 | Strauss II, Johann - "Ich lade gern mir Gaste ein" from "Die Fledermaus" for Flute & Strings Act II No. 7 Flûte et Quatuor à cordes |
VoirPDF : "Ich lade gern mir Gaste ein" from "Die Fledermaus" (Act II No. 7) for Flûte & Strings (7 pages - 171.15 Ko)20x⬇ VoirPDF : Violoncelle (59.51 Ko) VoirPDF : Flûte (65.74 Ko) VoirPDF : Alto (59.24 Ko) VoirPDF : Violon 1 (66.42 Ko) VoirPDF : Violon 2 (62.52 Ko) VoirPDF : Conducteur complet (109.52 Ko) MP3 : "Ich lade gern mir Gaste ein" from "Die Fledermaus" (Act II No. 7) for Flute & Strings 3x⬇ 30x
Ich lade gern mir Gaste ein from Die Fledermaus for Flute & Strings
MP3 (2.5 Mo) : (par MAGATAGAN, MICHAEL)5x⬇ 11x
Vidéo :
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| Compositeur : | Strauss II, Johann (1825 - 1899) | ||
| Instrumentation : | Flûte et Quatuor à cordes | ||
| Genre : | Romantique | ||
| Tonalité : | Ré♭ majeur | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 19 Nov 2023 Johann Baptist Strauss II (1825 – 1899), also known as Johann Strauss Jr., the Younger or the Son (German: Johann Strauß Sohn), was an Austrian composer of light music, particularly dance music and operettas as well as a violinist. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", "Frühlingsstimmen", and the "Tritsch-Tratsch-Polka". Among his operettas, Die Fledermaus and Der Zigeunerbaron are the best known. He was the son of Johann Strauss I and his first wife Maria Anna Streim. Two younger brothers, Josef and Eduard Strauss, also became composers of light music, although they were never as well known as their brother. Johann Strauss I's influence over the local entertainment establishments meant that many of them were wary of offering the younger Strauss a contract for fear of angering the father. Strauss Jr. was able to persuade Dommayer's Casino in Hietzing, a suburb of Vienna, to allow him to perform. The elder Strauss, in anger at his son's disobedience, and at that of the proprietor, refused to ever play again at Dommayer's Casino,[10] which had been the site of many of his earlier triumphs. Strauss made his debut at Dommayer's in October 1844, where he performed some of his first works, such as the waltzes "Sinngedichte", Op. 1 and "Gunstwerber", Op. 4 and the polka "Herzenslust", Op. 3. Critics and the press were unanimous in their praise of Strauss's music. A critic for Der Wanderer commented that "Strauss's name will be worthily continued in his son; children and children's children can look forward to the future, and three-quarter time will find a strong footing in him." Die Fledermaus (The Flittermouse or The Bat, sometimes called The Revenge of the Bat) is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. The original literary source for Die Fledermaus was Das Gefängnis (The Prison), a farce by German playwright Julius Roderich Benedix[1] that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, Le Réveillon, loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal.[2] Meilhac and Halévy had provided several successful libretti for Offenbach and Le Réveillon later formed the basis for the 1926 silent film So This Is Paris, directed by Ernst Lubitsch. In "Ich lade gern mir Gaste ein" ("I like to invite my guests" from Act II No. 7) Prince Orlofsky throws a large ball and invites many guests. He tells his guests to enjoy the party as he does, in their own way, and as long as they are not boring and continue to drink wine with him, he will not throw them out or throw bottles of wine at their heads. Source: Wikipedia (https://en.wikipedia.org/wiki/Die_Fledermaus) Although originally composed for Voice & Orchestra, I created this Interpretation of "Ich lade gern mir Gaste ein" ("I like to invite my guests" from "Die Fledermaus" Act II No. 7) for Flute & Strings (2 Violins, Viola & Cello). | |||
