French Violin Music Of The Baroque Era, Vol.II

Figured Bass Realization by S. Petrenz. By French Violin Music Of The Baroque Era. Edited by G. Meyn-Beckmann. Violin. Pages: Score = IX and 63 * Vl Part = 28 * BC Part = 24. Urtext edition-paper bound. Published by G. Henle.

Figured Bass Realization by S. Petrenz. By French Violin Music Of The Baroque Era. Edited by Gisela Meyn-Beckmann. Figured bass by Siegfried Petrenz. Violin. Pages: Score = X and 63 * Vl Part = 31 * BC Part = 23. Urtext edition-paper bound. Published by G. Henle.

By Arpad Pejtsik. Arranged by Pejtsik, Vigh. EMB. Size 9x12 inches. 63 pages. Published by Editio Musica Budapest.

Violin and Cello - easy

SKU: BT.EMBZ14062

By Lajos Vigh. By Arpad Pejtsik. EMB Music for Beginners. Educational Tool. Book Only. Composed 1995. 64 pages. Editio Musica Budapest #EMBZ14062. Published by Editio Musica Budapest (BT.EMBZ14062).

Hungarian-English-Germ an-French.

This volume of the series Music for Beginners contains duos for violin and violoncello, altogether fifteen pieces, among them six items for several parts. They are partly works by Baroque masters, partly by composers of the Viennese Classicism. This volume is recommended for pretentious students after four to five years of serious studies.

Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 great masterpieces from the baroque, classical, romantic and modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.

(Baroque, Classical and Romantic Favorites, Wedding Music). By Various. Arranged by Daniel Kelley. String quartet, woodwind quartet, piano quintet, mixed quartet, clarinet quartet. For French Horn or English Horn. Quartets. Music for Four series. Baroque / Classical. Intermediate/Advanced. Partbook - part 3. Published by Last Resort Music Publishing

By Various. Arranged by Laszlo Czidra. EMB. Size 9x12 inches. 82 pages. Published by Editio Musica Budapest.

By Various. Arranged by Laszlo Czidra. EMB. Size 9x12 inches. 80 pages. Published by Editio Musica Budapest.

Composed by Arcangelo Corelli (1653-1713). Arranged by Mike Forbes. Published by Kendor Music Inc (KN.12192).

Orchestra; Violin

SKU: UT.NAP-4

Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4).

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

Composed by Francesco Geminiani (1687-1762). Edited by Peter Walls. This edition: Critical Edition. Opera Omnia - Vol. 12. Early Music, Instructional. Score (cloth bound). 180 pages. Published by Ut Orpheus

With Variants, Examples and Advice for Playing and Improvising on any instrument. Edited by Pascale Boquet, Gerard Rebours. Music Books/CDs. Teaching Works. Level: Grade 0. 144 pages. Published by Editions Fuzeau Classique - France (French import).

Saxophone

SKU: HL.50486663

Composed by Eva Perenyi and Peter Perenyi. EMB. Pedagogical performance pieces. Book Only. 64 pages. Editio Musica Budapest #Z14449. Published by Editio Musica Budapest (HL.50486663).

ISBN 9790080144497. UPC: 196288076445. 9.0x12.0x0.228 inches. Hungarian, English, German, French. Eva Perenyi; Peter Perenyi.

The content of this volume consists exclusively of solo pieces and character etudes, with just a few exceptions they are almost all transcriptions. The majority are Baroque or 19th-century works, and they include both totally unknown compositions and other that are well-known (e.g. certain movemets of the Bach partitas for violin and the solo suites for cello).