| Yamaha : MY16 MD64 - |
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| Tascam : IF-MA64/Ex
- MADI Interface Card for Tascam DA-6400- 1 MADI In/Out/Thru coaxial BNC connector- 1 MADI...(+) - MADI Interface Card for Tascam DA-6400- 1 MADI In/Out/Thru coaxial BNC connector- 1 MADI In/Out optical |
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| RME : Madiface USB
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| MOTU M64 USB AVB Interface with MADI - with Optical Coax MADI I/O - Mac/PC/iOS - 128-in/128-out USB/AVB Audio Interface |
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| Rme Digiface Dante Audio Interface 128 Channel Madi
A lightweight, portable audio interface, combining Dante network connectivity and features...(+) A lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation. Connectivity and Features 256 Channels: 128 in / 128 out 64 Channels Dante / 64 Channels MADI 2 x Gigabit Ethernet (802.3 compliant) 1 x MADI I/O coaxial I/0 Headphone Output Wordclock I/0 USB 3 Bus-powered TotalMix FX |
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| Rme Fireface Ufxii Ufx Ii Ufx 2 Ufx2 Audio Interface Sound Card Usb Adat Midi Aes Microphone Preamp ...
The unique Fireface UFX II is the premier solution to transfer analog and digital audio da...(+) The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source. Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces. Connectivity - 30 Input / 30 Output channels - 12 x Analog I/O - 4 x Mic/Instrument Preamp, digitally controlled - 1 x AES/EBU I/O - 2 x ADAT I/O (or 1 x ADAT I/O plus 1 x SPDIF I/O optical) - 1 x Word Clock I/O - 2 x MIDI I/O - 1 x USB 2.0 - TotalMix FX - optional: Advanced Remote Control USB General Specifications - Power supply: Internal switching PSU, 100 - 240 V AC, 36 Watts - Idle power consumption: 19 Watts - Typical power consumption: 22-25 Watts - Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19 x 1.73 x 8.5) - Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3 x 1.73 x 8.3) - Total depth: 240 mm (9.4) - Weight: 3 kg ( 6.6 lbs) - Temperature range: 5° up to 50° Celsius (41° F up to 122°F) - Relative humidity: < 75%, non condensing |
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| Avid 9900-58834-40 Hd Madi
What is HD MADI HD MADI is a versatile, all-digital interface that provides 64 channels o...(+) What is HD MADI HD MADI is a versatile, all-digital interface that provides 64 channels of MADI I/O, making it easy to integrate Pro ToolsHD systems into post-production and broadcast environments. Get great connection flexibility, fuss-free use through built-in sample rate conversion, and the ability to send and receive audio between your Pro Tools setup and MADI devices up to 2 km (1.24 miles) away. Key features Send and receive up to 64 audio streams between Pro ToolsHD and other MADI devices Maintain maximum audio fidelity, with up to 24-bit, 192 kHz sample rate support Gain connection and routing flexibility through optical and coaxial connections: 2 MADI inputs (optical and coaxial) 2 MADI outputs (simultaneous optical and coaxial) Forget having to match sample rates, thanks to built-in SRC on all I/O channels Completely integrates with Pro ToolsHD family systems for full input, output, and routing control Sync to an external clock through dedicated BNC Word Clock and XLR AES/EBU connections when using SRC on output Keep things in sync with versatile Clock support, including Internal, Loop Sync, Word Clock, AES/EBU, and MADI Gain better device compatibility with 64-channel (non-Varispeed) and 56-channel (Varispeed) support (at 48 kHz) Integrate Pro ToolsHD family systems with MADI-equipped VENUE live sound systems for recording and Virtual Soundcheck Verify and troubleshoot signals through status indicators and global I/O signal LEDs Compact 1U rack-mountable design overcomes space limitations Connects to Pro ToolsHD through two DigiLink Mini connections (32 audio channels each; cables and adaptors included) Features Open up your workflow MADI is an open protocol, and there are a wide variety of MADI-compatible devices available, including digital mixing consoles, mobile recording setups, and routers. With the HD MADI interface, you can easily add MADI devices directly to your recording setup, as well as integrate Pro ToolsHD into broadcast and live sound environments. And because the interface supports both optical and coaxial connections, as well as 56- and 64-channel modes, you can connect to a wide variety of MADI devices from countless manufacturers-without additional format converters. Fuss-free operation Forget about having to make sure your