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44 sheet music found
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26
Four Canonic Duets Op. 12
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2 Oboes (duet)
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INTERMEDIATE
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Bryce Dahle
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Four Canonic Duets Op. 12
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Bryce Dahle
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SheetMusicPlus
Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.1421124 Composed by Bryce Dahle. 21st Century,Contest,Festival. Score. 5 pages. Bryce Dahle #1002511....
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Oboe Duet Oboe - Level 3 - Digital Download SKU: A0.1421124 Composed by Bryce Dahle. 21st Century,Contest,Festival. Score. 5 pages. Bryce Dahle #1002511. Published by Bryce Dahle (A0.1421124). Four Canonic Duets, is a fairly self expanitory piece, consisting of four distinct movements, portraiting emotion using different techniques on oboe. Each movement is in a different kind of canon, and it is marked in the music as such. This is a great piece for working on breath control, and tone, while not being incredibly technically challenging, and should be achieveable to most if not all students.
$9.99
A journey around the world
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Viola (band part)
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BEGINNER
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using different techniques
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Mark Bruce
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A journey around the world
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Schott Music - Digital
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SheetMusicPlus
Viola - very easy to easy - Digital Download SKU: S9.Q6447 Songs from around the world. Arranged by Mark Bruce. This edition: separate part. Downl...
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Viola - very easy to easy - Digital Download SKU: S9.Q6447 Songs from around the world. Arranged by Mark Bruce. This edition: separate part. Downloadable, Individual part. Schott Music - Digital #Q6447. Published by Schott Music - Digital (S9.Q6447). 'The World Tour' has emerged from the practical work with a budding children's orchestra. The collection consists of both well-known songs and songs from the children's home countries. It is suitable as a first introduction into chamber music playing. By using different techniques (pizzicato, con sordino, solo and tutti), a colourful string orchestra setting is created which forms a beautiful sound image for a children's orchestra. To enable the children to grasp the melodic parts as songs, the song text has been added, whenever possible.
$5.99
A journey around the world
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String Trio: 2 violins, cello
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BEGINNER
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using different techniques
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Mark Bruce
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A journey around the world
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Schott Music - Digital
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SheetMusicPlus
2 violins and cello (3. violin, viola ad libitum) - very easy to easy - Digital Download SKU: S9.Q19420 Songs from around the world. Arranged by M...
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2 violins and cello (3. violin, viola ad libitum) - very easy to easy - Digital Download SKU: S9.Q19420 Songs from around the world. Arranged by Mark Bruce. This edition: score and parts. Downloadable, score and parts. Schott Music - Digital #Q19420. Published by Schott Music - Digital (S9.Q19420). 'The World Tour' has emerged from the practical work with a budding children's orchestra. The collection consists of both well-known songs and songs from the children's home countries. It is suitable as a first introduction into chamber music playing. By using different techniques (pizzicato, con sordino, solo and tutti), a colourful string orchestra setting is created which forms a beautiful sound image for a children's orchestra. To enable the children to grasp the melodic parts as songs, the song text has been added, whenever possible.
$21.99
Capriccio No 7
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Guitar notes and tablatures
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EASY
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Paganini - this piece will
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Nicolo Paganini
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John Hurford
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Capriccio No 7
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John Hurford
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.905284 Composed by Nicolo Paganini. Arranged by John Hurford. Contemporary,Instructional,Rock,Standards. Guit...
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Guitar - Level 2 - Digital Download SKU: A0.905284 Composed by Nicolo Paganini. Arranged by John Hurford. Contemporary,Instructional,Rock,Standards. Guitar Tab. 5 pages. John Hurford #4821253. Published by John Hurford (A0.905284). Caprice No 7 By Paganini - this piece will help develop using different techniques and combining them into a musical format. It's an interesting piece with various tempo type changes. good for beginners upwards. For more products go to https://www.johnhurfordmusic.com/ mp3 track available under title name in listings.
$3.99
The COVID Awakening
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Percussion Ensemble
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INTERMEDIATE/ADVANCED
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Adam Grim
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The COVID Awakening
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B....
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
$25.00
Jesus Shall Reign - Flex Orchestra
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Sacred music
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having one or more instruments
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John Hatton
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Kristin Campbell
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Jesus Shall Reign - Flex Orche
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Horsehair Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596379 Composed by John Hatton. Arranged by Kristi...
