 | Bach, Johann Sebastian - Adagio from the Sonata in F Minor for Harp (BWV 1018 No. 3) Harpe |
VoirPDF : Adagio from the Sonata in F Minor (BWV 1018 No. 3) for Harp (5 pages - 147.01 Ko)230x⬇ MP3 : Adagio from the Sonata in F Minor (BWV 1018 No. 3) for Harp 40x⬇ 668x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Harpe | ||||
| Genre : | Baroque | ||||
| Tonalité : | Fa mineur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 16 Aoû 2017 Johann Sebastian Bach (1685 – 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his mastery of counterpoint, harmonic and motivic organization, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which approximately two hundred survive.His music is revered for its technical command, artistic beauty, and intellectual depth. While Bach's abilities as an organist were highly respected during his lifetime, he was not widely recognised as an important composer until a revival of interest in his music during the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time. The fifth of J.S. Bach's six authentic sonatas for violin and harpsichord (BWV 1014 - 1019), the Sonata in F minor, BWV 1018, is not the full-blown formal experiment that its immediate successor BWV 1019 in G major is; nor does it offer such stylistic deviation as we find in its immediate predecessor BWV 1017 in C minor. In its own quiet way, however, the Sonata in F minor, BWV 1018, breaks the mold firmly established by the first three of the six violin/harpsichord sonatas. Melody as we usually understand it is altogether absent throughout the Adagio third movement. Instead, there is a rich four-voice texture divided into two pairs: the violin takes one of the pairs and sets it up as pulsating double-stops, the harpsichord takes the other pair and sets it up as two opposing voices of thirty-second-note bursts. Source: AllMusic (http://www.allmusic.com/composition/sonata-for-violin- keyboard-no-5-in-f-minor-bwv-1018-mc0002365774). Although originally written for Violin & Harpsichord, I created this Arrangement of the Adagio from the Sonata No. 5 in F Minor (BWV 1018 No. 3) for Solo Concert (Pedal) Harp. Partition centrale : | 6 Sonates pour violon et clavier (40 partitions) | | |||