sample rates or the master clock match. HD MADI provides built-in sample rate conversion (SRC) on all inputs and outputs, so you can simply plug in and go-no converting sessions or down-sampling external MADI devices. And, because your audio output occurs simultaneously on both the coaxial and optical outputs, you can easily send audio to redundant systems without needing a splitter. Work with Pro Tools and more HD MADI and all other Pro Tools HD Series interfaces completely integrate with Pro ToolsHD, so you get maximum performance, dependability, and complete control of your signal flow right from your Pro Tools software interface. Compatibility HD MADI works with the following host audio systems: Avid-qualified Pro ToolsHD family system running Pro Tools HD 8.1 or higher software Any third-party system that supports Core Audio or ASIO drivers |
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| Rme Digiface Usb Audio Interface 66 Channel Madi Optical Adat Spdif 192 Khz New Product
This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers di...(+) This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB. Connectivity - 66 channels: 32 in / 34 out - 4 x ADAT/SPDIF Input - 4 x ADAT/SPDIF Output - 1 x Phones TRS Stereo Output - TotalMix - No external power supply required Specifications - Inputs:4 x ADAT/SPDIF - Outputs:4 x ADAT/SPDIF / 1 x Phones TRS Stereo 6.3 mm - Clock modes: Internal, ADAT In, SPDIF In - Sample rates: 28 kHz up to 200 kHz - Jitter: < 1 ns, internal and all inputs - Jitter sensitivity: PLL operates even at 100 ns Jitter - TotalMix: 2244 channel mixer with 46-bit internal resolution - TotalMix: latency-free submixes and perfect ASIO Direct Monitoring - Interface: USB 2.0, bus-powered - Comes with DIGICheck, RME's ultimate measurement, analysis and test tool Drivers: Windows 7/8/10 (Multi-Client operation of ASIO and WDM) Mac OS X (10.6 or up, Core Audio) |
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| Rme Madiface Xt, Interface Audio Usb3 Madi 394 Canaux Dsp
Interface MADI USB 3.0, 394 canaux 192 kHzLa RME MADIface XT est la première interface au...(+) Interface MADI USB 3.0, 394 canaux 192 kHzLa RME MADIface XT est la première interface audio USB3 au monde, et la plus petite interface portable permettant d'accéder à des centaines de canaux audio, dans un format très compact. Pour une compatibilité encore plus large, la XT dispose également d'un port PCI Express pour la connexion à des cartes externes PCI Express, offrant la plus rapide des technologies d'aujourd'hui pour un nombre de canaux maximum et une très faible latence.Points forts- 196 entrées / 198 sorties- 2 entrées/sorties MADI optiques- 1 entrée/sortie MADI coaxiale- 2 entrées analogiques micro/ ligne (XLR/TRS)- 4 sorties analogiques (Main XLR + Phones)- 1 entrée/sortie AES/EBU via câble épanoui- 1 port MIDI via câble épanoui- 3 ports MIDI virtuels via les 3 ports MADILes 3 entrées/sorties de 64 canaux MADI s'accompagnent de 4 entrées/sorties MIDI, une entrée/sortie stéréo AES / EBU et un port word clock. Pour compléter le tout, 2 entrées micro / ligne haut de gamme à préamplis contrôlés numériquement, 2 sorties ligne symétriques et une sortie casque stéréo, ont été ajoutées, le tout à 192 kHz. Pour plus de souplesse, la télécommande Advanced Control Remote peut être utilisée (option). |
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| Spl Madison Interface Madi 16 + 16 Channels Analog Digital Converter Model 1260
The SPL Madison offers the pure SPL analog sound for every MADI equipped digital console, ...(+) The SPL Madison offers the pure SPL analog sound for every MADI equipped digital console, audio router and PC MADI card. With 16 input and 16 output channels in a single rack space, the Madison combines state of the art signal conversion with highly reliable clock and MADI processing. And as a true SPL unit it is simple to operate, easy to expand and, of course, an awesome sounding conversion system. FEATURES - 16 AD and 16 DA converters in 1U - Superb sounding converters with a sophisticated analog section on 36 V audio rails - 24 dBu professional output level - Best price/performance value - Up to 64 I/Os on 1 MADI port (4 units) - Latency-neutral MADI chaining - 44.1 to 192 kHz, ±10% vari-speed - SPL clock-shop for jitter-free operation - Ultra-compatible, always operational MADI IO with ultra low conversion latencies - Four directly selectable reference levels: 15/18/22/24 - Simple operation and setup right from the front panel controls - Ergonomic, distance-readable meters for clear level status indication of any I/O channel - Fanless, absolutely silent low-power design (max. 30 W) - Redundant power supply optionally - Four analog, 8-channel multicore DB 25 sockets (TASCAM industry standard) - Made in Germany |
