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CRITERIA : Gymnopédies I, II and III (130) (Satie, Erik)

FLUTE › Satie, Erik

Trois Gymnopédies pour flûte et piano

Three Gymnopédies for Flute & Piano
Erik Satie
Flute and Piano

ViewPDF : 3 Gymnopedies for Piano & Flute (18 pages - 222.05 Ko)4,210x⬇

ViewPDF : 3 Gymnopedies for Piano & Flute (Piano Part with Flute-line) (230.77 Ko)

ViewPDF : 3 Gymnopedies for Piano & Flute (Flute Part) (145.47 Ko)

ViewPDF : 3 Gymnopedies for Piano & Flute (Piano Part) (183.12 Ko)

MP3 : principal audio (183.12 Ko)812x⬇ 5,503x

Trois Gymnopédies pour flûte et piano

MP3 (7.1 Mo) :

(by Magatagan, Michael)428x⬇ 534x

Trois Gymnopédies pour flûte et piano

MP3 (7.21 Mo) :

(by Magatagan, Michael)371x⬇ 394x

Trois Gymnopédies pour flûte et piano

MP3 (5.48 Mo) : (by Leonard Anderson)361x⬇ 523x

Video :

Composer	Satie, Erik (1866 - 1925)
Instrumentation	Flute and Piano
Sheet central	Gymnopédies I, II and III (130 sheet music) 4 other versions
Style	Romantic
Arranger	MAGATAGAN, MICHAEL (1960 - )
Publisher	MAGATAGAN, MICHAEL
Date	2/29/2012
Copyright	Public Domain
	Added by magataganm, 29 Feb 2012
Satie's Gymnopedies are what many consider to be the groundwork for today's ambient music; it's as ignorable as it is interesting (although, I find it hard to ignore such great music). These three beautiful pieces for acoustic piano and flute are calming, reflective, ethereal, relaxing, soothing, and elegant. Gymnopedie No. 1 - Lent et douloureux (slow and mournfully): With a hollow, but eerily warm melody gently floating atop an accompaniment of steady short-long rhythms,...(+) Satie's Gymnopedies are what many consider to be the groundwork for today's ambient music; it's as ignorable as it is interesting (although, I find it hard to ignore such great music). These three beautiful pieces for acoustic piano and flute are calming, reflective, ethereal, relaxing, soothing, and elegant. Gymnopedie No. 1 - Lent et douloureux (slow and mournfully): With a hollow, but eerily warm melody gently floating atop an accompaniment of steady short-long rhythms, Gymnopedie No. 1 is as expressive as it is transparent. Its simplicity and openness masterfully disguises its apparent dissonances. Gymnopedie No. 2 - Lent et triste (slow and sad): Gymnopedie No. 2, although sharing the same short-long accompaniment in the left hand, the mood of this piece is entirely different from No. 1 and 3. Its lack of a commitment to a steady key leads the melody on a nebulous path wandering aimlessly through a series of chords. Gymnopedie No. 3 - Lent et grave (slowly and solemnly): Similar in melodic structure, Gymnopedie No. 3 is a minor key version of Gymnopedie No. 1. Its hypnotic-like accompaniment leads the listener in an almost out of body experience. If played as it is intended, the texture of this piece is as smooth as silk.

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