Free-scores.com : Bach, Johann Sebastian - Aria: "So preiset den Höchsten, den König des Himmels" for Double-Reed Trio & Strings (Double-anche & Cordes)

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CRITÈRES : Lobt ihn mit Herz und Munde, BWV 220 No 2 (7) (Bach, Johann Sebastian)

HAUTBOIS › Bach, Johann Sebastian

Aria: "So preiset den Höchsten, den König des Himmels" for Double-Reed Trio & Strings
BWV 220 No 2
Johann Sebastian Bach
Double-anche & Cordes

VoirPDF : Aria: "So preiset den Höchsten, den König des Himmels" (BWV 220 No 2) for Double-Reed Trio & Strings (5 pages - 133.1 Ko)214x⬇

MP3 : Aria: "So preiset den Höchsten, den König des Himmels" (BWV 220 No 2) for Double-Reed Trio & Strings 23x⬇ 196x

Vidéo :

Compositeur	Bach, Johann Sebastian (1685 - 1750)
Instrumentation	Double-anche & Cordes
Partition centrale	Lobt ihn mit Herz und Munde (7 partitions)
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Copyright © Mike Magatagan
	Ajoutée par magataganm, 14 Janv 2017
Lobt ihn mit Herz und Munde (Praise him with heart and voice), BWV 220,[a] is a church cantata by an unknown composer, formerly attributed to Johann Sebastian Bach Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. He enriched many established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from...(+) Lobt ihn mit Herz und Munde (Praise him with heart and voice), BWV 220,[a] is a church cantata by an unknown composer, formerly attributed to Johann Sebastian Bach Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. He enriched many established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Mass in B minor, the The Well-Tempered Clavier, his cantatas, chorales, partitas, Passions, and organ works. His music is revered for its intellectual depth, technical command, and artistic beauty. The Cantata "Lobt ihn mit Herz und Munden" (Praise Him with Heart and Voice) was written for the Feast of Nativity of St John the Baptist. It derives from a chorale by Ludwig Humbold and from Isaiah 61, verse 10 and was originally written for Alto, Tenor, Bass; 4-part Chorus (SATB), Flute, Oboes, Violins, Viola & continuo. Source: Wikipedia (https://musescore.com/mike_magatagan/aria-sich-in-gott -und-jesu-freuen-…). I created this arrangement of the first Aria: "So preiset den Höchsten, den König des Himmels" (So praise the Most High, the King of Heaven) for Double-Reed Trio (2 Oboes & English Horn) & Strings (2 Violins, Viola & Cello).

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