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Sancho, José
(1860 - 1924)
27 sheet music
30 MP3 - 26 MIDI
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Lyric Pieces, Book IV - Op. 47
INSTRUMENTATIONS :
PIANO
› Piano solo
5
Original
ORCHESTRA - BAND
› Orchestra
1
Original
VIOLIN - FIDDLE
› Violin and Piano
2
› String Quartet
1
CLARINET
› Quintet : Clarinet, 2 Violins, Viola, Cello
1
› 2 Clarinets (Duet)
1
› Flute and Clarinet
1
› 2 clarinets (B-flat) and 1 bass clarinet
1
FLUTE
› Flute, Clarinet and Bass Clarinet
1
› Wind Quartet: Flute, Oboe, Clarinet, Bassoon
1
› Flute solo
1
› Flute and Piano
1
› 2 flutes, 1 clarinet
1
CELLO - VIOLONCELLO
› Cello, Piano
1
OBOE
› Oboe solo, String quartet
1
› Oboe, Clarinet, Bassoon
1
+9
instrumentations
Retract
ARRANGERS :
› Sousa, John Philip
Original
3
› Dewagtere, Bernard
1
› Goltermann, Georg
1
› MAGATAGAN, MICHAEL
7
› Montreuille, Pierre
1
› Sitt, Hans
1
› Wheelwright, Lance
6
› Not attributed
1
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LISTING & CRITERIA
27
COMPOSITIONS A-Z
26
ARRANGEMENTS A-Z
1
INSTRUMENTATIONS
Total audio plays : 38,328
CRITERIA :
Instrumentations
Guitar solo (standard notation)
25
2 Guitars (Duet)
2
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20
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21
Romantic
4
Waltz
1
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1
Composer
José Sancho
Arrangers
Sancho, José
1
Partition centrale
Op. 47, Pièces Lyriques, Livre IV
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José Sancho
(1860 - 1924)
Guitarrista y compositor español, que fue uno de
los componentes de la "Estudiantina Figaro",
fundada y dirigida por Domingo Granados y después
por Carlos García Tolsa. Prat lo cita en su
Diccionario:
"El guitarrista Sancho había encontrado en la
'Estudiantina Figaro' la manera de complacer su
espíritu bohemio, viajando continuamente sin
radicarse nunca del todo. Form&oacut
e; parte de ella
hasta
que se disolvió. A partir de este momento,
emprende una gira por toda la América, quedándose
por
unos años en los Estados Unidos. Sancho, como
ejecutante, era el reflejo fiel de su música:
correcto
y de convicción, dentro del género que cultivaba.
Es decir, el guitarrista indicado para despertar
simpatía hacia el instrumento. En el año 1904 deja
Norte América y se traslada a Buenos Aires,
donde se le publican cuarenta obras, en su mayoría
originales. En las de carácter bailable se nota el
sello de su maestro de composición, Carlos García,
aunque no tan complicadas ni didácticas, siendo
esto quizá una visión más real de su cometido. En
otras adviértese recuerdos de aires tomados al
pasar por distintos países. Pero donde alcanza
mayor altura es en la que denominamos música de
salón: 'Gavote intantil', 'Bolero', 'Brisas del
Turia' (jota dedicada a su amigo colega el
guitarrista
Juan Pastor), 'Balada', 'Noche tropical' y
'Melodía Nocturna' (estas dos del mismo corte y la
última
dedicada al colega Romulo Tromboso); la canción
guatemalteca 'A una flor' (es de la misma
estructura guitarrística de las citadas).
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José Sancho
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Lyric Pieces, Book IV, Op. 47
← CRITERIA Lyric Pieces, Book IV, Op. 47 (21) - José Sancho
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