Sonata E Due Canzoni

ISBN 825890977. Transcribed by Christopher Buchanan. Giovanni Gabrieli (c. 1555-1612), perhaps best known for his many published motets and instrumental canzoni, spent the majority of his career as organist at Venice's Basilica San Marco. Sonata XVIII survives in the 1615 print Canzoni et Sonate (RISM G88), compiled and edited posthumously by a Father P. Thaddeo, Gabrieli's confessor (likely assisted by Alvise Grani, who is credited with the same for Symphoniae Sacrae II). The work is scored for 3 choirs, with rubrics indicating the use of 4 cornetti and 10 tromboni. The present edition is based on a copy of RISM G88 located in the Staatsbibliothek Augsburg. All notes and accidentals are true to the print; ficta and optional ornamentation based on the treatises of Bassano and Dalla Casa are located above the staff. Substitute parts are available in PDF form from the publisher by request.

Recorder; Chamber Music for Mixed Ensembles; Early Music

SKU: UT.FL-8

Composed by Giovanni Picchi. Edited by Nicola Sansone. Saddle stitching. Recorder. Classical. Score and Parts. Ut Orpheus #FL 8. Published by Ut Orpheus (UT.FL-8).

ISBN 9790215315976. 9 x 12 inches.

Sonata IX per 2 Violini, Flauto Dolce e Basso Continuo; Sonata XVI per 2 Flauti Dolci, 2 Tromboni e Basso Continuo; Canzone X per 2 Violini, 2 Flauti, Trombone, Fagotto e Basso Continuo

(per due flauti dolci e basso continuo). By Biagio Marini (1587-1663). For 2 descant recorders, basso continuo. Czech title: Sonata e due canzoni (per due flauti dolci e basso continuo). Classical. Performance score and parts. Published by Editio Baerenre. performance score and parts. Classical.

Chamber Music Horn, Organ, Trombone, Trumpet

SKU: PR.114417440

Composed by Giovanni Gabrieli. Arranged by Travis Freshner. Baroque. Set of Score and Parts. With Standard notation. Composed 2015. 8+2+2+2 pages. Duration 3 minutes. Theodore Presser Company #114-41744. Published by Theodore Presser Company (PR.114417440).

UPC: 680160633715.

A composer who wears many musical hats, from editor to band director and more, Freshner presents a solid arrangement of a 17th century work by the early master Giovanni Gabrieli. Originally for three violins (Sonata con tre violini [XXI from Canzoni et Sonate, 1615]), Freshner's setting features a brass trio over an organ foundation.

Chamber Music Horn, Organ, Trombone, Trumpet

SKU: PR.11441744S

Composed by Giovanni Gabrieli. Arranged by Travis Freshner. Baroque. Full score. With Standard notation. Composed 2015. 8 pages. Duration 3 minutes. Theodore Presser Company #114-41744S. Published by Theodore Presser Company (PR.11441744S).

UPC: 680160633739.

A composer who wears many musical hats, from editor to band director and more, Freshner presents a solid arrangement of a 17th century work by the early master Giovanni Gabrieli. Originally for three violins (Sonata con tre violini [XXI from Canzoni et Sonate, 1615]), Freshner's setting features a brass trio over an organ foundation.

By Biagio Marini (1587-1663). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali

Octet

SKU: BR.MR-1542

Composed by Giovanni Gabrieli. Edited by Robert P. Block. Chamber music; stapled. Musica Rara. Renaissance/early Baroque. Score and parts. 56 pages. Breitkopf and Haertel #MR 1542. Published by Breitkopf and Haertel (BR.MR-1542).

ISBN 9790004482353. 9 x 12 inches.

Hidden away in Gabrieli's Sacrae Symphoniae of 1597, among forty-five vocal compositions, lie sixteen works that make up one of the first great monuments of instrumental ensemble music; fourteen canzoni and two sonatas that surpass any of their genre at that time, and that were only rarely matched in the following decades, most often by Gabrieli himself. Gabrieli must be credited with many firsts in regard to the development of the canzona and sonata: he was the first to write for more than eight parts, and first to deploy his forces polychorally. He was first to contrast polyphonic and homophonic writing, and duple and triple meter, within the same piece, and was a pioneer in the use of tone colour - and specified instrumentation - for dramatic musical effect. Egon Kenton, in his Life and Works of Giovanni Gabrieli (American Institute of Musicology, 1967) sees as well the seeds of the concerto grosso and the solo concerto in Gabrieli's use of tutti and solo writing and his setting off of soloistic upper parts against frankly accompanimental lower parts. lt would not stretch the point to add that Gabrieli fleshed out his many innovations with musical materials of a high order, and that he handled his materials with consummate skill.

Ensemble 10 insts and more

SKU: BR.MR-1551

Composed by Giovanni Gabrieli. Edited by Gerhard Krapf and Robert Paul Block. Chamber music. Musica Rara. Renaissance/early Baroque. Score. 114 pages. Breitkopf and Haertel #MR 1551. Published by Breitkopf and Haertel (BR.MR-1551).

ISBN 9790004482445. 9 x 12 inches.

Hidden away in Gabrieli's Sacrae Symphoniae of 1597, among forty-five vocal compositions, lie sixteen works that make up one of the first great monuments of instrumental ensemble music; fourteen canzoni and two sonatas that surpass any of their genre at that time, and that were only rarely matched in the following decades, most often by Gabrieli himself. Gabrieli must be credited with many firsts in regard to the development of the canzona and sonata: he was the first to write for more than eight parts, and first to deploy his forces polychorally. He was first to contrast polyphonic and homophonic writing, and duple and triple meter, within the same piece, and was a pioneer in the use of tone colour - and specified instrumentation - for dramatic musical effect. Egon Kenton, in his Life and Works of Giovanni Gabrieli (American Institute of Musicology, 1967) sees as well the seeds of the concerto grosso and the solo concerto in Gabrieli's use of tutti and solo writing and his setting off of soloistic upper parts against frankly accompanimental lower parts. lt would not stretch the point to add that Gabrieli fleshed out his many innovations with musical materials of a high order, and that he handled his materials with consummate skill.

For piano. Music For Millions: Volume 37. Format: piano solo book. With fingerings. Baroque, classical period, romantic period and 20th century. 160 pages. 9x12 inches. Published by Music Sales