 | Rimsky-Korsakov, Nikolai - Aria from Sadko for Oboe & Strings Hautbois, Quatuor à cordes |
VoirPDF : Aria from Sadko for Oboe & Strings (8 pages - 176.24 Ko)248x⬇ VoirPDF : Violoncelle (54.6 Ko) VoirPDF : Hautbois (56.08 Ko) VoirPDF : Alto (58.7 Ko) VoirPDF : Violon 1 (59.66 Ko) VoirPDF : Violon 2 (55.36 Ko) VoirPDF : Conducteur complet (126.28 Ko) MP3 : Aria from Sadko for Oboe & Strings 62x⬇ 649x
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| Compositeur : | Rimsky-Korsakov, Nikolai (1844 - 1908) | ||||
| Instrumentation : | Hautbois, Quatuor à cordes | ||||
| Genre : | Romantique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 27 Oct 2017 Nikolai Andreyevich Rimsky-Korsakov (1844 – 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects. Sadko, Rimsky-Korsakov's operatic masterpiece, opened at the Solodonikov Theater in Moskow on December 26, 1897. It is an opera in seven tableaux or scenes. Based on Russian bilini legends written about the life of a bard and hero who lived in twelfth century Novgorod, it combines the fantastical and imaginary world of Sea Kings, nymphs, and golden fish, with the daily life of Sadko and his fellow merchants of the sea. Rimsky-Korsakov uses many Russian folk tunes throughout the opera, and in several places he uses actual bilini formulae from the ancient songs to construct the melodies of his recitatives and arias. He wrote his own libretto with the help of several other Russian writers, including Stasov, Yastrebtsev, Shtrup, Findeyzen, and Vladimir Nikolayevich Bel'sky. The composer began writing music based on the story of Sadko in 1867, with the composition of his tone poem Episode from the legend of Sadko. It quickly became a national favorite in Russia, and much of the music of the symphonic poem was used in the score to the opera. A central theme throughout the opera is the sea. Much of the music depicts the various moods of the sea, and gives the listener pictorial images of the open water. Recurring motifs, themes, and atmospheric orchestral writing bind the opera together and conjure up romantic images. For much of his life, Rimsky-Korsakov combined his composition and teaching with a career in the Russian military—at first as an officer in the Imperial Russian Navy, then as the civilian Inspector of Naval Bands. He wrote that he developed a passion for the ocean in childhood from reading books and hearing of his older brother's exploits in the navy. This love of the sea might have influenced him to write two of his best-known orchestral works, the musical tableau Sadko (not to be confused with his later opera of the same name) and Scheherazade. Through his service as Inspector of Naval Bands, Rimsky-Korsakov expanded his knowledge of woodwind and brass playing, which enhanced his abilities in orchestration. He passed this knowledge to his students, and also posthumously through a textbook on orchestration that was completed by his son-in-law, Maximilian Steinberg. Source: Wikipedia (https://en.wikipedia.org/wiki/Nikolai_Rimsky-Korsakov) . Although originally written for Voice & Piano, I created this interpretation for Oboe & Strings (2 Violins, Viola & Cello). Partition centrale : | Sadko (9 partitions) | | |||
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