Play-along Jazz Standard Chord Progression - Guitare +online Audio

Par VIGNOLA FRANK. Dans ce livre et CD, guitariste de jazz maître Frank Vignola a pris huit des progressions de différents accords standard jazz et pièces de guitare rythmique enregistré vous pouvez jouer le jeu et apprendre les plus couramment utilisés des progressions de corde. Il a également écrit un solo de jazz pour chacun des airs huit. Celles-ci sont comptabilisées à tempos lents et plus rapides pour la pratique. Le premier refrain de chaque piste a le solo et la guitare rythmique, et le reste des choeurs ont juste la guitare pour que vous puissiez jam avec. La notation pour chaque morceau comprend un solo de jazz écrit en notation et tablature et aussi un graphique de la corde. / Niveau : Intermédiaire / Jazz - Accompaniment / Tablatures / Guitare Tablatures

(Sample solos by Mike Steinel) At last, a jazz play-along book for developing players! In addition to being a perfect introduction to some of the best-known jazz standards, Essential Elements Jazz Standards includes hints for improvising on each tune, a guide to jazz articulations, a scale/chord correlation chart, and biographical sketches of key jazz figures. And if that wasn't enough, each tune comes with its own sample solo for reference or performance! The professionally recorded audio CD has tempo adjustment software for use in your computer. Includes: Now's the Time, Killer Joe, Blue Bossa, C-Jam Blues, Footprints, Song for My Father, Autumn Leaves, Freddie Freeloader, St. Thomas and Blue Train. · Play-along CD with choice of full recording (with melody) or rhythm section only · Tempo adjustment software (computer required) · Sample written solos and improvising hints · Rhythm book includes bass lines, piano voicings, and drum patterns / Section Rythmique (Piano, Guitare, Basse, Batterie)

Par AEBERSOLD JAMEY. See why Jamey?s concise and logical piano comping has set a standard for swinging accompaniment accessible to all musicians. Comping/chords to the changes of Impressions, Satin Doll, Maiden Voyage, Footprints, Doxy, Summertime, and many more!! See why Jamey\'s concise and logical Piano comping has set a standard for swinging accompaniment accessible to all musicians. Comping/chords to the changes of Impressions, Satin Doll, Maiden Voyage, Footprints, Doxy, Summertime, and many more!! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder \'what\'s he doing there'\' Now you\'ll know! Here, as never before, is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions, exactly as recorded, of theexciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists, there are many ways for ALL MUSICIANS to use these wonderful musical tools. Pianists: First, listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next, reading from the book, play along with him, imitating his style. Finally, TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned, you\'ll soon be improvising your own accompaniment! Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings they\'ve heard on a particular Play-A-Long track. Written clearly for two hands, even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools, they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students. / Méthode en anglais / Méthode / Piano ou Clavier

Perfect for the student of Jazz. --Michael Brecker 'I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!' Fred Hamilton, professor of jazz guitar, University of North Texas 'These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.' Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8

by Walt Weiskopf. From the popular performer and composer, here are 16 solos based on well-known standards designed to improve your time, melodic sense, and harmonic awareness. They sound like 'real' solos because they were designed the way real soloists think and play. Chord changes are written above each measure, allowing instant analysis of how and why a particular lick or pattern sounds great. Tempos are moderate to moderate-fast, so they are very approachable for intermediate level players. The CD includes both play-along/practice tracks and demonstration tracks with Walt playing the etudes on either tenor or alto sax (depending on the book). Playing these solos with solid time, tone, and conviction will have you sounding professional, mature, and polished.

Description Learn 12 MORE great Gypsy Swing/Hot Club standards (see song list below left) in the style of Django Reinhardt, Stephane Grappelli and The Quintette of the Hot Club of France. Just like with the original set, you'll play along with a great Gypsy Swing Rhythm Section and learn chords, comping, and melodies, then let the band back you up as you practice chords and soloing. You play all the leads while the band backs you up. Beginners can practice basic skills while more advanced players can hone their improvisation chops, each at their own individual learning pace. You'll learn moveable closed position swing/jazz chords and practice playing them with the swing guitar comp. We've also included information on basic chord substitution along with exercises on transposing melodies and chord progressions to different keys. These are essential skills for any swing/jazz musician. You'll also explore some basic chord melody passages! Book/CD set includes standard notation, tablature, chord diagrams, lyrics, playing tips, and more. Each song is presented on the CD at slow and regular speed. First you?ll hear the melody played on guitar at a slow speed with just guitar backup, then it's repeated at regular speed with the band. The back up band is a classic Hot Club- style rhythm section with two acoustic rhythm guitars, string bass. Songs may be repeated, at slow or regular speed, as many times as you wish in order to perfect phrases, melodies and solos in a band context.

Par DAVIS STEVE. The goal of this play along series is to provide the jazz drummer with play along and practice material that will be challenging, informative, and musical. The series contains important jazz tunes based on the standard jazz repertoire. While there is no written melody, there are a number of melodies that one can sing over the existing chord changes. I have been giving similar recordings to students through the years and this is the result of the feedback about their wants and needs as players. It always seemed to make sense to me to practice in the context of a tune adhering to the form and melody. These play along tunes provide you with a musical backdropto hone your own skills. I certainly encourage you to explore your musical boundaries. These tunes give you a place to practice comping, soloing, trading fourths and eighths, working on your ride cymbal sound, etc. As you can see your development is limited only by your imagination! The tempos range from quarter note equals 100 to quarter note equals 320. You can work on these in any given order but we suggest the slower tempos first. I also give you a suggested listening list of essential jazz standards and drummers that exemplify this kind of musical drumming. Steve Davis. / Jazz / Recueil / Percussions

Media : Book/CD Set Author : >by Corey Christiansen Level : Intermediate Date published : 1/10/2003 Style : Jazz Type : Improvisation Description : Grant Green was one of the most innovative jazz guitarists of the 1960s. His horn-like lines, original tone, and superb sense of time elevated him to being one of Blue-Note Records first call session players as well as a respected bandleader. This book covers many of the techniques Grant used in his playing and provides many melodic lines in the style of Grant Green for minor, dominant seventh, short and long ii-V, major, and minor ii-V chord progressions. Chapters on double-slurs, double-stops, pentatonic and blues scales as well as chapters on the basics of the jazz language will help guitarists understand and play the music of Grant Green. Presented in standard notation, tab and fretboard diagrams, this book comes with a play-along CD that will assist guitarists in mastering this material.