 | Schubert, Franz Peter - "Liebesrausch" for Flute & Strings D.179 Flûte et Quatuor à cordes |
VoirPDF : "Liebesrausch" (D.179) for Flûte & Strings (7 pages - 200.12 Ko)17x⬇ VoirPDF : Violoncelle (59.02 Ko) VoirPDF : Flûte (59.74 Ko) VoirPDF : Alto (61.77 Ko) VoirPDF : Violon 1 (63.03 Ko) VoirPDF : Violon 2 (63.42 Ko) VoirPDF : Conducteur complet (140.63 Ko) MP3 : "Liebesrausch" (D.179) for Flute & Strings 4x⬇ 14x
Liebesrausch for Flute & Strings
MP3 (2.3 Mo) : (par MAGATAGAN, MICHAEL)7x⬇ 7x
Vidéo :
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| Compositeur : | Schubert, Franz Peter (1797 - 1828) | ||
| Instrumentation : | Flûte et Quatuor à cordes | ||
| Genre : | Classique | ||
| Tonalité : | Sol majeur | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 15 Nov 2023 Franz Peter Schubert (1797 – 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art song "Erlkönig", the Piano Trout Quintet in A major, the unfinished Symphony No. 8 in B minor, the "Great" Symphony No. 9 in C major, a String Quintet, the three last piano sonatas, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin and Winterreise. He was remarkably prolific, writing over 1,500 works in his short career. His compositional style progressed rapidly throughout his short life. The largest number of his compositions are songs for solo voice and piano (roughly 630). This song has some of the pulsating magic of Nähe des Geliebten written a few months earlier. The glory of it lies in the impassioned and taut vocal line (which irresistibly recalls Ungeduld from Die schöne Müllerin) and the chromatic vigour of the underpinning bass. The movement of the rich and significant inner voices in the postlude brings Nähe des Geliebten, as well as the opening of Memnon, to mind). There is rapture and pain here a-plenty with wrenching modulations which make this seem very much a young man's music. A picture of Körner himself is obviously in the composer's mind. Having captured his essence, Schubert set about writing another song on the same day which is equally evocative of Körner's mercurial personality, Sehnsucht der Liebe. Source: Hyperion (https://www.hyperion-records.co.uk/dw.asp?dc=W2308_GBA JY8900406) Although originally composed for Voice & Piano, I created this Interpretation of "Liebesrausch" (Rush of love D.179) for Flute & Strings (2 Violins, Viola & Cello). | |||
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