| Hang that Twang : Guitar Wallhanger Native Moon
(4 comments)
Pour guitare et basse- Forme de médiator 351- Design: Native Moon- Vis, boutons et instru...(+) Pour guitare et basse- Forme de médiator 351- Design: Native Moon- Vis, boutons et instructions incl. |
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| Hense Plecs : Craig Thatcher Happy Turtle
Signature Craig Thatcher- En pierre de lait- Forme équilatérale classique- Epaisseur: en...(+) Signature Craig Thatcher- En pierre de lait- Forme équilatérale classique- Epaisseur: env. 1,2 mm- Largeur: env. 29,2 mm- Hauteur: env. 28,5 mm- Populaire auprès de nombreux joueurs de mandoline et de Bluegrass- Surface de jeu usinée sur les 3 coins (comme un médiator usé)- Convient uniquement aux droitiers- Fabriqué en Allemagne |
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| Quelle est Belle Company : Nuthatch
(1 comments)
Appeau "Sittelle torchepo"- En buis verni- Boule en laiton- Norme CE (EN71-1, 71-2, 71-3)-...(+) Appeau "Sittelle torchepo"- En buis verni- Boule en laiton- Norme CE (EN71-1, 71-2, 71-3)- Convient aux enfants à partir de 3 ans |
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| AKAI Professional : DECAP - Drums That Knock
AKAI Professional DECAP - Drums That Knock (ESD); MPC Expansion; expansion pack for Akai M...(+) AKAI Professional DECAP - Drums That Knock (ESD); MPC Expansion; expansion pack for Akai MPC products; drums and percussion created for the MPC platform by producer and sound designer DECAP, based on his signature sound "Drums That Knock"; contains 34 MPC drum kits with over 540 sounds; system requirements: MPC Touch, MPC Live, MPC X, MPC Renaissance, MPC Element (Essentials), MPK2 Series Keyboards (Essentials), MPD2 Series Pad controllers (Essentials) |
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| Hang that Twang : Guitar Wallhanger Backwest
Pour guitare et basse- Forme de médiator 351- Design: Backwest- Vis, boutons et instructi...(+) Pour guitare et basse- Forme de médiator 351- Design: Backwest- Vis, boutons et instructions incl. |
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| Hang that Twang : Guitar Wallhanger 6 String
Pour guitare et basse- Forme de médiator 351- Design: 6 String- Vis, boutons et instructi...(+) Pour guitare et basse- Forme de médiator 351- Design: 6 String- Vis, boutons et instructions incl. |
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| Hang that Twang : Guitar Wallhanger Red Winger
Pour guitare et basse- Forme de médiator 351- Design: Red Winger- Vis, boutons et instruc...(+) Pour guitare et basse- Forme de médiator 351- Design: Red Winger- Vis, boutons et instructions incl. |
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| Hang that Twang : Guitar Wallhanger Wood Clef
(4 comments)
Pour guitare et basse- Forme de médiator 351- Design: Clé de Sol / bois- Vis, boutons et...(+) Pour guitare et basse- Forme de médiator 351- Design: Clé de Sol / bois- Vis, boutons et instructions incl. |
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| Hang that Twang : Guitar Wallhanger Red Robin
Pour guitare et basse- Forme de médiator 351- Design: Red Robin- Vis, boutons et instruct...(+) Pour guitare et basse- Forme de médiator 351- Design: Red Robin- Vis, boutons et instructions incl. |
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| TAYLOR GUITARS 724CE KOA
Taylor - Koa 700 Series - 724ceHawaiian koa s seductive charms are legendary. With the ne...(+) Taylor - Koa 700 Series - 724ceHawaiian koa s seductive charms are legendary. With the new all-koa 700 Series, Taylor masterdesigner Andy Powers has embraced koa s natural beauty and sonic virtues in a fresh way thatreveals a distinctive musical personality compared to Taylor s Koa Series. Where the Koa Seriesshowcases an ultra-refined look and sound, with figured wood, rich appointments, gloss finishand a smooth voice, the new 700 Series channels more of koa s natural character in look, feeland sound. Select-grade koa boasts rich color variegation and straight grain structure.A newback bracing pattern, together with ultra-thin matte finish, coaxes a livelier, punchier, moredirect response from the guitar, making it exceptionally player-reflective. The thin finish alsocreates a warm and inviting tactile sensation with the natural wood texture, making players feeleven more connected to the guitar. A new suite of appointments includes mother-of-pearlFountain fretboard/inlays, rosewood binding (including soundhole), maple/rosewood top edgetrim, a paua/rosewood rosette, a dark-stained maple pickguard and Taylor polished bronzetuners. Model offerings include the Grand Auditorium 724ce and Grand Concert 722ce.Timeless koa appeal reimagined with a vibrant new voice.With the new, all-solid-koa 700 Series, Taylor master designer Andy Powers has embraced Hawaiian koa s natural beauty and sonic virtues in a fresh way that brings a distinctive musical personality to the Taylor line.Compared to our established Koa Series, which showcases an ultra-refined look and sound, featuringfigured koa, rich appointments, gloss finish and a smooth voice, the koa 700 Series channels more of koa s natural character in look, feel and sound.How the Series Was BornBack in 2015, Taylor formed a Hawaii-based partnership with tonewood supplier Pacific Rim Tonewoods to supply and grow Hawaiian koa for the future. (The company is called Siglo Tonewoods.)Part of our commitment is to contribute to current forest restoration efforts in Hawaii on a project basis through contracts with Hawaiian landowners.As specified in these stewardship agreements, Siglo is permitted to cut a select number of designated koa trees, and in exchange, we invest dollar for dollar in a host of forest improvement projects.These arrangements have enabled us to cut into more koa logs ourselves and discover far more varieties of koa wood, featuring a rich palette of colors with beautiful striping. (We hadn t previously been exposed to this type of koa in dealing with suppliers.) We gave this wood its own classification as Select-grade.Taylor master builder Andy Powers was excited by the new opportunities this wood presented. It inspired him to design what became the Koa 700 Series. He wanted to honor the unique characteristics of this wood by offering players another compelling koa playing experience.Unique Design FeaturesSelect-grade koa: Boasts rich color variegation and straight grain structureUltra-thin matte finish :Feel: The thin open-pore finish creates a warm and inviting tactile sensation; you can feel the natural wood texture, creating a more intimate connection to the guitarSound: Together with slightly altered back bracing, the voicing is different from our KoaSeries: a livelier, punchier, more direct response, making it exceptionally player-reflectiveAppointmentsFretboard/Peghead Inlay: New Fountain design in mother-of-pearlBody Edge Treatment: Indian rosewood binding (including soundhole)Rosette: Single ring, paua and rosewoodTuners: Taylor polished bronzeOther Unique Features: Maple/black/rosewood top edge trim, dark-stained maple pickguard I wanted to offer traditional appointments, with a focus on natural materials like wood and shell. I wanted the inlay to be unobtrusive and not too heavy in its ornamentation. Andy Powers These guitars retain the unique sweetness we associate with a koa guitar especially that beautiful midrange but with a more direct, punchier attack. Andy PowersAn expanded family of koa beauty. An expanded palette of koa sound.Players can choose from an array of koa models offered across the Taylor line, from the all-solid-wood Koa and 700 Series to select models within the 200 and 200 Deluxe Series to GS Mini and Baby Taylor models.Specifications : Body Wood:Solid Select-Grade Hawaiian KoaTop Wood:Solid Select-Grade Hawaiian KoaNeck:Neo-Tropical MahoganyFretboard:West African EbonyNut Width:1-3/4 Scale Length:25-1/2 (724ce), 24-7/8 (722ce)Electronics:ES2Case:Taylor Deluxe Hardshell Case |
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| Paiste Rude 14 Hi-hats
En réponse aux évolutions extrêmes de la musique comme le Punk et le Heavy Metal à la ...(+) En réponse aux évolutions extrêmes de la musique comme le Punk et le Heavy Metal à la fin des années 70, Paiste développa la série RUDE. Ces cymbales sont d'un aspect des plus agressifs et offrant de lourdes harmoniques dans les moyennes fréquences à haut volume. Conçues à partir du fameux alliageBronze 2002, les RUDE mettent à votre disposition le même éventail de modèles rendus célèbres dans les années 80 par de nombreux batteurs comme Stewart Copeland avec The Police. |
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| WA-87 FET Condenser Microphone
Nickel Color. Warm Audio. General Merchandise. Hal Leonard #WA-87. Published by Hal Leonar...(+) Nickel Color. Warm Audio. General Merchandise. Hal Leonard #WA-87. Published by Hal Leonard (HL.323638).