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - Digital Download SKU: A0.596379 Composed by John Hatton. Arranged by Kristin Campbell. Sacred. Score and parts. 22 pages. Horsehair Music #4274745. Published by Horsehair Music (A0.596379). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. Jesus Shall Reign is a hymn text by Isaac Watts and was set to music by John Hatton. This triumphant hymn may not be known to young string players so the words to the hymn are written into the melody part of each instrument. While this is unusual to find hymn text in instrumental arrangements, the printed lyric allows us to play with understanding. The melody part can be played all in first position. Set in the keys of D and G, a modulation allows the players play the tune using different finger patterns, and adds variety to the arrangement while staying in position.
$9.99
Mozartina
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Orchestra
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ADVANCED
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Otoniel Rojas
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Mozartina
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Otoniel Rojas
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Otoniel Rojas #891863. Published by Otoniel Rojas (A0.1302257). Based on a traditional Merengue tune from Dominican Republic in a Rondó style a'la Mozart, combining Mozart's Jupiter symphony 35th 4-note theme.Originally commissioned by the 'Fundación Filarmónica del Cibao' in  1997. Mozartina is an effervescent overture that paints us a contemporary Mozart, exposed to the melodic and rhythmic resources of the Caribbean identity, fusing the style and spirit of the famous Austrian with a mixed of the rhythmic and harmonic developments of the last 200 years of musical development. The work is structured as Rondo ,taking as its theme the traditional merengue (a traditional Dominican dance) El jarro 'ta pichao using it as melodic material that integrates into many styles and orchestral techniques. The topic is presented in juxtaposition with the monumental melodic motif of the last movement of the symphony ' Jupiter ' . Sometimes we appreciate it as it is , sometimes in inverted or hidden among contrapuntistic passages in striped and woven into different instrumental colors and harmonic richness coated within countless melodic modulations or put into small pieces. The climax part suddenly surrounds us with the classic merengue, where the 'tambora' (traditional dominican percussion instrument) makes appearance and gives it its soul. Meanwhile, in the background we still can hear the theme of 'Jupiter'. There briefly we can discover a 'perico ripiao' (another traditional Dominican dance)with its typical melisma embodied by the horn, we finally get to a climax that concludes with a short cadenza of 'tambora' and the reitaration of the main merengue theme in unison. The work was commissioned in 1997 for the opening concert of the Philharmonic of Cibao and this time receives his first audition by the National Symphony Orchestra.
$9.99
Stargazing
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C Instruments
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INTERMEDIATE
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Myles Smith
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Barry McCormick
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Stargazing
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B. McCormick
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1459181 By Myles Smith. By Jesse Finkelstein, Myles Smith, and Peter Fenn. Arranged by Barry McCormick....
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C Instrument - Level 3 - Digital Download SKU: A0.1459181 By Myles Smith. By Jesse Finkelstein, Myles Smith, and Peter Fenn. Arranged by Barry McCormick. Folk,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 4 pages. B. McCormick #1038153. Published by B. McCormick (A0.1459181). Introducing Stargazing Lead Sheet Mood: Warm, fun, and happy About the Song and Songwriter: “Stargazing” is a breakout hit by English singer-songwriter Myles Smith. The song, released in May 2024, is known for its warm, fun, and happy mood. Myles Smith, born in Luton, England, is celebrated for his unique blend of folk, Americana, and pop influences. Arrangement Details: This product includes a lead sheet and a guitar chord sheet, each spanning two pages, for a total of four pages. The lead sheet provides the melody with lyrics below and chord symbols above. The guitar chord sheet includes lyrics with chords, chord diagrams for reference at the top of the first page, and alternative shapes for some chords for different options to play. Difficulty Level: The guitar part is suitable for beginner to easy intermediate level players, with the main challenge being maintaining the strumming pattern consistently. The vocal part is suitable for intermediate to upper intermediate level singers, with a wide vocal range of B4 - G#5. Unique Selling Points: This arrangement stands out for several reasons: The strumming pattern is provided at the start of the verse. Small noteheads are used to differentiate between the backing vocal parts and main vocal parts, and also in the verses for parts of the melody that differ between verses. The guitar chord sheet shows the strum pattern in a pictorial way using arrows rather than notation, catering to a variety of music reading levels. Target Audience: This arrangement is ideal for educators and individuals learning music.Potential Uses: This arrangement of “Stargazing” could be used in a variety of settings, such as: Music education: It’s a great piece for teaching students about chord progressions, strumming patterns, and vocal techniques. Performances: It’s suitable for school concerts, open mic nights, or casual performances among friends and family. Self-study: It’s a wonderful piece for individuals looking to expand their repertoire and improve their guitar and vocal skills. Playing from lead sheets is an essential skill for musicians. It gives students a deeper understanding of music, improves memory and reduces performance anxiety, and is a simple way to add creativity and fun. This arrangement of “Stargazing” offers all these benefits and more.
