Digital Sheet Music
HOME |
NEW ADDITIONS |
PIANO |
GENRES |
ADV.SEARCH
Sheet Music Books
18
HOME |
NEW ADDITIONS |
GUITAR |
INSTRUMENTATIONS |
BEST SELLERS |
CHRISTMAS |
GENRES |
ADV.SEARCH
Music Equipment
GUITAR |
KEYBOARD |
PERCUSSION |
STUDIO |
SOFT |
PA |
LIGHT |
DJ |
MIC |
EFFECTS |
WINDS |
STRING & FOLK|
FLIGHT|
CABLES|
ACCESSORIES|
GIFT
|
BRANDS
|
ADV.SEARCH
Horatio Parker (1863 - 1919)
Horatio William Parker (September 15, 1863 – December 18, 1919) was an American composer, organist and teacher. He was a central figure in musical life in New Haven, Connecticut in the late 19th century, and is best remembered as the undergraduate teacher of Charles Ives while the composer attended Yale University .
He was born in Auburndale, Massachusetts. After early study in the United States with George Whitefield Chadwick and others, he went to Europe, a common destination for a young American composer in the 1880s. In Munich he studied with Josef Rheinberger; also in Munich he composed his first significant works, including a symphony and a dramatic cantata. After his return to the United States in 1885, he was for two years professor of music in the Cathedral School of St. Paul in Garden City, Long Island. From 1888 to 1893, he was organist of Trinity Church, New York City, and from 1893 to 1901 organist of Trinity Church, Boston. In 1893, Parker became professor of the theory of music at Yale University. He was appointed Dean of Music at that school in 1904, a position which he held for the rest of his life. Cambridge University bestowed on him the degree of Mus. Doc. in 1902. In 1915, he was elected as a national honorary member of Phi Mu Alpha Sinfonia Fraternity, the national fraternity for men in music. Parker died in Cedarhurst, New York.
Before leaving New York City in 1893, Parker had completed his oratorio, Hora Novissima, set to the opening words of De contemptu mundi by Bernard of Cluny. It was widely performed in America; and also in England, in 1899 at Chester, and at the Three Choirs Festival at Worcester, the latter an honour never before paid an American composer. European critics called it one of the finest of American compositions. While he is mostly remembered for this single work, he was a prolific and versatile composer in a mostly conservative Germanic tradition, writing two operas, songs, organ and incidental music, and a copious quantity of works for chorus and orchestra. Influences in his compositions include Mendelssohn, Brahms, Wagner, as well as Debussy and Elgar in some works which he composed closer to 1900. During his lifetime he was considered to be the finest composer in the United States, a superior craftsman writing in the most advanced style.
In 1892, Parker composed the hymn tune 'Auburndale' in celebration of the laying of the cornerstone of the new church building of the Episcopal parish he was baptised in, Parish of the Messiah. His father, Charles Parker, had been the architect for that congregation's chapel; famed Episcopal bishop Phillips Brooks laid the cornerstone. 'Auburndale' was later published in the 1916 Hymnal ('The Messiah Miracle: A History The Church of the Messiah of West Newton and Auburndale 1871–1971,' privately published, 1971).
Parker entered his opera, Mona, into a contest at the Metropolitan Opera winning the prize for best composition in 1911. He won 10,000 dollars and his opera was performed by the company. Mona premiered on March 14, 1912 and ran for four performances. The title role was created by Louise Homer. He won the Los Angeles $10,000 prize for his opera Fairyland. (Hide extended text) ... (Read all)
Source : Wikipedia
He was born in Auburndale, Massachusetts. After early study in the United States with George Whitefield Chadwick and others, he went to Europe, a common destination for a young American composer in the 1880s. In Munich he studied with Josef Rheinberger; also in Munich he composed his first significant works, including a symphony and a dramatic cantata. After his return to the United States in 1885, he was for two years professor of music in the Cathedral School of St. Paul in Garden City, Long Island. From 1888 to 1893, he was organist of Trinity Church, New York City, and from 1893 to 1901 organist of Trinity Church, Boston. In 1893, Parker became professor of the theory of music at Yale University. He was appointed Dean of Music at that school in 1904, a position which he held for the rest of his life. Cambridge University bestowed on him the degree of Mus. Doc. in 1902. In 1915, he was elected as a national honorary member of Phi Mu Alpha Sinfonia Fraternity, the national fraternity for men in music. Parker died in Cedarhurst, New York.
Before leaving New York City in 1893, Parker had completed his oratorio, Hora Novissima, set to the opening words of De contemptu mundi by Bernard of Cluny. It was widely performed in America; and also in England, in 1899 at Chester, and at the Three Choirs Festival at Worcester, the latter an honour never before paid an American composer. European critics called it one of the finest of American compositions. While he is mostly remembered for this single work, he was a prolific and versatile composer in a mostly conservative Germanic tradition, writing two operas, songs, organ and incidental music, and a copious quantity of works for chorus and orchestra. Influences in his compositions include Mendelssohn, Brahms, Wagner, as well as Debussy and Elgar in some works which he composed closer to 1900. During his lifetime he was considered to be the finest composer in the United States, a superior craftsman writing in the most advanced style.
In 1892, Parker composed the hymn tune 'Auburndale' in celebration of the laying of the cornerstone of the new church building of the Episcopal parish he was baptised in, Parish of the Messiah. His father, Charles Parker, had been the architect for that congregation's chapel; famed Episcopal bishop Phillips Brooks laid the cornerstone. 'Auburndale' was later published in the 1916 Hymnal ('The Messiah Miracle: A History The Church of the Messiah of West Newton and Auburndale 1871–1971,' privately published, 1971).
Parker entered his opera, Mona, into a contest at the Metropolitan Opera winning the prize for best composition in 1911. He won 10,000 dollars and his opera was performed by the company. Mona premiered on March 14, 1912 and ran for four performances. The title role was created by Louise Homer. He won the Los Angeles $10,000 prize for his opera Fairyland. (Hide extended text) ... (Read all)
Source : Wikipedia
FREE SHEET MUSIC
Méthode pour le Décacorde, Op. 293
Active criterias:
Search
