O Sole Mio (Richards)

Arrangeur: Richards. Par TRADITIONNEL. / Niveau : Assez Facile / Répertoire / Saxhorn en Sib et Piano

Arrangeur: Richards. Par TRADITIONNEL. / Niveau : Assez Facile / Répertoire / Trombone et Piano

Arrangeur: Richards. Par TRADITIONNEL. / Niveau : Assez Facile / Répertoire / Cor en Mib et Piano

Par MOZART WOLFGANG AMADEUS. Préparé à partir de manuscrit original du compositeur par l'éminent spécialiste de Mozart, Richard Maunder, c'est la première édition moderne de Urtext de Mozart Vesperae solennes de confessore K339./ Répertoire / Chorale

Par SUPERGRASS. Le suivi album du Supergrass ' je devrait coco ' prend un peu plus loin dans les domaines du rock, des chansons comme 'Richard III' et ' Le soleil frappe le ciel ' apparaissent plus gros, plus complète et plus arrondie (comme les favoris du Gaz) que les pistes de l'album précédent. Cet ouvrage contient la transcription ' note-pour-note ' authentique arrangée pour la guitare avec la notation, tablature, accords, diagrammes, paroles et une ligne de mélodie. / Rép International / Tablatures / Guitare Tablatures

Apportez vos chansons préférées de la maison musicale avec vous ! Avec cette singalong système complet, on peut chanter avec votre propre partenaire duo aux pistes de soutien ou chantons avec les chanteurs professionnels préenregistrés ! Ce spectacle les airs edition comprend une variété d'amour classique & duos de comédie, tels que je saurai de gars et poupées, soleil et la lune de Miss Saigon, argent, argent de Cabaret et 7 autres soigneusement sélectionnés chansons pour aider à développer votre style vocal. Sont également inclus les 2 CD avec des morceaux de démonstration complète chantées par les chanteurs de West End professionnels pour vous aider à perfectionner vos performances ! / Piano/Vocal/Guitare (PVG) / 64 pages / Partition + Cd

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie