ORCHESTREVivaldi, Antonio
Vivaldi, Antonio - "Stabat Mater" for Winds & Strings
RV 621
Vents & Orchestre Cordes


VoirPDF : "Stabat Mater" (RV 621) for Winds & Strings (60 pages - 1.15 Mo)135x
VoirPDF : Conducteur complet (577.28 Ko)
VoirPDF : Violon 2 (143.31 Ko)
VoirPDF : Violon 1 (149.45 Ko)
VoirPDF : Flûte (106.11 Ko)
VoirPDF : French Cor (133.84 Ko)
VoirPDF : Hautbois (103.14 Ko)
VoirPDF : Violoncelle (104.45 Ko)
VoirPDF : Bass (101.91 Ko)
VoirPDF : Basson (115.55 Ko)
VoirPDF : Alto (109.21 Ko)
VoirPDF : English Cor (100.73 Ko)
MP3 : "Stabat Mater" (RV 621) for Winds & Strings 36x 300x
MP3
Vidéo :
Compositeur :
Antonio Vivaldi
Vivaldi, Antonio (1678 - 1741)
Instrumentation :

Vents & Orchestre Cordes

Genre :

Baroque

Arrangeur :
Editeur :
Antonio Vivaldi
MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur :Public Domain
Ajoutée par magataganm, 23 Fév 2020

Antonio Vivaldi (1678 – 1741) was probably born in Venice, Italy. The priest Vivaldi, in view of his wild red hair often called “the red priest” (Il Preto Rosso), worked the largest part of his life as a music master at the Ospedale della Pietà in Venice, originally an orphanage for extra-marital girls. For an important part this may not only have influenced the score of his works (there were only women to play and sing), but could also be the reason for the fact that he frequently made use of easy to listen to melodies, as these were mostly intended for a young female audience. His most famous work, of course, is Le Quattro Stagioni (The Four Seasons). He died in Vienna, during one of his journeys. The first movement of Vivaldi’s Stabat Mater has been used in the soundtrack of the movie “The talented Mr.Ripley”.

During his lifetime, Vivaldi was popular in many countries throughout Europe, including France, but after his death his popularity dwindled. After the end of the Baroque period, Vivaldi's published concerti became relatively unknown, and were largely ignored. Even his most famous work, The Four Seasons, was unknown in its original edition during the Classical and Romantic periods.

In the early 20th century, Fritz Kreisler's Concerto in C, in the Style of Vivaldi (which he passed off as an original Vivaldi work) helped revive Vivaldi's reputation. This spurred the French scholar Marc Pincherle to begin an academic study of Vivaldi's oeuvre. Many Vivaldi manuscripts were rediscovered, which were acquired by the Turin National University Library as a result of the generous sponsorship of Turinese businessmen Roberto Foa and Filippo Giordano, in memory of their sons. This led to a renewed interest in Vivaldi by, among others, Mario Rinaldi, Alfredo Casella, Ezra Pound, Olga Rudge, Desmond Chute, Arturo Toscanini, Arnold Schering and Louis Kaufman, all of whom were instrumental in the revival of Vivaldi throughout the 20th century.

Vivaldi's Stabat Mater only uses the first ten stanzas of the hymn. The music (originally keyed in F Minor) is generally slow and melancholy, with allegro only being used once in the Amen, and all the other movements not going faster than andante. Movements 4, 5, and 6 are identical to the first three musically. Stabat Mater for solo alto and orchestra, RV 621, is a composition by the Italian baroque composer Antonio Vivaldi on one of the Sorrows of Mary. It was premiered around 1727.

Source: Wikipedia (https://en.wikipedia.org/wiki/Antonio_Vivaldi).

Although originally written for for Violins, Violas, Solo alto or Countertenor and Basso continuo, I created this Interpretation of the "Stabat Mater" (RV 621) for Winds (Flute, Oboe, English Horn, French Horn & Bassoon) & Strings (2 Violins, Viola, Cello & Bass).
Partition centrale :Stabat Mater (4 partitions)
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