$3.99
Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
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2 Trumpets (duet)
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EASY
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including more of the modern d
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Eddie Lewis
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Joy, Joy, Everyone Is Flying -
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Tiger Music
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Mu...
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Published by Tiger Music (A0.1088949). Give your students something modern to work on. Joy, Joy, Everyone Is Flying trumpet duet uses a modern compositional technique. Joy, Joy Everyone Is Flying trumpet duet is actually part of my recent modern composition series. The idea was to see if I could write one of those compositions for trumpet duet with Trumpet Tyro limitations. Being composed from a nontraditional technique, Joy, Joy, Everyone Is Flying does not sound like the typical “do re mi†beginner band music. As an educational piece, it serves as a wonderful opportunity to expose the students to exotic sounds. The piece begins like a traditional imitative piece, but you soon hear a non-traditional modality. That modality is emphasized in the B section with grace notes that give it an eastern hint. Joy, Joy, Everyone Is Flying is a short duet, lasting under a minute. This is because it is written for students who were beginners only months ago. Other Duet Books I have published similar duets to this one in my two other duet books for this level. The first and most popular is Celebrations which has trumpet duets for all skill levels. The second, which has some of the Celebrations duets, is called Twenty Trumpet Tyro Duets. In the trumpet community we use duets as educational tools. They are a wonderful way to expose students to counterpoint, different harmonies and different rhythmic ideas. By including more of the modern duets in the easier duet books, the younger students have an opportunity to experience non-traditional music in what is essentially a chamber music environment. The Experimental Music Series I’ve published a number of these experimental works for trumpet and brass instrumentations. The newer ones were in response to the popularity of the fishing suites. I had gone years without writing any of these compositions and wanted to apply the techniques to trumpet trio. The fishing suites are a suite of suites, each suite being dedicated to a different composition technique. Of those three suites, Catch Suite is the one that uses the same technique as Joy, Joy, Everyone Is Flying. Other compositions utilizing this compositional technique include The Lotus Eater and Voice of the Prophets. SKILL LEVEL The skill level for Joy, Joy, Everyone Is Flying is Trumpet Tyro. Trumpet Tyro is the second of seven levels in our system. This is music for trumpet students with a range up to fourth space E. The music in this level is limited to three flats or sharps. We almost bumped this piece up into the Trumpet Player level because of all the accidentals, but eventually decided to keep it in the Trumpet Tyro level. Technically, the accidentals all fall within acceptable keys for this level, so we kept it at the lower level. That said, because it is non-traditional, it will take a little longer to learn. The melodic sounds will not come as readily as the traditional “do re mi†stuff. Practice Recommendations Listening to the recording is a very important part of learning something with new sounds. You want to be able to hear those sounds. Here’s an interesting bit of trivia for you… When I am using one of these original compositional techniques, I know when I’ve made a mistake because I can hear that it sounds different. I believe this is the sign of a technique that works. If there’s a mistake, the composer should be able to hear that there’s something wrong. Well, performing music that utilizes these sorts of non-traditional techniques goes far better when the performers can also hear the music that way.
