Blues,Contemporary,...
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C Instrument - Level 2 - Digital Download SKU: A0.1514643 By John Coltrane. By John Coltrane. Arranged by Vincent Frank. 20th Century,Blues,Contemporary,Instructional,Jazz. Lead Sheet / Fake Book. 3 pages. Vincent Frank Music #1089130. Published by Vincent Frank Music (A0.1514643). Lead sheet arrangement of Equinox by John Coltrane, intended for beginner jazz piano students. Includes worksheet with C minor natural scale, pentascale, and pentatonic scale, as well as chords and suggested inversions. 2 pages. Key of C minor.Have a question or song request? Email me at vincentfrankmusic@gmail.com.
$4.19
Dirty Old Town
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Ewan MacColl
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Dan Jones www
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Dirty Old Town
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DanJonesGuitarist
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1512604 Composed by Ewan MacColl. Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Iri...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1512604 Composed by Ewan MacColl. Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Irish,Pop,Traditional. Score and Parts. 39 pages. DanJonesGuitarist #1087284. Published by DanJonesGuitarist (A0.1512604). Dirty Old Town by Ewan MacColl - As Performed by The PoguesArranged for Guitar Quartet by Dan Jones (www.danjonesguitarist.com)Dirty Old Town was written by Ewan MacColl in 1949 as part of the music for a play entitled Landscape and Chimneys. Although inspired by the North of England, it is now associated strongly with Irish music, due to commercially-successful versions recorded by both The Dubliners and The Pogues.This arrangement is ideal for intermediate guitarists. The pentatonic melody, familiar chords and guitar-friendly keys should cause no difficulty for those less-experienced in ensemble playing.The melodic interest is shared across all four parts within the arrangement.Your download includes: ⦁ A full score in notes and TAB ⦁ A score with just notes (to facilitate page turns for leaders) ⦁ All parts in notes and TAB ⦁ All parts with just notes.A film of this arrangement will be uploaded before the end of October 2024.For a wealth of arrangements, compositions, writings, films and much more, please visit: www.danjonesguitarist.com.
$7.95
Listen
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Sherri Porterfield
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Listen
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Heritage Music Press
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SheetMusicPlus
3-part mixed choir (With Optional Windchimes, Recorder, C Instrument) - Digital Download SKU: LX.15-1532H Composed by Sherri Porterfield. Educational. Oc...
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3-part mixed choir (With Optional Windchimes, Recorder, C Instrument) - Digital Download SKU: LX.15-1532H Composed by Sherri Porterfield. Educational. Octavo. 12 pages. Heritage Music Press #e15/1532H. Published by Heritage Music Press (LX.15-1532H). UPC: 000308050202. Text: Michael Ross.These introspective and thoughtful lyrics, written by high school student Michael Ross, plead with us to really listen to nature and its messages about life. The pentatonic feel of the gentle music marries itself beautifully to this text. Also available: Two-part (15/1539H).
$2.50
Listen
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Michael Ross and Sherri Porter
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Sherri Porterfield
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Listen
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Heritage Music Press
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SheetMusicPlus
2-part choir (With Optional Windchimes, Recorder, C Instrument) - Digital Download SKU: LX.15-1539H Composed by Michael Ross and Sherri Porterfield. Arra...
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2-part choir (With Optional Windchimes, Recorder, C Instrument) - Digital Download SKU: LX.15-1539H Composed by Michael Ross and Sherri Porterfield. Arranged by Sherri Porterfield. Educational. Octavo. 12 pages. Heritage Music Press #e15/1539H. Published by Heritage Music Press (LX.15-1539H). UPC: 000308049589.These introspective and thoughtful lyrics, written by high school student Michael Ross, plead with us to really listen to nature and its messages about life. The pentatonic feel of the gentle music marries itself beautifully to this text. Also available: Three-part Mixed (15/1532H).
$2.50
Guthrie: Concert Fantasia for Solo Cello
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Cello
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INTERMEDIATE
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James M
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Guthrie: Concert Fantasia for
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jmsgu3
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. J...
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Cello Solo - Level 3 - Digital Download SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. Published by jmsgu3 (A0.549261). The Fantasia follows the general scheme of the classical sonata-allegro form. A repeated fragmented motive characterizes the primary theme. The transition introduces pentatonic and synthetic materials that dissipate into a Lydian chord. The Lydian mode provides materials for the lyrical secondary theme section. A closing section revisits elements of the synthetic scale from the transition. After a repeat of the exposition, the development section begins agitato, fragmenting and transposing various diminutions of the primary motive. This is interrupted by a double augmentation and then a bariolage passage leading to declamatory statements of the primary theme transposed eventually to the subdominant. After modulating the transition materials, the secondary theme is developed in the subdominant. This time, the music is adjusted to explore a quotation of the first measure of Bach’s Cello Suite I. This treatment dissolves into a two-part transition (quasi-spiccato), leading to a final development of the Lydian motive, this time in double stops. A final transition section provides the thematic impetus for the third movement. The recapitulation ensues with the re-transition somewhat truncated and the secondary theme transposed to the tonic. A coda section dissipates excess energy while developing Lydian ideas in preparation for a quiet closing that repeats the now-broken Lydian chord.
