 | Chabrier, Emmanuel - "Idylle" from "10 Pièces Pittoresques" for Oboe & Piano No. 6 Hautbois, Piano (clavier) |
VoirPDF : "Idylle" (No. 6) from "10 Pièces Pittoresques" for Oboe & Piano (14 pages - 355.96 Ko)206x⬇ VoirPDF : Hautbois (83.27 Ko) VoirPDF : Piano (153.14 Ko) VoirPDF : Conducteur complet (228.67 Ko) MP3 : "Idylle" (No. 6) from "10 Pièces Pittoresques" for Oboe & Piano 18x⬇ 245x
Vidéo :
![]()
![]()
| Compositeur : | Chabrier, Emmanuel (1841 - 1894) | ||||
| Instrumentation : | Hautbois, Piano (clavier) | ||||
| Genre : | Classique | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 02 Nov 2020 Alexis-Emmanuel Chabrier (1841 – 1894) was a French Romantic composer and pianist. His bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator and a catalyst who paved the way for French modernism. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty-three from a neurological disease, probably caused by syphilis. Like many progressively-minded French composers of the time, Chabrier was greatly interested in the music of Wagner. As a young man he had copied out the full score of Tannhäuser to gain an insight into the composer's creative process. On a trip to Munich with Henri Duparc and others in March 1880, Chabrier first saw Wagner's opera Tristan und Isolde; he wrote to the personnel director at the ministry saying he had to go to Bordeaux on private matters, but in confidence confessed that for ten years he had wanted to see and hear Wagner's opera, and promised that he would back at his desk the following Wednesday. D'Indy, who was among the group, recorded that Chabrier was moved to tears at hearing the music, saying of the prelude, "I have waited ten years of my life to hear that A in the cellos". This event led Chabrier to conclude that he must single-mindedly pursue his vocation as a composer, and after several periods of absence he left the Ministry of the Interior in late 1880. In a 2001 study, Steven Huebner writes that there may have been additional factors in Chabrier's decision: "the growing momentum of his musical career … his high hopes for the Gwendoline project, and the first signs of a nervous disorder, probably the result of a syphilitic condition, that would claim his life 14 years later." Chabrier died in Paris at the age of fifty-three from a neurological disease, probably caused by syphilis. Source: Wikipedia (https://en.wikipedia.org/wiki/Emmanuel_Chabrier) Although originally written for Piano, I created this Interpretation of "Idylle" (No. 6) from "10 Pièces Pittoresques" for Oboe & Piano. Partition centrale : | 10 Pièces pittoresques (7 partitions) | | |||