$4.99
Horn Sonata No. 1 (Complete)
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French horn
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ADVANCED
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Variations in Db
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Joe Strachan
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Variations in Db
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Joseph Strachan
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1254186 Composed by Joe Strachan. 21st Century,Blues,Classical,Jazz,Traditional. Brass Band. 37 pages. Joseph Strachan #847781. Published by Joseph Strachan (A0.1254186). I intend to compose using the structure of theme and variations, scored for a brass band which consists of an Eb Soprano cornet, Bb cornets, Flugelhorn, Eb Tenor horns, Bb Baritones, Tenor Trombones, Bass trombone, Bb Euphonium, Bb Tuba, Eb tuba and percussion. I intend to convey multiple moods and brass band techniques throughout my piece by creating blended harmony, jazzy rhythm, and modulation. With the theme, I intend to make the band blend in harmony with the music. Into the first variation to create different rhythms and to create a jazz mood. To create the theme, I intend to establish the key of Db major in 4/4 time with a homophonic texture. For Example, to establish the key of Db in bb.1-8. I intend to use the primary and secondary chords Db, Eb, Db, Bb, Eb, Bb, Db, Bb, Eb, Fm, Gm, Bb, Eb, Fm, Ab, Db. To strengthen the chords, I use the root note in the bass lines (e.g. Bb bass).  With creating the theme I also take into consideration having a structured flowing catchy melody to show the audience a clear statement that this is the theme. The Rhymtic features in the theme are crotchets and quavers. But which are soon to be embellished in the variations. The dynamic in the theme is mf (mezzo-forte)  and mp (mezzo-piano)  in the higher instruments.  And forte in the lower voices for balancing. The tempo marking is crotchet equals 60 beats per minute. In variation 1, I intend to maintain the original melody from the theme (solo cornet)  whole creating contrast with the inclusion of jazz-styled rhythms and dissonant chords. For example, I use a jazz-styled drum ostinato (bb. 9-61) Featuring dotted quavers and semiquavers. In addition to this, I feature dissonance with the use of 7th chords which can be seen at bb.18-26, 31-39, and bars  54-62 For example, in bars 18-26 the cornets are playing the melody in a four-part harmony only using 7th chords. The rhythmic features are more embellished using crotchets and quavers. But also using dotted quavers and semiquavers to show that this melody this a variation. The dynamics in the variation are extended with more instruments having a forte dynamic to have a strong expressive dynamic. Inspiration of this variation comes from people like (Maynard Ferguson, and Gordon Goodwin).
$40.00
The Etherea Suite, Volume 1 for Solo Piano (Complete)
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Piano solo
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INTERMEDIATE
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JohnWillard Utuk
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The Etherea Suite, Volume 1 fo
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JohnWillard Utuk
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Sco...
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Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. JohnWillard Utuk #735794. Published by JohnWillard Utuk (A0.1135733). The Etherea Suite, Volume 1 is for intermediate to advanced players who enjoy lyrical, exciting, and showy repertoire, while expressing their imagination through their playing. Players get to musically explore the mountains, the desert, volcanoes, time travel to ancient times, and fight in battle! Volume I of the suite represents three main characters from the sci-fi, fantasy book Trials of the Innermost (release date May 26, 2023). Each movement has a distinct feel and reflects each character's personality. This edition features performance notes written by the composer, including musical elements unique to each movement, fun facts, and personal influences JohnWillard had in mind when creating the work. A graphic of the musical cryptogram system used to make the melodies for each character is featured at the end of the notes. The three movements imitate a sonata, with the overall order of the suite is slow, slow, fast. Some teaching elements in the first movement I. Vayriel: Protector of the Mountains, include: scalar passages (A natural minor scale), shifting hands position, rolled chords, repeated left hand patterns, ornaments, and pedaling. II. Zinvar: Peacemaker of the Volcanic Rifts is more challenging, but has more room for musicality, expression, exploring different touches on the piano, and ethereal use of pedaling, like the sostenuto pedal (if you have one!) The movement opens with a mysterious, wave-like arpeggiated left hand pattern, similar to pieces of Chopin or Rachmaninoff. The B section is practice in using the sostenuto (middle) pedal while playing softly, imitating Gregorian Chant. Best of all the ending sounds harder than it actually is and you get to play as loud as possible! III. Idrilia: Warrior of the Desert is fast paced, rhythmic, and inspired by video games. This piece is a nice supplement for students learning techniques found in toccatas, nocturnes, and pieces that require a big, full sound. The longest and most advanced movement, players can enjoy using all the things: pedaling, accents, quick changes in dynamic contrast, and a lyrical B section. Technique requires comfort with arpeggios, chord inversions, octaves, and sensitivity to voicing. Once mastered, this movement can be both fun to play as a stand-alone recital piece or an exciting treat to play for friends and family. You'll find yourself humming the simple melody as it transforms throughout the work, and the ending is a chance to play big chords by using the full range of the keyboard.
