 | Albinoni, Tomaso - Sonata in D Minor for Oboe & Strings Op. 4 No. 1 Hautbois, Quatuor à cordes |
VoirPDF : Sonata in D Minor (Op. 4 No. 1) for Oboe & Strings (18 pages - 354.06 Ko)116x⬇ VoirPDF : Violoncelle (74.89 Ko) VoirPDF : Hautbois (84.16 Ko) VoirPDF : Alto (74.64 Ko) VoirPDF : Violon 1 (93.05 Ko) VoirPDF : Violon 2 (78.79 Ko) VoirPDF : Conducteur complet (201.6 Ko) MP3 : Sonata in D Minor (Op. 4 No. 1) for Oboe & Strings 32x⬇ 390x
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| Compositeur : | Albinoni, Tomaso (1671 - 1751) | ||||
| Instrumentation : | Hautbois, Quatuor à cordes | ||||
| Genre : | Baroque | ||||
| Tonalité : | Ré mineur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 24 Mar 2021 Tomaso Giovanni Albinoni (1671 – 1751) was an Italian Baroque composer. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera composer, he is known today for his instrumental music, especially his concertos. He is also remembered today for a work called "Adagio in G minor", attributed to him but said to be written by Remo Giazotto, a modern musicologist and composer, who was a cataloger of the works of Albinoni. Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, which is surprising considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII). His first opera, Zenobia, regina de Palmireni, was produced in Venice in 1694. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany. In 1705, he married Margherita Rimondi; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time, he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe. Unlike most contemporary composers, he appears never to have sought a post at either a church or noble court, but then he had independent means and could afford to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich. Around 1740, a collection of Albinoni's violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time. However, it appears he lived on in Venice in obscurity; a record from the parish of San Barnaba indicates Tomaso Albinoni died in Venice in 1751, of diabetes mellitus. His instrumental music attracted great attention from Johann Sebastian Bach, who wrote at least two fugues on Albinoni's themes (Fugue in A major on a theme by Tomaso Albinoni, BWV 950, and Fugue in B minor on a theme by Tomaso Albinoni, BWV 951) and frequently used his basses for harmonic exercises for his pupils. Part of Albinoni's work was lost in World War II with the destruction of the Dresden State Library. As a result, little is known of his life and music after the mid-1720s. The famous Adagio in G minor, the subject of many modern recordings, is thought by some to be a musical hoax composed by Remo Giazotto. However, a discovery by musicologist Muska Mangano, Giazotto's last assistant before his death, has cast some doubt on that belief. Among Giazotto's papers, Mangano discovered a modern but independent manuscript transcription of the figured bass portion, and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken". This provides support for Giazotto's account that he did base his composition on an earlier source. Source: Wikipedia (https://en.wikipedia.org/wiki/Tomaso_Albinoni). Although originally composed for Violin & Basso Continuo , I created this Interpretation of the Sonata in D Minor (Op. 4 No. 1) for Oboe & Strings (2 Violins, Viola & Cello). Partition centrale : | Sonate da chiesa (8 partitions) | | |||
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