| Edgar Russ - Sound of Cremona : Edgar Russ Cremonese 1715
Edgar Russ - Sound of Cremona Edgar Russ Cremonese 1715, Edgar Russ, Antonio Stradivari Cr...(+) Edgar Russ - Sound of Cremona Edgar Russ Cremonese 1715, Edgar Russ, Antonio Stradivari Cremonese 1715, personally handcrafted by master luthier Edgar Russ in Cremona, built in the pattern of Antonio Stradivari`s "Cremonese 1715" violin, spalted Italian spruce top from Val di Fiemme, airdried wood that has been seasoned for at least 20 years, flamed back made from Bosnian maple, sides and back made from the same piece of wood as the back, finest ebony fingerboard, the instrument has been varnished in the stayle of the old Italian 17th century masters, primer based on casein and calcium, the laquer has been home-brewn by Edgar Russ using amber and linseed-oil coloured with pigments in order to come as close as possible to the original`s appearance, Aubert De Luxe bridge, boxwood pegs, boxwood tailpiece with one fine-adjuster, boxwood endbutton, model "Dresden" ebony chinrest with titanium screws, strings will be individually chosen in order to achieve the best sound-quality possible. |
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| Edgar Russ - Sound of Cremona : Marco Dotti ex David - Heifetz
Edgar Russ - Sound of Cremona, Marco Dotti, Giuseppe Guarneri "ex David - Heifetz", handcr...(+) Edgar Russ - Sound of Cremona, Marco Dotti, Giuseppe Guarneri "ex David - Heifetz", handcrafted by master luthier Marco Dotti at the Edgar Russ violin workshop in Cremona, built in the pattern of a violin built in 1742 by Guarneri del Gesu which had been pre-owned by Ferdinand David von Leipzig and Jascha Heifetz (among others), spalted spruce top from Val di Fiemme, flamed back made from Bosnian maple, air-dried tonewoods, sides and back made from the same piece of wood as the back, finest ebony fingerboard, the instrument has been varnished in the stayle of the old Italian 17th century masters, primer based on casein and calcium, the laquer has been home-brewn by Edgar Russ using amber and linseed-oil coloured with pigments in order to come as close as possible to the original`s appearance, Aubert De Luxe bridge, boxwood pegs, boxwood tailpiece with one fine-adjuster, boxwood endbutton, model "Dresden" chinrest with titanium screws, Pirastro Evah Pirazzi Gold strings. |
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| Edgar Russ - Sound of Cremona : Edgar Russ Ysaye Guarneri 1740
Edgar Russ - Sound of Cremona, Edgar Russ, Giuseppe Guarneri Ysaye 1740, personally handcr...(+) Edgar Russ - Sound of Cremona, Edgar Russ, Giuseppe Guarneri Ysaye 1740, personally handcrafted by master luthier Edgar Russ in Cremona, built in the pattern of Giuseppe Guarneri`s "Ysaye" violin, once owned by the famous violin-virtuoso Eugene Ysaye, spalted Italian spruce top from Val di Fiemme, airdried wood that has been seasoned for at least 20 years, flamed back made from Bosnian maple, sides and back made from the same piece of wood as the back, finest ebony fingerboard, the instrument has been varnished in the stayle of the old Italian 17th century masters, primer based on casein and calcium, the laquer has been home-brewn by Edgar Russ using amber and linseed-oil coloured with pigments in order to come as close as possible to the original`s appearance, Aubert De Luxe bridge, boxwood pegs, boxwood tailpiece with one fine-adjuster, boxwood endbutton, model "Dresden" ebony chinrest with titanium screws, strings will be individually chosen in order to achieve the best sound-quality possible. |
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| Scala Vilagio : F.H. A. Guarneri Viola 1676 (1 commentaires)
Scala Vilagio F.H. Andrea Guarneri Viola 1676, handmade in Germany by master luthier Flori...(+) Scala Vilagio F.H. Andrea Guarneri Viola 1676, handmade in Germany by master luthier Florian Hertzsch, the Andrea Guarneri viola model is very popular among viola players and thus is copied pretty often. Andrea Guarneri was the grandfather of Guarneri del Gesu and he was taught his craft by Nicolo Amati. He has a reputation notably for his violas. The 1676 viol model features a back length of 16,5'' and thus delivers a strong and powerful tone. Spruce top (Picea abies), back, sides and neck made of flamed maple (Acer pseudoplatanus), ebony fingerboard (Diospyros crassiflora), ebony fittings, homemade antiqued amber-based oil-varnish based on the model of Italian masters, a thin layer of laquer enables the tone-woods to swing freely, traces of wear in the pattern of ancient Italian violins, maximum optimization of sound by final adjustment of soundpost and bridge, length of the back: 422mm / 16,5", belly stop 225mm, neck stop 141mm, comes with Thomastik Dominant strings, cerificate included, comes with Jakob Winter Viola Shaped Case 51015 CAB. |
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| Scala Vilagio : F.H. Gasparo da Salo Viola WN