$15.00
Beginning Violin Bowing Exercises, 5-note scales, and Tablatures (fingering charts)
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Violin
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BEGINNER
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Wendy Loder
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Wendy Loder, ASCAP
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Beginning Violin Bowing Exerci
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LarkAngel Productions
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SheetMusicPlus
Violin Solo - Level 1 - Digital Download SKU: A0.1105737 Composed by Wendy Loder. Arranged by Wendy Loder, ASCAP. Classical,Instructional,Traditional. 6 ...
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Violin Solo - Level 1 - Digital Download SKU: A0.1105737 Composed by Wendy Loder. Arranged by Wendy Loder, ASCAP. Classical,Instructional,Traditional. 6 pages. LarkAngel Productions #708960. Published by LarkAngel Productions (A0.1105737). These bowing exercises are so helpful for absolute beginners, to learn the basic techniques (and art!) of starting & stopping rhythmically using half and whole bows. More bow divisions and rhythms are introduced, using open strings A-D-G-E. Then basic 5-note scales on E using the different placement of whole & half-steps. The following pages have fingering charts/tablatures to correlate note names on the violin with treble clef written underneath, and a suggested practice exercise. The charts are great to have as reference to help learn the letter names that match with the fingering numbers in first position.
$9.99
Horn Sonata - No. 1 - 3rd Movement - Allegro
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French horn
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ADVANCED
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Lyons Music Services
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Horn Sonata - No. 1 - 3rd Move
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Musi...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00
Elegant Strength (for solo contrabass)
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Double Bass
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ADVANCED
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Contemporary
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Paul SanGregory
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Elegant Strength
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Distant Engraver Music
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.977037 Composed by Paul SanGregory. Contemporary. Individual part. 8 pages. Distant Eng...
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.977037 Composed by Paul SanGregory. Contemporary. Individual part. 8 pages. Distant Engraver Music #3538061. Published by Distant Engraver Music (A0.977037). This is a unique and challenging solo piece for bass virtuosos that combines Chinese musical expression with various other bass techniques. As well as using pizzicato in a quasi guitar-like way to produce different contrapuntal voices, it utilizes the bass' melodic expressiveness (its elegance) and ability to produce heavy aggressive textures (its strength). The expressive techniques of Chinese guqin and erhu music also appear as special types of vibrato and pitch bends. Though it isn't really Chinese music, it does mimic the elegant phrasing and flexible expression of such Chinese music.
$5.00
Isn't It Enough to Think...Without Having to Believe (or, The Only Church)
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Concert band
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Contemporary
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Neal Endicott
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Isn't It Enough to Think...Wit
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Neal Endicott Music
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published ...
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Concert Band - Digital Download SKU: A0.1030824 Composed by Neal Endicott. Contemporary. Score and parts. 35 pages. Neal Endicott Music #1249. Published by Neal Endicott Music (A0.1030824). This piece was originally titled Istn’t it Enough, drawing inspiration from the famous passage from The Hitchhiker’s Guide to the Galaxy. I changed the wording slightly to be more encompassing of different modes of perception (thought is a broader concept than sight and the word think created better melodic material than the word see, using the method described below) I provided an alternate title to more clearly convey the meaning behind the piece. That is; that the only church that I will ever need is the one I find in musical expression and in the beauty of the natural world. Though Adams’ meaning was meant to convey the primary reasoning for his atheism-a reason that I use as well-I also see it as an admonishment of our need for constant stimulation. Adams felt-and I feel-that people need to take the time to slow down and enjoy life: we need to enjoy the beauty of the garden (both literally and metaphorically). That, quite simply, is what this piece is (or at least what it is to me). Among the compositional techniques that I used in this piece is one that I have been using quite a lot. I call it crypto-serialism. The basic concept is that I will take a piece of text (the Douglas Adams quote, in this case) and convert each letter to a number between 0 and 11 and then convert those numbers to musical pitches, where 0 = C, 1 = C#, etc. The technique offers me a way to draw actual musical ideas from the text itself, which I see as a means of creating a deeper connection to the text. The piece is dedicated to the Four Horsemen of the Non-Apocolypse: Richard Dawkins, Christopher Hitchens, Sam Harris, and Daniel Dennett.