Item Number: HL.323638
12x16 inches.
A Classic Made Affordable
The classic '87 is arguably the most widely-used large diaphragm condenser microphone in popular recording history. Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century. As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models. The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87.
It All Starts with the Microphone
The importance of a good microphone cannot be overstated; but unfortunately, finding a truly great microphone within a budget has always been challenging for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones are financially out of reach for most people. Warm applied all that they know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top shelf products, yet sells for a price that is down to earth.
Quality Components Make a Better Mic
The WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a CineMag USA output transformer.
The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early '87 microphones.
The WA (Warm Audio) brand of capsule is the result of several years of research, a lifetime of listening, and a passion for great sound. Above all else, Warm Audio capsules came from the desire to give customers far more quality/value than what they are used to getting in an affordable microphone. Every Warm Audio capsule is made in the same small assembly house in a clean-room environment, and packaged in its own protective jewel case until the moment it is loaded into the microphone. Every capsule visually inspected and electrically tested for imperfections. Every capsule is also made with all brass parts (no teflon or other cost saving material), and is carefully skinned from the same supply of high purity NOS Mylar (PET film). We are confident that you will be just as pleased with Warm microphone capsules as we are to offer them, and that they will give you a lifetime of great recordings and enjoyment. |
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| TB12 Black Tone Beast - Tone Shaping Mic Pre
Same Original Tone Beast, Now in Black!. Warm Audio. General Merchandise. Hal Leonard #TB1...(+) Same Original Tone Beast, Now in Black!. Warm Audio. General Merchandise. Hal Leonard #TB12-B. Published by Hal Leonard (HL.323649).
Item Number: HL.323649
9.5x24 inches.
Unleash the Beast!
The TB12 Tone Beast Black is a fully professional preamp design with loads of gain that can effortlessly capture an array of sources very well. It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat the Tone Beast's big, bold, fully-professional sound at this price.
The Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.
When designing the TB12 Tone Beast Black, Warm's goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.
Premium Components:
The TB12 Tone Beast Black is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit.
The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast Black to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. |
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| TB12 500 Tone Beast Tone Shaping Mic Pre
Warm Audio. General Merchandise. Hal Leonard #TB12-500. Published by Hal Leonard (HL.32365...(+) Warm Audio. General Merchandise. Hal Leonard #TB12-500. Published by Hal Leonard (HL.323651).
Item Number: HL.323651
10x8 inches.
Unleash the Beast
The Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound ad its price.
The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. Warm has pulled its best tones from this pre right at the saturation point (as loud as you can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.
Affordable Tone Shaping Mic Preamp
Warm's goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.
Premium Components
The TB12 Tone Beast 500 is a high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Our own reproduction of the legendary original 2520-style discrete opamp found in the classic american consoles of yesteryear. These op-amps will work in any preamplifier or other device which conforms to the 2520-style footprint and +/-16 voltage standard. Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. |
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