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| Rme Interface Audio Avb Madi
Caractéristiques :- Interface audio avec MADI AVB- Routeur, préamplificateur de micropho...(+) Caractéristiques :- Interface audio avec MADI AVB- Routeur, préamplificateur de microphone et convertisseur AVB MADI combinés- Gigabit AVB permet 8 flux au format AM824 (Legacy AVB) ou au format AAF (compatible MILAN)- Départ et retour jusqu'à 128 canaux audio- SteadyClock FS- 4 entrées micro/ligne/instrument : Combo XLR / jack 6,3 mm- 2 sorties ligne : jack 6,3 mm symétriques- Sortie casque stéréo- Entrée et sortie de l'horloge Word Clock BNC- AVB RJ45- Entrée et sortie MADI coaxiale- Port USB 2.0- Format demi-rack 9,5- 1U- Inclus: Bloc d'alimentation externe |
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| Avid 9900-58670-00 Hd I O 16x16 Analog
The ideal choice for music productions-get the maximum complement of analog inputs and out...(+) The ideal choice for music productions-get the maximum complement of analog inputs and outputs (can be customized by replacing a card, but not expanded). High-quality analog I/O: - 16 analog inputs (using DB25) - 16 analog outputs (using DB25) Additional digital I/O: - 2 channels of AES/EBU I/O (supports 192 kHz singlewire) - 8 channels of ADAT I/O (supports S/MUX II and IV) |
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| Rme Option Timecode Hdsp9652 9632 Aes32 Madie Raydat Aio
Le module TCO est une extension optionnelle pour certaines cartes RME. Placé dans un empl...(+) Le module TCO est une extension optionnelle pour certaines cartes RME. Placé dans un emplacement libre du châssis de l'ordinateur, le TCO sera connecté à la carte principale via un câble plat.Module de synchronisation pour LTC et vidéoLe petit module fournit aux cartes HDSPe une entrée Word Clock et offre une synchronisation au LTC et à la vidéo. Grâce à SteadyClock (TM), le TCO extrait non seulement les positions absolues du LTC, mais aussi une horloge de mots très propre à faible gigue du LTC et de la vidéo. Ainsi, une synchronisation précise du timecode de l'échantillon avec les sources audio ou vidéo est assurée.Un seul TCO peut être utilisé avec différentes cartes HDSP / HDPe en même temps (multicarte), s'il est connecté à une carte prise en charge (voir graphique).Le LTC peut être dérivé et généré dans tous les formats courants, c'est-à-dire 24, 25, 30 et 29,97 trames; drop-frame ou non-dropframe. Les formats Pull-Up et Pull-Down couramment utilisés (+/- 0,1% et +/- 4%) peuvent être utilisés, et les formats vidéo PAL et NTSC seront automatiquement détectés et traités.Le code temporel reçu peut être envoyé à l'application audio ou vidéo en tant que protocole de positionnement ASIO (APP) ou MTC. Une application peut envoyer APP ou MTC au TCO, ce qui générera le LTC au niveau matériel avec la gigue la plus faible (pas de routine de logiciel / pilote). Plusieurs fonctions de volant facilitent le fonctionnement de la poursuite (longueur d'abandon réglable, synchronisation continue ou Jam).Sous Windows, le TCO fournit la position SMPTE comme APP (ASIO Positioning Protocol) et comme MTC Sync. Sous Mac OS X, le TCO fournit la position SMPTE en tant que synchronisation MTC uniquement.Le TCO a une entrée Word Clock / Vidéo (BNC) commutable combinée ainsi qu'une entrée LTC (BNC). L'entrée Word Clock / Vidéo sur la carte peut être facilement terminée (contrôlée par relais) avec une terminaison de 75 Ohms dans la boîte de dialogue des paramètres.Le TCO dispose également d'une sortie LTC supplémentaire (BNC) avec deux paramètres de niveau (configurable via un cavalier). |
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| Avid 9900-58669-40 Hd I O 8x8x8
The perfect choice when you need a balance of analog and digital I/O for your music or pos...(+) The perfect choice when you need a balance of analog and digital I/O for your music or post-production projects, with the option to expand your I/O. High-quality analog I/O: - 8 analog inputs (using DB25) - 8 analog outputs (using DB25) Versatile digital I/O: - 8 channels of AES/EBU I/O (supports 192 kHz single-wire and dual-wire) - 8 channels of TDIF I/O - 8 channels of ADAT I/O (supports S/MUX II and IV) Additional digital I/O: - 2 channels of AES/EBU I/O (supports 192 kHz singlewire) - 2 channels of S/PDIF I/O - 8 channels of ADAT I/O (supports S/MUX II and IV) One empty bay for I/O expansion |
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ACCESSORIES - STUDIO/LIVE