$25.00
Congklak and YoYo
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Piano solo
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EASY
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Gabrielle Felicita Chen
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Congklak and YoYo
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Gabrielle Felicita Chen
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1083572 Composed by Gabrielle Felicita Chen. 20th Century,Children,Country,Folk,Pop. Score. 4 pages. Gabr...
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Piano Solo - Level 2 - Digital Download SKU: A0.1083572 Composed by Gabrielle Felicita Chen. 20th Century,Children,Country,Folk,Pop. Score. 4 pages. Gabrielle Felicita Chen #687775. Published by Gabrielle Felicita Chen (A0.1083572). I composed this piece about couple months ago, about February 2022, with a title of: “Congklak and YoYo†Starting when I was inspired by two popular Indonesian traditional children's games called Congklak and Yo-Yo. Congklak is also known as Mancala in other countries. The history of Congklak game came from a long way- originated from the Middle East to Africa and finally spread to Asia. In Indonesia, the game was at first only played by the young girls from the Javanese nobility families. With the passage of time, Congklak game's popularity grew and was widely played by common people. On the other hand, 'Yo-Yo' is a game using a toy that consists of a circular object and a long piece of string tied into it in such a way that the object can be made to go up and down by manipulating the string. Girls would be playing Congklak together while the boys playing Yo-Yo. I was so drawn to both games because they were both such entertaining games to play amongst friends. So I decided to translate my fascination of the games into my piano composition. After understanding deeper on how to play the game of YoYo, I was inspired to put on ‘ascending and descending notes’ as a way to interpret and emulate the YoYo's up and down movements. To illustrate the game of Congklak, I used ‘staccatos’ and ‘ornaments’ to emulate the sound of seeds moving from one hole to another in a rotating sequence. Moreover, I was able to use different kinds of musical techniques to express different moods. I applied D Major to create an exciting nuance of playing together, and spiced it up with the touch of Javanese Scale which represents the Javanese Gamelan sounds that are usually transcribed into Western notations. Well, enjoy! 😃.
$1.99
From the New World (Symphony No.9, 3rd Mvt)
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Handbells
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ADVANCED
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Classical
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Antonin Dvorak
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Cheryl (Sutton) Baker - Bronze
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From the New World
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Bronze:FX
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SheetMusicPlus
Handbell - Level 5 - Digital Download SKU: A0.1307850 Composed by Antonin Dvorak. Arranged by Cheryl (Sutton) Baker - Bronze:FX. 19th Century,Classical,R...
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Handbell - Level 5 - Digital Download SKU: A0.1307850 Composed by Antonin Dvorak. Arranged by Cheryl (Sutton) Baker - Bronze:FX. 19th Century,Classical,Romantic Period. Score. 13 pages. Bronze:FX #897097. Published by Bronze:FX (A0.1307850). This arrangement of “From the New World†(Third Movement) is for full bell choir using 4-6 octaves of handbells. When played with 12 ringers, the piece is rated at Level 5.Filled with interesting and contrasting rhythms and techniques, this arrangement is fun to play and thoroughly enjoyable to hear. Each range of the bells is featured in different ways at different times in the piece. The middle bells have a lot of rhythm and technique changes which are not very difficult and will keep the ringers smiling. The super bass bells sometimes play the part of the timpani or strong brass, and at other times have a counter melody all their own. The high bells may carry the melody (often doubled in octaves), but that same melody is often echoed in the other bell ranges as well just a beat or two later.The arranger recommends that ringers listen to an orchestral recording of this composition. It is arranged in the same key, and (if you can) could be rehearsed together.  If you have enough hands available, the arranger provides suggestions for an added triangle part.This arrangement is dedicated to Bay Bells, an advanced community handbell choir that the arranger Cheryl (Sutton) Baker (also known as Cheryl Woldseth) directed from 1986 to 1997. Under her leadership, Bay Bells and the subset Bay Bells Ensemble performed throughout California, Oregon, Nevada, and Hawaii, plus they toured Indonesia in 1996 and also performed at the 1996 International Handbell Symposium in Albuquerque, New Mexico. Bay Bells premiered this arrangement at the 1997 National AGEHR Ringers Conference in Sacramento, California.Performance time• 8 minutes, 10 seconds.
$3.95
20 Contemporary Solos, Duos and Ensembles for Oboe
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Drake Mabry
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20 Contemporary Solos, Duos an
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Drake Mabry
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SheetMusicPlus
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.799466 Composed by Drake Mabry. 20th Century,Contemporary,Instructional. 23 pages. Drake Mabry #19...