$27.95
Anti-Hero
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Jazz Ensemble
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EASY
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Pop music
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Taylor Swift
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Sam Fettig
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Anti-Hero
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Sam Fettig
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1362720 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Sam Fettig. 21st...
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1362720 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Sam Fettig. 21st Century,Pop. 51 pages. Sam Fettig #947098. Published by Sam Fettig (A0.1362720). ABOUT THE ARRANGEMENTAnti-hero, arranged by Sam Fettig is scored for full jazz ensemble but can be performed by concert/pep band with those extra parts provided.This arrangement strives to stay true to the familiar original, with the notable exception of the improvised solo section at measure 59. This is open to any player, and utilizes a single pentatonic scale (provided in all parts). There is a background figure found after the chart to be played during solos at your discretion. Every section enjoys a melody feature. A soli of alto sax, trumpet 1, guitar and vibraphone is utilized at measure 39.A nice a cappella moment (no drums) is heard at measure 71 before the full ensemble brings it home.ABOUT THE SONGAnti-hero is the lead single from Taylor Swift’s 2022 album Midnights. The lyrics focus on her personal insecurities despite (or due to) her fame. The entire song never trays from the 2-bar chord progression of IV-I-V-vi.Â
$65.00
Laughter In The Rain
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C Instruments
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INTERMEDIATE/ADVANCED
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Neil Sedaka
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John Fries
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Laughter In The Rain
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.500235 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Jazz,Pop,Rock...
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C Instrument - Level 4 - Digital Download SKU: A0.500235 By Neil Sedaka. By Neil Sedaka and Phil Cody. Arranged by John Fries. 20th Century,Jazz,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113418. Published by John Fries (A0.500235). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Laughter in the Rain is a song composed and recorded by Neil Sedaka, with lyrics by Phil Cody. It includes a 20-second saxophone solo by Jim Horn. The opening chord of the chorus was based on that used by John in Goodbye Yellow Brick Road, which Sedaka has described as a drop-dead chord. He combined that with a pentatonic melody inspired by Aaron Copland. Cody claims to have written the lyrics in about five minutes after smoking marijuana and falling asleep under a tree for a couple of hours.
$2.99
Intensity
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Drums
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Rock
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Stella Tartsinis
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Intensity
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Stella Tartsinis
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SheetMusicPlus
Small Ensemble Bass Guitar,Drums - Digital Download SKU: A0.1012024 Composed by Stella Tartsinis. Rock. Score and parts. 4 pages. Stella Tartsinis #35474...
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Small Ensemble Bass Guitar,Drums - Digital Download SKU: A0.1012024 Composed by Stella Tartsinis. Rock. Score and parts. 4 pages. Stella Tartsinis #3547421. Published by Stella Tartsinis (A0.1012024). Intensity is a rock driven piece and composed for that genre-overdrive guitar, distorted rhythm guitar, bass and drum kit. The lead guitar has melodic solos utilizing some pentatonic elements and the sense is to create controlled intensity.
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Blue All Over, from the Michael BB Quartet CD " Guided Tour"
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Michael Bomier
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Blue All Over, from the Michae
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862507 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and ...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862507 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 61 pages. Michael Butkus-Bomier #2032065. Published by Michael Butkus-Bomier (A0.862507). Here is a blues in C minor, a staple of jazz groups both large and small. This chart has several unusual aspects, all set within this familiar format. The theme is stated by the trumpets, then, the saxes take a one-chorus interlude on a pentatonic figure. The first (and ONLY) soloist on the audio track is the tenor sax. BUT, the chart is designed to have the alto, tenor, bari, and finally All THREE saxes blowing their blues away at once! A similar treatment follows with the trumpets. Three blues choruses from the piano give the horns a break, and a SampleSolo is included for this instrument ONLY, due to the nature of the group improv that is structured into the piece. Then the trombones have their 12-bar interlude, and the lead trombone plays three more 12-bar sets, but just the one horn, as we've had enough group enthusiasm at this point! At the conclusion, the three interlude sections all come back, but simultaneously, as they have been designed to fit together. Then the final statement of the theme is played in hocket or stretto, whichever term you choose, with one voice starting and the other two choirs following behind. This chart can be played using only one soloist per section, or with the entire group solos, or anything in between, for that matter! If you have a blowing band, you'll want to show them off! Running time with a single soloist per section is 3 mins 45 secs. considerably longer with the multiple and group solos. MBB.
