HAUTBOISBach, Johann Sebastian
Aria:
Bach, Johann Sebastian - Aria: "Menschen, glaubt doch dieser Gnade" for Oboe & Strings
BWV 7 No 6
Hautbois, Quatuor à cordes


VoirPDF : Aria: "Menschen, glaubt doch dieser Gnade" (BWV 7 No 6) for Oboe & Strings (4 pages - 301.47 Ko)249x
MP3 : Aria: "Menschen, glaubt doch dieser Gnade" (BWV 7 No 6) for Oboe & Strings 72x 270x
MP3
Vidéo :
Compositeur :
Johann Sebastian Bach
Bach, Johann Sebastian (1685 - 1750)
Instrumentation :

Hautbois, Quatuor à cordes

Genre :

Baroque

Arrangeur :
Editeur :
Johann Sebastian Bach
MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur :Public Domain
Ajoutée par magataganm, 16 Janv 2017

Christ unser Herr zum Jordan kam (Christ our Lord came to the Jordan), BWV 7,[a] is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Feast of St. John the Baptist and led the first performance on 24 June 1724. It is the third chorale cantata from his second annual cycle of chorale cantatas, based on Martin Luther's "Christ unser Herr zum Jordan kam", a hymn about baptism. Luther's first and last stanza are used unchanged (the former treated as a chorale fantasia, the latter as a four-part closing chorale) and an unknown librettist paraphrased the five inner stanzas into a corresponding number of recitatives and arias. The cantata is scored for three vocal soloists (alto, tenor and bass), a four-part choir, two oboes d'amore, two solo violins, strings and basso continuo.

Bach composed the cantata for St John's Day in Leipzig as the third cantata of his second annual cycle, which began about two weeks before with O Ewigkeit, du Donnerwort, BWV 20, for the first Sunday after Trinity. The cycle was devoted to Lutheran hymns, typically rendered by keeping their text of the first and last stanza, while a contemporary poet reworded the inner stanzas.

The structure of seven movements begins with a chorale fantasia and ends, after a sequence of alternating arias and recitatives, with a closing chorale as a four-part setting. Bach increased the number of accompanying instruments for the arias, from only continuo to two solo violins, finally to two oboes d'amore and the strings.

The cantata in seven movements is scored for three vocal soloists (alto (A), tenor (T) and bass (B)), a four-part choir (SATB), two oboes d'amore (Oa), two solo violins (Vs, the second one only introduced in a later performance), two violins (Vl), viola (Va) and basso continuo (Bc).

Source: Wikipedia (https://en.wikipedia.org/wiki/Christ_unser_Herr_zum_Jo rdan_kam,_BWV_7).

The last aria is sung by the alto with rich accompaniment: "Menschen, glaubt doch dieser Gnade" (People, believe this grace now,). The two oboes d'amore double the first violin when human beings are requested to accept the grace of God to not "perish in the pit of hell".

I created this arrangement of the last Aria: "Menschen, glaubt doch dieser Gnade" (People, believe this grace now) for Oboe & Strings (2 Violins, Viola & Cello).
Partition centrale :Christ unser Herr zum Jordan kam (3 partitions)
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