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.799466 Composed by Drake Mabry. 20th Century,Contemporary,Instructional. 23 pages. Drake Mabry #1989641. Published by Drake Mabry (A0.799466). This is a collection of works which include pieces which can be played as solos, duos and ensembles. Written when I was Artist in residence at the Conservatory of Music in Chalons-sur-Saone, France during the academic year 2007-2008, each one page piece is a short musical expression focusing on a specific concept found in contemporary music but written to suit players relatively new to the oboe. These pieces may be included in the normal teaching program and are also perfect for workshops where participants may have very different levels and experience. While these duets are musically satisfying in themselves, they are also etudes which will introduce players to various techniques encountered in more advanced contemporary repertoire. Without being extremely complex technically, they provide challenges in their concept and approach to musicality. They can be played as written, or they may be modified by the teacher and/or performer. Although the compositional details are important, they may be bent with musical taste. For example, improvisations based on the musical material may be inserted; or several movements may be played at the same time. Of course, pieces may be assembled into suites. Feel free to try different tempos, changing tempos, different dynamics, and different methods of sound production, even playing silently. The spatial dimensions of the performance area(s) may also be exploited. These pieces may also be appropriate for use in dance, theater, art, poetry, video, sports etc.
$9.99
Jazz Studies Clarinet PDF-Edition
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Clarinet
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BEGINNER
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Martin Stolz
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Jazz Studies Clarinet PDF-Edit
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Martin Stolz
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SheetMusicPlus
Clarinet Solo - Level 1 - Digital Download SKU: A0.806024 Composed by Martin Stolz. Instructional,Jazz. Individual part. 51 pages. Martin Stolz #3419147....
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Clarinet Solo - Level 1 - Digital Download SKU: A0.806024 Composed by Martin Stolz. Instructional,Jazz. Individual part. 51 pages. Martin Stolz #3419147. Published by Martin Stolz (A0.806024). Jazz-Studies opens the gate to the world of Jazz for the student. General tips · technical exercises · explanation of style features that make Jazz become Jazz · Jazz 10 Jazz Exercises · 4 Jazz tunes · and more...This book gives the student an understanding of the basics of improvisation, phrasing, rhythm and eartraining through special exercises, explanations and samples. Through practising check lists, which can be printed out, the student has the possibility of developing his technical skills systematically.10 Jazz exercises train the different phrasing-techniques and rhythmic features of Jazz. From easy to complex... At each exercise tips, hints or explanations or advices for practising are provided for the student so he can master the exercise in a better way. 4 Jazz tunes give the student the possibility of using the skills he got from the exercises at a Jazz piece. These tunes are based on common song forms of Jazz (Blues, Rhythm Changes, Misty ect. ) . Compositional elements and also basics of harmonics are made accessible to the student. He is encouraged to improvise in various ways over the song forms, to vary melodies or to compose.The listening samples and play-alongs are separately available here (click on the link): https://martinstolz1.selz.com/de/item/jazz-studies-alto-saxophone-samples-and-play-alongsmore information here: https://martinstolz1.selz.com/de/categories/alto-saxophone-material
$4.99
9.28.85
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Trombone
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ADVANCED
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #201...
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
Ghost Ship's Call
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String Orchestra
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BEGINNER
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Sandra Strand
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Ghost Ship's Call
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Sandra Strand
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.996375 Composed by Sandra Strand. Contemporary,Multicultural,Standards,World. Score and parts. 17 p...
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String Orchestra - Level 1 - Digital Download SKU: A0.996375 Composed by Sandra Strand. Contemporary,Multicultural,Standards,World. Score and parts. 17 pages. Sandra Strand #5899991. Published by Sandra Strand (A0.996375). One of my most valuable teaching techniques is the incorporation of literacy into each music lesson. This can be found in music-based worksheets, popcorn reading, power point presentations, or even creative writing. These lessons are not intended to take up much time and help to engage the students at the start of class. In order to capture the attention of the diverse types of learners in my orchestra I composed this piece with the intention of the students writing a background story (or liner notes) for the work. Using familiar themes from the French tune Il est né le Divin Enfant (in a minor key) and a portion of the Irish ballad Star of the County Down I created an interesting pirate sounding shanty. The title, Ghost Ship’s Call, is a guideline for this write your own adventure piece. The students can explore different ideas for the harmonic and melodic changes in the music.
