 | Franck, Cesar - "Domine non secundum" for Woodwind Quartet & Piano (FWV 66) Flute, Hautbois, Clarinette, Bassoon, Piano |
VoirPDF : "Domine non secundum" (FWV 66) for Woodwind Quartet & Piano (4 pages - 358.55 Ko)164x⬇ VoirPDF : All Parts (431.19 Ko) MP3 : "Domine non secundum" (FWV 66) for Woodwind Quartet & Piano 42x⬇ 535x
Vidéo :
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| Compositeur : | Franck, Cesar (1822 - 1890) | ||||
| Instrumentation : | Flute, Hautbois, Clarinette, Bassoon, Piano | ||||
| Genre : | Romantique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Date : | 1871 | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 07 Oct 2018 César-Auguste-Jean-Guillaume-Hubert Franck (1822 – 1890) was a composer, pianist, organist, and music teacher who worked in Paris during his adult life. He was born at Liège, in what is now Belgium (though at the time of his birth it was part of the United Kingdom of the Netherlands). He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha. After a brief return to Belgium, and a disastrous reception to an early oratorio Ruth, he moved to Paris, where he married and embarked on a career as teacher and organist. He gained a reputation as a formidable improviser, and travelled widely in France to demonstrate new instruments built by Aristide Cavaillé-Coll. In 1858 he became organist at Sainte-Clotilde, a position he retained for the rest of his life. He became professor at the Paris Conservatoire in 1872; he took French nationality, a requirement of the appointment. His pupils included Vincent d'Indy, Ernest Chausson, Louis Vierne, Charles Tournemire, Guillaume Lekeu and Henri Duparc. After acquiring the professorship Franck wrote several pieces that have entered the standard classical repertoire, including symphonic, chamber, and keyboard works. This motet, written for Lent, sets individual verses from Psalms 102 and 78, also found in a similar compilation as a tract on Ash Wednesday. From the original scoring indication of “TRIO pour Soprano, Ténor et Basse avec accomp[agnemen]t d’Orgue”, we can conclude that Franck also envisaged a solo performance of this work. With its simple singability in the vocal parts and the well-balanced formal layout, the piece has many similarities with works by Mozart and Schubert. Source: Carus (https://www.carus-verlag.com/en/choir/sacred-choral-mu sic/c-sar-franck-domine-non-secundum.html ). Although originally created for Accompanied chorus (STB), I created this Arrangement of the "Domine non secundum" (FWV 66) for Woodwind Quartet (Flute, Oboe, Bb Clarinet & Bassoon) & Piano. Partition centrale : | Domine non secundum (3 partitions) | | |||
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