$20.00
5 Scale Forms for Guitar
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Guitar notes and tablatures
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BEGINNER
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Instructional
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Brian Streckfus
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Brian Streckfus
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5 Scale Forms for Guitar
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 1...
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
$1.99
I Will Follow Him (i Will Follow You)
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Piano solo
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BEGINNER
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Little Peggy March
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AJ Tan
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I Will Follow Him
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AJTanPiano
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.759662 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. ...
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Piano Solo - Level 1 - Digital Download SKU: A0.759662 By Little Peggy March. By Arthur Altman, Del Roma, J.W. Stole, Jacques Plante, and Norman Gimbel. Arranged by AJ Tan. Contemporary,Film/TV,Pop. Score. 2 pages. AJTanPiano #5827889. Published by AJTanPiano (A0.759662). *Both the lead sheet and complete piano arrangement are included in this collection.*This song could be a good exercise for playing the major pentatonic scale. Suitable for Beginner to Grade 2 level learning.Note: The smaller note-head notes in bars 18-19 are optional; you can omit them to keep them simple.
$4.99
Carson Cooman: Sonata for Tuba and Piano (2007)
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Tuba and Piano
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ADVANCED
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Gospel/Spiritual
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Sacred music
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Carson Cooman
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Carson Cooman: Sonata for Tuba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.533704 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 38 pages. Musik Fabrik ...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.533704 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 38 pages. Musik Fabrik Music Publishing #3039001. Published by Musik Fabrik Music Publishing (A0.533704). Sonata for Tuba and Piano (2007) was commissioned by and is dedicated to tubist MarkNelson for premiere at the 2007 Southwest Tuba and Euphonium Conference. The work isin three movements, each using the same basic musical material. Throughout the work,there is an integration of the total chromatic spectrum (represented through row-likeconstructions) with triadic and tonal elements, particularly connected to the interval of aminor third.The first movement, Speaking of Sunsets, is bold and dramatic throughout. The musicalmaterial is subjected to a series of circular paths that loop back on themselves until themovement ends. (The title refers to American poet James Tate’s poem Never Again theSame and also Charles Wuorinen’s musical setting of that text.)The second movement, Build Me a Garden, takes its title from an original song I overheardwhile planning this work. It sung by a homeless man who was then sitting on the banks ofthe Charles River in Boston, Massachusetts. His song (bearing both textual and musicalresemblance to various folk songs and African-American spirituals) spoke of hopes anddreams:Build me a garden, far ‘cross the seaBuild me a garden, a place I can beThe water is wide, the journey is long.I’ve put all my sorrows into this song.The movement opens with a slightly modified version of the song, which is developed overthe course of the movement. Connections are made between the first movement’s materialand the pentatonic melody (with its opening intervals of minor thirds).The third movement, Rising at Dawn, is a moto perpetuo. The ideas from both previousmovements are put together in new, dancing combinations. Coming out of the darker firsttwo movements, this movement continually seeks places of joy. The dance breaks down,and a recollection of the first movement leads to a bright coda.
$25.95
"Quartet for Flute, Clarinet, Bassoon and Harp" [Set of Parts]
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Harp
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INTERMEDIATE/ADVANCED
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Lior Navok
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Clarinet
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"Quartet for Flute, Clarinet,
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Harp - Level 4 - Digital Download SKU: A0.976039 Composed by Lior Navok. 20th Century,Contemporary,World. Score and...
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Small Ensemble Bassoon,Clarinet,Flute,Harp - Level 4 - Digital Download SKU: A0.976039 Composed by Lior Navok. 20th Century,Contemporary,World. Score and parts. 110 pages. Lior Navok Music #4725313. Published by Lior Navok Music (A0.976039). QUARTET FOR FLUTE, CLARINET, BASSOON AND HARP (1994) Set of PartsDURATION: 27 minutes MOVEMENTS: 4 movements INSTRUMENTATION: Flute/Piccolo; Clarinet; Bassoon; Harp PROGRAM NOTES: The composer writes about his work: The Quartet for flute, clarinet bassoon and harp is influenced by impressionistic French music and Jazz, which was my main influence at the time. The first movement starts with a pastoral character, somewhat naive, but soon starts to raise some concerned thoughts, and so, ends dark. The second movement is a light flowing movement built on pentatonic scale theme. A Bassoon cadenza bridges between the second and the third movement, which is a long Passacaglia with lamento character. In the last movement, piccolo is used instead of flute. This movement opens with a fugue between the four instruments, which leads to a lyrical second theme followed by harp solo and ends with a Grand Finale. INFO: Item: Set of Parts (scan) Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 102 Ink: Black & White Paper Size: DIN A4 / Letter *** IMPORTAT NOTE *** The parts are engraved, with some handwritten corrections / erases.
$36.00
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