Scala Vilagio F.H. Gasparo da Salo Viola 1580 walnut, handmade in Germany by master luthie...(+) Scala Vilagio F.H. Gasparo da Salo Viola 1580 walnut, handmade in Germany by master luthier Florian Hertzsch, Gasparo Bertolotti ' daSaló ' is considered to be one of Brescia`s most successful luthiers. Not only was he a musician which was enormously helpful in perfectioning the sound-quality of his instruments, but also he trained and taught famous luthiers like Maggini. Gasparo da Saló is well known for his amazingly full and low sounding instruments, the small viola from 1580 being one of them. The high arching of top- and back-plate in addition to the enormous width of the body result in an extraordinary richness of sound. Here we have a extremely light-weight viola featuring a short scale and a big tone. This copy of a Gasparo da Saló viola might be the perfect instrument for viola players, who are searching for a comfortable and easy to play viola. Spruce top (Picea abies), back and sides made of walnut, ebony fingerboard (Diospyros crassiflora), ebony fittings, homemade antiqued amber-based oil-varnish based on the model of Italian masters, a thin layer of laquer enables the tone-woods to swing freely, traces of wear in the pattern of ancient Italian violins, maximum optimization of sound by final adjustment of soundpost and bridge, length of the back: 392mm / 15,5", belly stop 209mm, neck stop 139mm, comes with Thomastik Dominant strings, cerificate included, comes with Jakob Winter Viola Shaped Case 51015 CAB. |
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| Scala Vilagio : F.H. Gasparo da Salo Viola
Scala Vilagio F.H. Gasparo da Salo Viola 1580, handmade in Germany by master luthier Flori...(+) Scala Vilagio F.H. Gasparo da Salo Viola 1580, handmade in Germany by master luthier Florian Hertzsch, Gasparo Bertolotti ' daSaló ' is considered to be one of Brescia`s most successful luthiers. Not only was he a musician which was enormously helpful in perfectioning the sound-quality of his instruments, but also he trained and taught famous luthiers like Maggini. Gasparo da Saló is well known for his amazingly full and low sounding instruments, the small viola from 1580 being one of them. The high arching of top- and back-plate in addition to the enormous width of the body result in an extraordinary richness of sound. Here we have a extremely light-weight viola featuring a short scale and a big tone. This copy of a Gasparo da Saló viola might be the perfect instrument for viola players, who are searching for a comfortable and easy to play viola. Spruce top (Picea abies), back, sides and neck made of flamed maple (Acer pseudoplatanus), ebony fingerboard (Diospyros crassiflora), boxwood fittings (Buxus sempervirens), homemade antiqued amber-based oil-varnish based on the model of Italian masters, a thin layer of laquer enables the tone-woods to swing freely, traces of wear in the pattern of ancient Italian violins, maximum optimization of sound by final adjustment of soundpost and bridge, length of the back: 392mm / 15,5", belly stop 209mm, neck stop 139mm, comes with Thomastik Dominant strings, cerificate included, comes with Jakob Winter Viola Shaped Case 51015 VIBE. |
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| Scala Vilagio : F.H. Guarneri del G. Carrodus
Fabriqué à la main en Allemagne par le maître luthier Florian Hertzsch- Inspiré du mod...(+) Fabriqué à la main en Allemagne par le maître luthier Florian Hertzsch- Inspiré du modèle "Carrodus" de Guarneri del Gesu de 1743- Le frère du célèbre "Il Cannone", le modèle créé en 1743 est un joyau absolu de la phase tardive populaire del Gesus- Table en épicéa alpin- Fond une pièce, éclisses et volute en érable- Touche en ébène- Garniture en ébène- Vernis à l'huile antique ambré Custom basé sur un modèle italien- Fine couche de vernis pour une vibration sans entrave du bois- Copie avec signes d'usure de l'instrument d'origine- Réglage fin du son effectué à l'aide du chevalet et de l'âme- Longueur du fond: 353 mm- Cordes Pirastro Evah Pirazzi- Certificat d'authenticité étui Gewa Bio (gris/noir) incl. |
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| Scala Vilagio : F.H. Maggini before 1632
Fabriqué à la main en Allemagne par le maître luthier Florian Hertzsch- Inspiré des mo...(+) Fabriqué à la main en Allemagne par le maître luthier Florian Hertzsch- Inspiré des modèles de violon de Giovanni Paolo Maggini souvent pourvus d'un double filet sur la tranche, d'une volute large et d'ouïes en F longs- En raison du corps légèrement plus grand avec une longueur de fond de 359 mm et une table bombée haute, ce violon sonne de manière très puissante, pleine et sombre- Table en épicéa alpin- Fond, éclisses et volute en érable flammé- Touche en ébène- Garniture en palissandre- Double filet- Vernis à l'huile antique ambré Custom basé sur un modèle italien- Fine couche de laque pour une vibration sans entrave du bois- Traces d'usure basées sur de vieux violons italiens- Réglage fin du son effectué à l'aide du chevalet et de l'âme- Longueur du fond: 359 mm- Cordes Pirastro Evah Pirazzi- Certificat d'authenticité étui Gewa Bio (gris/noir) incl. |
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