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CRITÈRES : The Choice of Hercules, HWV 69 Mvt. 18 (16) (Haendel, Georg Friedrich)

ORCHESTRE › Haendel, Georg Friedrich

"Where shall I go?" for Winds & Strings
HWV 69 Mvt. 18
Georg Friedrich Haendel
Vents & Orchestre Cordes

VoirPDF : "Where shall I go?" (HWV 69 Mvt. 18) for Winds & Strings (13 pages - 464.63 Ko)36x⬇

VoirPDF : Basson (61.64 Ko)

VoirPDF : Violoncelle (61.65 Ko)

VoirPDF : Alto (60.92 Ko)

VoirPDF : Violon 1 (63.59 Ko)

VoirPDF : Violon 2 (63.39 Ko)

VoirPDF : Flûte (67.36 Ko)

VoirPDF : French Cor (62.14 Ko)

VoirPDF : Hautbois (68.05 Ko)

VoirPDF : Conducteur complet (368.22 Ko)

MP3 : "Where shall I go?" (HWV 69 Mvt. 18) for Winds & Strings 13x⬇ 17x

Vidéo :

Compositeur	Haendel, Georg Friedrich (1685 - 1759)
Instrumentation	Vents & Orchestre Cordes
Partition centrale	The Choice of Hercules (16 partitions) 15 autres versions
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 27 Janv 2023
George Frideric (or Frederick) Handel (1685 – 1759 ) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian B...(+) George Frideric (or Frederick) Handel (1685 – 1759 ) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. The Choice of Hercules (HWV 69) is an oratorio in one act (three scenes) by George Frideric Handel. Handel produced the score between 28 June and 5 July 1750. The first performance was given on 1 March 1751 at the Covent Garden Theatre, London with Cecilia Young as Virtue, Isabella Young as Hercules, and Thomas Lowe as attendant. The libretto is derived from the poem (1743) of Robert Lowth but revised, probably, by Thomas Morell. The story centres on the Choice of Hercules, in which the youthful Hercules must decide between the paths of pleasure and virtue. These are represented by two women who present their various arguments to Hercules, and his confusion is articulated in the trio Where shall I go?. The classical myth of "the choice of Hercules," as told by the 5th-century Athenian sophist Prodicus (Xenophon Memorabilia 2.1.21-34), anticipates that Hercules will choose to follow Virtue's path. And, indeed, the Chorus sings ( Chorus, 24) that "Virtue will place thee in that blest abode, Crown'd with immortal youth, Among the gods a god!" Source: Wikipedia (https://en.wikipedia.org/wiki/The_Choice_of_Hercules_( Handel)). Although originally composed for 2 Violins, Soprano and Basso Continuo, I created this Arrangement of "Where shall I go?" from the Choice of Hercules (HWV 69 Mvt. 18) for Winds (Flute, Oboe, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).

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