 | Rheinberger, Josef Gabriel - Stabat Mater in G Minor for Winds & Strings Opus 138 Vents & Orchestre Cordes |
VoirPDF : Stabat Mater in G Minor (Opus 138) for Winds & Strings (30 pages - 616.91 Ko)38x⬇ VoirPDF : Basson (94.75 Ko) VoirPDF : Violoncelle (91.98 Ko) VoirPDF : Flûte (95.37 Ko) VoirPDF : French Cor (95.9 Ko) VoirPDF : Hautbois (93.83 Ko) VoirPDF : Alto (95.35 Ko) VoirPDF : Violon 1 (95.69 Ko) VoirPDF : Violon 2 (91.82 Ko) VoirPDF : Conducteur complet (300.87 Ko) MP3 : Stabat Mater in G Minor (Opus 138) for Winds & Strings 4x⬇ 71x
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| Compositeur : | Rheinberger, Josef Gabriel (1839 - 1901) | ||||
| Instrumentation : | Vents & Orchestre Cordes | ||||
| Genre : | Romantique | ||||
| Tonalité : | Sol mineur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 18 Mar 2023 Josef Gabriel Rheinberger (1839 – 1901) was a Liechtensteiner organist and composer, residing in Bavaria for most of his life. Josef , whose father was the treasurer for Aloys II, Prince of Liechtenstein, showed exceptional musical talent at an early age. When only seven years old, he was already serving as organist of the Vaduz parish church, and his first composition was performed the following year. In 1849, he studied with composer Philipp M. Schmutzer (1821 – 1898) in Feldkirch, Vorarlberg. In 1851, his father, who had initially opposed his son's desire to embark on the life of a professional musician, relented and allowed him to enter the Munich Conservatorium. Not long after graduating, he became professor of piano and of composition at the same institution. When this first version of the Munich Conservatorium was dissolved, he was appointed répétiteur at the Court Theatre, from which he resigned in 1867. Rheinberger married his former pupil, the poet and socialite Franziska "Fanny" von Hoffnaass (eight years his senior) in 1867. The couple remained childless, but the marriage was happy. Franziska wrote the texts for much of her husband's vocal work. The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III. The title comes from its first line, "Stabat Mater dolorosa", which means "the sorrowful mother was standing". The hymn is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many Western composers. The Stabat Mater has often been ascribed to Jacopone da Todi, OFM (ca. 1230–1306), but this has been strongly challenged by the discovery of the earliest notated copy of the Stabat Mater in a 13th-century gradual belonging to the Dominican nuns in Bologna (Museo Civico Medievale MS 518, fo. 200v-04r). It was well known by the end of the 14th century and Georgius Stella wrote of its use in 1388, while other historians note its use later in the same century. In Provence, about 1399, it was used during the nine days' processions. As a liturgical sequence, the Stabat Mater was suppressed, along with hundreds of other sequences, by the Council of Trent, but restored to the missal by Pope Benedict XIII in 1727 for the Feast of the Seven Dolours of the Blessed Virgin Mary. Source: Wikipedia (https://imslp.org/wiki/Category:Rheinberger,_Josef_Gab riel). Although originally composed for Chorus (SATB) & Organ, I created this interpretation of Stabat Mater in G Minor (Opus 138) for Winds (Flute, Oboe, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello). Partition centrale : | Stabat Mater (4 partitions) | | |||