$30.00
Ascension
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Piano solo
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EASY
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Kristen Ascenzi
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Ascension
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Kristen Ascenzi
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1030812 Composed by Kristen Ascenzi. Standards. Score. 3 pages. Kristen Ascenzi #2034569. Published by Kr...
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Piano Solo - Level 2 - Digital Download SKU: A0.1030812 Composed by Kristen Ascenzi. Standards. Score. 3 pages. Kristen Ascenzi #2034569. Published by Kristen Ascenzi (A0.1030812). Ascension is an educational piano piece that demonstrates how beautiful music can be made from the simplest of musical ideas. Using intervals, layering, and rhythmic variations, the piano student can practice fundamental concepts while discovering how the different sounds interact. The difficulty of this piece will vary depending on the tempo and expressive techniques chosen by the pianist.
$4.99
Bluegrass Breaks: Guitar
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Dix Bruce
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Bluegrass Breaks: Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: M0.96862MEB 23 Bluegrass Guitar Solos. Composed by Dix Bruce. Guiar Solo. Style. E-book and online a...
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Guitar - Intermediate - Digital Download SKU: M0.96862MEB 23 Bluegrass Guitar Solos. Composed by Dix Bruce. Guiar Solo. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #96862MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.96862MEB). ISBN 9781619115347. 8.75x11.75 inches.Welcome to Bluegrass Breaks: Guitar! This book is a collection of 23 guitar solos or breaks plus 16 introductions or kickoffs in a range of styles and levels of difficulty. The solos are aimed at advanced beginner to intermediate guitarists looking to expand their repertoire of lead guitar solos. All the solos are recorded in split-track format at two speeds and are available online.This book includes:Easy Carter-style solos with the melody played on the bass strings, punctuated by chord strums.More advanced Carter-style solos with hammer-ons, pull-offs, slides and more.Hot flatpicking solos with lots of eighth notes, played with up and down picking.Essential fiddle tunes for every modern bluegrass lead guitar player.Crosspicking solos played with two different crosspicking patterns.Solos using the real dropped D and the faux dropped D tunings.A variety of kickoffs, generic and for specific songs.Extensive notes on the breaks and the techniques used to play them.The breaks in this book are based on are some of the most performed bluegrass, old-time, and gospel songs - songs that you're sure to hear played at jam sessions, picking parties and on stage. Includes access to online audio.
$17.99
Klarifications for Clarinet Choir
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Clarinet Ensemble
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ADVANCED
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Contemporary
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John Gibson
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Klarifications for Clarinet Ch
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581881 Composed by John Gibson. Contemporary. 9...
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Linear #3012617. Published by JB Linear (A0.581881). Klarifications for Clarinet Choir is a three movement piece for a large clarinet choir. It is set for Eb Soprano (one player), Bb clarinet 1-2-3, 2 alto clarinets, 2 bass clarinets, and Bb Contra. This would be best in a clarinet choir with at least two on a part in the Bb clarinet section. Here is what Margaret Thornhill wrote about this piece in The Clarinet magazine, June 2017: The dramatic first movement is a dialogue between an eefer (Eb clarinet) and the rest of the ensemble, incorporating paraphrases of excepts from Bach to Bizet. It is followed by a surprising second movement chorale with slap tongue, flutter tongue and finger popping intended to be individually miked. The final movement is an exciting montuno, including a section where each person can choose which riffs to play.The 1st movement, Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. The 2nd movement (Close Encounters with Basses) makes use of a number of unusual sounds on clarinet (or parts thereof) along with a few extended techniques that are fairly easy to play with the clear instructions provided. The altos, basses, and contra should be closely miked to be heard.The 3rd movement (Sometimes Free - A Montuno) starts off with a rich beat in the basses and gradually joined with the rest of the clarinets. In the montuno section there are 4 bar phrases each player can choose from to play during the 32 bars. They may choose what they will, either playing a different variation each time, using the same one each time, or choosing to not play for a particular 4 bar section. This is not a free improvisation, however! This is definitely for an advanced group of players. The 1st movement is also available separately. The sample recording uses Finale software in the 1st and 3rd movement, and John Gibson's recording of the 2nd movement.
$22.95
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